‘Yes.’
‘Swan Song,’ repeated Keeley. ‘Shows it was in her mind, eh?’
‘It would seem so–yes, certainly it would seem so.’
He hesitated, then asked if he might see–if, that is…
His host comprehended the stammering request.
‘If you want to–I’d forgotten you have a penchant for human tragedies.’
He led the way up the broad staircase. Mr Satterthwaite followed him. At the head of the stairs was the room occupied by Roger Graham and opposite it, on the other side of the passage, his mother’s room. The latter door was ajar and a faint wisp of smoke floated through it.
A momentary surprise invaded Mr Satterthwaite’s mind. He had not judged Mrs Graham to be a woman who smoked so early in the day. Indeed, he had had the idea that she did not smoke at all.
They went along the passage to the end door but one. David Keeley entered the room and Mr Satterthwaite followed him.
The room was not a very large one and showed signs of a man’s occupation. A door in the wall led into a second room. A bit of cut rope still dangled from a hook high up on the door. On the bed…
Mr Satterthwaite stood for a minute looking down on the heap of huddled chiffon. He noticed that it was ruched and pleated like the plumage of a bird. At the face, after one glance, he did not look again.
He glanced from the door with its dangling rope to the communicating door through which they had come.
‘Was that open?’
‘Yes. At least the maid says so.’
‘Annesley slept in there? Did he hear anything?’
‘He says–nothing.’
‘Almost incredible,’ murmured Mr Satterthwaite. He looked back at the form on the bed.
‘Where is he?’
‘Annesley? He’s downstairs with the doctor.’
They went downstairs to find an Inspector of police had arrived. Mr Satterthwaite was agreeably surprised to recognize in him an old acquaintance, Inspector Winkfield. The Inspector went upstairs with the doctor, and a few minutes later a request came that all members of the house party should assemble in the drawing-room.
The blinds had been drawn, and the whole room had a funereal aspect. Doris Coles looked frightened and subdued. Every now and then she dabbed her eyes with a handkerchief. Madge was resolute and alert, her feelings fully under control by now. Mrs Graham was composed, as always, her face grave and impassive. The tragedy seemed to have affected her son more keenly than anyone. He looked a positive wreck this morning. David Keeley, as usual, had subsided into the background.
The bereaved husband sat alone, a little apart from the others. There was a queer dazed looked about him, as though he could hardly realize what had taken place.
Mr Satterthwaite, outwardly composed, was inwardly seething with the importance of a duty shortly to be performed.
Inspector Winkfield, followed by Dr Morris, came in and shut the door behind him. He cleared his throat and spoke.
‘This is a very sad occurrence–very sad, I’m sure. It’s necessary, under the circumstances, that I should ask everybody a few questions. You’ll not object, I’m sure. I’ll begin with Mr Annesley. You’ll forgive my asking, sir, but had your good lady ever threatened to take her life?’
Mr Satterthwaite opened his lips impulsively, then closed them again. There was plenty of time. Better not speak too soon.
‘I–no, I don’t think so.’
His voice was so hesitating, so peculiar, that everyone shot a covert glance at him.
‘You’re not sure, sir?’
‘Yes–I’m–quite sure. She didn’t.’
‘Ah! Were you aware that she was unhappy in any way?’
‘No. I–no, I wasn’t.’
‘She said nothing to you. About feeling depressed, for instance?’
‘I–no, nothing.’
Whatever the Inspector thought, he said nothing. Instead he proceeded to his next point.
‘Will you describe to me briefly the events of last night?’
‘We–all went up to bed. I fell asleep immediately and heard nothing. The housemaid’s scream aroused me this morning. I rushed into the adjoining room and found my wife–and found her–’
His voice broke. The Inspector nodded.
‘Yes, yes, that’s quite enough. We needn’t go into that. When did you last see your wife the night before?’
‘I–downstairs.’
‘Downstairs?’
‘Yes, we all left the drawing-room together. I went straight up leaving the others talking in the hall.’
