23. Dougal tells her the complete story of the flogging as a way of illustrating Jamie’s character to her prior to the marriage, and also hints at the sexual interest Randall has in Jamie. From a purely practical perspective, would Claire have been safer marrying Rupert, ludicrous as this sounds? Dougal is clearly upset by Randall’s brutality to Claire at Brockton. But how much of his scheme can be attributed to the fact that the MacKenzies would never accept a chief whose wife was an Englishwoman? In terms of his own political ambitions, is Dougal killing two birds with one stone here? Despite his Machiavellian instincts, some ancient spirituality lingers in Dougal: why does he take Claire to St. Ninian’s spring?
24. Claire and Jamie’s wedding—in the same church in which she married Frank—has touching and comic moments to it. What details do you find most striking or memorable?
25. In Chapter 15, “The Revelations of the Bridal Chamber,” the awkwardness of the bride and groom delays the consummation considerably, but also gives them an opportunity to learn more about one another’s families and personal experiences. As they sit side by side drinking wine and touching, what important insights do they learn about one another? How important is this ability to talk to one another in their growing relationship?
26. On their wedding night, Jamie says, “There are things that I canna tell you, at least not yet. And I’ll ask nothing of ye that ye canna give me. But what I would ask of ye—when you do tell me something, let it be the truth. And I’ll promise ye the same. We have nothing now between us, save—respect, perhaps. And I think that respect has maybe room for secrets, but not for lies. Do ye agree?” And do you readers agree that a good marriage can have secrets?
27. Gender and genre: Claire gently educates the virginal Jamie, who had been misinformed by Murtagh that it is best to get the act over with quickly, as women do not enjoy sex. It has often been observed that this novel does not fit readers’ expectations of generic romances. Among other things, your group might wish to consider the age disparity of the protagonists, the unusual circumstances of their “courtship,” the subsequent revelation that the male is a virgin, and the continuation of the story well beyond the marriage itself. As well as illustrating a difference between 18th c. and 20th c. expectations by having the older, experienced female take the lead, Gabaldon undermines yet another romance convention. “As yet too hungry and too clumsy for tenderness, still he made love with a sort of unflagging joy that made me think that male virginity might be a highly underrated commodity.” Claire also suggests that her husband Frank, despite his sophistication and polish as a lover, had not discovered some aspects of her sexuality that Jamie had. She still intends, at this point, to return to Frank somehow. How would this new dimension of her experience complicate her life with Frank?
28. If you are interested in hearing Diana Gabaldon’s insights into the craft of erotic writing, including elements of other books in the Outlander series, listen to Episode 5 of the Diana Gabaldon Podcast and discuss what light it sheds on this scene. (http://a1018.g.akamai.net/f/1018/19024/1d/randomhouse1.download.akamai.com/19024/rhaudio/diana_gabaldon/episode5.mp3)
29. Modern marriage enhancement therapy (for example, Emotionally Focused Therapy) is based on the research behind Attachment Theory, the understanding that human infants (and indeed all primates) require physical cuddling—a need that extends into adult relationships. (If you are interested in reading an excellent contemporary overview of why this universal childhood need extends into adult marriages, see Dr. Sue Johnson’s book Hold Me Tight, or her recent article summarizing the book: http://www.psychologytoday.com/articles/200812/hold-me-tight). As their newlywed nervousness returns, Jamie seems to have an instinctive understanding of this need: “Now then,” he said. “If we canna talk easy yet without touching, we’ll touch for a bit. Tell me when you’re accustomed to me again”. How important is their ability to touch one another? What other episodes of touching—not necessarily sexual—strike you as memorable and significant? Is Jamie’s need for touch any greater than Claire’s?
