Praise for Matt Beaumont’s e
“A brilliant update on the epistolary novel”
—Kirkus Reviews
“Fun . . . The ad firm Beaumont conjures up is depicted with a sure hand . . . The humor is as viciously wicked as the folks themselves, and plenty of readers will be nodding their heads in recognition.”
—Library Journal
“A genuinely enjoyable page-turner.”
—The Times (London) Metro section
“Lively, viciously funny, and about as switched on as a novel can be . . . Matt Beaumont gives good e-mail.”
—The Mirror
“Original and funny”
—Heat
“Hilarious . . . Read it, wipe away your tears, then read it again.”
—Company
Matt Beaumont is a copywriter and has been fired by some of Britain’s leading ad agencies. This is his first novel. He lives in North London with his wife and children.
e
A NOVEL
Matt Beaumont
PLUME
Published by Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A.
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd., 80 Strand, London WC2R 0RL, England
Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)
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Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England
First published by Plume, a member of Penguin Group (USA) Inc.
First Printing, October 2000
Copyright © Matthew Beaumont, 2000
All rights reserved
REGISTERED TRADEMARK—MARCA REGISTRADA
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA:
Beaumont, Matt.
e: a novel / Matt Beaumont.
p. cm.
ISBN: 978-1-101-66301-1
1. Advertising—Beverages—Fiction. 2. Advertising agencies—Fiction. 3. Soft drink industry—Fiction. 4. London (England—Fiction. I. Title.
PR6052.E225 E18 2000
823’.92—dc21 00-028410
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
PUBLISHER’S NOTE
This novel is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
BOOKS ARE AVAILABLE AT QUANTITY DISCOUNTS WHEN USED TO PROMOTE PRODUCTS OR SERVICES. FOR INFORMATION PLEASE WRITE TO PREMIUM MARKETING DIVISION, PENGUIN PUTNAM INC., 375 HUDSON STREET, NEW YORK, NEW YORK 10014.
Version_1
AVE MARIA
Table of Contents
Monday, January 3rd
Tuesday, January 4th
Wednesday, January 5th
Thursday, January 6th
Friday, January 7th
Sunday, January 9th
Monday, January 10th
Tuesday, January 11th
Wednesday, January 12th
Thursday, January 13th
Friday, January 14th
Saturday, January 15th
Sunday, January 16th
Monday, January 17th
Tuesday, January 18th
Monday, February 7th
Monday, January 3rd
David Crutton – 1/3/00, 8:13am
to: Fiona Craigie
cc:
re: your butt
Take that fucking Walkman off, get your arse in here and show me how I do an all-staff e-mail. Every time I click “ok” on the address it copies it to Miller Shanks Helsinki.
David Crutton – 1/3/00, 8:27am
to: All Departments
cc: [email protected]
re: NEW MILLENNIUM – NEW HEIGHTS
First, a happy new Millennium to each and every one of you. Thank you also for sacrificing your bank holidays today to come in and begin the bid for the Coca-Cola business. As you know, in two weeks we pitch for this most prestigious advertising account. To win it we must all perform out of our skins.
Daunting as it may seem, I know we can scale this peak. Those in doubt should take a look at what we have achieved in the last twelve months. When I joined you at the beginning of ’99 we were in the doldrums and Jim Weissmuller in New York gave me a mountain to climb.
He said, “make Miller Shanks London big again.” Pitch wins for Freedom Mail Order, the LOVE Channel and Mako Cars, the Philippines’ premier automotive manufacturer, have catapulted us back into the Campaign top twenty for the first time in eight years.
He said, “make Miller Shanks respected.” In the Marketing Week survey that asked clients which advertising agency they would most like to work with, we rocketed from 45th to 33rd.
He said, “win awards.” I brought in Simon Horne to shake up the Creative Department and do just that. His efforts are already paying off, with Pinki and Liam’s fabulous ads for Kimbelle Panty Pads scooping bronze at Creative Circle.
We can all be extremely proud of our efforts. We are still a long way from the summit, but “base camp” has been established and the final assault beckons!
Let’s break camp, attach our lines and get off to a flier in 2000 by adding an $84 billion brand to our client list.
Go, go, go!
David Crutton
CEO
[email protected] 1/3/00, 8:46am (10:46am local)
to: [email protected]
cc:
re: NEW MILLENNIUM – NEW HEIGHTS
Your e-mail I think is coming to me in Helsinki by mistake, but it’s notwithstanding fun to be reading about my chums in London. I was not realising that mountaineering was possible in Old London Town. Most fascinating!
By the way, is there any help we give you with the Coca-Cola pitch? It is a very popular drink here in icy cold Finland, especially with our many “groovy” young folk. As fellow CEO, I am asking my red-hot creativity department to have lots of brilliant ideas for you.
