The Golden Age of Science Fiction Novels Vol 01

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The Golden Age of Science Fiction Novels Vol 01 Page 245

by Anthology


  "Ah--yuh damfools!" Two-and-Two bleated.

  "Good for them!" Art Kuzak said, perhaps mockingly.

  "Hey--they're us--they'll stay with us--shut up--didn't we lose enough people, already?" Gimp said.

  Frank grinned with half of his mouth. "We always needed a name," he remarked. "How about The Planet Strappers? Hell--if the chairborne echelon of the U.S.S.F. is so slow and picky, let 'em go sit on a sunspot."

  "I need some white paint and a brush, Paul," Ramos declared, running into the shop.

  In a couple of minutes more, the name for the Bunch was crudely and boldly lettered on the sides of both trucks.

  "Salute your ladies, shake hands with your neighbors, and then let's get moving," Charlie Reynolds laughed genially.

  And so they did. Old Paul Hendricks, born too soon, blinked a little as he grinned, and slapped shoulders. "On your way, you lucky tramps...!"

  There were quick movements here and there--a kiss, a touch of hands, a small gesture, a strained glance.

  Frank Nelsen blew a kiss jauntily to Nance Codiss, the neighbor girl, who waved to him from the background. "So long, Frank..." He wondered if he saw a fierce envy showing in her face.

  Miss Rosalie Parks, his high school Latin teacher, was there, too. Old J. John Reynolds appeared at the final moment to smile dryly and to flap a waxy hand.

  "So long, sir... Thanks..." they all shouted as the diesels of the trucks whirred and then roared. J. John still had never been around the shop. It was only Frank who had seen him regularly, every week. It might have been impertinent for them to say that they'd make him really rich. But some must have hoped that they'd get rich, themselves.

  Frank Nelsen was perched on his neatly packed blastoff drum in the back of one of the trucks, as big tires began to turn. Near him, similarly perched, were Mitch Storey, dark and thoughtful, Gimp Hines with a triumph in his face, Two-and-Two Baines biting his lip, and Dave Lester with his large Adam's apple bobbing.

  So that was how the Bunch left Jarviston, on a June evening that smelled of fresh-cut hay and car fumes--home. Perhaps they had chosen this hour to go because the gathering darkness might soften their haunting suspicions of complete folly before an adventure so different from the life they knew--neat streets, houses, beds, Saturday nights, dances, struggling for a dream at Hendricks'--that even if they survived the change, the difference must seem a little like death.

  Seeking the lifting thread of magical romance again, Frank Nelsen looked up at the ribbed canvas top of the truck. "Covered wagon," he said.

  "Sure--Indians--boom-boom," Two-and-Two chuckled, brightening. "Wild West... Yeah--wild--that's a word I kind of like."

  Up ahead, in the other truck, Ramos and Charlie Reynolds had begun to sing a funny and considerably ribald song. They made lots of lusty, primitive noise. When they were finished, Ramos, still in a spirit of humor, corned up an old Mexican number about disappointed love.

  "Adios, Mujer--

  Adios para siempre--

  Adios..."

  Ramos wailed out the last syllable with lugubrious emphasis.

  "Always it's girls," Dave Lester managed to chuckle. "I still don't see how they expect to find many, Out There."

  "If our Eileen has--or will--make it, she won't be the first--or last," Frank offered, almost mystically.

  "Hey--I was right about the word, wild," Two-and-Two mused. "Yeah--we're all just plum-full of wanting to be wild. Not mean wild, mostly--constructive wild, instead. And, damn, we'll do it...! Cripes--we ought to come back to old Paul's place in June, ten years from now, and tell each other what we've accomplished."

  "Damn--that's a fine idea, Two-and-Two!" David Lester piped up. "I'll suggest it to the other guys, first chance I get...!"

  Of course it was another piece of callow whistling in the dark, but it was a buildup, too. Coming home at a fixed, future time, to compare glittering successes. Eldorados found and exploited, cities built, giant businesses established, hearts won, real manhood achieved past staggering difficulties. But they all had to believe it, to combat the icy sliver of dread concerning an event that was getting very near, now.

  Mitch Storey sat with his mouth organ cupped in his hands. He began to make soft, musing chords, tried a fragment of Old Man River, shifted briefly to a spiritual, and wound up with some eerie, impromptu fragments, partly like the drums and jingling brass of old Africa, partly like a joyful battle, partly like a lonesome lament, and then, mysteriously like absolute silence.