‘And you didn’t see your wife again? Didn’t she say goodnight when she came up to bed?’
‘I was asleep when she came up.’
‘But she only followed you a few minutes later. That’s right, isn’t it, sir?’ He looked at David Keeley, who nodded.
‘She hadn’t come up half an hour later.’
Annesley spoke stubbornly. The Inspector’s eyes strayed gently to Mrs Graham.
‘She didn’t stay in your room talking, Madam?’
Did Mr Satterthwaite fancy it, or was there a slight pause before Mrs Graham said with her customary quiet decision of manner:
‘No, I went straight into my room and closed the door. I heard nothing.’
‘And you say, sir’–the Inspector had shifted his attention back to Annesley–‘that you slept and heard nothing. The communicating door was open, was it not?’
‘I–I believe so. But my wife would have entered her room by the other door from the corridor.’
‘Even so, sir, there would have been certain sounds–a choking noise, a drumming of heels on the door–’
‘No.’
It was Mr Satterthwaite who spoke, impetuously, unable to stop himself. Every eye turned towards him in surprise. He himself became nervous, stammered, and turned pink.
‘I–I beg your pardon, Inspector. But I must speak. You are on the wrong track–the wrong track altogether. Mrs Annesley did not kill herself–I am sure of it. She was murdered.’
There was a dead silence, then Inspector Winkfield said quietly:
‘What leads you to say that, sir?’
‘I–it is a feeling. A very strong feeling.’
‘But I think, sir, there must be more than that to it. There must be some particular reason.’
Well, of course there was a particular reason. There was the mysterious message from Mr Quin. But you couldn’t tell a police inspector that. Mr Satterthwaite cast about desperately, and found nothing.
‘Last night–when we were talking together, she said she was very happy. Very happy–just that. That wasn’t like a woman thinking of committing suicide.’
He was triumphant. He added:
‘She went back to the drawing-room to fetch her ukelele, so that she wouldn’t forget it in the morning. That didn’t look like suicide either.’
‘No,’ admitted the Inspector. ‘No, perhaps it didn’t.’ He turned to David Keeley. ‘Did she take the ukelele upstairs with her?’
The mathematician tried to remember.
‘I think–yes, she did. She went upstairs carrying it in her hand. I remember seeing it just as she turned the corner of the staircase before I turned off the light down here.’
‘Oh!’ cried Madge. ‘But it’s here now.’
She pointed dramatically to where the ukelele lay on a table.
‘That’s curious,’ said the Inspector. He stepped swiftly across and rang the bell.
A brief order sent the butler in search of the housemaid whose business it was to do the rooms in the morning. She came, and was quite positive in her answer. The ukelele had been there first thing that morning when she had dusted.
Inspector Winkfield dismissed her and then said curtly:
‘I would like to speak to Mr Satterthwaite in private, please. Everyone may go. But no one is to leave the house.’
Mr Satterthwaite twittered into speech as soon as the door had closed behind th
e others.
‘I–I am sure, Inspector, that you have the case excellently in hand. Excellently. I just felt that–having, as I say, a very strong feeling–’
The Inspector arrested further speech with an upraised hand.
‘You’re quite right, Mr Satterthwaite. The lady was murdered.’
‘You knew it?’ Mr Satterthwaite was chagrined.
‘There were certain things that puzzled Dr Morris.’ He looked across at the doctor, who had remained, and the doctor assented to his statement with a nod of the head. ‘We made a thorough examination. The rope that was round her neck wasn’t the rope that she was strangled with–it was something much thinner that did the job, something more like a wire. It had cut right into the flesh. The mark of the rope was superimposed on it. She was strangled and then hung up on the door afterwards to make it look like suicide.’
‘But who–?’
‘Yes,’ said the Inspector. ‘Who? That’s the question. What about the husband sleeping next door, who never said goodnight to his wife and who heard nothing? I should say we hadn’t far to look. Must find out what terms they were on That’s where you can be useful to us, Mr Satterthwaite. You’ve the ongtray here, and you can get the hang of things in a way we can’t. Find out what relations there were between the two.’