30. Although Claire appreciates Jamie’s protectiveness, she is sometimes quick to assume that he shares what seems to be a widespread 18th c. attitude that women are not intelligent enough to master certain skills; for example, using heavy pistols. Chastened, she realizes the men are right that a sgian dhu is a better weapon for her, and they teach her how to use it properly—to good effect when she kills her attacker in Chapter 20, “Deserted Glades.” But her most difficult and complex adjustment to 18th c. mores—and the one most readers find most controversial—undoubtedly concerns the beating she receives at Jamie’s hands following her rescue from Black Jack Randall at Fort William for her disobedience in refusing to stay in the copse where Jamie had ordered her to stay. Her independent streak and determination to return to her husband Frank, despite the growing love she feels for Jamie, endanger Jamie’s life and the life of his men far beyond what she had imagined. Re-read Chapter 21 and 22. Was Jamie justified in beating Claire? Why or why not? Did it affect your response to his character? When you read Jamie’s anecdotes about the physical discipline he received from his beloved father Brian, how does that affect your judgment of him? What do both Claire and Jamie learn from the experience?
31. Given the information available, is Claire’s jealousy of Laoghaire and her hurt pride when she thinks that Jamie may have married her primarily for his share of the rents that now accrue to him as a married man reasonable? Or do her jealousy and hurt pride point to a deep insecurity in her? How does the episode with the wedding ring reinforce Jamie’s commitment to her?
Part FOUR A Whiff of Brimstone
32. When they return to Leoch, after the drama of the Fort William episode, Claire learns—almost anticlimactically—that Horrocks, the deserter who was in a position to confirm Jamie’s innocence regarding the murder of the sergeant-major, identified Black Jack Randall as the killer. This disappointing information is useless, because of Randall’s apparently unassailable status and power, but it does provide a segue to other examinations of the abuses of power (a recurring motif in the whole series), including the Duke of Sandringham’s humorously inept attempts at seduction of young men like Jamie. His predatory behavior is treated comically here. Why does Claire rather like the Duke? Why is Jamie willing to go hunting with him?
33. When Geilie and Claire find the “changeling” baby, Claire is appalled by the ignorance and inadvertent cruelty of the ancient superstition, and appeals to Jamie for help in rescuing it. Despite his rationality, however, he is reluctant to challenge local mores—and against his better judgment, checks on the child, who is dead. But what do you think Jamie would have done had it been alive? When Geilie warns her against her altruism, “Don’t ye know what they say about you in the village?” do you think Geilie is telling the truth, or is she merely attempting to prevent Claire from doing something that would get them all into trouble?
34. In the complex drama of Claire’s arrest as a witch, what seems to be the balance in this book between the world of the natural and the supernatural? Geilie’s interest in the dark arts encompasses not only occult spells, about which Claire is skeptical, but also a practical expertise with the biochemical properties of substances such as opium, arsenic, and cyanide. (If you have read the sequels, what is the significance of the reference to the L’Grimoire d’le Comte St. Germain?) Some of the details for the pretext of Claire’s incarceration as a witch are foolish and ignorant distortions, if not outright fabrications; for example, Fr. Bain’s interpretation of Claire’s warning of infection to be a curse. And yet, the episode with the waterhorse—ironically, Peter the Drover’s testimony is rejected—points to an acceptance of the paranormal. Similarly, Colum’s wedding gift to Claire, partly to reward her for saving Losgann and her foal, is a rosary, whose significance, despite her nominal adherence to Catholicism, she does not understand. But the rosary later becomes a
significant element in demonstrating her innocence to the mob. For now, she merely prays, thanking “whatever benign spirits presided over such events that nothing had gone wrong.” Are we to understand this as coincidence, or is it an authentic—and answered—albeit unfocused, prayer?
35. In the thieves’ hole at Cranesmuir, Claire and Geillis await death. Claire discovers that Geillis is a Jacobite, and at the moment of Geilie’s death, realizes from her vaccination that she too is a time traveler. But the hole has “the dark anonymity of the confessional”, and as is the case in so many myths and stories in which someone descends into the underworld, Claire has her most important and transforming revelation: she tells Geilie—and herself—the truth that she does love Jamie. Consider, however, that she does not share this with Jamie for a considerable amount of time. Why not?
