A Walker in the City

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by Alfred Kazin


  All my early life lies open to my eye within five city blocks. When I passed the school, I went sick with all my old fear of it. With its standard New York public-school brown brick courtyard shut in on three sides of the square and the pretentious battlements overlooking that cockpit in which I can still smell the fiery sheen of the rubber ball, it looks like a factory over which has been imposed the façade of a castle. It gave me the shivers to stand up in that courtyard again; I felt as if I had been mustered back into the service of those Friday morning "tests" that were the terror of my childhood.

  It was never learning I associated with that school: only the necessity to succeed, to get ahead of the others in the daily struggle to "make a good impression" on our teachers, who grimly, wearily, and often with ill-concealed distaste watched against our relapsing into the natural savagery they expected of Brownsville boys. The white, cool, thinly ruled record book sat over us from their desks all day long, and had remorselessly entered into it each day—in blue ink if we had passed, in red ink if we had not—our attendance, our conduct, our "effort," our merits and demerits; and to the last possible decimal point in calculation, our standing in an unending series of "tests"—surprise tests, daily tests, weekly tests, formal midterm tests, final tests. They never stopped trying to dig out of us whatever small morsel of fact we had managed to get down the night before. We had to prove that we were really alert, ready for anything, always in the race. That white thinly ruled record book figured in my mind as the judgment seat; the very thinness and remote blue lightness of its lines instantly showed its cold authority over me; so much space had been left on each page, columns and columns in which to note down everything about us, implacably and forever. As it lay there on a teacher's desk, I stared at it all day long with such fear and anxious propriety that I had no trouble believing that God, too, did nothing but keep such record books, and that on the final day He would face me with an account in Hebrew letters whose phonetic dots and dashes looked strangely like decimal points counting up my every sinful thought on earth.

  All teachers were to be respected like gods, and God Himself was the greatest of all school superintendents. Long after I had ceased to believe that our teachers could see with the back of their heads, it was still understood, by me, that they knew everything. They were the delegates of all visible and invisible power on earth—of the mothers who waited on the stoops every day after three for us to bring home tales of our daily triumphs; of the glacially remote Anglo-Saxon principal, whose very name was King; of the incalculably important Superintendent of Schools who would someday rubberstamp his name to the bottom of our diplomas in grim acknowledgment that we had, at last, given satisfaction to him, to the Board of Superintendents, and to our benefactor the Gty of New York—and so up and up, to the government of the United States and to the great Lord Jehovah Himself. My belief in teachers' unlimited wisdom and power rested not so much on what I saw in them—how impatient most of them looked, how wary—but on our abysmal humility, at least in those of us who were "good" boys, who proved by our ready compliance and "manners" that we wanted to get on. The road to a professional future would be shown us only as we pleased them. Make a good impression the first day of the term, and they'll help you out. Make a bad impression, and you might as well cut your throat. This was the first article of school folklore, whispered around the classroom the opening day of each term. You made the "good impression" by sitting firmly at your wooden desk, hands clasped; by silence for the greatest part of the live-long day; by standing up obsequiously when it was so expected of you; by sitting down noiselessly when you had answered a question; by "speaking nicely," which meant reproducing their painfully exact enunciation; by "showing manners," or an ecstatic submissiveness in all things; by outrageous flattery; by bringing little gifts at Christmas, on their birthdays, and at the end of the term—the well-known significance of these gifts being that they came not from us, but from our parents, whose eagerness in this matter showed a high level of social consideration, and thus raised our standing in turn.

  It was not just our quickness and memory that were always being tested. Above all, in that word I could never hear without automatically seeing it raised before me in gold-plated letters, it was our character. I always felt anxious when I heard the word pronounced. Satisfactory as my "character" was, on the whole, except when I stayed too long in the playground reading; outrageously satisfactory, as I can see now, the very sound of the word as our teachers coldly gave it out from the end of their teeth, with a solemn weight on each dark syllable, immediately struck my heart cold with fear—they could not believe I really had it. Character was never something you had; it had to be trained in you, like a technique. I was never very clear about it. On our side character meant demonstrative obedience; but teachers already had it—how else could they have become teachers? They had it; the aloof Anglo-Saxon principal whom we remotely saw only on ceremonial occasions in the assembly was positively encased in it; it glittered off his bald head in spokes of triumphant light; the President of the United States had the greatest conceivable amount of it. Character belonged to great adults. Yet we were constantly being driven onto it; it was the great threshold we had to cross. Alfred Kazin, having shown proficiency in his course of studies and having displayed satisfactory marks of character ... Thus someday the hallowed diploma, passport to my further advancement in high school. But there—I could already feel it in my bones—they would put me through even more doubting tests of character; and after that, if I should be good enough and bright enough, there would be still more. Character was a bitter thing, racked with my endless striving to please. The school—from every last stone in the courtyard to the batdements frowning down at me from the walls—was only the stage for a trial. I felt that the very atmosphere of learning that surrounded us was fake—that every lesson, every book, every approving smile was only a pretext for the constant probing and watching of me, that there was not a secret in me that would not be decimally measured into that white record book. All week long I lived for the blessed sound of the dismissal gong at three o'clock on Friday afternoon.

