Detective Stories From Real Life

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Detective Stories From Real Life Page 7

by Edited by Julian Hawthorne


  It seems a fair inference that the Duc de Choiseul knew what the Dutch bankers knew, the story of the Count's being a child of a princess retired to Bayonne--namely, the ex-Queen of Spain--and of a Portuguese-Hebrew financier. De Choiseul was ready to accept the Jewish father, but thought that, in the matter of the royal mother, Saint-Germain "deceived the Court."

  A queen of Spain might have carried off any quantity of the diamonds of Brazil. The presents of diamonds from her almost idiotic lord must have been among the few comforts of her situation in a Court overridden by etiquette. The reader of Madame d'Aulnoy's contemporary account of the Court of Spain knows what a dreadful dungeon it was. Again, if born at Bayonne about 1706, the Count would naturally seem to be about fifty in 1760. The purity with which he spoke German, and his familiarity with German princely Courts--where I do not remember that Barry Lyndon ever met him--are easily accounted for if he had a royal German to his mother. But, alas! if he was the son of a Hebrew financier, Portuguese or Alsatian (as some said), he was likely, whoever his mother may have been, to know German, and to be fond of precious stones. That Oriental taste notoriously abides in the hearts of the Chosen People.[1]

  [1] Voyage en Angleterre, 1770.

  quotes Pinto, the hero of Thackeray's Notch on the Axe. "He pronounced it, by the way, I DIT it, by which I KNOW that Pinto was a German," says Thackeray. I make little doubt but that Saint- Germain, too, was a German, whether by the mother's side, and of princely blood, or quite the reverse.

  Grosley mixes Saint-Germain up with a lady as mysterious as himself, who also lived in Holland, on wealth of an unknown source, and Grosley inclines to think that the Count found his way into a French prison, where he was treated with extraordinary respect.

  Von Gleichen, on the other hand, shows the Count making love to a daughter of Madame Lambert, and lodging in the house of the mother. Here Von Gleichen met the man of mystery and became rather intimate with him. Von Gleichen deemed him very much older than he looked, but did not believe in his elixir.

  In any case, he was not a cardsharper, a swindler, a professional medium, or a spy. He passed many evenings almost alone with Louis XV., who, where men were concerned, liked them to be of good family (about ladies he was much less exclusive). The Count had a grand manner; he treated some great personages in a cavalier way, as if he were at least their equal. On the whole, if not really the son of a princess, he probably persuaded Louis XV. that he did come of that blue blood, and the King would have every access to authentic information. Horace Walpole's reasons for thinking Saint-Germain "not a gentleman" scarcely seem convincing.

  The Duc de Choiseul did not like the fashionable Saint-Germain. He thought him a humbug, even when the doings of the deathless one were perfectly harmless. As far as is known, his recipe for health consisted in drinking a horrible mixture called "senna tea"--which was administered to small boys when I was a small boy--and in not drinking anything at his meals. Many people still observe this regimen, in the interest, it is said, of their figures. Saint- Germain used to come to the house of de Choiseul, but one day, when Von Gleichen was present, the minister lost his temper with his wife. He observed that she took no wine at dinner, and told her that she had learned that habit of abstinence from Saint-Germain; that HE might do as he pleased, "but you, madame, whose health is precious to me, I forbid to imitate the regimen of such a dubious character." Gleichen, who tells the anecdote, says that he was present when de Choiseul thus lost his temper with his wife. The dislike of de Choiseul had a mournful effect on the career of Saint-Germain.

