Charles went quickly round to the garage, and got the car out. He laid his revolver on the seat beside him, and after backing and turning the car, drove off down the avenue to the gates.
The Vicarage lay on the other side of the village, and Charles drove through the narrow, deserted street at a pace that made a solitary pedestrian leap out of harm's way. There was no sign of Peter and Margaret anywhere along the road, and since they had pleaded a previous engagement as their excuse for not joining the dinnerparty that evening, they would certainly not have gone into the Vicarage. Moreover the house was in darkness, and seeing this, Charles turned the car, and started to drive back the way he had come.
In the village street he overtook a bicyclist, and his powerful headlights showed this late plodder to be Constable Flinders. Charles drew up beside him. "I've got your case for you, Flinders," he said. "Can you leave that bicycle, and come up to the Priory?"
Mr. Flinders stared at him. "Lor', sir, what's happened?"
"Mr. and Miss Fortescue have disappeared, and I'd like you to go up and stand guard over my wife and aunt. Leave - no, shove it on the back seat. Can you?"
"Me bike, sir? It'll dirty your cushions, won't it?" the constable said dubiously.
"What the hell does that matter? Lift it in."
"Well, if you say so, sir, I will," the constable said, and hoisted his bicycle into the back of the car. He then got in beside Charles, and instinctively grasped the seat with both hands as the car shot forward. "Sir," he said solemnly, "if I was on dooty and saw you driving like this I should have to run you in. I should really, sir."
"No doubt, but I happen to be in a hurry. Now look here, this is what has happened." Briefly he told Flinders of his brother's and sister-in-law's unaccountable disappearance.
The constable listened in open-mouthed astonishment, and at the end of it collected his wits sufficiently to say: "Well, one thing I can tell you, sir. It ain't Mr. Titmarsh, for he's not been out of his house the whole evening."
"I didn't suppose it was," said Charles impatiently. "No, sir," said the constable, rather hurt, "but it narows it down, so to speak, don't it, when we know for certain it wasn't him?"
"When we get to the Priory," Charles said, paying no Iced to this, "I'll put you down, and you can cycle up to the house and wait for me there. I'm going on to Colonel Ackerley's house to telephone to Manfield, and I hope to bring the Colonel back with me to help search the grounds."
"Do I understand you to mean, sir, that you mean to call in them chaps at the police-station?"
"You do."
The constable coughed. "In a manner of speaking, sir, that should have been left for me to do, if I see fit."
"I'm afraid you'll have to overlook the irregularity for once," Charles replied, pulling up at the Priory gates.
The constable got out, and extricated his bicycle from the back of the car. "Very irregular, sir, that's what it is," he said. "I don't hardly know what to say about it."
"Think it out on your way up to the house," Charles advised him, and drove on while this retort was slowly filtering through to the constable's brain.
No light shone from any window in the White House, but since it was now some time past midnight Charles had hardly expected the Colonel to be still up. He drove to the front door, switched off his engine, and got out, thrusting his unwieldy gun into the deep pocket of his overcoat. He found the electric bell, and pressed it. He heard it ring somewhere inside the house, and kept his finger on it for some time.
Nothing happened. Charles rang again, and beat a loud tattoo on the door with the rather ornate knocker.
There was still no answer. The Colonel must be a heavy sleeper, Charles thought, and remembered that Ackerley's butler and cook slept over the garage, a few yards from the house. He stepped back into the drive, and scanned the upper windows, wondering which was the Colonel's room. Setting his hands to form a funnel round his mouth he shouted: "Colonel! Colonel Ackerley!"
No answer came from the house, but a light showed above the garage, and presently a window was thrown up there, and a voice called: "Who is it? What do you want?"
Charles walked along till he stood under this window. The Colonel's butler was leaning out. "I want to use the Colonel's telephone," Charles said. "It's very urgent. Is he in?"
"I'm sure I don't know, sir," the butler answered rather sulkily. "Who are you?"
"Charles Malcolm, from the Priory. I can't make the Colonel hear at the house. Think you could come down and let me in?"