  I was awed by this system, I believed in it, I respected its force. The alternative was "going bad." The school was notoriously the toughest in our tough neighborhood, and the dangers of "going bad" were constantly impressed upon me at home and in school in dark whispers of the "reform school" and in examples of boys who had been picked up for petty thievery, rape, or flinging a heavy inkwell straight into a teacher's face. Behind any failure in school yawned the great abyss of a criminal career. Every refractory attitude doomed you with the sound "Sing Sing." Anything less than absolute perfection in school always suggested to my mind that I might fall out of the daily race, be kept back in the working class forever, or—dared I think of it?—fall into the criminal class itself.

  I worked on a hairline between triumph and catastrophe. Why the odds should always have felt so narrow I understood only when I realized how little my parents thought of their own lives. It was not for myself alone that I was expected to shine, but for them—to redeem the constant anxiety of their existence. I was the first American child, their offering to the strange new God; I was to be the monument of their liberation from the shame of being—what they were. And that there was shame in this was a fact that everyone seemed to believe as a matter of course. It was in the gleeful discounting of themselves—what do we know?—with which our parents greeted every fresh victory in our savage competition for "high averages," for prizes, for a few condescending words of official praise from the principal at assembly. It was in the sickening invocation of "Americanism"—the word itself accusing us of everything we apparently were not. Our families and teachers seemed tacitly agreed that we were somehow to be a little ashamed of what we were. Yet it was always hard to say why this should be so. It was certainly not—in Brownsville!—because we were Jews, or simply because we spoke another language at home, or were absent on our holy days. It was rather that a "refi
ned," "correct," "nice" English was required of us at school that we did not naturally speak, and that our teachers could never be quite sure we would keep. This English was peculiarly the ladder of advancement. Every future young lawyer was known by it. Even the Communists and Socialists on Pitkin Avenue spoke it. It was bright and clean and polished. We were expected to show it off like a new pair of shoes. When the teacher sharply called a question out, then your name, you were expected to leap up, face the class, and eject those new words fluently off the tongue.

  There was my secret ordeal: I could never say anything except in the most roundabout way; I was a stammerer. Although I knew all those new words from my private reading—I read walking in the street, to and from the Children's Library on Stone Avenue; on the fire escape and the roof; at every meal when they would let me; read even when I dressed in the morning, propping my book up against the drawers of the bureau as I pulled on my long black stockings—I could never seem to get the easiest words out with the right dispatch, and would often miserably signal from my desk that I did not know the answer rather than get up to stumble and fall and crash on every word. If, angry at always being put down as lazy or stupid, I did get up to speak, the black wooden floor would roll away under my feet, the teacher would frown at me in amazement, and in unbearable loneliness I would hear behind me the groans and laughter: tuh-tuh-tuh-tuh.

  The word was my agony. The word that for others was so effortless and so neutral, so unburdened, so simple, so exact, I had first to meditate in advance, to see if I could make it, like a plumber fitting together odd lengths and shapes of pipe. I was always preparing words I could speak, storing them away, choosing between them. And often, when the word did come from my mouth in its great and terrible birth, quailing and bleeding as if forced through a thornbush, I would not be able to look the others in the face, and would walk out in the silence, the infinitely echoing silence behind my back, to say it all cleanly back to myself as I walked in the streets. Only when I was alone in the open air, pacing the roof with pebbles in my mouth, as I had read Demosthenes had done to cure himself of stammering; or in the street, where all words seemed to flow from the length of my stride and the color of the houses as I remembered the perfect tranquillity of a phrase in Beethoven's Romance in F I could sing back to myself as I walked—only then was it possible for me to speak without the infinite premeditations and strangled silences I toiled through whenever I got up at school to respond with the expected, the exact answer.

