"Where else would I bring a hurt and starving cat but inside? The poor thing needs food. Go get it some of that steak from last night."
"It doesn't look starving. It looks like a mangy freeloader."
Dulcie lifted a soft paw, gave Frances an innocent smile, her green eyes demure. The woman stared back at her with no change of expression.
Well the same to you, lady. Go stuff it.
Frances Blankenship was sleekly groomed, her short dark hair perfectly coiffed. She was dressed in tailored white pants and a pink silk blouse, and pale lizard pumps, probably Gucci's, over sheer hose. Dulcie let her gaze travel down the woman's length, and up again to that smooth, unsmiling face. Very sleek. But not likable. This was a woman who would throw a sick cat out in the freezing rain and laugh about it.
"Go get the steak, Frances."
Sighing, Frances went. Dulcie watched her retreat, wondering what power the old woman had over that cold piece of work?
She could hear Frances in the kitchen, heard the refrigerator open, then a thunk, thunk, as of a knife on a cutting board. In a few minutes Frances returned carrying a small portion of cold steak cut up on a paper napkin. Dulcie hoped she hadn't seen fit to lace it with oven cleaner or some equally caustic substance. Frances put the little paper with its offering down on the floor, stood studying Dulcie with a new degree of interest.
"Give me the napkin, Frances. I'll feed her. Couldn't you have managed a plate?"
Frances passed over the napkin. Dulcie, in the old woman's lap, sniffed at the meat but could smell only the rare steak and the scent of what was probably Frances's hand cream.
Mama held out a little piece of good red steak.
Here goes nothing. Dulcie snatched it from her fingers as if she were truly starving. And as she wolfed the meat, Frances watched her with what Dulcie now read as a definite increase of attention.
The steak was lovely, nice and red in the middle. Obviously the Blankenships had a good butcher; probably the same meat market Wilma frequented, the small butcher shop up on Ocean. The little repast could only have been improved by privacy. She didn't mind the old woman's presence as she ate, but Frances's intent stare made her nervous. When she had finished eating, Frances wadded the napkin, threw it in the wastebasket, and looked down benevolently at Dulcie. "I guess you can keep the cat, Mama. If it makes you happy."
Dulcie watched her warily.
But maybe Frances was only considering what a nice diversion a cat would afford. If Frances was Mama's only caregiver, maybe she was thinking that if Mama had a cat to entertain her, Frances herself could enjoy more freedom. Hoping that was the answer, Dulcie settled back again, against Mrs. Blankenship's stomach.
She remained in the Blankenship household for four days, missed four days of the trial, and endured increasing claustrophobia in the hot, crowded dwelling. Four days can go by in a blink or they can drag interminably. She soon learned that Frances was Mrs. Blankenship's daughter-in-law. The first thing she learned about the old woman's son, Varnie, when he came shouldering in from work the first night, was that he did not like cats.
Varnie Blankenship was a short, square man, sandy-haired, with peculiarly dry, pale skin reminiscent of old yellowed newsprint. He worked at the nearby harbor, at a pleasure boat rental, tending the small craft. He arrived home smelling of grease, sweat, and gasoline.
Varnie was fond of a large, heavy supper. Frances cooked his meals, but she ate little. During the time Dulcie was in residence, Varnie read no books. He read only the daily newspaper, then folded it up into a small packet and stuffed it in the magazine stand. His spare time was taken up with television, with some activity which he performed out in the garage, and with submissively dusting his mother's curio collection, his broad hands clumsy but patient.
The entire house was crammed full of bookcases and little shelves and tables, and every surface, shelf, and tabletop and cabinet top were crowded with china animals and other assorted knickknacks. The china shop atmosphere did not fit Frances, and certainly it didn't fit Varnie. Yet Varnie seemed resigned to caring for the clutter, moving among his mother's curios and dusting away like an uneasy and oversized servant. Maybe Frances and Varnie had moved in with his mother, not the other way around. Maybe the old woman had willed the house to them, provided they cared for her collection. Who knew? Maybe Varnie's subservience was generated by some propensity in the old woman to abrupt changes of mind.
