Production Designer Donal Woods
Director of Photography Nigel Willoughby
Editors John Wilson A.C.E.
Al Morrow
Assembly/Assistant Editor Dan Crinnion
Costume Designer Caroline McCall
Costume Supervisor Dulcie Scott
Assistant to Costume Designer Poli Kyriacou
Wardrobe Master Jason Gill
Principal Costume Standby Emma Bevan Hyde
Costume Trainee Jessica Phillips
Make-up & Hair Designer Magi Vaughan
Make-up & Hair Supervisor Vanya Pell
Hair Dresser Julio Cesar Parodi
Make-up & Hair Artist Sue Newbould
Make-up & Hair Trainee Doone Forsyth
Casting Director Jill Trevellick C.D.G.
Casting Associate Robert Morris
Music John Lunn
First Assistant Directors Chris Croucher
Cordelia Hardy
Second Assistant Director Danielle Bennett
Third Assistant Director Eddie Williams
Script Supervisors Sam Donovan
Sarah Garner
Vicki Howe
Location Manager Mark ‘Sparky’ Ellis
Assistant Location Manager John Prendergast
Unit Manager Holly Baird
Head of Security Christian De Vos
Security Andy Davies
Line Producer Charles Hubbard
Production Accountant Denis Wray
First Assistant Accountant Matthew Lawson
Assistant Accountant Ellie Downham
Production Coordinator Jonathan Houston
Assistant Production Coordinator Oliver Cockerham
Camera Operators/Steadicam Andy Speller
Jonathan Beacham
Focus Pullers George Grieve
Milos Moore
Clapper Loaders Joanne Smith
Alba Moran Ruiz
Grips Simon Fogg
Peter Olney
Gaffer Phil Brookes
Best Boy David Staton
Supervising Art Director Charmian Adams
Art Director Mark Kebby
Buyer Sue Morrison
Set Decorator Gina Cromwell
Standby Art Director Laura Conway-Gordon
Assistant Art Director Chantelle Valentine
Art Department Assistant Steven Granger
Graphic Artist Aoife McKim
Prop Master Charlie Johnson
Dressing Props Don Santos
Standby Props Damian Butlin
Mark Quigley
Storeman Tom Pleydell Pearce
Special Effects Mark Holt Special Effects
Digital Imaging Technician Villing Chong
Historical Advisor Alastair Bruce
Medical Advisors John Powell
Dr Alasdair Emslie
Health & Safety Advisor Dave Sutcliffe
Script Editor Claire Daxter
Production Executive Kimberley Hikaka
Business Affairs David O’Donoghue
Aliboo Bradbury
Picture Post Producer Portia Napier
Unit Publicity Milk Publicity
Post-production Supervisor Jessica Rundle
Post-production Script Services Ilana Epstein
Sound Maintenance Engineer Martin Ireland
Sound Assistant Jackson Milliken
Colourist Aidan Farrell
Online Editor Clyde Kellet
Sound Mixers Chris Ashworth
Brian Milliken
Re-recording Mixer Nigel Heath
Assistant Re-recording Mixer Alex Fielding
Sound FX Editors Adam Armitage
Darren Banks
Dialogue Editors Alex Sawyer
Tom Williams
Titles Huge Design
Visual Effects The Senate Visual Effects
ACKNOWLEDGEMENTS
Once again, I must voice my undying gratitude to Gareth Neame and Liz Trubridge, as it is we three who are at the heart of the show, and it would be quite impossible for these scripts to have come together in the way they have without their help. As always, Dr Alasdair Emslie has supplied us with ailments, most particularly with the plot of Sybil’s demise, where his mastery of the details of eclampsia was invaluable. I have had advice on estate management from Conroy Harrowby and others, while Alastair Bruce, whose names recurs often in this text, is a mainstay of every part of the production. But of course I rely most on my son, Peregrine, for his well-considered criticism, and on my wife, Emma. She sees the pages first and stamps her mark on them before they get any further. Thank you all.
ABOUT THE PUBLISHER
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United Kingdom
HarperCollins Publishers Ltd.
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http://www.harpercollins.co.uk
United States
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http://www.harpercollins.com
Downton Abbey, Series 3 Scripts (Official) Page 57