‘I hardly like–’ began Mr Satterthwaite, stiffening.
‘It won’t be the first murder mystery you’ve helped us with. I remember the case of Mrs Strangeways. You’ve got a flair for that sort of thing, sir. An absolute flair.’
Yes, it was true–he had a flair. He said quietly:
‘I will do my best, Inspector.’
Had Gerard Annesley killed his wife? Had he? Mr Satterthwaite recalled that look of misery last night. He loved her–and he was suffering. Suffering will drive a man to strange deeds.
But there was something else–some other factor. Mabelle had spoken of herself as coming out of a wood–she was looking forward to happiness–not a quiet rational happiness–but a happiness that was irrational–a wild ecstasy…
If Gerard Annesley had spoken the truth, Mabelle had not come to her room till at least half an hour later than he had done. Yet David Keeley had seen her going up those stairs. There were two other rooms occupied in that wing. There was Mrs Graham’s, and there was her son’s.
Her son’s. But he and Madge…
Surely Madge would have guessed…But Madge wasn’t the guessing kind. All the same, no smoke without fire–Smoke!
Ah! he remembered. A wisp of smoke curling out through Mrs Graham’s bedroom door.
He acted on impulse. Straight up the stairs and into her room. It was empty. He closed the door behind him and locked it.
He went across to the grate. A heap of charred fragments. Very gingerly he raked them over with his finger. His luck was in. In the very centre were some unburnt fragments–fragments of letters…
Very disjointed fragments, but they told him something of value.
‘Life can be wonderful, Roger darling. I never knew…all my life has been a dream till I met you, Roger…’
‘…Gerard knows, I think…I am sorry but what can I do? Nothing is real to me but you, Roger…We shall be together, soon.
‘What are you going to tell him at Laidell, Roger? You write strangely–but I am not afraid…’
Very carefully, Mr Satterthwaite put the fragments into an envelope from the writing-table. He went to the door, unlocked it and opened it to find himself face to face with Mrs Graham.
It was an awkward moment, and Mr Satterthwaite was momentarily out of countenance. He did what was, perhaps, the best thing, attacked the situation with simplicity.
‘I have been searching your room, Mrs Graham. I have found something–a packet of letters imperfectly burnt.’
A wave of alarm passed over her face. It was gone in a flash, but it had been there.
‘Letters from Mrs Annesley to your son.’
She hesitated for a minute, then said quietly: ‘That is so. I thought they would be better burnt.’
‘For what reason?’
‘My son is engaged to be married. These letters–if they had been brought into publicity through the poor girl’s suicide–might have caused much pain and trouble.’
‘Your son could burn his own letters.’
She had no answer ready for that. Mr Satterthwaite pursued his advantage.
‘You found these letters in his room, brought them into your room and burnt them. Why? You were afraid, Mrs Graham.’
‘I am not in the habit of being afraid, Mr Satterthwaite.’
‘No–but this was a desperate case.’
‘Desperate?’
‘Your son might have been in danger of arrest–for murder.’
‘Murder!’
He saw her face go white. He went on quickly:
‘You heard Mrs Annesley go into your son’s room last night. He had told her of his engagement? No, I see he hadn’t. He told her then. They quarrelled, and he–’
‘That’s a lie!’
They had been so absorbed in their duel of words that they had not heard approaching footsteps. Roger Graham had come up behind them unperceived by either.
‘It’s all right, Mother. Don’t–worry. Come into my room, Mr Satterthwaite.’
Mr Sattherwaite followed him into his room. Mrs Graham had turned away and did not attempt to follow them. Roger Graham shut the door.
‘Listen, Mr Satterthwaite, you think I killed Mabelle. You think I strangled her–here–and took her along and hung her up on that door–later–when everyone was asleep?’
Mr Satterthwaite stared at him. Then he said surprisingly:
‘No, I do not think so.’