While I am on cyberspacenet, can please you get me tickets for Great Balls of Grease? Mrs. van Helden and my good self will be visiting in London at 12 February. We will be packing our crampons.
Your pal, Pertti
David Crutton – 1/3/00, 8:49am
to: Fiona Craigie
cc:
re: your fat butt
Get your fucking nose out of Miss London and explain why, despite your best efforts, my last e-mail went to that pathetic twat, van Helden. And get me two tickets for Great Balls of Fire or Grease on 12 Feb. I don’t think the gobshite Finn knows the difference.
Daniel Westbrooke – 1/3/00, 9:17am
to: All Departments
cc:
re: a new face
I would like you all to join me in welcoming Katie Philpott, who joins
us today as a trainee account executive. Katie will be working in Harriet Greenbaum’s group on Mako. She will add her spark and vivacity to an already lively team. Please give her the warmest of Miller Shanks welcomes.
Daniel Westbrooke
Head of Client Services
Rachel Stevenson – 1/3/00, 10:10am
to: All Departments
cc:
re: changes
Sadly, Fiona Craigie has decided to leave us and is no longer David Crutton’s PA. I am sure you will join me in wishing her well for the future. Lorraine Pallister will be temping until a permanent replacement arrives. Please make her welcome.
Rachel Stevenson
Personnel
Simon Horne – 1/3/00, 10:14am
to: Creative Department
cc: David Crutton
Daniel Westbrooke
re: arses in gear
You will need no reminding of the Coke pitch. This is the big one.
Excalibur.
The Holy Grail.
Eldorado.
The Most Famous Brand in the World.
David Crutton and Dan Westbrooke will brief us at noon in the boardroom.
Be keen.
Be sharp.
Be clever.
Above all, be there.
Si
Daniel Westbrooke – 1/3/00, 10:18am
to: Simon Horne
cc:
re: arses in gear
Simon, I know this might be a silly little thing, so excuse my pedantry. I do not mind you calling me Dan in private, but to the great unwashed, please refer to me as Daniel. The diminutive sounds far too familiar, and as Head of Client Services I find it pays to remain a little aloof from the rabble! See you at 12:00.
Daniel Westbrooke – 1/3/00, 10:22am
to: James Gregory
cc:
re: Katie Philpott
James, my duties as Head of Client Services mean that I am far too busy to bestow upon young Katie my traditional welcome of tea and muffins. Since you are the account manager with whom she will be working most closely, may I request that you take her under your wing and make sure that she is familiar with our ways? Suffice it to say that I would not wish a repeat of what happened with the last trainee.
Simon Horne – 1/3/00, 10:30am
to: Susi Judge-Davis
cc:
re: Coke
Susi, darling, be an absolute treasure and make sure all the creative teams are aware of the Coke briefing at 12:00. And get me a pot of decaffeinated and some of those itty-bitty cinnamon biscuits they have in the kitchen.
Susi Judge-Davis – 1/3/00, 10:31 am
to: Simon Horne
cc:
re: Coke
Doing it right now, darling . . . Sx
[email protected] 1/3/00, 10:32am (12:32am local)
to: [email protected]
cc:
re: your butt
We are loving your ironicalism. “Pathetic twat, van Helden!” There is nothing to beat English humours. Benny Hill, Love Thy Neighbour, Are You Being Severed?. We see them all on Satellite Golden Hits Station. However, we are not comprehending “gobshite.” It is in not one of our excellent dictionaries.
“I’m free!” – Pertti
Daniel Westbrooke – 1/3/00, 10:35am
to: Katie Philpott
cc:
re: bienvenue
Katie, profound apologies that I will be unable to sit down with you this morning. You have joined our happy family at the busiest time and I find myself caught up in getting the Coke pitch off to a roaring start. I am sure that you must feel a little dazzled by the glamour of it all, but you will find your feet in no time. I have attached a crib sheet that sets out the key roles in our agency. Previous neophytes have found it to be indispensable. Any questions, ask James Gregory, whom I have appointed your “big brother.”
ATTACHMENT
CHIEF EXECUTIVE OFFICER – il maestro, le chef de cuisine, the head honcho and the person with whom the buck most certainly stops.
HEAD OF CLIENT SERVICES – The power behind the throne, if you will. Custodian of all the agency’s clients and responsible for the performance of everybody in the Account Management Department. A crucial part of his job is to approve every CREATIVE BRIEF before it goes to the Creative Department. These unassuming forms are the “sacred texts” without which no piece of advertising can be conceived. It is fair to say that with such a spectrum of responsibilities, a Head of Client Services must possess both fierce drive and a passionate vision.
ACCOUNT DIRECTOR – In charge of day-to-day running of one or more accounts; runs a team of account managers and executives; in turn reports to the Head of Client Services.