36. Another romantic convention is comically upended when the elderly lawyer Ned Gowan, rather than the dashing romantic hero, arrives to buy much-needed time for Claire’s defence. Jamie, of course, does arrive in time, and by means of tremendous personal courage and a theatrical use of the rosary, saves her from the mob and from ecclesiastical abuse of authority. But Claire’s safety is also dependent on Geilie’s altruism in declaring her innocence. How do you account for Geilie’s dying act? How does it affect your estimate of her character?
37. Notice that previous tension in their marriage focused on the question of wifely obedience. Claire has once again disobeyed Jamie—he had told her, when he left with the Duke of Sandringham, to stay away from Geillis Duncan. Claire’s failure to do so, when Laoghaire told her Geilie was sick and needed her, almost results in her death. And yet Jamie does not reproach her this time for her disobedience. Why not? How is their relationship evolving?
38. Jamie’s love for Claire encompasses the possibility that she actually is a witch, and his direct question to her elicits, finally, her explanation of her improbable origins in the 20th c. Jamie’s response is not merely acceptance of what is improbable at the level of fact, which would be remarkable enough, but a moral imperative: he believes that out of his love for her, he must give her up and return her to her “home.” In one of the most moving episodes in the book, he takes her to Craigh na Dun and sets her free to return to Frank. Claire says that neither rationality, emotion, or duty helps her to make her decision, “and before I even knew I had decided, I was halfway down the slope” to Jamie, who lay asleep as “the silver tracks of dried tears glinted on golden skin.” The powerfully emotional moment has a comic resolution (as is the case in the stable during her escape attempt, and his attempt to protect her by lying on the floor outside her room in the inn): they crash into each other. But if Claire herself cannot fully understand why she returned to him—beyond “I had to”—how do you account for it?
Part FIVE Lallybroch
39. Jenny emerges as a strong female character in this section. What personality traits are revealed in Jenny in her wrangling with Jamie? Is Ian right that she and Jamie are similar? Much of the extended argument concerns the false rumor that Randall had sexually exploited her and fathered her first child. Why did Dougal spread that rumor?
40. As Jenny and Claire get to know one another, they have a conversation that both recognize is a polite kind of code: for example, “I hear ye married very quickly” meaning, “Did you wed my brother for his land and money?” Re-read this dialogue. Have you had conversations like this that you are willing to share? In your experience, did both parties understand what the other was really saying?
41. For all the passion and commitment already evident in their relationship, for some reason Jamie defers telling Claire that he married her out of love until he has a chance to show her his home and the portraits of his family. What is the link between their presence here and the timing of this major revelation? And why does Claire hold back until after the episode in which they take in Rabbie MacNab? Even then, she is reluctant to be the first one to speak. Claire is clearly capable of feeling great love: why does she have so much difficulty expressing it verbally?
42. The Lallybroch chapters are to a great extent relaxed and funny, including the adventure with Jamie’s father’s drawers in the millpond and the many anecdotes of boyhood thrashings Ian and Jamie received from their fathers for misbehavior, anecdotes which could have been told in a very dark way—and which disturb some modern readers, despite their light tone. The stories about Brian do segue into much darker narrative in two ways: first, in both Jenny’s and Jamie’s guilty belief that each was responsible for Brian’s death; and second, in the subsequent contrast between Brian’s heavy-handed but fair disciplinary style and the drunken, vicious beatings Rabbie MacNab receives from his father.
Should Jenny and Jamie feel guilty for Brian’s death? How does Jenny’s anecdote about Randall’s impotence prepare us for the horror in Wentworth prison?
The new cover of Outlander identifies moral ambiguity as an issue: does Jamie do the right thing on Quarter Day by beating Rabbie’s abusive father? Jamie worries about the line between justice and brutality.Which side of that line is he on?
43. Jenny’s remarkable, sensuous description of her pregnancy, as you may know, was one of the early chunks of Outlander posted on the CompuServe Writers’ Forum that attracted attention and encouragement for Diana Gabaldon to write more and publish. (Perhaps this pregnancy led not only to wee Maggie, but also to the novel itself!) If you have been pregnant, do these details ring true to your own experience? Could only a woman have written this passage? Debates about whether a male writer can write authentically in a female voice and vice versa have proliferated for years. Could this passage have been written by a man? Or by a woman who has never been pregnant? Why or why not?
