'"You wanted names," I said. "I gave you names."
'"Names," he said, snatching up the pad again. "This is your idea of names?" Then he started reading them one by one.
'"Sleepy, Grumpy, Dopey, Bashful, Happy, Sneezy, Doc, and . . . who the fuck is SW?"
'"Snow White, of course," I said.
'Ross grabbed the pad from Sweet's hand. He glanced at it, then said, "You have just committed professional hara-kiri."
'"Didn't know you spoke Japanese, Ross. Maybe you were one of their spies during the last war."
'"Get out," he yelled at me. "You're dead here."
'As I left, Sweet told me to expect a subpoena from HUAC any day. "See you in Washington, asshole," he shouted as I left.'
I stared at Eric, wide-eyed. 'You really wrote the names of the Seven Dwarfs?' I asked.
'Well, they were the first Communists that came to mind. Because, let's face it, they lived collectively, they shared their communal wealth, they . . .'
His face fell. He started to shudder. I ran over and held him. 'It's okay, it's okay,' I said. 'You did wonderfully. I'm so damn proud of . . .'
'Proud of what? The fact that I killed my career this afternoon? The fact that I'm now unemployable? The fact that I'm about to lose everything?'
I suddenly heard Ronnie's voice. 'You haven't lost us,' he said.
I looked up. Ronnie was standing in the doorway of the bedroom. Eric glanced in his direction.
'What are you doing here?' he asked tonelessly. 'You're not due back till Monday.'
'Sara and I were just a little worried that you might have vanished into thin air.'
'I really think you both could spend your time worrying about more important matters.'
'Will you listen to Mr False Modesty,' Ronnie said. 'And where the fuck have you been since naming the Seven Dwarfs?'
'Oh, here and there. Mainly a bunch of seedy bars on Broadway, then an all-night movie theater on Forty-Second Street. Saw a honey of a new Robert Mitchum thriller: His Kind of a Woman. Howard Hughes produced. Jane Russell co-starred, natch. Pretty nifty script: "I was just taking my tie off, wondering if I should hang myself with it." Kind of summed up how I felt last night.'
'Mr Self-Pity,' Ronnie said. 'Too bad you couldn't have dropped a nickel and told us you were alive and well.'
'Oh – but that would have been easy. And I don't do easy.'
I tousled his hair.
'But you did good, Mr Smythe,' I said. 'Didn't he, Ronnie?'
'Yeah,' he said, coming over and taking his hand. 'He did real good.'
'This calls for a toast,' I said, picking up the phone. 'Will room service deliver champagne this early?'
'Sure,' Eric said. 'And while you're at it, tell them I want an arsenic chaser.'
'Eric, don't worry,' I said. 'You're going to survive this.'
He leaned his head on Ronnie's shoulder.
'I doubt it,' he said.
Eight
THE STORY BROKE in the papers the next morning. Predictably, it was that great patriot, Walter Winchell, who dished the dirt. It was just a five-line item in his Daily Mirror column. But it did a lot of damage.
He may be Marty Manning's best scribe . . . but he used to be a Red. And now Eric Smythe's in nowheresville after taking the Fifth with the Feds. He may know how to crack a joke, but he doesn't know how to sing 'God Bless America'. And what about the romantic company the never-married Smythe is keeping at his swank Hampshire House pad? No wonder NBC showed him the door marked 'Get Lost'.
Winchell's column hit the streets at noon. An hour later, Eric called me at my apartment. I was still in deep shock from reading this decimation job on my brother, but I didn't know if he'd seen it yet. Until, of course, I heard his voice. He sounded dazed.
'You've read it?' he asked.
'Yes. I read it. And I'm sure you could sue that bastard Winchell for defamation of character.'
'I've just been handed an eviction notice,' he said.
'You what?'
'A letter was just pushed under my front door from the management of Hampshire House, informing me that I'm to vacate my apartment in forty-eight hours.'
'On what grounds?'
'What do you think? Winchell's line about the "romantic company" I'm keeping at my "swank Hampshire House pad".'
'But surely, the management knew that Ronnie was living there with you.'
'Sure. But the deal was, I didn't say anything and they didn't ask anything. But now, that shit Winchell has blown everyone's cover – and the Hampshire House management are being forced to do something public and noticeable . . . like evicting the pervert.'
'Don't call yourself that.'
'Why not? It's how everyone's going to see me now. After all, I'm the never-married Smythe, right? You don't have to be Lionel Trilling to grasp the underlying meaning of that sentence.'
