by Albom, Mitch
I shrugged.
"We can forget it."
No, go ahead. What did you decide?
Morrie popped his lips. "I was thinking of this: A Teacher to the Last."
He waited while I absorbed it.
A Teacher to the Last.
"Good?" he said.
Yes, I said. Very good.
I came to love the way Morrie lit up when I entered the room. He did this for many people, I know, but it was his special talent to make each visitor feel that the smile was unique.
"Ahhhh, it's my buddy," he would say when he saw me, in that foggy, high-pitched voice. And it didn't stop with the greeting. When Morrie was with you, he was really with you. He looked you straight in the eye, and he listened as if you were the only person in the world. How much better would people get along if their first encounter each day were like this-instead of a grumble from a waitress or a bus driver or a boss?
"I believe in being fully present," Morrie said. "That means you should be with the person you're with. When I'm talking to you now, Mitch, I try to keep focused only on what is going on between us. I am not thinking about something we said last week. I am not thinking of what's coming up this Friday. I am not thinking about doing another Koppel show, or about what medications I'm taking.
"I am talking to you. I am thinking about you."
I remembered how he used to teach this idea in the Group Process class back at Brandeis. I had scoffed back then, thinking this was hardly a lesson plan for a university course. Learning to pay attention? How important could that be? I now know it is more important than almost everything they taught us in college.
Morrie motioned for my hand, and as I gave it to him, I felt a surge of guilt. Here was a man who, if he wanted, could spend every waking moment in self-pity, feeling his body for decay, counting his breaths. So many people with far smaller problems are so self-absorbed, their eyes glaze over if you speak for more than thirty seconds. They already have something else in mind-a friend to call, a fax to send, a lover they're daydreaming about. They only snap back to full attention when you finish talking, at which point they say "Uh-huh" or "Yeah, really" and fake their way back to the moment.
"Part of the problem, Mitch, is that everyone is in such a hurry," Morrie said. "People haven't found meaning in their lives, so they're running all the time looking for it. They think the next car, the next house, the next job. Then they find those things are empty, too, and they keep running."
Once you start running, I said, it's hard to slow yourself down.
"Not so hard," he said, shaking his head. "Do you know what I do? When someone wants to get ahead of me in traffic-when I used to be able to drive-I would raise my hand . . ."
He tried to do this now, but the hand lifted weakly, only six inches.
" . . . I would raise my hand, as if I was going to make a negative gesture, and then I would wave and smile. Instead of giving them the finger, you let them go, and you smile.
"You know what? A lot of times they smiled back. "The truth is, I don't have to be in that much of a hurry with my car. I would rather put my energies into people."
He did this better than anyone I'd ever known. Those who sat with him saw his eyes go moist when they spoke about something horrible, or crinkle in delight when they told him a really bad joke. He was always ready to openly display the emotion so often missing from my baby boomer generation. We are great at small talk: "What do you do?" "Where do you live?" But really listening to someone-without trying to sell them something, pick them up, recruit them, or get some kind of status in return-how often do we get this anymore? I believe many visitors in the last few months of Morrie's life were drawn not because of the attention they wanted to pay to him but because of the attention he paid to them. Despite his personal pain and decay, this little old man listened the way they always wanted someone to listen.
I told him he was the father everyone wishes they had.
"Well," he said, closing his eyes, "I have some experience in that area . . ."
The last time Morrie saw his own father was in a city morgue. Charlie Schwartz was a quiet man who liked to read his newspaper, alone, under a streetlamp on Tremont Avenue in the Bronx. Every night, when Morrie was little, Charlie would go for a walk after dinner. He was a small Russian man, with a ruddy complexion and a full head of grayish hair. Morrie and his brother, David, would look out the window and see him leaning against the lamppost, and Morrie wished he would come inside and talk to them, but he rarely did. Nor did he tuck them in, nor kiss them good-night.
Morrie always swore he would do these things for his own children if he ever had any. And years later, when he had them, he did.
Meanwhile, as Morrie raised his own children, Charlie was still living in the Bronx. He still took that walk. He still read the paper. One night, he went outside after dinner. A few blocks from home, he was accosted by two robbers.
"Give us your money," one said, pulling a gun. Frightened, Charlie threw down his wallet and began to run. He ran through the streets, and kept running until he reached the steps of a relative's house, where he collapsed on the porch.
Heart attack.
He died that night.
Morrie was called to identify the body. He flew to New York and went to the morgue. He was taken downstairs, to the cold room where the corpses were kept.
"Is this your father?" the attendant asked.
