That Girl Montana

Home > Other > That Girl Montana > Page 31
That Girl Montana Page 31

by Ryan, Marah Ellis


  He only laughed and drew her to him, and she could never again say no man had kissed her.

  “’Tana!” said the child, “’ook.”

  She looked where the little hand pointed and saw all the clouds of the east flooded with gold, and higher up they lay blushing above the far hills.

  A new day was creeping over the mountains to banish shadows from the Kootenai land.

  THE END

  * * *

  FLORENCE L. BARCLAY’S

  NOVELS

  May be had wherever books are sold. Ask for Grosset & Dunlap’s list.

  THE WHITE LADIES OF WORCESTER

  A novel of the 12th Century. The heroine, believing she had lost her lover, enters a convent. He returns, and interesting developments follow.

  THE UPAS TREE

  A love story of rare charm. It dealt with a successful author and his wife.

  THROUGH THE POSTERN GATE

  The story of a seven day courtship, in which the discrepancy in ages vanished into insignificance before the convincing demonstration of abiding love.

  THE ROSARY

  The story of a young artist who is reputed to love beauty above all else in the world, but who, when blinded through an accident, gains life’s greatest happiness. A rare story of the great passion of two real people superbly capable of love, its sacrifices and its exceeding reward.

  THE MISTRESS OF SHENSTONE

  The lovely young Lady Ingleby, recently widowed by the death of a husband who never understood her, meets a fine, clean young chap who is ignorant of her title and they fall deeply in love with each other. When he learns her real identity a situation of singular power is developed.

  THE BROKEN HALO

  The story of a young man whose religious belief was shattered in childhood and restored to him by the little white lady, many years older than himself, to whom he is passionately devoted.

  THE FOLLOWING OF THE STAR

  The story of a young missionary, who, about to start for Africa, marries wealthy Diana Rivers, in order to help her fulfill the conditions of her uncle’s will, and how they finally come to love each other and are reunited after experiences that soften and purify.

  Grosset & Dunlap, Publishers, New York

  * * *

  ETHEL M. DELL’S NOVELS

  May be had wherever books are sold. Ask for Grosset & Dunlap’s list.

  THE LAMP IN THE DESERT

  The scene of this splendid story is laid in India and tells of the lamp of love that continues to shine through all sorts of tribulations to final happiness.

  GREATHEART

  The story of a cripple whose deformed body conceals a noble soul.

  THE HUNDREDTH CHANCE

  A hero who worked to win even when there was only “a hundredth chance.”

  THE SWINDLER

  The story of a “bad man’s” soul revealed by a woman’s faith.

  THE TIDAL WAVE

  Tales of love and of women who learned to know the true from the false.

  THE SAFETY CURTAIN

  A very vivid love story of India. The volume also contains four other long stories of equal interest.

  Grosset & Dunlap, Publishers, New York

  * * *

  ELEANOR H. PORTER’S NOVELS

  May be had wherever books are sold. Ask for Grosset & Dunlap’s list.

  JUST DAVID

  The tale of a loveable boy and the place he comes to fill in the hearts of the gruff farmer folk to whose care he is left.

  THE ROAD TO UNDERSTANDING

  A compelling romance of love and marriage.

  OH, MONEY! MONEY!

  Stanley Fulton, a wealthy bachelor, to test the dispositions of his relatives, sends them each a check for $100,000, and then as plain John Smith comes among them to watch the result of his experiment.

  SIX STAR RANCH

  A wholesome story of a club of six girls and their summer on Six Star Ranch.

  DAWN

  The story of a blind boy whose courage leads him through the gulf of despair into a final victory gained by dedicating his life to the service of blind soldiers.

  ACROSS THE YEARS

  Short stories of our own kind and of our own people. Contains some of the best writing Mrs. Porter has done.

  THE TANGLED THREADS

  In these stories we find the concentrated charm and tenderness of all her other books.

  THE TIE THAT BINDS

  Intensely human stories told with Mrs. Porter’s wonderful talent for warm and vivid character drawing.

  Grosset & Dunlap, Publishers, New York

  * * *

  “STORM COUNTRY” BOOKS BY

  GRACE MILLER WHITE

  May be had wherever books are sold. Ask for Grosset & Dunlap’s list.

  JUDY OF ROGUES’ HARBOR

  Judy’s untutored ideas of God, her love of wild things, her faith in life are quite as inspiring as those of Tess. Her faith and sincerity catch at your heart strings. This book has all of the mystery and tense action of the other Storm Country books.

  TESS OF THE STORM COUNTRY

  It was as Tess, beautiful, wild, impetuous, that Mary Pickford made her reputation as a motion picture actress. How love acts upon a temperament such as hers—a temperament that makes a woman an angel or an outcast, according to the character of the man she loves—is the theme of the story.

