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Civil Rights Music Page 37

by Reiland Rabaka


  ___. (1977). Selections from the Political Writings, 1910–1920 (Quintin Hoare, Ed.). New York: International.

  ___. (1978). Selections from the Political Writings, 1921–1926 (Quintin Hoare, Ed.). New York: International.

  ___. (1985). Selections from the Cultural Writings. (David Forgacs and Geoffrey Nowell-

  ___. (1995). Antonio Gramsci: Further Selections from the Prison Notebooks (Derek Boothman, Ed). Minneapolis: University of Minnesota Press.

  ___. (2000). The Antonio Gramsci Reader: Selected Writings, 1916–1935 (David Forgacs, Ed.). New York: New York University Press.

  Grant, Jacquelyn. (1989). White Women’s Christ and Black Women’s Jesus: Feminist Christology and Womanist Response. Atlanta: Scholars Press.

  Gray, Herman. (2005). Cultural Moves: African Americans and the Politics of Representation. Berkeley: University of California Press.

  Greene, Christina. (2005). Our Separate Ways: Women and the Black Freedom Movement in Durham, North Carolina. Chapel Hill: University of North Carolina Press.

  Greene, Doyle. (2014). The Rock Cover Song: Culture, History, Politics. Jefferson, NC: McFarland.

  Gregory, Hugh. (1998). The Real Rhythm And Blues. New York: Sterling.

  Gregory, James N. (2005). The Southern Diaspora: How the Great Migrations of Black and White Southerners Transformed America. Chapel Hill: University of North Carolina Press.

  Gribin, Anthony J., and Schiff, Matthew M. (1992). Doo-Wop: The Forgotten Third of Rock & Roll. Iola, WI: Krause Publications.

  Griffin, Farah Jasmine. (2000). “Black Feminists and W.E.B. Du Bois: Respectability,

  Protection, and Beyond.” Annals of the American Academy of Politicaland

  Social Science 568 (March), 28–40.

  ___. (2001). If You Can’t Be Free, Be a Mystery: In Search of Billie Holiday. New York: Free Press.

  ___. (2013). Harlem Nocturne: Women Artists and Progressive Politics During World War II. New York: Basic Civitas.

  Groh, George W. (1972). The Black Migration: The Journey to Urban America. New York: Weybright & Talley.

  Groia, Philip. (1983). They All Sang on the Corner: A Second Look at New York City’s Rhythm & Blues Vocal Groups. West Hempstead, NY: P. Dee Enterprises.

  Grossman, James R. (1991). Land of Hope: Chicago, Black Southerners, and the Great Migration. Chicago: University of Chicago Press.

  Gulla, Bob. (Ed.). (2008). Icons of R&B and Soul: An Encyclopedia of the Artists Who Revolutionized Rhythm (2 Vols.). Westport, CT: Greenwood.

  Gunaratnam, Yasmin. (2003). Researching Race and Ethnicity: Methods, Knowledge, and Power. Thousand Oaks, CA: Sage.

  Guralnick, Peter. (1986). Sweet Soul Music: Rhythm & Blues and the Southern Dream of Freedom. New York: Harper & Row.

  ___. (1989). Lost Highway: Journeys & Arrivals of American Musicians. New York: Harper & Row.

  ___. (1994). Last Train to Memphis: The Rise of Elvis Presley. New York: Little, Brown & Company.

  ___. (1999). Feel Like Going Home: Portraits in Blues & Rock & Roll. Boston: Little Brown.

  ___. (2000). Careless Love: The Unmaking of Elvis Presley. New York: Little, Brown & Company.

  __. (2015). Sam Phillips: The Man Who Invented Rock & Roll. New York: Little, Brown & Company.

  Guralnick, Peter, and Jorgensen, Ernst. (1999). Elvis Day by Day: The Definitive Record of His Life and Music. New York: Ballantine Books.

  Guy-Sheftall, Beverly. (1990). Daughters of Sorrow: Attitudes Toward Black Women, 1880–1920. Brooklyn, NY: Carlson.

  Hahn, Steven. (2003). A Nation Under Our Feet: Black Political Struggles in the Rural South, from Slavery to the Great Migration. Cambridge: Harvard University Press.