Whatever the Blankenship family arrangement, the crowded house made Dulcie feel increasingly trapped. She didn't dare jump up onto any surface for fear of sending hundreds of little beasties shattering to the floor; she padded around the rooms as earthbound as any dog. She was unable even to rub her face against a table leg for fear of tipping it, of knocking down an armload of china and porcelain curios in a huge landslide. The rooms were a fireman's nightmare, and a mouse hunter's paradise. There were a thousand places for mice to hide, and their scent was heavy and fresh.
But she didn't dare. Who could chase a mouse in this maze without incurring major damage? Good thing Joe isn't here, he'd lose patience and send the entire clutter crashing.
In the evenings, moving warily among the crowded rooms, trying to eavesdrop but stay out of Varnie's way, listening to their every conversation and idle remark, she heard nothing about Janet, nothing about the murder or the fire. And so far, the old woman's monologues were confined to baby talk. It would be really too bad if she'd gone to all this trouble for nothing.
But Mama did spend all day at her window, as Dulcie had guessed. And she did wake up well before dawn, often to draw on her robe and return to her window, to her unrewarding vigil over the neighborhood. It seemed to Dulcie a very good chance that the old woman had seen something that morning, the morning of the fire. It's worth a try, worth a few more days of suffocation.
Varnie talked very little on any subject, except to say that he didn't want a cat in the kitchen when he was eating, and didn't want a cat in the living room while he was watching the news. And Varnie was inclined to throw things: cushions, his slippers, the hard, folded-up newspaper. She decided, if she was going to pull this off, she'd better leave Varnie alone and hang out with the old lady.
But she did follow Varnie out to the garage, on that first night, before he started throwing things. He had an old truck out there that he was working on, doing something to the engine. The truck and the garage smelled strongly of stale fish, and there were fishing poles slung across the rafters. She wanted to jump up on the fender and see what he was doing, and see if she could make friends. She approached him. He looked down at her. She rolled over on the garage floor, smiling up at him.
He reached down to pet her. For a moment she thought she'd made a conquest.
Then she saw the look in his eyes.
She flipped over and backed away.
Since that moment she had kept her distance. She investigated the unfamiliar parts of the house secretly, slipping behind tables and crouching in the dark corners and beneath the beds, ignoring the smell of mice. She was still convinced that it was Mama who would spill something of interest, but she was resolved to miss nothing from any source.
Though when she crept under Varnie's easy chair to listen, or into the conjugal bedroom, she remained tense and wary. She had the distinct impression that Varnie wouldn't hesitate to snuff a little cat-and that Frances would enjoy watching. She was in this house strictly under the sponsorship of Mama-and for whatever selfish reason Frances might entertain. She was there to find out what Mama knew, and she'd hang in there until she had an answer.
But in the end, it wasn't Mama who supplied the telling clue. As it turned out, Dulcie would have learned nothing if it hadn't been for Varnie and his love of beer and stud poker.
11
ART DEALER ON STAND
Defense attorney Deonne Baron today called three additional witnesses in the murder of artist Janet Jeannot. The first to take the stand was art dealer Sicily Aronson, owner of Molena
Point's Aronson Gallery, and victim Janet Jeannot's agent… Aronson testified that there had been bitterness between Ms. Jeannot and the accused, Rob Lake. Under detailed questioning she told the court that Ms. Jeannot was not happy over Mr. Lake's gallery association with her ex-husband Kendrick Mahl. Ms. Aronson also told the court that since Janet Jeannot's death, and the destruction of most of the artist's work in the fire that burned her studio, the remaining canvases have doubled in price. The Aronson Gallery…
Wilma scanned the lead story with mild interest, standing in her front garden. The Gazette articles were getting tedious. Much of this story was a rehashing of Janet's personal life, which the reporters seemed to find fascinating; newspaper reporters were not conditioned to let the dead rest, not as long as there was any hint of story to be milked from a tragedy. She folded the evening paper again, tucked it under her arm, and bent to pluck some spent blooms from the daylilies. A cool little breeze played through the oak tree, rattling the leaves. Above her, above the neighbors' rooftops, the sky flamed red, so blazing a sunset that she considered hurrying the five blocks to the shore to enjoy its full effect spreading like fire over the sea. But she had dinner cooking, and she'd pulled that trick before, turning the stove low, nipping down to the beach for a few moments-and returning home to find her supper burned.