44. When Jamie is taken by the Watch, having been betrayed by Ronald MacNab, Claire warns Jenny of the coming slaughter and famine, giving her the practical advice to plant potatoes. Is Claire running any risk of being considered a witch again here?
PART SIX The Search
45. Jamie has always had a complex relationship with his uncle Dougal. In their search for Jamie, Claire practices some fortune-telling skills she learned from Mrs. Graham, as well as her medical skills. Gypsies she and Murtagh encounter lead her to a cave where she meets Dougal, whom the Gypsies have understandably mistaken, from their description, for Jamie. Widower Dougal’s attempt to seduce her for Jamie’s property, in the belief that there is no hope of rescuing his nephew and foster son, enrages Claire and lowers him in our estimation. Surprisingly, however, in view of Jamie’s theories, Dougal swears that he did not attempt to kill Jamie with the axe, the wound that sent him to St. Anne to Beaupré to convalesce. Is Dougal credible on this point? Do you believe him? He says he is unwilling to risk the lives of his men to save Jamie. Does this ring true to you, or is it an excuse? When Claire challenges him to allow his men to make their own choice, why does Rupert follow Claire rather than Dougal? What is the source of Claire’s hope that Jamie can be freed?
PART SEVEN Sanctuary
46. Jamie is to be hanged on December 23. Although Claire does not make this point, the day she reaches Wentworth Prison is December 21, the Winter Solstice, one of the sacred days in pre-Christian Celtic tradition about which Frank spoke early in the novel. On this day, northern people rejoice that the sun is returning to a world that otherwise would die without its light and hope. If speculation about the standing stones is correct, this day is one in which one could travel through time. Claire, at the moment, however, is focused on the preciousness of the present and the immediate future. She charms Sir Fletcher, and Rupert gambles with the soldiers, both strategies eliciting some information about where Jamie is. Claire finds him, cold-bloodedly kills a guard, and sees the depths of Randall’s depravity. Jamie promises to submit to him if he sets Claire free. Claire’s rage, helpless against Randall, gives her the fury and physical strength to kill a wolf. Are you familiar with other examples of astonishing strength in traumatic circumstances and overcoming fear
in order to act?
47. MacRannoch, initially unenthusiastic about provoking Sir Fletcher, who could level his castle, changes his mind when he and Murtagh recognize one another from a long-ago Tynchal at Castle Leoch. In their conversation, Claire realizes, with a shock, that the beautiful, barbaric boar-tusk bracelets at Lallybroch were a gift from Murtagh to Ellen; he was Ellen’s secret admirer, and MacRannoch the suitor who gave her the pearls Claire now takes out. MacRannoch’s stratagem with the stampeding cattle enables them to rescue Jamie. With the assistance of MacRannoch and his wife, Lady Annabelle, Claire tends to Jamie’s very serious physical wounds, especially the nine broken bones that need surgery. There is some continuity here with the first episode in which Claire confidently and competently takes charge of Jamie’s injuries: this time, however, she claims her full range of authority and skill by saying, for the first time, “I am a physician.” How does this assertion mark her personal growth? Despite her stamina in conducting the surgery, however, she hopes that he does not speak to her about his emotional trauma of. Why not?
48. Jamie does try to explain the psychology of rape, of a violation and breakdown that provokes suicidal thoughts:
“I think it’s as though everyone has a small place inside themselves, maybe, a private bit that they keep to themselves. It’s like a little fortress, where the most private part of you lives—maybe it’s your soul, maybe just that bit that makes you yourself and not anybody else …”
“You don’t show that bit of yourself to anyone, usually, unless sometimes to someone that ye love greatly ….”
“Now it’s like … like my own fortress has been blown up with gunpowder—there’s nothing left of it but the ashes and a smoking rooftree, and the little naked thing that lived there once is out in the open, squeaking and whimpering in fear, trying to hide itself under a blade of grass or a bit o’ leaf, but not … but not … making m-much of a job of it.”
The Outlander Series 7-Book Bundle Page 92