  Hale, Jon N. (2016). The Freedom Schools: Student Activists in the Mississippi Civil Rights Movement. New York: Columbia University Press.

  Haley, John W., and Von Hoelle, John J. (1991). Sound and Glory: The Incredible Story of Bill Haley, the Father of Rock & Roll and the Music That Shook the World. Wilmington, DE: Dyne-American Publishing.

  Hall, Kermit L., and Urofsky, Melvin I. (2011). New York Times v. Sullivan: Civil Rights, Libel Law, and the Free Press. Lawrence: University Press of Kansas.

  Hall, Mitchell K. (2014). The Emergence of Rock & Roll: Music and the Rise of American Youth Culture. New York: Routledge.

  Hall, Simon. (2005). Peace and Freedom: The Civil Rights and Antiwar Movements in the 1960s. Philadelphia: University of Pennsylvania Press.

  Halpern, Rick. (1997). Down on the Killing Floor: Black and White Workers in Chicago’s Packinghouses, 1904–1954. Urbana: University of Illinois Press.

  Halpern, Rick, and Horowitz, Roger. (1996). Meatpackers: An Oral History of Black Packinghouse Workers and Their Struggle for Racial and Economic Equality. New York: Twayne Publishers.

  Hamlin, Françoise N. (2012). Crossroads at Clarksdale: The Black Freedom Struggle in the Mississippi Delta after World War II. Chapel Hill: University of North Carolina Press.

  Hampton, Henry, and Fayer, Steve. (2011). Voices of Freedom: An Oral History of the Civil Rights Movement from the 1950s Through the 1980s. New York: Bantam.

  Hancock, Ange-Marie. (2005). “W.E.B. Du Bois: Intellectual Forefather of Intersectionality?” Souls 7 (3–4), 74–84.

  Hannerz, Ulf. (1969). Soulside: Inquiries into Ghetto Culture and Community. New York: Columbia University Press.

  Hannusch, Jeff. (1985). I Hear You Knockin’: The Sound of New Orleans Rhythm & Blues. Ville Platte, LA: Swallow Publications.

  ___. (2001). The Soul of New Orleans: A Legacy of Rhythm & Blues. Ville Platte, LA: Swallow Publications.

  Hanson, Joyce A. (2011). Rosa Parks: A Biography. Santa Barbara, CA: Greenwood Press.

  Harding, Vincent. (1981). There Is A River: The Black Struggle for Freedom in America. New York: Harcourt Brace Jovanovich.

  Harer, Ingeborg. (2015). “Ragtime.” In Mellonee V. Burnim and Portia K. Maultsby (Eds.), African American Music: An Introduction (2nd Edition) (97–118). New York: Routledge.

  Harper, Kimberly. (2010). White Man’s Heaven: The Lynching and Expulsion of Blacks in the Southern Ozarks, 1894–1909. Fayetteville: University of Arkansas Press.

  Harris, Fredrick C. (1999). Something Within: Religion in African-American Political Activism. Oxford: Oxford University Press.

  Harris, Laurie Lanzen. (2012). The Great Migration North, 1910–1970. Detroit: Omnigraphics, Inc.

  Harris, Michael W. (1992). The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church. New York: Oxford University Press.

  Harris, Trudier. (1984). Exorcising Blackness: Historical and Literary Lynching and Burning Rituals. Bloomington: Indiana University Press.

  Harris, William Hamilton. (1977). Keeping the Faith: A. Philip Randolph, Milton P. Webster, and the Brotherhood of Sleeping Car Porters, 1925–1937. Urbana: University of Illinois Press.

  Harrison, Alferdteen. (Ed.). (1991). Black Exodus: The Great Migration from the American South. Jackson: University Press of Mississippi.

  Harrison, Daphne Duval. (1988). Black Pearls: Blues Queens of the 1920s. New Brunswick: Rutgers University Press.

  ___. (2006). “Blues Women.” In Mellonee V. Burnim and Portia K. Maultsby (Eds.), African American Music: An Introduction (528–540). New York: Routledge.

  Hartman, Kent. (2012). The Wrecking Crew: The Inside Story of Rock & Roll’s Best-Kept Secret. New York: St. Martin’s Press.