She wished Dulcie was home. She grew upset when the little cat was gone for more than a night and a day. Even with Clyde's reassurances that the cats were all right, Dulcie's absence was unsettling. Clyde would say little, only that they were perfectly safe. Turning from the daylilies she headed for the house, moved on through the kitchen, where she'd left the noodles boiling, and into the dining room to have another look at the drawings Charlie had left propped on the buffet.
She'd discovered them when she got home from work, had stood looking at the little exhibit, amazed. She'd had no idea that Charlie was drawing Dulcie, and she'd had no idea, no hint that Charlie could draw animals with such power. Until that moment she'd thought of Charlie's artistic efforts as mediocre, dull and unremarkable. The work which she had watched over the years consisted mostly of uninspired landscapes bland as porridge, studies so lacking in passion that she was convinced an art career was not the best use of Charlie's talents. She had felt a deep relief when Charlie gave up on making a living in the field of either fine or commercial art. Had felt that Charlie, in making a break from the art world, could at last throw herself into something which would fit her far better.
But these drawings were totally different, very skilled and sure, it was obvious that Charlie loved doing animals; strange that she'd never seen anything like this before. Always it was the landscapes or Charlie's hackneyed commercial assignments from class. But these showed real caring-the work was bold and commanding, revealing true delight in her feline subject.
The three portraits of Dulcie were life-size, done in a combination of charcoal and rust red Conte crayon on rough white paper. They brought Dulcie fully alive; the little cat shone out at her as insouciant and as filled with deviltry as Dulcie herself. In one drawing she lay stretched full-length, looking up and smiling, her dark, curving stripes gleaming, her expression bright and eager. In the second study she was leaping at a moth, her action so liquid and swift that Wilma could feel the weightless pull of Dulcie's long, powerful muscles. The third drawing had caught Dulcie poised on the edge of the bookshelf ready to leap down, her four feet together, her eyes wild with play.
This work was, in fact, stronger and far more knowledgeable than any animal drawings Wilma could remember. The cat's muscle and bone structure were well understood and clearly defined beneath her sleek fur, the little cat's liquid movement balanced and true. There was nothing cute about this cat, nothing sentimental. These studies created for the viewer a living and complicated animal.
Leonardo da Vinci said the smallest feline is a masterpiece. These drawings certainly reflected that reverence. She couldn't wait for Dulcie to see these.
To an ordinary cat, such drawings would read simply as paper with dark smudges smelling of charcoal and fixative. A drawing would communicate nothing alive to the ordinary feline, no smell of cat, no warmth or movement. A normal cat had no capacity to understand graphic images.
An ordinary cat could recognize animal life on TV primarily by sounds, such as barking, or birdsong, and by the uniqueness of movement: feline action sleek and lithe and deeply familiar, birds fluttering and hopping. Action was what most cats saw. She had no doubt about this, Dulcie had told her this was so.
But Dulcie would see every detail of these drawings of herself, and she would be thrilled.
Returning to the kitchen, dropping the evening Gazette on the table, she turned to finishing up her dinner preparations. Her cheerful blue-and-white kitchen was warm from the oven, and smelled of the garlic and herbs and wine with which she'd basted the well-browned pot roast. Removing the noodles from the stove, she drained them in a colander then pulled the roaster from the oven, releasing a cloud of deliriously scented steam. She basted the roast, put the lid back, put the noodles in a bowl and buttered them, set them on the back of the stove to keep warm. It was nice having company; she was pleased to have Charlie staying with her. She deeply enjoyed her solitude, but a change was delightful, and Charlie was just about all the family she had since her younger brother, Charlie's father, had died. There were a couple of second cousins on the East Coast but they seldom were in touch. Her niece was the closest thing she had to a child of her own, and she valued Charlie.