The butler's voice changed. "Mr. Malcolm! I beg your pardon, sir: I didn't recognise you. Yes, sir, I'll be down in just a moment if you wouldn't mind waiting."
He drew in his head, and. Charles paced up and down in front of the house in a fret of impatience. Presently the butler came down, having pulled on a pair of trousers and a coat. "Sorry to keep you, sir. You wish to use the telephone? I hope nothing serious, sir?"
"It is rather. Is the Colonel out, or just a heavy sleeper?"
"I expect he's out, sir. He very often goes out after dinner. I believe he plays bridge at the County Club at Manfield, sir."
"Very late to be still at the club, surely?"
"The Colonel never goes to bed much before midnight, sir. And, of course, I don't know when he comes in, as I don't sleep in the house." He inserted a key into the Yale lock of the front door, and turned it. "If you'll excuse me, sir, I'll go first and switch on the light. The telephone is in the study, sir. This way, please."
He ushered Charles into the Colonel's sanctum, and discreetly left him there, shutting the door as he went out.
It did not take Charles long to get connected with the police-station and he was lucky enough to find someone intelligent on duty. This officer said that he would get on to the inspector at once, and he promised that a couple of men should be sent off to the Priory as soon as the inspector was informed of what had occurred.
Charles hung up the receiver, and was just about to leave the room when an idea struck him, and he lifted the receiver off its hook again. When the exchange spoke he gave the number of the Bell Inn, and waited.
After a considerable pause, he heard Spindle's unmistakable voice. "Ullo! Bell Inn. "Oo is it?"
"Malcolm speaking, from the Priory. Would you please ask Mr. Strange to come to the telephone?"
"Old on, please," said the voice.
Another, and longer pause, followed. Then Spindle spoke again. "Ullo, are you there? Mr. Strange is not in his room, sir. Can I take a message?"
"Are you sure he's not in the lounge?" Charles asked.
"No, sir, I've bin to see. Mr. Strange is out."
"Where's he gone?"
"I couldn't say, sir. "E 'as 'is own key, you see, because 'e told Mr. Wilkes 'e'd got friends in Manfield, and 'e'd be visiting them a good deal, and staying late. Lots of gentlemen prefers to 'ave a key, because I go off duty at one o'clock, sir, you see."
"I see," Charles said. "No, there's no message, thanks. Sorry to have bothered you. Good-bye." He hung up the receiver again, and went out into the hall, where the butler was waiting.
"That's all," Charles said. "Will you explain to the Colonel that I had to telephone very urgently? I'm sure he'll understand. And thanks very much for coming down to let me in."
"Thankyou, sir," the butler said, pocketing the douceur. "The Colonel will be sorry he wasn't in, I know." He accompanied Charles out into the drive again, and watched him get into the car. Charles bade him good night, and set off again for home.
He did not put the car in the garage this time, but left it standing outside the front door. In the library Constable Flinders was trying to avoid Mrs. Bowers' indignant glare, and at the same time to prove himself master of the situation.
Celia looked up anxiously. "No luck?"
"None. I got on to Manfield, and they're sending over at once. Then I rang up the Bell Inn, and asked to speak to Strange." He took off his overcoat, and Celia saw that his good-humoured countenance
was looking decidedly grim. "And Strange," he said, "is not there."
Chapter Sixteen
Someone was calling him. Peter could hear his name being spoken, but the voice was very far away. He became aware of a dull ache in his head, and opened his eyes with a groan. The voice sounded nearer; he identified it gradually as his sister's, and as the mist cleared from before his eyes he saw her face above him. Puzzled, he stared up at her. She was stroking his cheek. "Darling, you're better now, aren't you? Peter, speak to me, please speak to me!"
He blinked; his head was splitting, he thought. He said thickly: "Hullo… Margaret! What - what's happened?"
She appeared to be crying. "Oh, thank God!" she said. "I thought you were dead. Oh, my dear, how did he get you?"