  Storey stopped, abashed. He grinned.

  "Reaching for Out There, Mitch?" Frank Nelsen asked. "Music of your own, to tell about space? Got any words for it?"

  "Nope," Mitch said. "Maybe it shouldn't have any words. Anyhow, the tune doesn't come clear, yet. I haven't been--There."

  "Maybe some more of Otto's beer will help," Frank suggested. "Here--one can, each, to begin." For once, Frank had an urge to get slightly pie-eyed.

  "High's a good word," he amended. "High and sky! Mars and stars!"

  "Space and race, nuts and guts!" Lester put in, trying to belong, and be light-minded, like he thought the others were, instead of a scared, pedantic kid. He slapped the blastoff drum under him, familiarly, as if to draw confidence from its grim, cool lines.

  The whole Bunch was quite a bit like that, for a good part of the night, shouting lustily back and forth between the two trucks, laughing, singing, wise-cracking, drinking up Otto Kramer's Pepsi and beer.

  But at last, Gimp Hines, remembering wisdom, spoke up. "We're supposed to be under mild sedation--a devil-killer, a tranquilizer--for at least thirty hours. It's in the rules for prospective ground-to-orbit candidates. We're supposed to be sleeping good. Here goes my pill--down, with the last of my beer..."

  Faces sobered, and became strained and careful, again. The guys on the trucks bedded down as best they could, among their gaunt equipment. Soon there were troubled snores from huddled figures that quivered with the motion of the vehicles. The mottled Moon rode high. Big tires whispered on damp concrete. Lights blinked past. The trucks curved around corners, growled up grades, highballed down. There were pauses at all-night drive-ins, coffees misguidedly drunk in a blurred, fur-tongued half wakefulness that seemed utterly bleak. Oh, hell, Frank Nelsen thought, wasn't it far better to be home in bed, like Jig Hollins?

  At grey dawn, there was a breakfast stop, the two truck drivers and their relief man grinning cynically at the Bunch. Then there was more country, rolling and speeding past. Wakefulness was half sleep, and vice-versa. And the hours, through the day and another night, dwindled toward blastoff time, at eleven o'clock tomorrow morning.

  When the second dawn came, the Bunch were all tautly and wearily alert again, peering ahead, across dun desert. There wasn't much fallout from the carefully developed hydrogen-fusion engines of the GO rockets, but maybe there was enough to distort the genes of the cacti a little, making their forms more grotesque.

  Along the highway there were arrows and signs. When the trucks had labored to the top of a ridge, the spaceport installations came into view all at once:

  Barbed-wire fences, low, olive-drab gate buildings, guidance tower, the magnesium dome of a powerhouse reactor, repair and maintenance shops, personnel-housing area carefully shielded against radiation by a huge stellene bubble, sealed and air-conditioned, with double-doored entrances and exits. Inside it were visible neat bungalows, lawns, gardens, supermarket, swimming pools, swings, a kid's bike left casually here or there.

  The first sunshine glinted on the two rockets and their single, attendant gantry tower, waiting on the launching pad. The rockets were as gaunt as sharks. They might almost have been natural spires on the Moon, or ruined towers left by the extinct beings of Mars. At first they were impersonal and expected parts of the scene, until the numbers, ceramic-enamelled on their striped flanks, were noticed: GO-11 and GO-12.

  "They're us--up the old roller coaster!" Charlie Reynolds shouted.

  Then everybody was checking his
blastoff ticket, as if he didn't remember the number primly typed on it. Frank Nelsen had GO-12. GO--Ground-to-Orbit. But it might as well mean go! glory, or gallows, he thought.

  The trucks reached the gate. The Bunch met the bored and cynical reception committee--a half-dozen U.S.S.F. men in radiation coveralls.

  Each of the Bunch held his blastoff ticket, his space-fitness and his equipment-inspection cards meekly in sweaty fingers. It was an old story--the unknowing standing vulnerable before the knowing and perhaps harsh.

  Nelsen guessed at some of the significance of the looks they all received: Another batch of greenhorns--to conquer and develop and populate the extra-terrestrial regions. They all come the same way, and look alike. Poor saps...

  Frank Nelsen longed to paste somebody, even in the absence of absolute impoliteness.

  The blastoff drums were already being lifted off the trucks, weighed, screened electronically, and moved toward a loading elevator on a conveyor. The whole process was automatic.