She laid silverware and napkins on the table, meaning to set them around later. Beyond the window the sunset had deepened to a shade as vivid as the red bougainvillea which clung outside the diamond panes, the red so penetrating it stained the blue tile counter to a ruddy glow, sent a rosy sheen over the blue-and-white floral wallpaper. She set out the salt and pepper, then returned to the dining room for another look. She couldn't leave the drawings alone. Now, suddenly, it seemed to her a great waste for Charlie to be starting a cleaning and repair business. Why had she hidden such work?
Charlie had mentioned once there wasn't any money in drawing animals, and maybe she was right. Certainly animal drawings weren't big in juried shows; one would have to build a reputation in some other way than Janet had done. Charlie said Janet was truly talented, and that she herself was not. Wilma wondered how much of that came from the narrow view of the particular art school she had attended.
She returned to the kitchen, moving restlessly. She was tearing up endive and spinach leaves for a salad when Charlie's van pulled up at the curb, parking up toward the neighbors' to leave room behind. The red sky was darkening, streaked with gray, the wild kind of sky Dulcie loved. She tried to put away her worries about Dulcie; it did no good to worry. Clyde had said, on the phone, that the cats were fine.
So where are they?
At Janet's. Joe is at Janet's.
Then where is Dulcie?
She's nearby-gathering some information, Joe said.
What does that mean? Snooping somewhere? She can't… Those cats can't…
Joe says not to worry, and what good does it do to worry? He'd let me know if anything-if they…
She had hung up, shaken, and no wiser.
She shook the salad dressing, fussed with the salad. Standing at the window, she watched Charlie come up the walk dragging, looking hot and irritable.
Charlie dropped her jacket in the entry and came on through the dining room into the kitchen, slumped into a chair. Her red hair was damp with sweat, curling around her face, her limp, sweaty shirt was streaked with white paint and rust.
"Not a good day," Wilma said tentatively.
Charlie reached for a leaf of spinach to nibble. "Not too bad. Mavity got a lot done. She's a good worker, and a dear person." Mavity Flowers was an old school friend of Wilma's. She had gone to work cleaning houses when the small pension left by her husband began to dwindle under rising prices. She'd be in fair financial shape if she'd sell her Mol
ena Point cottage and move to a less expensive area, but Mavity loved Molena Point. She would rather stay in the village and scrub for a living.
Charlie rose and got two beers from the refrigerator.
"Cold glasses in the freezer," Wilma said. "I guess Mavity can be a bit vague at times."
"Aren't we all?" Charlie fetched two iced glasses, opened the bottles, and poured the dark brew down the frosted sides with care. "Mavity works right along, she doesn't grouse, and she doesn't stop every five minutes for a smoke the way Stamps does. I don't think James Stamps will be with me long."
Charlie had hired Stamps from an ad she'd put in the paper. He hadn't been in Molena Point for more than a week or two. He told Charlie he'd moved to the coast because Salinas was too dry. He was renting a room somewhere up in the hills, near to the house Charlie was cleaning, the Hansen house; she was getting it ready for new owners.
"I got all the little repairs done. Replaced the cabinet door hinges in the kitchen, fixed the leak in the garage roof. Fixed the gate latches." She sighed and settled back, taking a long swallow of beer. "Mavity and I painted the bedroom, and Stamps picked up the shelving units for the closets."
"Sounds like more than a full day."
"I had to tell Stamps twice, no smoking in the house. He said, 'What difference? They won't be moving in for a week.' I told him that stink stays in a house forever. But how can he smell anything when he reeks of smoke himself."
"Did he do any work besides picking up the shelving?"
"Under my prodding. Got the front yard cleaned up, the lawn trimmed, and the new flowers planted. But my God, I have to tell him everything. Mix the manure and conditioner in before you plant, James. Treat the flowers tenderly, don't jam them in the ground.
"It's not that Stamps is dumb," Charlie continued. "He's bright enough, but he doesn't keep his mind on the job. Who knows where his thoughts are. The cleaning and repair business is definitely not James Stamps's line of work."
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