He moved his head, staring round him. He was lying on a bare stone floor, in a queer cell-like room which he never remembered to have seen before. His brain felt clogged, but bit by bit his memory was returning. He struggled up on his elbow, grasping Margaret's wrist. "You called me!" he said. "I couldn't find you. Then I…' He broke off, as the whole scene came rushing back to him. "My God, where are we?" he said. "What happened to you?" He put his hand to his head feeling it tenderly. "Lord, my head! Something must have knocked me out. How did I get, here? How did you get here?"
She helped him to his feet. He was still feeling sick and dizzy, and was glad to sink down on to a chair by the plain deal table, and to rest his head in his hands. Margaret knelt beside him. "It was the Monk," she said.
"I heard you call," he said. "Couldn't find you. Then I saw your handkerchief."
"Where?" she asked.
"By the panel. Made me think. Realised there must be a way we hadn't found. Got on to the moulding. An apple. Did you twist it?"
"Yes, yes. By the fireplace. And then?"
"Saw the panel move. So anxious about you, like a fool never stopped to think. Dashed in. Shouted to you. Then…' He stopped, frowning. "Yes, I heard something behind me. I think I turned round. I don't remember anything else. What happened to you? How did you get here? Who brought me here?"
She glanced fearfully over her shoulder at the door of their prison. It was shut, but a steel grille at the height of a man's head was let into it. A sort of shutter with round holes cut in it was drawn across the grille on the outside. She turned back to Peter, and slid her hand into his. "When you'd gone I knelt down and lit the fire, Then I started to get up, and you know how you put out your hand to steady yourself? Well, I did that, and caught on to the apple in the carving. It moved, and I saw the opening in the wall, just as you did. I called you, but you'd gone. I never meant to go in, but there didn't seem to be anything there, and I did just step inside, holding on to the panel all the time. Peter, it was a staircase! Did you realise that?"
"Yes, I remember thinking in a flash how that was what Duval must have meant when he said the Monk went up and down the stairs though we didn't see. Go on: what happened next?"
She shuddered. "It was so awful… my bangle - you know the one - came undone, and fell on to the second step. I didn't stop to think: I never dreamed - anyone was there. I let go the panel and just stepped down one stair to pick it up." Her fingers clung suddenly to his hand. "Peter, I saw the light going, and I turned round, and the panel was closing! Peter! I nearly went mad! I couldn't stop it, and that's when I screamed. I tried to tear it open; it was pitch dark, and I couldn't see any catch, or feel anything. I shrieked for you again and again. Then - then I heard something moving." She was shaking like a leaf. He put his arm round her, clumsily patting her shoulder. "A sort of padding footstep, coming nearer and nearer. And I couldn't see, couldn't move that awful panel. Then - I felt something creep over my mouth. It felt horrible, horrible! Then I knew it was a hand in a glove. It gripped my face so that I could hardly breathe, and an arm grasped me round above the elbows. I couldn't move, I heard you call out to me from the library, and then - then, there was a fiendish sort of chuckle, quite soft, but so utterly wicked, and cruel, that it just finished me, and I fainted. When I came to I was in this place, quite alone. I didn't know how I got here, or who that hand belonged to - or - or how long I'd been here till the door opened, and I saw the Monk standing there. He didn't speak; he looked at me for a moment through those slits in his cowl, then he turned and bent down and started to drag something in. It was you, Peter, and oh, I thought you were dead, I thought you were dead! He just let you fall on the floor, and went out. I hadn't any water or anything to bring you to. I undid your collar, and when you didn't move, I was so desperate I shrieked for someone to come and at least let me have some water. But no one did and no one answered. Only this awful roaring noise went on."
He lifted his head. "Then there is a noise? It's not just in my head?"
"No, it's never stopped all the time I've been here."
He sat for a few minutes trying to collect his thoughts. "Poor kid!" he said. "Ghastly for you. And a fat lot of good I've been to you!"
She laid her cheek against his arm. "You're here, and that's all I care about. You don't know what it was like to be alone. At least we're together now."
"If only my head didn't ache so much I might be able to think," he said. He looked round, and blinked. "Where the hell are we?" he said. "Electric light?"