  It troubled me that I could speak in the fullness of my own voice only when I was alone on the streets, walking about. There was something unnatural about it; unbearably isolated. I was not like the others! I was not like the others! At midday, every freshly shocking Monday noon, they sent me away to a speech clinic in a school in East New York, where I sat in a circle of lispers and cleft palates and foreign accents holding a mirror before my lips and rolling difficult sounds over and over. To be sent there in the full light of the opening week, when everyone else was at school or going about his business, made me feel as if I had been expelled from the great normal body of humanity. I would gobble down my lunch on my way to the speech clinic and rush back to the school in time to make up for the classes I had lost. One day, one unforgettable dread day, I stopped to catch my breath on a corner of Sutter Avenue, near the wholesale fruit markets, where an old drugstore rose up over a great flight of steps. In the window were dusty urns of colored water floating off iron chains; cardboard placards advertising hairnets, Ex-Lax; a great illustrated medical chart headed THE HUMAN FACTORY, which showed the exact course a mouthful of food follows as it falls from chamber to chamber of the body. I hadn't meant to stop there at all, only to catch my breath; but I so hated the speech clinic that I thought I would delay my arrival for a few minutes by eating my lunch on the steps. When I took the sandwich out of my bag, two bitterly hard pieces of hard salami slipped out of my hand and fell through a grate onto a hill of dust below the steps. I remember how sickeningly vivid an odd thread of hair looked on the salami, as if my lunch were turning stiff with death. The factory whistles called their short, sharp blasts stark through the middle of noon, beating at me where I sat outside the city's magnetic circle. I had never known, I knew instantly I would never in my heart again submit to, such wild passive despair as I felt at that moment, sitting on the steps before THE HUMAN FACTORY, where little robots gathered and shoveled the food from chamber to chamber of the body. They had put me out into the streets, I thought to myself; with their mirrors and their everlasting pulling at me to imitate their effortless bright speech and their stupefaction that a boy could stammer and stumble on every other English word he carried in his head, they had put me out into the streets, had left me high and dry on the steps of that drugstore staring at the remains of my lunch turning black and grimy in the dust.

  In the great cool assembly hall, dominated by the gold sign above the stage KNOWLEDGE IS POWER, the windowsills were lined with Dutch bulbs, each wedged into a mound of pebbles massed in a stone dish. Above them hung a giant photograph of Theodore Roosevelt. Whenever I walked in to see the empty assembly hall for myself, the shiny waxed floor of the stage dangled in the middle of the air like a crescent. On one side was a great silk American flag, the staff crowned by a gilt eagle. Across the dry rattling of varnish-smelling empty seats bowing to the American flag, I saw in the play of the sun on those pebbles wildly sudden images of peace. There was the other land, crowned by the severe and questioning face of Theodore Roosevelt, his eyes above the curiously endearing straw-dry mustache, behind the pince-nez glittering with light, staring and staring me through as if he were uncertain whether he fully approved of me.

  The light pouring through window after window in that great empty varnished assembly hall seemed to me the most wonderful thing I had ever seen. It was that thorough varnished cleanness that was of the new land, that light dancing off the glasses of Theodore Roosevelt, those green and white roots of the still raw onion-brown bulbs delicately flaring up from the hill of pebbles into which they were wedged. The pebbles moved me in themselves, there were so many of them. They rose up around the bulbs in delicately strong masses of colored stone, and as the sun fell between them, each pebble shone in its own light. Looking across the great rows of empty seats to those pebbles lining the windowsills, I could still smell summer from some long veranda surrounded by trees. On that veranda sat the family and friends of Theodore Roosevelt. I knew the name: Oyster Bay. Because of that picture, I had read The Boy's Life of Theodore Roosevelt; knew he had walked New York streets night after night as Police Commissioner, unafraid of the Tenderloin gangsters; had looked into Theodore Roosevelt's Letters to His Children, pretending that those hilarious drawings on almost every page were for me. There was America, I thought, the real America, his America, where from behind the glass on the wall of our assembly hall he watched over us to make sure we did right, thought right, lived right.

  "Up, boys! Up San Juan Hill!" I still hear our roguish old civics teacher, a little white-haired Irishman who was supposed to have been with Teddy in Cuba, driving us through our Friday morning tests with these shouts and cries. He called them "Army Navy" tests, to make us feel big, and dividing the class between Army and Navy, got us to compete with each other for a coveted blue star. Civics was city government, state government, federal government; each government had functions; you had to get them out fast in order to win for the Army or the Navy. Sometimes this required filling in three or four words, line by line, down one side of the grimly official yellow foolscap that was brought out for tests. (In the tense silence just before the test began, he looked at us sharply, the watch in his hand ticking as violently as the sound of my heart, and on command, fifty boys simultaneously folded their yellow test paper and evened the fold with their thumbnails in a single dry sigh down the middle of the paper.) At other times it meant true-or-false tests; then he stood behind us to make sure we did not signal the right answers to each other in the usual way�
�for true, nodding your head; for false, holding your nose. You could hear his voice barking from the rear. "Come on now, you Army boys! On your toes like West Point cadets! All ready now? Get set! Go! Three powers of the legislative branch? The judiciary? The executive? The subject of the fifteenth amendment? The capital of Wyoming? Come on, Navy! Shoot those landlubbers down! Give 'em a blast from your big guns right through the middle! The third article of the Bill of Rights? The thirteenth amendment? The sixteenth? True or false, Philadelphia is the capital of Pennsylvania. Up and at yem, Navy! Mow them down! COME ON!!!" Our "average" was calculated each week, and the boys who scored 90 per cent or over were rewarded by seeing their own names lettered on the great blue chart over the blackboard. Each time I entered that room for a test, I looked for my name on the blue chart as if the sight of it would decide my happiness for all time.

 

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