  "Nine men--ten drums--how come?" one of the U.S.S.F. people inquired.

  "A spare. Its GO carriage charge is paid," Reynolds answered.

  He got an amused and tired smirk. "Okay, Sexy--it's all right with us. And I hope you fellas were smart enough not to eat any breakfast. Of course we'd like to have you say--tentatively--where you'll be headed, on your own power, after we toss you Upstairs. Toward the Moon, huh, like most fledglings say? It helps a little to know. Some new folks start to scream and get lost, up there. See how it is?"

  "Sure--we see--thanks. Yes--the Moon." This was still Charlie Reynolds talking.

  "No problem, then, Sexy. We mean to be gentle. Now let's move along, in line. Never mind consulting wristwatches--we've got over four hours left. Final blood pressure check, first. Then the shot, the devil-killer, the wit-sharpener. And try to remember some of what you're supposed to have learned. Relax, don't talk too much, and try not to swallow any live butterflies."

  The physician, looking them over, shook his head and made a wry face of infinite sadness, when he came to Gimp and Lester, but he offered no comment except a helpless shrug.

  The U.S.S.F. spokesman was still with them. "All right--armor up. Let's see how good you are at it."

  They scrambled to it grimly, and still a little clumsily. Gimp Hines had, of course, long ago tailored his Archer to fit that shrunken right leg. Then they just sat around in the big locker room, trying to get used to being enclosed like this, much of the time, checking to see that everything was functioning right, listening to the muffled voices that still reached them from beyond their protecting encasement. They could still have conversed, by direct sound or by helmet-radio, but the devil-killer seemed to subdue the impulse, and for a while caused a dreaminess that shortened the long wait...

  "Okay--time to move!"

  Heavy with their Archies, they filed out into desert sun-glare that their darkened helmets made feeble. They arose in the long climb of the gantry elevator and split into two groups, for the two rockets, according to their GO numbers. It didn't seem to matter, now, who went with whom. Each man had his own private sweating party. The padded passenger compartments were above the blastoff drum freight sections.

  "Helmets secure? Air-restorer systems on? Phones working? Answer roll call if you hear me. Baines, George?"

  "Here!" Two-and-Two responded, loud and plain in Frank Nelsen's phone, from the other rocket.

  "Hines, Walter?"

  One by one the names were called... "Kuzak, Arthur?... Kuzak, Joseph?..."

  "Okay--the Mystic Nine, eh? Lash down!"

  They lay on their backs on the padded floors, and fastened the straps. Gimp Hines, next to Frank, seemed to have discarded his crutches, somewhere.

  The inspector swaggered around among them, jerking straps, and tapping shoulders and buttocks straight on the floor padding with a boot toe.

  "All right--not good, not too bad. Ease off--shut your eyes, maybe. The next twenty minutes are ours. The rest are yours, except for orders. I hope you remember your jump procedures. Also that there are a lot of wooden nickels Upstairs--in orbit, on the Moon, anyplace. We'll call some of your shots from the ground. Good luck--and Glory help you..."

  The growl in their phones died away with the muffled footsteps. Doors closed on their gaskets and were dogged, automatically.

  Then it was like waiting five minutes more, inside a cannon barrel. There was a buzzing whisper of nuclear exciters. The roar of power cut in. A soft lurch told that the rockets were off the ground--fireborne. The pressure of acceleration mounted. You closed your eyes to make the blackness seem natural, instead of a blackout in your optic nerves, and the threadiness of your mind seem like sleep. But you felt smothered, just the same. Somebody grunted. Somebody gave a thick cry.

  Frank Nelsen had the strange thought that, by his body's mounting velocity, enough kinetic energy was being pumped into it to burn it to vapor in an instant, if it ever hit the air. But it was the energy of freedom from gravity, from the Earth, from home--for adventure. Freedom to wander the solar system, at last! He tried, still, to believe in the magnificence of it, as the thrust of rocket power ended, and the weightlessness of orbital flight came dizzily.

  He didn't consciously hear the order to leave the orbiting GO-12, which was moving only about five hundred feet from it's companion, GO-11. But, like most of the others, he worked his way with dogged purpose through what seemed a fuzzy nightmare.

  The doors of the passenger compartments had opened; likewise the blastoff drums had been ejected automatically, and were orbiting free.

