Thomas McGuane’s KEEP THE CHANGE
“It is difficult not to utter ‘the West’ and ‘Tom McGuane’ in the same breath. [His] forte is rugged individualism made tender by a dose of self-irony.… None of this, however, makes McGuane a purely ‘Western writer.’ Like Mark Twain or F. Scott Fitzgerald, he writes about displaced persons … constantly searching for a place of their own. It is bootstrap Americanism with a punchline [and] McGuane has proven that he can still come out swinging.”
—Harpers Bazaar
“It is wonderful to feel the country slip along beneath [Joe Starling’s] wheels and to watch as McGuane catalogs everything from bumper stickers to wildflowers. He has a good ear for what he calls ‘bad English,’ the cowboy dialect, and the landscape becomes a physical presence. He has always been one of our best novelists on man at the extremes, and Keep the Change is up to his best work.”
—USA Today
“Demonstrates a new maturity … the McGuane style, always audaciously original … is now more straightforward, yet never at the expense of its power. The plot takes some delicious turns … the prose becomes perfectly poised, yet always on the verge of danger and surprise, like a Baryshnikov at the peak of his form.”
—Newsday
“Full of wry wit and graceful depictions of family relations, first love and the stark beauty of the Montana prairie.”
—Wall Street Journal
“An engaging novel, with loose, racy, colloquial talk and a hard yet gently affectionate look at a world where people have plenty of chances to go to hell, and often do.”
—New York
“Splendid.”
—Newsweek
Books by Thomas McGuane
The Sporting Club 1969
The Bushwhacked Piano 1971
Ninety-Two in the Shade 1973
Panama 1978
An Outside Chance 1980
Nobody’s Angel 1982
Something to Be Desired 1984
To Skin a Cat 1986
Keep the Change 1989
Copyright © 1989 by Thomas McGuane
All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York. Originally published in hardcover by Houghton Mifflin Company/Seymour Lawrence, Inc., in 1989.
Library of Congress Cataloging-in-Publication Data
McGuane, Thomas.
Keep the change / Thomas McGuane.
p. cm.—(Vintage contemporaries)
I. Title.
[PS3563.A3114K44 1990]
813′.54—dc20 90-50155
eISBN: 978-0-307-83223-8
v3.1
For Laurie
Contents
Cover
Other Books by This Author
Title Page
Copyright
Dedication
Epigraph
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
About the Author
I photographed you with my Rolleiflex.
It showed your enormous ingratitude.
ANTONIO CARLOS JOBIM
1
When Joe Starling was ten years old, his father’s bank foreclosed on a fieldstone mansion which was by then a depressing ruin standing by itself in the middle of a fourteen-section cattle pasture. It had been built during the silver rush to house the man who found the vein of ore, but now its mortared walls sheltered cattle against the prevailing west wind. Twenty years later, Joe could not remember much of the house beyond its size and age, and its air of having seen things. Once or twice while he was growing up, he drove over from his family’s ranch. He recalled rumors of two old sisters who once lived there, nieces of the Silver King, whose poverty did not prevent them from seeming to have come from a higher caste than other people in the county. The sisters had not been long dead when Joe and his father first visited the house to view a painting that hung over the cavernous fireplace. It was a picture of a range of white hills. At first glance, it had looked like an unblemished canvas until the perplexity of shadows across its surface was seen to be part of the painting.
The picture had been made in the cold part of the year. It was supposed to have been painted long ago on the upper Missouri River. Joe believed that it was a picture of the hills by someone who feared he would never get out of them. But when he looked at the picture with his father, craning his neck to see up into the shadows, his father said, “It must have faded. There’s nothing left.”
“It’s still a beautiful picture,” said Joe.
His father turned and smiled down at him. “Yes, it is,” his father said.
Joe had come to believe that he understood what the painter had intended and that it was still right there, perfectly clear. That it had faded only enlarged the force of its mystery. The two old sisters were buried in the yard in graves deep below the frost where coyotes could never reach them, and his father was now in a grave of his own on the edge of a suburban golf course in Minnesota where coyotes never ventured. Cattle had seized the mansion altogether for the purpose of escaping storms and drifting snow. It seemed even more important that a painting unseen by anything but bats hanging in the pine-smoked shadows of the big room disclose its meaning once and for all. When his own picture Chain-Smoking Blind Man had become known, only he was aware that its variegated white surface served against the canvas with a number-five putty knife was nothing more than his memory of the faded white hills on walls belonging to the long-dead Silver King and his spinster nieces. The feeling that he had invented nothing and that his career had begun with an undiscovered plagiary was disturbing. It was even more disturbing before he quit painting. Now that Joe was living little better than hand to mouth, the story of the plagiarism seemed part of a stranger’s biography.