‘Thank God for that. I couldn’t have killed Mabelle. I–I loved her. Or didn’t I? I don’t know. It’s a tangle that I can’t explain. I’m fond of Madge–I always have been. And she’s such a good sort. We suit each other. But Mabelle was different. It was–I can’t explain it–a sort of enchantment. I was, I think–afraid of her.’
Mr Satterthwaite nodded.
‘It was madness–a kind of bewildering ecstasy…But it was impossible. It wouldn’t have worked. That sort of thing–doesn’t last. I know what it means now to have a spell cast over you.’
‘Yes, it must have been like that,’ said Mr Satterthwaite thoughtfully.
‘I–I wanted to get out of it all. I was going to tell Mabelle–last night.’
‘But you didn’t?’
‘No, I didn’t,’ said Graham slowly. ‘I swear to you, Mr Satterthwaite, that I never saw her after I said goodnight downstairs.’
‘I believe you,’ said Mr Satterthwaite.
He got up. It was not Roger Graham who had killed Mabelle Annesley. He could have fled from her, but he could not have killed her. He had been afraid of her, afraid of that wild intangible fairy-like quality of hers. He had known enchantment–and turned his back on it. He had gone for the safe sensible thing that he had known ‘would work’ and had relinquished the intangible dream that might lead him he knew not where.
He was a sensible young man, and, as such, uninteresting to Mr Satterthwaite, who was an artist and a connoisseur in life.
He left Roger Graham in his room and went downstairs. The drawing-room was empty. Mabelle’s ukelele lay on a stool by the window. He took it up and twanged it absent-mindedly. He knew nothing of the instrument, but his ear told him that it was abominably out of tune. He turned a key experimentally.
Doris Coles came into the room. She looked at him reproachfully.
‘Poor Mabelle’s uke,’ she said.
Her clear condemnation made Mr Satterthwaite feel obstinate.
‘Tune it for me,’ he said, and added: ‘If you can.’
‘Of course I can,’ said Doris, wounded at the suggestion of incompetence in any direction.
She took it from him, twanged a string, turned a key briskly–and the string snapped.
‘Well, I never.
Oh! I see–but how extraordinary! It’s the wrong string–a size too big. It’s an A string. How stupid to put that on. Of course it snaps when you try to tune it up. How stupid people are.’
‘Yes,’ said Mr Satterthwaite. ‘They are–even when they try to be clever…’
His tone was so odd that she stared at him. He took the ukelele from her and removed the broken string. He went out of the room holding it in his hand. In the library he found David Keeley.
‘Here,’ he said.
He held out the string. Keeley took it.
‘What’s this?’
‘A broken ukelele string.’ He paused and then went on: ‘What did you do with the other one? ’
‘The other one?’
‘The one you strangled her with. You were very clever, weren’t you? It was done very quickly–just in that moment we were all laughing and talking in the hall.
‘Mabelle came back into this room for her ukelele. You had taken the string off as you fiddled with it just before. You caught her round the throat with it and strangled her. Then you came out and locked the door and joined us. Later, in the dead of night, you came down and–and disposed of the body by hanging it on the door of her room. And you put another string on the ukelele–but it was the wrong string, that’s why you were stupid.’
There was a pause.
‘But why did you do it?’ said Mr Satterthwaite. ‘In God’s name, why?’
Mr Keeley laughed, a funny giggling little laugh that made Mr Satterthwaite feel rather sick.
‘It was so very simple,’ he said. ‘That’s why! And then–nobody ever noticed me. Nobody ever noticed what I was doing. I thought–I thought I’d have the laugh of them…’
And again he gave that furtive little giggle and looked at Mr Satterthwaite with mad eyes.
Mr Satterthwaite was glad that at that moment Inspector Winkfield came into the room.
III
It was twenty-four hours later, on his way to London, that Mr Satterthwaite awoke from a doze to find a tall dark man sitting opposite to him in the railway carriage. He was not altogether surprised.
The Mysterious Mr Quin Page 21