  Harvey, Louis-Charles. (1986). “Black Gospel Music and Black Theology.” Journal of Religious Thought 43 (2), 19–37.

  Haskins, James. (1978). Scott Joplin: The Man Who Made Ragtime. New York: Doubleday.

  Hasse, John Edward. (1985). Ragtime: Its History, Composers, and Music. New York: Schirmer.

  Hattery, Angela J., and Smith, Earl. (2005). “William Edward Burghardt Du Bois and the Concepts of Race, Class, and Gender.” Sociation Today 3 (1). Online at: http://www.ncsociology.org/sociationtoday/v31/smith.htm.

  Haynes, Jeffrey. (1997)
. Democracy and Civil Society in the Third World: Politics and New Political Movements. Malden, MA: Blackwell.

  Heble, Ajay, and Fischlin, Daniel. (Eds.). (2003). Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music-making. Montréal: Black Rose Books.

  Heilbut, Anthony. (1982). “The Secularization of Black Gospel Music.” In William Ferris and Mary L. Hart (Eds.), Folk Music and Modern Sound. Jackson: University Press of Mississippi.

  ___. (1997). The Gospel Sound: Good News and Bad Times. New York: Limelight.

  Helander, Brock. (1998). The Rockin’ ‘50s: The People Who Made the Music. New York: Schemer Books.

  Helper, Laura. (1996). “Whole Lot of Shakin' Going On!: An Ethnography of Race Relations and Crossover Audiences for Rhythm & Blues and Rock & Roll in 1950s Memphis.” Ph.D. dissertation, Rice University, Houston, TX.

  Henderson, David. (2008). 'Scuse Me While I Kiss the Sky: Jimi Hendrix: Voodoo Child. New York: Atria.

  Hendricks, Wanda A. (1998). Gender, Race, and Politics in the Midwest: Black Clubwomen in Illinois. Bloomington: Indiana University Press.

  Hendrix, Jimi. (2012). Hendrix on Hendrix: Interviews and Encounters with Jimi Hendrix (Steven Roby, Ed.). Chicago: Chicago Review Press.

  ___. (2013). Starting At Zero: His Own Story. New York: Bloomsbury.

  Hennessey, Thomas J. (1994). From Jazz to Swing: African American Jazz Musicians and Their Music, 1890–1935. Detroit: Wayne State University Press.

  Henri, Florette. (1975). Black Migration: Movement North, 1900–1920. Garden City, NY: Anchor Press.

  Herbert, Sharnine S. (2000). “Rhythm & Blues, 1968–1972: An African-centered Rhetorical Analysis.” Ph.D. dissertation, Howard University, Washington, D.C.

  Hervieux, Linda. (2015). Forgotten: The Untold Story of D-Day’s Black Heroes, at Home and at War. New York: Harper.

  Higginbotham, Evelyn B. (1993). Righteous Discontent: The Women’s Movement in the Black Baptist Church, 1880–1920. Cambridge: Harvard University Press.

  Hildebrand, Lee. (1994). Stars of Soul and Rhythm & Blues: Top Recording Artists and Show-Stopping Performers, from Memphis and Motown to Now. New York: Billboard Books.

  Hilfiker, David. (2002). Urban Injustice: How Ghettos Happen. New York: Seven Stories Press.

  Hill, Lance E. (2004). The Deacons for Defense: Armed Resistance and the Civil Rights Movement. Chapel Hill: University of North Carolina Press.

  Hillsman, Joan R. (1983). The Progress of Gospel Music: From Spirituals to Contemporary Gospel. New York: Vantage Press.

  ___. (1990). Gospel Music: An African American Art Form. Washington, D.C.: Middle Atlantic Regional Press.

  Hine, Darlene Clark. (1997). Hine Sight: Black Women and the Re-Construction of American History. Indianapolis: Indiana University Press.

  Hine, Darlene Clark, and Thompson, Kathleen. (1998). A Shining Thread of Hope: The History of Black Women in America. New York: Broadway Books.

  Hinson, Glenn. (2000). Fire in My Bones: Transcendence and the Holy Spirit in African American Gospel. Philadelphia: University of Pennsylvania Press.