•
Not long after the visit to the deserted house, Joe’s father had been transferred from his job as agricultural vice president of their local bank to a bigger job at the bank headquarters in Minneapolis. And it was there Joe’s folks lived forevermore or until they died, neither more nor less happy, but, it had to be admitted, closer to if not their dream, then their view of things. The ranch had been leased to the neighbors, the Overstreets, but the house was available to Joe and so was a summer job of cowboying under the neighbor’s foreman, Otis Rosewell, a tight-mouthed Baptist cowboy from Circle. This arrangement prevailed more or less successfully for a few years until Joe came home from his last year in military school in Kentucky, that is, came back to the ranch.
The lessees had but one obligation above and beyond an annual payment adjusted to the fall shipment of cattle, and that was to house up to four English pointers, the health and condition of which were guaranteed in writing by penalty clauses in the lease agreement. Retaining a sporting connection to the property enabled Joe’s father to make his annual
inspection tours from the gentlemanly stance he now required. The dogs, kenneled for the banker’s occasional appearances, generally ran wild, their noses polished off to pink by running in the brush year round and their legs black from excursions through the swamps. But Joe’s father was a superior dog handler and within a day or two of hunting in the fall, he usually had them “hitched up” once again, popping along, brightly under control, in search of prairie chickens. Joe remembered this wonderful string of dogs as his father’s great pride, especially Neuritis and Neuralgia, the liver and white Elhew males his father raised and broke. And he remembered the three family saddle horses, all geldings, whom Joe’s mother called Hart, Schaffner, and Marx because they lurked behind the shelter belt with an air of being in business together.
Joe’s father accompanied him on his trip back to the ranch. He wore his gray suit buttoned over his still muscular old cowboy’s physique and changed in the bunkhouse when they got there. Otis Rosewell accompanied them on their rounds. They started with the dogs and immediately Joe’s father found something to complain about. Otis tilted back on his undershot heels and took it in. “When you see one drag its butt on the ground like that, it needs wormed, Otis. They don’t do that as a party gag. You with me?”
“It’s just having the time,” said Otis in a cool voice and managing to tilt his head so that his hat brim threw a shadow across his already hard-to-read face.
They saddled some horses and started out across the irrigated ground. “I presume your boss means to prove up like he ought to on this lease and that means maintaining the condition of my ranch,” Joe’s father said. “You can’t have spurge and knapweed go on undisturbed like that if you mean to be on this place a long time”—Joe’s father stopped his horse and was pointing an incriminating arm at the edges of an undulating hay meadow—“and one place your irrigator has leached all the nutrition out of the alfalfa leaving his water too long in one spot and another it’s burning up. Somebody ought to whip his ass.”
“I’m the irrigator,” said Otis Rosewell from under the brim.
“Who’s supposed to watch you?”
“Nobody don’t.”
Joe’s father jogged his horse right over next to Otis. “If I was your boss, I’d make it clear you were to bust your hump.”
“I’m sure that’s how you feel, Mr. Starling. But it was in poor shape when you had it to yourself.”
Joe’s father didn’t appear to hear him. In fact, he halfway seemed to be talking to himself, muttering away as they rode. “… but sometimes a man needs to be afoot to keep from going broke, get down and go to his tasks, instead of posing on the horse no matter how bad off and shameful the farm-ground is.” He turned to Joe. “This ranch is a monument to all I’ve had to take and I’m not letting anyone run it down.”
Joe was startled at how well his father could speak bad English. He knew him best in his guise as a bank executive who, as a self-educated man, took pride in correct speech. In fact, as an agricultural executive, up from loan officer, he was able to create a useful gap between himself and his clients through the improved manner of his speaking. As Joe got older, he was able to read the disciplinary atmosphere by the type of language being directed at him. Buried in his father’s life was his original manner, identical to that of the farmers and ranchers who came to him with their hats in their hands. What they didn’t know, he often said, couldn’t hurt them. He was a coldblooded Westerner at heart.
When the three of them reached the end of the irrigated ground, Joe’s father excused Otis Rosewell; he literally said, “You may be excused,” and Rosewell started back. Joe and his father made their way up the hill toward the sprawling pastures that lay beyond the rims. They didn’t speak for the first and toughest part of the climb. Joe rode along behind his father, who let his horse work his way up through the shale and tough footing on a loose rein. The older man sat straight as a string in his saddle, feet loose in his stirrups with floating grace. The two horses had their noses close to the steep ground in front of them while the big muscles in their rumps jumped and contracted with the struggle. When Joe and his father got over the top, they stopped to let the horses blow. The pastures stretched out in a folding world of grassy hills until they disappeared into the bluing of faraway sky.