'Call Joel Eberts – ask him to get an injunction blocking the eviction notice, then fight the bastards in the courts.'
'What's the point? They'll win anyway, and I'll be even deeper in debt.'
'I'll pay the legal bills. Anyway, Mr Eberts isn't that expensive . . .'
'But we're probably talking about a six-month battle . . . which I'll end up losing. I'm not going to drain your bank account on my behalf. Especially as you're going to need the money. Because, thanks to me, your position at Saturday/Sunday is probably now in jeopardy.'
'Don't be silly,' I said. 'They wouldn't play the guilt-by-association card.'
But they did. The morning after the Winchell piece appeared, I received a call from Imogen Woods, my editor at Saturday/Sunday. She was trying to sound calm and casual – but she was clearly nervous. She suggested we meet for a coffee. When I told her I was really behind in work – thanks to the chaotic events of this week – and couldn't see her until after the weekend, her tone changed.
'I'm afraid it's a matter of some urgency,' she said.
'Oh,' I said, suddenly nervous. 'Well, could we talk about it now?'
'No. I don't think this is something for the phone . . . if you take my meaning.'
I did. And I was now genuinely worried. 'Okay – where do you want to meet?' I asked.
She suggested the bar of the Roosevelt Hotel near Grand Central Station in an hour's time.
'But I have a deadline for you this afternoon,' I said.
'It can wait,' she said.
I reached the Roosevelt at the appointed hour of eleven. Imogen had a Manhattan on the table in front of her. She smiled tightly as I approached. She stood up and kissed me on the cheek. She offered me a drink. I said I'd prefer coffee at this hour of the morning.
'Have a drink, sweetheart,' she said, radiating uneasiness.
'Okay,' I said, now thinking that alcohol might be necessary. 'A Scotch and soda.'
She ordered the drink. She made small talk about attending the Broadway opening of a Garson Kanin play the previous night.
'Winchell was there too,' she said, studying my face for a reaction. I gave her none.
'I think he's a monster,' she said.
'So do I.'
And I just want you to know that I really felt for you yesterday, after I saw that item in Winchell's column,' she said.
'Thank you – but it was my brother who was smeared . . .'
'Listen, I just want you to know that, personally speaking, I am completely behind you both . . .'
Alarm bells began to ring between my ears. 'That's nice to know,' I said, 'but, like I told you, it's Eric who's taking the heat right now, not me.'
'Sara . . .'
'What the hell is wrong, Imogen?'
'Early this morning, I got a call from His Godship the Editor. It seems the magazine's board had their monthly meeting last night, and one of the big topics of conversation was the controversy swirling around your brother. Because, let's face it, it's not just his past political associations that have upset them. It's also his private life.'
'That's right. It's his private
life. His past political associations. Not mine.'
'We know you were never politically involved . . .'
'What do you mean, we?
'His Godship, Ralph J. Linklater, had a visit yesterday morning from a guy named Sweet from the FBI. He told him that they had been running quite a substantial investigation into your brother's political past. It had been going on for a few months. Naturally enough, they also decided to run a background check on you.'
'I don't believe this. Why on earth would they be interested in me?'
'Because, like your brother, you have a certain public platform . . .'
'I write movie reviews and a completely frivolous column about completely frivolous things . . .'
'Sara, please . . . I'm just the messenger here.' Then after a quick scan around the bar, she leaned forward and whispered: 'Personally, I think these investigations are insane. And even more un-American than the un-American activities they're supposed to be rooting out. But I'm caught in the middle like everyone else.'
'I have never, ever been a Communist,' I hissed. 'Jesus Christ, I voted for Truman in forty-eight, not Wallace. I am about the most apolitical person imaginable.'
'That's what the Feds told Linklater.'
'Then what's the problem here?'
'There are two problems. The first is, your brother. If he had cooperated with NBC, there would have been no problem. The fact that he didn't means there is now a problem vis-à-vis you and Saturday/Sunday.'
'But why? I am not his keeper.'
'Listen, had Eric talked, the Winchell item would have never appeared, and all this would have been forgotten about. But now he's been exposed as a one-time Communist, and as a man who does not have . . . how can I say this? . . . a typical domestic home life. From what Linklater told me this morning, the board's great worry is that his problems will somehow cast a bad light on you . . .'
'Let's cut the crap, Imogen,' I said loudly. 'What you're really saying is that Saturday/Sunday is worried about having a columnist whose brother is a former Communist and a practicing homosexual . . .'