  In discussing the strange story of the Chevalier d'Eon, one has seen that Louis XV. amused himself by carrying on a secret scheme of fantastic diplomacy through subordinate agents, behind the backs and without the knowledge of his responsible ministers. The Duc de Choiseul, as Minister of Foreign Affairs, was excluded, it seems, from all knowledge of these double intrigues, and the Marechal de Belle-Isle, Minister of War, was obviously kept in the dark, as was Madame de Pompadour. Now it is stated by Von Gleichen that the Marechal de Belle-Isle, from the War Office, started a NEW secret diplomacy behind the back of de Choiseul, at the Foreign Office. The King and Madame de Pompadour (who was not initiated into the general scheme of the King's secret) were both acquainted with what de Choiseul was not to know--namely, Belle-Isle's plan for secretly making peace through the mediation, or management, at all events, of Holland. All this must have been prior to the death of the Marechal de Belle-Isle in 1761; and probably de Broglie, who managed the regular old secret policy of Louis XV., knew nothing about this new clandestine adventure; at all events, the late Duc de Broglie says nothing about it in his book The King's Secret.[1]

  [1] The Duc de Broglie, I am privately informed, could find no clue to the mystery of Saint-Germain.

  The story, as given by Von Gleichen, goes on to say that Saint- Germain offered to conduct the intrigue at the Hague. As Louis XV. certainly allowed that maidenly captain of dragoons, d'Eon, to manage his hidden policy in London, it is not at all improbable that he really intrusted this fresh cabal in Holland to Saint- Germain, whom he admitted to great intimacy. To The Hague went Saint-Germain, diamonds, rubies, senna tea, and all, and began to diplomatize with the Dutch. But the regular French minister at The Hague, d'Affry, found out what was going on behind his back--found it out either because he was sharper than other ambassadors, or because a personage so extraordinary as Saint-Germain was certain to be very closely watched, or because the Dutch did not take to the Undying One, and told d'Affry what he was doing. D'Affry wrote to de Choiseul. An immortal but dubious personage, he said, was treating in the interests of France, for peace, which it was d'Affry's business to do if the thing was to be done at all. Choiseul replied in a rage by the same courier. Saint-Germain, he said, must be extradited, bound hand and foot, and sent to the Bastille. Choiseul thought that he might practice his regimen and drink his senna tea, to the advantage of public affairs, within those venerable walls. Then the angry minister went to the King, told him what orders he had given, and said that, of course, in a case of this kind it was superfluous to inquire as to the royal pleasure. Louis XV. was caught; so was the Marechal de Belle-Isle. They blushed and were silent.

  It must be remembered that this report of a private incident could only come to the narrator, Von Gleichen, from de Choiseul, with whom he professes to have been intimate. The King and the Marechal de Belle-Isle would not tell the story of their own discomfiture. It is not very likely that de Choiseul himself would blab. However, the anecdote avers that the King and the Minister for War thought it best to say nothing, and the demand for Saint-Germain's extradition was presented at The Hague. But the Dutch were not fond of giving up political offenders. They let Saint-Germain have a hint; he slipped over to London, and a London paper published a kind of veiled interview with him in June 1760.

  His name, we read, when announced after his death, will astonish the world more than all the marvels of his life. He has been in England already (1743-17--?); he is a great unknown. Nobody can accuse him of anything dishonest or dishonorable. When he was here before we were all mad about music, and so he enchanted us with his violin. But Italy knows him as an expert in the plastic arts, and Germany admires in him a master in chemical science. In France, where he was supposed to possess the secret of the transmutation of metals, the police for two years sought and failed to find any normal source of his opulence. A lady of forty-five once swallowed a whole bottle of his elixir. Nobody recognized her, for she had become a girl of sixteen without observing the transformation!

  Saint-Germain is said to have remained in London but for a short period. Horace Walpole does not speak of him again, which is odd, but probably the Count did not again go into society. Our information, mainly from Von Gleichen, becomes very misty, a thing of surmises, really worthless. The Count is credited with a great part in the palace conspiracies of St. Petersburg; he lived at Berlin, and, under the name of Tzarogy, at the Court of the Margrave o
f Anspach. Then he went, they say, to Italy, and then north to the Landgrave Charles of Hesse, who dabbled in alchemy. Here he is said to have died about 1780-85, leaving his papers to the Landgrave but all is very vague after he disappeared from Paris in 1760. When next I meet Saint-Germain he is again at Paris, again mysteriously rich, again he rather disappears than dies, he calls himself Major Fraser, and the date is in the last years of Louis Philippe. My authority may be caviled at; it is that of the late ingenious Mr. Van Damme, who describes Major Fraser in a book on the characters of the Second Empire. He does not seem to have heard of Saint-Germain, whom he does not mention.