  THE SECRET OF THE STORM COUNTRY

  The sequel to “Tess of the Storm Country,” with the same wild background, with its half-gypsy life of the squatters—tempestuous, passionate, brooding. Tess learns the “secret” of her birth and finds happiness and love through her boundless faith in life.

  FROM THE VALLEY OF THE MISSING

  A haunting story with its scene laid near the Country familiar to readers of “Tess of the Storm Country.”

  ROSE O’ PARADISE

  “Jinny” Singleton, wild, lovely, lonely, but with a passionate yearning for music, grows up in the house of Lafe Grandoken, a crippled cobbler of the Storm Country. Her romance is full of power and glory and tenderness.

  Ask for Complete free list of G. & D. Popular Copyrighted Fiction

  Grosset & Dunlap, Publishers, New York

  * * *

  JOHN FOX, JR’S.

  STORIES OF THE KENTUCKY MOUNTAINS

  May be had wherever books are sold. Ask for Grosset and Dunlap’s list.

  THE TRAIL OF THE LONESOME PINE.

  Illustrated by F. C. Yohn.

  The “lonesome pine” from which the story takes its name was a tall tree that stood in solitary splendor on a mountain top. The fame of the pine lured a young engineer through Kentucky to catch the trail, and when he finally climbed to its shelter he found not only the pine but the footprints of a girl. And the girl proved to be lovely, piquant, and the trail of these girlish footprints led the young engineer a madder chase than “the trail of the lonesome pine.”

  THE LITTLE SHEPHERD OF KINGDOM COME

  Illustrated by F. C. Yohn.

  This is a story of Kentucky, in a settlement known as “Kingdom Come.” It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization.

  “Chad,” the “little shepherd” did not know who he was nor whence he came—he had just wandered from door to door since early childhood, seeking shelter with kindly mountaineers who gladly fathered and mothered this waif about whom there was such a mystery—a charming waif, by the way, who could play the banjo better that anyone else in the mountains.

  A KNIGHT OF THE CUMBERLAND.

  Illustrated by F. C. Yohn.

  The scenes are laid along the waters of the Cumberland; the lair of moonshiner and feudsman. The knight is a moonshiner’s son, and the heroine a beautiful girl perversely christened “The Blight.” Two impetuous young Southerners’ fall under the spell of “The Blight’s” charms and she learns what a large part jealousy and pistols have in the love making of the mountaineers.

  Included
in this volume is “Hell fer-Sartain” and other stories, some of Mr. Fox’s most entertaining Cumberland valley narratives.

  Ask for complete free list of G. & D. Popular Copyrighted Fiction

  Grosset & Dunlap, 526 West 26th St., New York

  * * *

  ZANE GREY’S NOVELS

  May be had wherever books are sold. Ask for Grosset & Dunlap’s list.

  THE MAN OF THE FOREST

  THE DESERT OF WHEAT

  THE U. P. TRAIL

  WILDFIRE

  THE BORDER LEGION

  THE RAINBOW TRAIL

  THE HERITAGE OF THE DESERT

  RIDERS OF THE PURPLE SAGE

  THE LIGHT OF WESTERN STARS

  THE LAST OF THE PLAINSMEN

  THE LONE STAR RANGER

  DESERT GOLD

  BETTY ZANE

  LAST OF THE GREAT SCOUTS

  The life story of “Buffalo Bill” by his sister

  Helen Cody Wetmore, with Foreword and Conclusion

  by Zane Grey.

  * * *

  ZANE GREY’S BOOKS FOR BOYS

  KEN WARD IN THE JUNGLE

  THE YOUNG LION HUNTER

  THE YOUNG FORESTER

  THE YOUNG PITCHER

  THE SHORT STOP

  THE RED-HEADED OUTFIELD AND

  OTHER BASEBALL STORIES

  Grosset & Dunlap, Publishers, New York

  End of the Project Gutenberg EBook of That Girl Montana, by Marah Ellis Ryan

  *** END OF THIS PROJECT GUTENBERG EBOOK THAT GIRL MONTANA ***

  ***** This file should be named 27475-h.htm or 27475-h.zip *****

  This and all associated files of various formats will be found in:

  http://www.gutenberg.org/2/7/4/7/27475/

  Produced by Roger Frank and the Online Distributed

  Proofreading Team at http://www.pgdp.net

  Updated editions will replace the previous one--the old editions

  will be renamed.

  Creating the works from public domain print editions means that no

  one owns a United States copyright in these works, so the Foundation

  (and you!) can copy and distribute it in the United States without

  permission and without paying copyright royalties. Special rules,

  set forth in the General Terms of Use part of this license, apply to

  copying and distributing Project Gutenberg-tm electronic works to

  protect the PROJECT GUTENBERG-tm concept and trademark. Project

  Gutenberg is a registered trademark, and may not be used if you

  charge for the eBooks, unless you receive specific permission. If you

  do not charge anything for copies of this eBook, complying with the

  rules is very easy. You may use this eBook for nearly any purpose

  such as creation of derivative works, reports, performances and

  research. They may be modified and printed and given away--you may do

  practically ANYTHING with public domain eBooks. Redistribution is

  subject to the trademark license, especially commercial

  redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE

  PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free

  distribution of electronic works, by using or distributing this work

  (or any other work associated in any way with the phrase "Project

  Gutenberg"), you agree to comply with all the terms of the Full Project

  Gutenberg-tm License (available with this file or online at

  http://gutenberg.net/license).