  Maybe it was Gimp who moved ahead of him. Looking out, Frank saw what was certainly Ramos, already straddling a drum marked with a huge red M.R., riding it like a jaunty troll on a seahorse. He saw the Kuzaks dive for their initialled drums, big men not yet as apt in this new game as in football, but grimly determined to learn fast. The motion was all as silent as a shadow.

  Then Frank jumped for his own drum, and found himself turning slowly end-over-end, seeing first the pearl-mist curve that was the Earth, then the brown-black, chalk-smeared sky, with the bright needle points and the corona-winged sun in it. Instinct made him grab futilely outward, for the sense of weightlessness was the same as endless fall. He was falling, around the Earth, his forward motion exactly balancing his downward motion, in a locked ellipse, a closed trajectory.

  His mind cleared very fast--that must have been another phase of the devil-killer shot coming into action. Controlling panic, he relocated his drum, marked by a splashed red F.N., set his tiny shoulder ionic in operation, and reached back to move its flexible guide, first to stop his spin, then to produce forward motion. He got to the drum, and just clung to it for a moment.

  But in the next instant he was looking into the embarrassed, anguished face of a person, who, like a drowning man, had come to hang onto it for dear life, too.

  "Frank, I--I even dirtied myself..."

  "So what? Over there is your gear, Two-and-Two--go get it!" Frank shouted into his phone, the receiver of which was now full of sounds--a moaning grunt, a vast hiccuping, shouts, exhortations.

  "Easy, Les," Reynolds was saying. "Can you reach a pill from the rack inside your chest plate, and swallow it? Just float quietly--nothing'll happen. We've got work to do for a few minutes... We'll look after you later... Cripes, Mitch--he can't take it. Jab the knockout needle right through the sleeve of his Archer, like we read in the manuals. The interwall gum will seal the puncture..."

  Just then the order came, maddeningly calm and hard above the other sounds in Frank's phone: "All novices disembarked from GOs-11 and -12 must clear four-hundred mile take-off orbital zone for other traffic within two hours."

  At once Frank was furiously busy, working the darkened stellene of his bubb from the drum, letting it spread like a long wisp of silvery cobweb against the stars, letting it inflate from the air-flasks to a firm and beautiful circle, attaching the rigging, the fine, radial spokewires--for which the bla
stoff drum itself now formed the hub. To the latter he now attached his full-size, sun-powered ionic motor. Then he crept through the double sealing flaps of the airlock, to install the air-restorer and the moisture-reclaimer in the circular, tunnel-like interior that would now be his habitation.

  He wasn't racing anything except time, but he had worked as fast as he could. Still, Gimp Hines had finished rigging his bubb, minutes ahead of Frank, or anybody else. On second thought, maybe this was natural enough. Here, where there was no weight, his useless leg made no difference--as the space-fitness examiners must have known. Besides, Gimp had talented fingers and a keen mechanical sense, and had always tried harder than anybody.

  Ramos was almost as quick. Frank wasn't much farther behind. The Kuzaks were likewise doing all right. Two-and-Two was trailing some, but not very badly.

  "Spin 'em!" Gimp shouted. "Don't forget to spin 'em for centrifuge-gravity and stability!"

  And so they did, each gripping the rigging at their bubb rims, and using the minute but accumulative thrust of the shoulder ionics of their Archers, to provide the push. The inflated rings turned like wheels with perfect bearings. In the all but frictionless void, they could go on turning for decades, without additional impetus.

  "We've made it--we're Out Here--we're all right!" Ramos was shouting with a fierce exultation.

  "Shut up, Ramos!" Frank Nelsen yelled back. "Don't ever say that, too soon. Look around you!"

  Storey and Reynolds were still struggling with their bubbs. They had been delayed by trying to quiet Dave Lester, who now floated in a drugged stupor, lashed to his blastoff drum.

  Slowly, pushed by their shoulder ionics, Gimp, Ramos and Frank Nelsen drifted over to see what they could do for Lester.

  He was vaguely conscious, his eyes were glassy, his mouth drooled watery vomit.

  "What do you want us to do, Les?" Frank asked gently. "We could put you back in one of the rockets. You'd be brought back to the spaceport, when they are guided back by remote control."

  "I don't know!" Lester wailed in a hoarse voice. "Fellas--I don't know! A little falling is all right... But it goes on all the time. I can't stand it! But if I'm sent back--I can't ever live with myself!..."

 

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