  Major Fraser, "in spite of his English (sic) name, was decidedly not English, though he spoke the language." He was (like Saint- Germain) "one of the best dressed men of the period. . . . He lived alone, and never alluded to his parentage. He was always flush of money, though the sources of his income were a mystery to everyone." The French police vainly sought to detect the origin of Saint-Germain's supplies, opening his letters at the post-office. Major Fraser's knowledge of every civilized country at every period was marvelous, though he had very few books. "His memory was something prodigious. . . . Strange to say, he used often to hint that his was no mere book knowledge. "'Of course, it is perfectly ridiculous,'" he remarked, with a strange smile, "'but every now and then I feel as if this did not come to me from reading, but from personal experience. At times I become almost convinced that I lived with Nero, that I knew Dante personally, and so forth.'"[1] At the major's death not a letter was found giving a clew to his antecedents, and no money was discovered. DID he die? As in the case of Saint-Germain, no date is given. The author had an idea that the major was "an illegitimate son of some exalted person" of the period of Charles IV. and Ferdinand VII. of Spain.

  [1] An Englishman in Paris, vol. i., pp. 130-133. London, 1892.

  The author does not mention Saint-Germain, and may never have heard of him. If his account of Major Fraser is not mere romance, in that warrior we have the undying friend of Louis XV. and Madame de Pompadour. He had drunk at Medmenham with Jack Wilkes; as Riccio he had sung duets with the fairest of unhappy queens; he had extracted from Blanche de Bechamel the secret of Goby de Mouchy. As Pinto, he told much of his secret history to Mr. Thackeray, who says: "I am rather sorry to lose him after three little bits of Roundabout Papers."

  Did Saint-Germain really die in a palace of Prince Charles of Hesse about 1780-85? Did he, on the other hand, escape from the French prison where Grosley thought he saw him, during the French Revolution? Was he known to Lord Lytton about 1860? Was he then Major Fraser? Is he the mysterious Muscovite adviser of the Dalai Lama? Who knows? He is a will-o'-the-wisp of the memoir-writers of the eighteenth century. Whenever you think you have a chance of finding him in good authentic State papers, he gives you the slip; and if his existence were not vouched for by Horace Walpole, I should incline to deem him as Betsy Prig thought of Mrs. Harris.

  The Man in the Iron Mask

  I THE LEGEND

  The Mystery of the Man in the Iron Mask is, despite a pleasant saying of Lord Beaconsfield's, one of the most fascinating in history. By a curious coincidence the wildest legend on the subject, and the correct explanation of the problem, were offered to the world in the same year, 1801. According to this form of the legend, the Man in the Iron Mask was the genuine Louis XIV., deprived of his rights in favor of a child of Anne of Austria and of Mazarin. Immured in the Isles Sainte-Marguerite, in the bay of Cannes (where you are shown his cell, looking north to the sunny town), he married, and begot a son. That son was carried to Corsica, was named de Buona Parte, and was the ancestor of Napoleon. The Emperor was thus the legitimate representative of the House of Bourbon.

  This legend was circulated in 1801, and is referred to in a proclamation of the Royalists of La Vendee. In the same year, 1801, Roux Fazaillac, a Citoyen and a revolutionary legislator, published a work in which he asserted that the Man in the Iron Mask (as known in rumor) was not one man, but a myth, in which the actual facts concerning at least two men were blended. It is certain that Roux Fazaillac was right; or that, if he was wrong, the Man in the Iron Mask was an obscure valet, of French birth, residing in England, whose real name was Martin.

  Before we enter on the topic of this poor menial's tragic history, it may be as well to trace the progress of the romantic legend, as it blossomed after the death of the Man, whose Mask was not of iron, but of black velvet. Later we shall show how the legend struck root and flowered, from the moment when the poor valet, Martin (by his prison pseudonym "Eustache Dauger"), was immured in the French fortress of Pignerol, in Piedmont (August, 1669).