Morrie looked at the body behind the glass, the body of the man who had scolded him and molded him and taught him to work, who had been quiet when Morrie wanted him to speak, who had told Morrie to swallow his memories of his mother when he wanted to share them with the world.
He nodded and he walked away. The horror of the room, he would later say, sucked all other functions out of him. He did not cry until days later.
Still, his father's death helped prepare Morrie for his own. This much he knew: there would be lots of holding and kissing and talking and laughter and no good-byes left unsaid, all the things he missed with his father and his mother.
When the final moment came, Morrie wanted his loved ones around him, knowing what was happening. No one would get a phone call, or a telegram, or have to look through a glass window in some cold and foreign basement.
In the South American rain forest, there is a tribe called the Desana, who see the world as a fixed quantity of energy that flows between all creatures. Every birth must therefore engender a death, and every death bring forth another birth. This way, the energy of the world remains complete.
When they {hunt for food, the Desana know that the animals they kill will leave a hole in the spiritual well. But that hole will be filled, they believe, by the souls of the Desana hunters when they die. Were there no men dying, there would be no birds orfish being born. I like this idea. Morrie likes it, too. The closer he gets to good-bye, the more he seems to feel we are all creatures in the same forest. What we take, we must replenish.
"It's only fair," he says.
The Tenth Tuesday We Talk About Marriage
I brought a visitor to meet Morrie. My wife.
He had been asking me since the first day I came. "When do I meet Janine?" "When are you bringing her?" I'd always had excuses until a few days earlier, when I called his house to see how he was doing.
It took a while for Morrie to get to the receiver. And when he did, I could hear the fumbling as someone held it to his ear. He could no longer lift a phone by himself. "Hiiiiii," he gasped.
You doing okay, Coach?
I heard him exhale. "Mitch . . . your coach . . . isn't having such a great day . . .
His sleeping time was getting worse. He needed oxygen almost nightly now, and his coughing spells had become frightening. One cough could last an hour, and he never knew if he'd be able to stop. He always said he would die when the disease got his lungs. I shuddered when I thought how close death was.
I'll see you on Tuesday, I said. You'll have a better day then.
"Mitch."
Yeah?
"Is your wife there with you?" She was sitting next to me.
"Put her on. I want to hear her voice."
Now, I am married to a woman blessed with far more intuitive kindness than 1. Although she had never met Morrie, she took the phone -I would have shaken my head and whispered, "I'm not here! I'm not here!"-and in a minute, she was connecting with my old professor as if they'd known each other since college. I sensed this, even though all I heard on my end was "Uh-huh . . . Mitch told me . . . oh, thank you . . .
When she hung up, she said, "I'm coming next trip." And that was that.
Now we sat in his office, surrounding him in his recliner. Morrie, by his own admission, was a harmless flirt, and while he often had to stop for coughing, or to use the commode, he seemed to find new reserves of energy with Janine in the room. He looked at photos from our wedding, which Janine had brought along.
"You are from Detroit?" Morrie said. Yes, Janine said.
"I taught in Detroit for one year, in the late forties. I remember a funny story about that."
He stopped to blow his nose. When he fumbled with the tissue, I held it in place and he blew weakly into it. I squeezed it lightly against his nostrils, then pulled it off, like a mother does to a child in a car seat.
"Thank you, Mitch." He looked at Janine. "My helper, this one is."
Janine smiled.
"Anyhow. My story. There were a bunch of sociologists at the university, and we used to play poker with other staff members, including this guy who was a surgeon. One night, after the game, he said, 'Morrie, I want to come see you work.' I said fine. So he came to one of my classes and watched me teach.
"After the class was over he said, `All right, now, how would you like to see me work? I have an operation tonight.' I wanted to return the favor, so I said okay.
"He took me up to the hospital. He said, `Scrub down, put on a mask, and get into a gown.' And next thing I knew, I was right next to him at the operating table. There was this woman, the patient, on the table, naked from the waist down. And he took a knife and went zip just like that! Well . . .
Morrie lifted a finger and spun it around.
" . . . I started to go like this. I'm about to faint. All the blood. Yech. The nurse next to me said, `What's the matter, Doctor?' and I said, `I'm no damn doctor! Get me out of here!' "
We laughed, and Morrie laughed, too, as hard as he could, with his limited breathing. It was the first time in weeks that I could recall him telling a story like this. How strange, I thought, that he nearly fainted once from watching someone else's illness, and now he was so able to endure his own.