EXECUTIVE CREATIVE DIRECTOR – If the Head of Client Services supplies the client with an expansive blank canvas, then the Creative Director applies those vivid splashes of cobalt, verditer and vermilion that bring his humdrum products so gloriously to life in the nation’s parlours.
THE CREATIVE TEAM – Each comprises of a COPYWRITER and an ART DIRECTOR. The Creative Director allocates creative briefs to teams and then nurtures from them their finest work.
James Gregory – 1/3/00, 10:36am
to: Katie Philpott
cc:
re: hello, new girl
Hi Katie. I’m James and I’ll be your account manager on Mako. Dan Westbrooke has asked me to keep a close eye on you. I’m up to my neck organising this afternoon’s Mako meeting (usual bloody panic), but I’ll clock in with you later. In the meantime, enjoy reading the attached. It was penned by some anon. copywriter and has been handed down through generations of trainees. It tells you all you need to know about how your typical agency works (or rather, doesn’t).
ATTACHMENT
CHIEF EXECUTIVE OFFICER
Some CEOs have been known to have a brass sign on their desks that reads “the buck stops here.” This is either a misprint or a bare-faced lie. It should say “the buck starts here.” The CEO is in the highly responsible position of having to designate the mug who will officially carry the can for whatever mire the agency has landed itself in. All he/she needs for this are a comfy and ergonomically designed swivel chair, an internal phone list and a nice, shiny pin. Decisions, decisions . . .
HEAD OF CLIENT SERVICES
Sounds grand, and so it should because this title was invented as compensation for those witless Account Directors who will never, ever make CEO. They have no power whatsoever, but if they begin sentences with “as Head of Client Services . . .” often enough, it will make them think that they do. This title also impresses at cocktail parties where no advertising people are present.
ACCOUNT DIRECTORS
Lightbulb Joke #1:
Q – “How many account directors does it take to change a lightbulb?”
A – “How many would the client like it to take?”
This tells you all you need to know about account directors.
CREATIVE DIRECTORS
All creative directors are Useless Tossers. This fact has been established in a number of clinical trials. It doesn’t matter how good they were before they were creative directors (and, no kidding, some of them were certifiably brilliant), the moment they settle into that palatial corner office with the wide-screen TV and Bauhaus furniture, they assume the mantle of Useless Tosser. This phenomenon has baffled the few scientists who give a shit, which, to be frank, isn’t many.
CREATIVE TEAMS
Legend has it that the modern copywriter/art director creative team was invented in the sixties by the advertising luminary, Bill Bernbach. This is bollocks. In fact it couldn’t be more bollocks if it were wrapped in a soft leather scrotal sac and suspended between the hind legs of a bull. The truth is that the first team actually paired up after seeing David Bailey’s iconic shot of the Kray Twins. Upon viewing these infamous East End gangsters performing their patented sneer into Bailey’s Box Brownie, our embry
onic duo were gobsmacked. They figured that if they too joined themselves at the hip, wore natty suits with skinny black ties and contrived to look well ’ard, it would serve to scare anyone from account management off who had the temerity to suggest “a few little tweaks” to their work.
Lightbulb Joke #2:
Q – “How many art directors does it take to change a lightbulb?”
A – “Fuck off, I’m not changing a thing.”
Pinki Fallon – 1/3/00, 10:39am
to: Simon Horne
cc: David Crutton
Daniel Westbrooke
re: arses in gear
Sorry guys, but can you excuse me from Coke? They represent all that is wrong with the Western capitalist socio-economic model and my yoga teacher would never forgive me. In any case, Liam and I are up to our necks on the Kimbelle Super Dri Pads launch, which should keep us v.v.v. busy for the next couple of weeks. Sorry, etc . . .
Katie Philpott – 1/3/00, 10:42am
to: James Gregory
cc:
re: HI YOURSELF!
Thanks for the e. Didn’t understand most of it, but guffaw, guffaw anyway! Haven’t the foggiest what I’m supposed to do yet, but if I can help with your Mako meeting – pens, pads, that sort of thing – give me a shout. By the way, what happened to the last trainee? I’ve heard some rumours, but no one will tell. Katie P
Liam O’Keefe – 1/3/00, 10:45pm
to: Vince Douglas
Brett Topowlski
cc:
re: NEW MILLENNIUM, OLD BOLLOCKS
There goes another 1,000 years. How was it for you? I stayed in with a Safeway korma, Jose Cuervo, my new Sony Vega and my Barbed Wire DVD, which includes never-before-seen outtakes of Pammy’s tits – I recommend it if you’re around for the next one. Don’t know if I’ll see you at the Coke briefing. Pinki’s just e’d Horne with another moral stand. Wonder how the sad old git will talk her round this time – watch this space.
James Gregory – 1/3/00, 10:50am
to: Katie Philpott
cc:
re: HI YOURSELF!
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