  The Man, in connection with the Mask, is first known to us from a kind of notebook kept by du Junca, Lieutenant of the Bastille. On September 18, 1698, he records the arrival of the new Governor of the Bastille, M. de Saint-Mars, bringing with him, from his last place, the Isles Sainte-Marguerite, in the bay of Camnes, "an old prisoner whom he had at Pignerol. He keeps the prisoner always masked, his name is not spoken . . . and I have put him alone, in the third chamber of the Bertaudiere tower, having furnished it some days before with everything, by order of M. de Saint-Mars. The prisoner is to be served and cared for by M. de Rosarges," the officer next in command under Saint-Mars.[1]

  [1] Funck-Brentano, Legendes et Archives de la Bastille, pp. 86, 87. Paris, 1898, p. 277, a facsimile of this entry.

  The prisoner's death is entered by du Junca on November 19, 1703. To that entry we return later.

  The existence of this prisoner was known and excited curiosity. On October 15, 1711, the Princess Palatine wrote about the case to the Electress Sophia of Hanover, "A man lived for long years in the Bastille, masked, and masked he died there. Two musketeers were by his side to shoot him if ever he unmasked. He ate and slept in his mask. There must, doubtless, have been some good reason for this, as otherwise he was very well treated, well lodged, and had everything given to him that he wanted. He took the Communion masked; was very devout, and read perpetually."

  On October 22, 1711, the Princess writes that the Mask was an English nobleman, mixed up in the plot of the Duke of Berwick against William III.--Fenwick's affair is meant. He was imprisoned and masked that the Dutch usurper might never know what had become of him.[1]

  [1] Op. cit. 98, note I.

  The legend was now afloat in society. The sub-commandant of the Bastille from 1749 to 1787, Chevalier, declared, obviously on the evidence of tradition, that all the Mask's furniture and clothes were destroyed at his death, lest they might yield a clew to his identity. Louis XV. is said to have told Madame de Pompadour that the Mask was "the minister of an Italian prince." Louis XVI. told Marie Antoinette (according to Madame de Campan) that the Mask was a Mantuan intriguer, the same person as Louis XV. indicated. Perhaps he was, it is one of two possible alternatives. Voltaire, in the first edition of his "Siecle de Louis XIV.," merely spoke of a young, handsome, masked prisoner, treated with the highest respect by Louvois, the Minister of Louis XIV. At last, in "Questions sur l'Encyclopedie" (second edition), Voltaire averred that the Mask was the son of Anne of Austria and Mazarin, an elder brother of Louis XIV. Changes were rung on this note: the Mask was the actual King, Louis XIV. was a bastard. Others held that he was James, Duke of Monmouth--or Moliere! In 1770 Heiss identified him with Mattioli, the Mantuan intriguer, and especially after the appearance of the book by Roux Fazaillac, in 1801, that was the generally accepted opinion.

  It MAY be true, in part. Mattioli MAY have been the prisoner who died in the Bastille in November 1703, but the legend of the Mask's prison life undeniably arose out of the adventure of our valet, Martin or Eustache Dauger.

  II THE VALET'S HISTORY

  After reading the arguments of the advocates of Mattioli, I could not but perceive that, whatever captive died, masked, at the Bastille in 1703, the valet Dauger was the real source of most of the legends about the Man in the Iron Mask. A study of M. Lair's book "Nicholas Fouquet" (1890) con
firmed this opinion. I therefore pushed the inquiry into a source neglected by the French historians, namely, the correspondence of the English ambassadors, agents, and statesmen for the years 1668, 1669.[1] One result is to confirm a wild theory of my own to the effect that the Man in the Iron Mask (if Dauger were he) may have been as great a mystery to himself as to historical inquirers. He may not have known WHAT he was imprisoned for doing! More important is the probable conclusion that the long and mysterious captivity of Eustache Dauger, and of another perfectly harmless valet and victim, was the mere automatic result of "red tape" of the old French absolute monarchy. These wretches were caught in the toils of the system, and suffered to no purpose, for no crime. The two men, at least Dauger, were apparently mere supernumeraries in the obscure intrigue of a conspirator known as Roux de Marsilly.

 

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