  Hirshey, Gerri. (1984). Nowhere to Run: The Story of Soul Music. New York: Times Books.

  Hoare, George, and Sperber, Nathan. (2015). An Introduction to Antonio Gramsci: His Life, Thought, and Legacy. London: Bloomsbury.

  Hogan, Wesley C. (2007). Many Minds, One Heart: SNCC’s Dream for a New America. Chapel Hill: University of North Carolina Press.

  Holley, Donald. (2000). The Second Great Emancipation: The Mechanical Cotton Picker, Black Migration, and How They Shaped the Modern South. Fayetteville: University of Arkansas.

  Holloway, Joseph E. (Ed.). (1991). Africanisms in American Culture. Bloomington: Indiana University Press.

  Holsaert, Faith S., Noonan, Martha P. N., and Richardson, Judy. (Eds.). (2010). Hands on the Freedom Plow: Personal Accounts by Women in SNCC. Urbana: University of Illinois Press.

  Holub, Renate. (1992). Antonio Gramsci: Beyond Marxism and Postmodernism. New York: Routledge.

  Hope, Richard O. (1979). Racial Strife in the U.S. Military: Toward the Elimination of Discrimination. New York: Praeger.

  Horsfall, Sara, Meij, Jan-Martijn, and Probstfield, Meghan D. (Eds.). (2013). Music Sociology: Examining the Role of Music in Social Life. Boulder, CO: Paradigm Publishers.

  Houck, Davis W., and Dixon, David E. (Eds.). (2006). Rhetoric, Religion, and the Civil Rights Movement, 1954–1965 (Volume 1). Waco, TX: Baylor University Press.

  Houck, Davis W., and Dixon, David E. (Eds.). (2009). Women and the Civil Rights Movement, 1954–1965. Jackson: University Press of Mississippi.

  Houck, Davis W., and Dixon, David E. (Eds.). (2014). Rhetoric, Religion, and the Civil Rights Movement, 1954–1965 (Volume 2). Waco, TX: Baylor University Press.

  Howard-Pitney, David. (2004). Martin Luther King, Malcolm X, and the Civil Rights Struggle of the 1950s and 1960s: A Brief History with Documents. Boston: Bedford/St. Martin’s.

  Hufford, Don. (1997). “The Religious Thought of W.E.B. Du Bois.” Journal of Religious Thought 53–54 (2-1), 73–94.

  Hullet, John, and Carmichael, Stokely. (1966). The Black Panther Party: Speech by John Hulett, Interview with Stokely Carmichael, Report from Lowndes County. New York: Merit Publishers.

  Hunt, Scott A., and Benford, Robert D. (2004). “Collective Identity, Solidarity, and Commitment.” In David A. Snow, Sarah Anne Soule, and Hanspeter Kriesi (Eds.), The Blackwell Companion to Social Movements (433–457). Malden, MA: Blackwell.

  Hunter, Erika. (2006). Stokely Carmichael. Toledo, OH: Great Neck Publishing.

  Hunter, Marcus Anthony. (2010). “The Nightly Round: Space, Social Capital, and Urban Black Nightlife.” City and Community 9 (2), 165–186.

  Huntley, Horace, and Montgomery, David. (2004). Black Workers’ Struggle for Equality in Birmingham. Urbana: University of Illinois Press.

  Ianniello, Lynne. (1965). Milestones Along the March: Twelve Historic Civil Rights Documents, from World War II to Selma. New York: F.A. Praeger.

  Ifill, Sherrilyn A. (2007). On the Courthouse Lawn: Confronting the Legacy of Lynching in the Twenty-First Century. Boston: Beacon Press.

  Isserman, Maurice and Kazin, Michael. (2015). America Divided: The Civil War of the 1960s. Oxford: Oxford University Press.

  Jackson, Buzzy. (2005). A Bad Woman Feeling Good: Blues and the Women Who Sing Them. New York: Norton.

  Jackson, Jerma A. (1995). “Testifying at the Cross: Thomas Andrew Dorsey, Sister Rosetta Tharpe, and the Politics of African American Sacred and Secular Music.” Ph.D. dissertation, Rutgers University, New Brunswick, NJ.