That brought the bar to a silent standstill. Imogen looked like she wanted to vanish into the floor.
'Yes,' she said quietly. 'That is the essence of their dilemma.' She motioned me towards her. 'But it's compounded by another problem. His Godship knows about you and the married man.'
I sat back in my chair, stunned.
'Who told him?' I finally said.
'The FBI guy.'
My shock deepened. 'But how the hell did he know?'
'I gather that when they decided to investigate your brother a couple of months ago, they also figured they should look into your background. And although they didn't find any political stuff, they did discover that you were having this thing with a married guy . . .'
'But the only way they could have done that was by spying on me. Or listening in on my phone calls. Or . . .'
'I don't know how they found out. All I know is: they know. And they've told Linklater . . . and Linklater has told the board.'
'But . . . but . . . it's my private life. It has no impact whatsoever on my column. I mean, I'm not exactly someone in the public eye. As you know, I even balked at having a photo of me in the magazine. No one knows who I am. I like it that way. So why . . . why? . . . should anyone worry about with whom I share my life?'
'Now that your brother's been exposed, I think Linklater is worried word might slip out about your own domestic arrangements. I mean, it's only a matter of time before Eric is subpoenaed by HUAC. His testimony will make the papers. If he still refuses to cooperate, he'll be cited for contempt, and he'll probably do time. This will mean even more publicity. Who's to say the Feds mightn't feed Winchell or some other hack a little tidbit about you and your married friend? And you know what that asshole would write: "It isn't just Redder-than-Red Eric Smythe who's got an interesting private life. Single Sis Sara – she who writes that funny 'Real Life' column in Saturday/Sunday – has her own interesting set-up with a guy who's got a wedding band on his left finger. And I thought Saturday/Sunday called itself a family magazine'"
'But that's insane logic . . .'
'I know it's insane . . . but this is how people are thinking right now. I've got a brother, he's a professor of chemistry out at Berkeley. And the University Regents have just asked him to sign a loyalty oath – yes, an actual piece of paper, in which he swears that he's not a member of any subversive organization endangering the stability of the United States. Every faculty member at the university's been forced to do the same thing. To me, this sort of thing is repugnant. Just as I also think it's repugnant what's happening to your brother. And to you.'
'What is happening to me, Imogen?'
She met my gaze. 'They want to put both your columns on hold for a while.'
'In other words, you're firing me.'
'No, we are definitely not firing you.'
'What the hell do you call it then?'
'Hear me out. His Godship really likes you, Sara – as we all do. We don't want to lose you. We just think that, until this entire issue with your brother is resolved, it's best if you lie low for a while.'
'Better known as vanishing from view.'
'Here's the deal – and, under the circumstances, I don't think it's a bad one. We announce in the next issue of the magazine that you're taking a leave of absence for six months to do some other writing. We continue to pay you a retainer of two hundred dollars a week. Then, six months from now, we review the entire situation.'
'And if my brother's still in trouble then?'
'Let's cross that bridge when we come to it.'
'Say I decide to fight this? To go public about the way you are buckling to pressure from . . .'
'I really wouldn't do that if I were you. You can't win this one, Sara. If you try to fight it, they'll simply fire you, and you'll end up with nothing. At least this way you come out of the situation with no loss of face, no major loss of income. Consider it a paid sabbatical, courtesy of Saturday/Sunday. Go to Europe. Go write a novel. All His Godship asks for is . . .'
'I know – my complete and total silence.'
I stood up. 'I'm going now,' I said.
'Please don't do anything rash,' she said. 'Please think this all through.'
I nodded. Imogen stood up. She took my hand.
'I'm sorry,' she whispered.
I pulled my hand away.
'Shame on you,' I said.
I left the Roosevelt. I marched north up Madison Avenue, oblivious to the wave of pedestrians heading south. I was in something close to a rage, and would have chewed the head off of anybody who dared to bump into me. I hated the world at that moment. I hated its pettiness – its malevolence and spite. More than anything, I hated the way people used fear as a way of gaining control over others. Right now I wanted to jump the next train to Washington, and walk straight into the office of J. Edgar Hoover, and ask him what he really felt could be achieved by persecuting my brother. You say you 're defending our way of life, I'd tell him. But all you 're really doing is enhancing your power. Information is knowledge. Knowledge is control. Control is based on fear. Because you now have us all afraid, you win. And all we like sheep have no one but ourselves to blame for your power, because we've given it to you.
The Pursuit Of Happiness Page 49