She glanced up at the bulb that had caught his attention. "So it is. I haven't had time to notice it till now. Then we can't be in the Priory, can we?"
He got up, and began to move round the small room. It was like a square cave cut out of solid stone, all except the door which was made of thick wood. "No window," he said. "We must be underground." He went to the door, and slipping his hand sideways between two of the bars of the grille, tried to push back the shutter by inserting a finger into one of the ventilation holes. He could not move it, nor could he manage to see anything through the holes.
"If we're underground that accounts for the coldness and the smell of damp," Margaret said. "Peter-you don't think - they're going to leave us here - to starve?"
"Of course not," he said instantly. He stood by the door, listening. "That noise," he said. "That's a machine and an electric one, or I've never heard one!" He stared across at his sister, dawning suspicion in his eyes. He seemed about to speak, then checked himself, and went up to one of the walls, and closely inspected the stone blocks that formed it. "I believe we're under the cellars," he said. "I'm no geologist, but this looks to me exactly the same sort of stone as that one that moved and we sealed up. We are in the Priory!"
"Right under the ground?" she asked. "Below the cellars even?"
"I'm not sure, but I think we must be. The place feels like a tomb, much more so than the cellars did." He looked round again. "Why, what fools we've been not to think of it! Didn't those old monks often have underground passages leading from the monastery to the chapel?"
"Yes, I believe they did," she said. "You think that's where we are? But this is a room!"
"Cut, if I'm not much mistaken, in the foundations of the house. I don't know much about monasteries, but I suppose the monks must have had a use for an underground room or so. Storing valuables in times of stress, and all that sort of thing."
"But the light!" she objected. "There's no electricity at the Priory."
"It must be worked by a plant. Good God!"
"What?" she said quickly.
"At the Bell! That big plant I saw there! But it can't possibly…' He broke off, utterly bewildered.
"Did you see a plant there? You never told me."
"I forgot about it. It was one day when Charles and I were there. I got into the engine-room, and I was just thinking what a ridiculously big machine it was for the work it had to do when Spindle hustled me out. Yes, by Jove, and I wondered at the time why he seemed so upset at finding me there. But Wilkes gave a plausible sort of explanation, and I never thought any more about it. Why, good Lord, do you realise that if I'm right, and it's that plant that produces this light, and works the machine we can hear, Wilkes must be in
this, up to the eyes?"
"Wilkes?" she repeated incredulously. "That fat, smiling landlord? He couldn't be!"
"I don't know so much. And that throws a fresh light on it. Strange! He's staying at the Bell. For all we know he and Wilkes are hand in glove over this."
"Oh, no!" she said. "It isn't Michael Strange! It can't be! Not after what he said to me! No, no, I won't believe that!"
He did not press the point. He stood still, listening to the throb and the muffled roar of the machine, trying to think what it could be. The noise it made stirred some chord of memory in his brain. Margaret started to speak, and he signed to her to be quiet, with a quick frown and a finger held up.
Suddenly he remembered. Once, a couple of years before, he had been shown over a model printing works. He swung round, and exclaimed beneath his breath: "Margaret! I believe it's a printing press!"
She waited, searching his face. He seemed to be listening more intently than ever. "I don't see…' she began.
"Forgers!" he said. "I can't see what else it can possibly be - if it is a press."
"Forgers?"
"Probably forgers of bank-notes. I don't know." He came back to the table and sat down on the edge of it. "Let's get this straight. I believe we've hit on the secret of the Priory. If there's a gang of forgers at work here that would account for the efforts to get us out of the house. Jove, yes, and what a god-sent place for a press! Empty house, reputation for being haunted, only needed a little ghost-business to scare the countryside stiff, and to scare the former tenants out! I can't think why we never even suspected it."
"But Peter, it's fantastic! How could a gang of forgers know of this underground passage, and that sliding panel?"
"Not the gang, but the man at the head of it. The man who stole the book from the library, and tore the missing pages from the copy at the British Museum. The Monk, in fact."
Footsteps in the Dark Page 21