  ___. (2004). Singing in My Soul: Black Gospel Music in a Secular Age. Chapel Hill: University of North Carolina Press.

  Jackson, John A. (1991). Big Beat Heat: Alan Freed and the Early Years of Rock & Roll. New York: Schemer.

  ___. (1997). American Bandstand: Dick Clark and the Making of a Rock & Roll Empire. Oxford: Oxford University Press

  ___. (2007). The Alan Freed Story: The Early Years Of Rock & Roll. New York: Collectables Press.

  Jackson, Joyce Marie. (2015). “Quartets: Jubilee to Gospel.” In Mellonee V. Burnim and Portia K. Maultsby (Eds.), African American Music: An Introduction (2nd Edition) (75–96). New York: Routledge.

  Jackson, Mahalia. (1966). Movin’ On Up: The Warmly Personal Story of America’s Favorite Gospel Singer (with Evan McLeod Wylie). New York: Hawthorn Books.

  Jackson, Oscar A. (1995). Bronzeville: A History of Chicago Rhythm & Blues. Chicago: Heno.

  Jaji, Tsitsi E. (2014). Africa in Stereo: Modernism, Music, and Pan-African Solidarity. Oxford: Oxford University Press.

  Jamerson, James. (1989). Standing in the Shadows of Motown: The Life and Music of Legendary Bassist James Jameson. Milwaukee: Hal Leonard Publishing.

  James, Etta. (1995). Rage to Survive: The Etta James story (with David Ritz). New York: Villard Books.

  James, Joy A. (1996). “The Profeminist Politics of W.E.B. Du Bois, with Respe
cts to Anna Julia Cooper and Ida B. Wells Barnett.” In Bernard W. Bell, Emily R. Grosholz, and James B. Stewart (Eds.), W.E.B. Du Bois: On Race and Culture. (141–161). New York: Routledge.

  ___. (1997). Transcending the Talented Tenth: Black Leaders and American Intellectuals. New York: Routledge.

  James, Rawn. (2013). The Double-V: How Wars, Protest, and Harry Truman Desegregated America’s Military. New York: Bloomsbury Press.

  Jasen, David A. (2007). Ragtime: An Encyclopedia, Discography, and Sheetography. New York: Routledge.

  Jasen, David A., and Jones, Gene. (2000). That American Rag: The Story of Ragtime from Coast to Coast. New York: Schirmer Books.

  ___. (2002). Black Bottom Stomp: Eight Masters of Ragtime and Early Jazz. New York: Routledge.

  Jasen, David A., and Tichenor, Trebor J. (1978). Rags and Ragtime: A Musical History. New York: Seabury Press.

  Jaynes, Gerald David. (1986). Branches Without Roots: Genesis of the Black Working-Class in the American South, 1862–1882. Oxford: Oxford University Press.

  Jefferson, Robert F. (2008). Fighting for Hope: African American Troops of the 93rd Infantry Division in World War II and Postwar America. Baltimore: Johns Hopkins University Press.

  Jeffries, Hasan Kwame. (2009). Bloody Lowndes: Civil Rights and Black Power in Alabama’s Black Belt. New York: New York University Press.

  Jenkins, Henry, McPherson, Tara, and Shattuc, Jane. (Eds.). (2002). Hop on Pop: The Politics and Pleasures of Popular Culture. Durham: Duke University Press.

  Jenkins, Maude T. (1984). “The History of the Black Women's Club Movement in America.” Ed.D. dissertation, Teachers College, Columbia University, New York, NY.

  Johnson, Brain L. (2008). W.E.B. Du Bois: Toward Agnosticism, 1868–1934. Lanham, MD: Rowman and Littlefield.

  Johnson, Daniel M., and Campbell, Rex R. (1981). Black Migration in America: A Social Demographic History. Durham: Duke University Press.

  Johnson, Idella Lulamae. (2009). “Development of the African American Gospel Piano Style (1926–1960): A Socio-Musical Analysis of Arizona Dranes and Thomas A. Dorsey.” Ph.D. dissertation, University of Pittsburgh, Pittsburgh, PA.

 

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