“If you ever wind up with the place,” said his father, “don’t have your horses over here in the spring because it’s heck for locoweed. And larkspur too. So don’t be putting cattle in here before the grass is really up. In 1959 I took a whole truckful of saddle horses to the canners that got locoed right in this exact spot. But whatever you do, even if you graze it flat and the knapweed and spurge cover it up and the wind blows the topsoil to Kansas, don’t let that old sonofabitch Overstreet get it. He tried to break me when I came into this country and he darn near got it done. We get along okay now but his dream is to make his ranch a perfect square and this is a big bite out of his southeast corner.” He stopped and thought a moment, staring persistently in front of himself. “And if the worst should happen and I am gone and he gets it from you and makes it square, don’t let him get the mineral rights. I can see something like this happening with the land, but if he gets what’s underneath he’s cut off your nuts and it’s the Pope’s choir for you, kiddo.”
Joe loved the place but he didn’t expect or really want to end up on it altogether. If Joe was satisfied by the land in which the ranch was situated, and he loved it pretty much wherever his eyes fell, he never quite understood what that had to do with ownership. Right now it was enough to feel his father’s passion for the place and try to speculate about how he went on owning something with such deep satisfaction when it was so far from his home on that golf course in Minneapolis. Joe puzzled over the passion with which his father had made a new life there. His father golfed with enthusiasm in his Bermuda shorts, pounding the ball around the fairways with hostile force, the terror of caddies, shaping the land with his clubs, playing through lethargic foursomes with menace and accumulating large numbers of strokes through his enraged putting. They called him “cowboy” in a way that genially suggested that his skills were not suited to civilized life.
As Joe followed his father down the mile-long slope to the main spring he tried to absorb the plain fact that his father meant that this would one day be his. This was not precisely a soaring thought. He really wondered how he would put his heritage in play. He found the future eerie and he already wanted to paint.
The spring lay at the base of the long slope, in a grove of small black cottonwoods and wild currant bushes. It came out of an iron pipe and poured into the end of an old railroad tank car whose thick steel plating and massive rivets made an indestructible water hole that couldn’t be trampled into muck the way an undeveloped spring could by cows who stayed thirsty and wouldn’t travel to feed, beating the grass down where they lay in diminished vigor. Joe’s father explained all this to him and made it clear that it was he who had hauled this great railroad tank up the mountain and developed the spring, wheelbarrowing gravel to the trench and laying the collector pipe one blistering summer in the 1940s.
“But it was worth it,” he said, “because every cow who ever came here since then got herself a good long drink of cold water.” This made the home on the golf course seem even sadder to Joe, the dawn cries of the foursomes on Sunday even more depressing than he had remembered. The hillsides around Joe and his father were speckled with contented-looking Hereford cattle and their spry calves. His father’s satisfaction was a simple one, complicated only by the distance his success had produced.
The horses were lathered when at the end of the day they were turned out once again, white lines of sweat gathered at the outlines of the saddles. The horses ran back into their pasture, stretched to shake from end to end, celebrated liberty by rolling in the dust, jumping back up to shake and stretch again. Then they jogged over the hill and out of sight. Joe’s father changed in the bunkhouse, and when he came back, carrying a brown briefcase, he was a
banker again in an olive green summer suit, a striped tie, and a dapper straw hat.
2
Joe rode with his father in a rental car to visit his Uncle Smitty and Aunt Lureen. They were his father’s brother and sister. It was late afternoon and Lureen would be home from her teaching job. Smitty could always be found at home.
“This is what you call a social obligation,” said his father.
“Oh, I like them, Dad.”
“They’re all yours, son, at least for the summer. I like Lureen and I suppose I should like Smitty better than I do. He’s my brother, after all.”
The house was three narrow stories tall, with sagging porches on the two upper floors; it was clapboard and painted a pale green that stood out against sky and telephone wires. The scudding spring clouds moved overhead rapidly. When Joe looked at the house, its cheap simplicity reminded him of his modest family origins of city park employees, Democratic party flunkies, mill workers, railroad brakemen, mechanics, grocers, ranch hands. It forever fascinated him that such unassuming people could have been so mad with greed and desire for fame or love. Joe’s father was the first and only member of the family to take on the notion of landholding. One uncle had written passionate letters to aborigine women in care of the National Geographic. A cousin had lost his dryland farm in a pyramid scheme. A locket his grandmother had worn all her life contained the photograph of a man not known to the family.
Smitty and Lureen were in the doorway, Lureen in a brown suit she had taught in, and Smitty in the checked shirt and beltless slacks that seemed to suggest well-earned leisure. He looked like a commuter.
They got out of the car and Joe’s father stormed up the short flight of steps with insincere enthusiasm. He hugged Lureen fiercely and pumped Smitty’s thin arm with comradely fervor. Joe stood back smiling until it was his turn for the hugs and handshakes. It was well known that Smitty had great reservations about Joe’s father but they didn’t show until he greeted Joe with a suspicious squint and wary twitching of his eyebrows.
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