  Section 1. General Terms of Use and Redistributing Project Gutenberg-tm

  electronic works

  1.A. By reading or using any part of this Project Gutenberg-tm

  electronic work, you indicate that you have read, understand, agree to

  and accept all the terms of this license and intellectual property

  (trademark/copyright) agreement. If you do not agree to abide by all

  the terms of this agreement, you must cease using and return or destroy

  all copies of Project Gutenberg-tm electronic works in your possession.

  If you paid a fee for obtaining a copy of or access to a Project

  Gutenberg-tm electronic work and you do not agree to be bound by the

  terms of this agreement, you may obtain a refund from the person or

  entity to whom you paid the fee as set forth in paragraph 1.E.8.

  1.B. "Project Gutenberg" is a registered trademark. It may only be

  used on or associated in any way with an electronic work by people who

  agree to be bound by the terms of this agreement. There are a few

  things that you can do with most Project Gutenberg-tm electronic works

  even without complying with the full terms of this agreement. See

  paragraph 1.C below. There are a lot of things you can do with Project

  Gutenberg-tm electronic works if you follow the terms of this agreement

  and help preserve free future access to Project Gutenberg-tm electronic

  works. See paragraph 1.E below.

  1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"

  or PGLAF), owns a compilation copyright in the collection of Project

  Gutenberg-tm electronic works. Nearly all the individual works in the

  collection are in the public domain in the United States. If an

  individual work is in the public domain in the United States and you are

  located in the United States, we do not claim a right to prevent you from

  copying, distributing, performing, displaying or creating derivative

  works based on the work as long as all references to Project Gutenberg

  are removed. Of course, we hope that you will support the Project

  Gutenberg-tm mission of promoting free access to electronic works by

  freely sharing Project Gutenberg-tm works in compliance with the terms of

  this agreement for keeping the Project Gutenberg-tm name associated with

  the work. You can easily comply with the terms of this agreement by

  keeping this work in the same format with its attached full Project

  Gutenberg-tm License when you share it without charge with others.

  1.D. The copyright laws of the place where you are located also govern

  what you can do with this work. Copyright laws in most countries are in

  a constant state of change. If you are outside the United States, check

  the laws of your country in addition to the terms of this agreement

  before downloading, copying, displaying, performing, distributing or

  creating derivative works based on this work or any other Project

  Gutenberg-tm work. The Foundation makes no representations concerning

  the copyright status of any work in any country outside the United

  States.

  1.E. Unless you have removed all references to Project Gutenberg:

  1.E.1. The following sentence, with active links to, or other immediate

  access to, the full Project Gutenberg-tm License must appear prominently

  whenever any copy of a Project Gutenberg-tm work (any work on which the

  phrase "Project Gutenberg" appears, or with which the phrase "Project

  Gutenberg" is associated) is accessed, displayed, performed, viewed,

  copied or distributed:

  This eBook is for the use of anyone anywhere at no cost and with

  almost no restrictions whatsoever. You may copy it, give it away or

  re-use it under the terms of the Project Gutenberg License included

  with this eBook or online at www.gutenberg.net

  1.E.2. If an individual Project Gutenberg-tm electronic work is derivedr />
  from the public domain (does not contain a notice indicating that it is

  posted with permission of the copyright holder), the work can be copied

  and distributed to anyone in the United States without paying any fees

  or charges. If you are redistributing or providing access to a work

  with the phrase "Project Gutenberg" associated with or appearing on the

  work, you must comply either with the requirements of paragraphs 1.E.1

  through 1.E.7 or obtain permission for the use of the work and the

  Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or

  1.E.9.

  1.E.3. If an individual Project Gutenberg-tm electronic work is posted

  with the permission of the copyright holder, your use and distribution

  must comply with both paragraphs 1.E.1 through 1.E.7 and any additional

  terms imposed by the copyright holder. Additional terms will be linked

  to the Project Gutenberg-tm License for all works posted with the

  permission of the copyright holder found at the beginning of this work.

  1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm

  License terms from this work, or any files containing a part of this

  work or any other work associated with Project Gutenberg-tm.

  1.E.5. Do not copy, display, perform, distribute or redistribute this

  electronic work, or any part of this electronic work, without

  prominently displaying the sentence set forth in paragraph 1.E.1 with

  active links or immediate access to the full terms of the Project

 

‹ Prev