Connie knocked on the door and said that Morrie's lunch was ready. It was not the carrot soup and vegetable cakes and Greek pasta I had brought that morning from Bread and Circus. Although I tried to buy the softest of foods now, they were still beyond Morrie's limited strength to chew and swallow. He was eating mostly liquid supplements, with perhaps a bran muffin tossed in until it was mushy and easily digested. Charlotte would puree almost everything in a blender now. He was taking food through a straw. I still shopped every week and walked in with bags to show him, but it was more for the look on his face than anything else. When I opened the refrigerator, I would see an overflow of containers. I guess I was hoping that one day we would go back to eating a real lunch together and I could watch the sloppy way in which he talked while chewing, the food spilling happily out of his mouth. This was a foolish hope.
"So . . . Janine," Morrie said. She smiled.
"You are lovely. Give me your hand."
She did.
"Mitch says that you're a professional singer." Yes, Janine said.
"He says you're great."
Oh, she laughed. N0. He just says that.
Morrie raised his eyebrows. "Will you sing something for me?"
Now, I have heard people ask this of Janine for almost as long as I have known her. When people find out you sing for a living, they always say, "Sing something for us." Shy about her talent, and a perfectionist about conditions, Janine never did. She would politely decline. Which is what I expected now.
Which is when she began t0 sing:
"The very thought of you
and I forget to do
the little ordinary things that everyone ought to do . . . "
It was a 1930s standard, written by Ray Noble, and Janine sang it sweetly, looking straight at Morrie. I was amazed, once again, at his ability t0 draw emotion from people who otherwise kept it locked away. Morrie closed his eyes to absorb the notes. As my wife's loving voice filled the room, a crescent smile appeared 0n his face. And while his body was stiff as a sandbag, you could almost see him dancing inside it.
"I see your face in every flower,
your eyes in stars above,
it's just the thought of you,
the very thought of you,
my love . . . "
When she finished, Morrie opened his eyes and tears rolled down his cheeks. In all the years I have listened to my wife sing, I never heard her the way he did at that moment.
Marriage. Almost everyone I knew had a problem with it. Some had problems getting into it, some had problems getting out. My generation seemed t0 struggle with the commitment, as if it were an alligator from some murky swamp. I had gotten used to attending weddings, congratulating the couple, and feeling only mild surprise when I saw the groom a few years later sitting in a restaurant with a younger woman whom he introduced as a friend. "You know, I'm separated from so-and-so . . ." he would say.
Why do we have such problems? I asked Morrie about this. Having waited seven years before I proposed t0 Janine, I wondered if people my age were being more careful than those who came before us, 0r simply more selfish?
"Well, I feel sorry for your generation," Morrie said. "In this culture, it's so important to find a loving relationship with someone because so much of the culture does not give you that. But the poor kids today, either they're too selfish to take part in a real loving relationship, or they rush into marriage and then six months later, they get divorced. They don't know what they want in a partner. They don't know who they are themselves-so how can they know who they're marrying?"
He sighed. Morrie had counseled so many unhappy lovers in his years as a professor. "It's sad, because a loved one is so important. You realize that, especially when you're in a time like I am, when you're not doing so well. Friends are great, but friends are not going to be here on a night when you're coughing and can't sleep and someone has to sit up all night with you, comfort you, try to be helpful."
Charlotte and Morrie, who met as students, had been married forty-four years. I watched them together now, when she would remind him of his medication, or come in and stroke his neck, or talk about one of their sons. They worked as a team, often needing no more than a silent glance to understand what the other was thinking. Charlotte was a private person, different from Morrie, but I knew how much he respected her, because sometimes when we spoke, he would say, "Charlotte might be uncomfortable with me revealing that," and he would end the conversation. It was the only time Morrie held anything back.
"I've learned this much about marriage," he said now. "You get tested. You find out who you are, who the other person is, and how you accommodate or don't."
Is there some kind of rule to know if a marriage is going to work?
Morrie smiled. "Things are not that simple, Mitch." I know.
"Still," he said, "there are a few rules I know to be true about love and marriage: If you don't respect the other person, you're gonna have a lot of trouble. If you don't know how to compromise, you're gonna have a lot of trouble. If you can't talk openly about what goes on between you, you're gonna have a lot of trouble. And if you don't have a common set of values in life, you're gonna have a lot of trouble. Your values must be alike.
"And the biggest one of those values, Mitch?"'
Yes?
"Your belief in the importance of
your marriage."
He sniffed, then closed his eyes for a moment.
"Personally," he sighed, his eyes still closed, "I think marriage is a very important thing to do, and you're missing a hell of a lot if you don't try it."
He ended the subject by quoting the poem he believed in like a prayer: "Love each other or perish."
Okay, question, I say to Morrie. His bony fingers hold his glasses across his chest, which rises and falls with each labored breath.
"What's the question?" lie says.