At a distance of some five hundred yards from the river's bank rose a sheer precipice of granite, two hundred feet or so in height, which had no doubt once formed the bank itself--the intermediate space of land now utilized as docks and roadways having been gained by draining, and deepening and embanking the stream.
On the brow of this precipice stood a great building of the same granite that formed the cliff, built on three sides of a square, the fourth side being open, save for a kind of battlement pierced at its base by a little door. This imposing place we afterwards discovered was the palace of the queen, or rather of the queens. At the back of the palace the town sloped gently upwards to a flashing building of white marble, crowned by the golden dome which we had already observed. The city was, with the exception of this one building, entirely built of red granite, and laid out in regular blocks with splendid roadways between. So far as we could see also the houses were all one-storied and detached, with gardens round them, which gave some relief to the eye wearied with the vista of red granite. At the back of the palace a road of extraordinary width stretched away up the hill for a distance of a mile and a half or so, and appeared to terminate at an open space surrounding the gleaming building that crowned the hill. But right in front of us was the wonder and glory of Milosis--the great staircase of the palace, the magnificence of which took our breath away. Let the reader imagine, if he can, a splendid stairway, sixty-five feet from balustrade to balustrade, consisting of two vast flights, each of one hundred and twenty-five steps of eight inches in height by three feet broad, connected by a flat resting-place sixty feet in length, and running from the palace wall on the edge of the precipice down to meet a waterway or canal cut to its foot from the river. This marvellous staircase was supported upon a single enormous granite arch, of which the resting-place between the two flights formed the crown; that is, the connecting open space lay upon it. From this archway sprang a subsidiary flying arch, or rather something that resembled a flying arch in shape, such as none of us had seen in any other country, and of which the beauty and wonder surpassed all that we had ever imagined. Three hundred feet from point to point, and no less than five hundred and fifty round the curve, that half-arc soared touching the bridge it supported for a space of fifty feet only, one end resting on and built into the parent archway, and the other embedded in the solid granite of the side of the precipice.
This staircase with its supports was, indeed, a work of which any living man might have been proud, both on account of its magnitude and its surpassing beauty. Four times, as we afterwards learnt, did the work, which was commenced in remote antiquity, fail, and was then abandoned for three centuries when half-finished, till at last there rose a youthful engineer named Rademas, who said that he would complete it successfully, and staked his life upon it. If he failed he was to be hurled from the precipice he had undertaken to scale; if he succeeded, he was to be rewarded by the hand of the king's daughter. Five years was given to him to complete the work, and an unlimited supply of labour and material. Three times did his arch fall, till at last, seeing failure to be inevitable, he determined to commit suicide on the morrow of the third collapse. That night, however, a beautiful woman came to him in a dream and touched his forehead, and of a sudden he saw a vision of the completed work, and saw too through the masonry and how the difficulties connected with the flying arch that had hitherto baffled his genius were to be overcome. Then he awoke and once more commenced the work, but on a different plan, and behold! he achieved it, and on the last day of the five years he led the princess his bride up the stair and into the palace. And in due course he became king by right of his wife, and founded the present Zu-Vendi dynasty, which is to this day called the 'House of the Stairway', thus proving once more how energy and talent are the natural stepping-stones to grandeur. And to commemorate his triumph he fashioned a statue of himself dreaming, and of the fair woman who touched him on the forehead, and placed it in the great hall of the palace, and there it stands to this day.
Such was the great stair of Milosis, and such the city beyond. No wonder they named it the 'Frowning City', for certainly those mighty works in solid granite did seem to frown down upon our littleness in their sombre splendour. This was so even in the sunshine, but when the storm-clouds gathered on her imperial brow Milosis looked more like a supernatural dwelling-place, or some imagining of a poet's brain, than what she is--a mortal city, carven by the patient genius of generations out of the red silence of the mountain side.
Chapter XII
THE SISTER QUEENS
The big rowing-boat glided on up the cutting that ran almost to the foot of the vast stairway, and then halted at a flight of steps leading to the landing-place. Here the old gentleman disembarked, and invited us to do so likewise, which, having no alternative, and being nearly starved, we did without hesitation--taking our rifles with us, however. As each of us landed, our guide again laid his fingers on his lips and bowed deeply, at the same time ordering back the crowds which had assembled to gaze on us. The last to leave the canoe was the girl we had picked out of the water, for whom her companion was waiting. Before she went away she kissed my hand, I suppose as a token of gratitude for having saved her from the fury of the hippopotamus; and it seemed to me that she had by this time quite got over any fear she might have had of us, and was by no means anxious to return in such a hurry to her lawful owners. At any rate, she was going to kiss Good's hand as well as mine, when the young man interfered and led her off. As soon as we were on shore, a number of the men who had rowed the big boat took possession of our few goods and chattels, and started with them up the splendid staircase, our guide indicating to us by means of motions that the things were perfectly safe. This done, he turned to the right and led the way to a small house, which was, as I afterwards discovered, an inn. Entering into a good-sized room, we saw that a wooden table was already furnished with food, presumably in preparation for us. Here our guide motioned us to be seated on a bench that ran the length of the table. We did not require a second invitation, but at once fell to ravenously on the viands before us, which were served on wooden platters, and consisted of cold goat's-flesh, wrapped up in some kind of leaf that gave it a delicious flavour, green vegetables resembling lettuces, brown bread, and red wine poured from a skin into horn mugs. This wine was peculiarly soft and good, having something of the flavour of Burgundy. Twenty minutes after we sat down at that hospitable board we rose from it, feeling like new men. After all that we had gone through we needed two things, food and rest, and the food of itself was a great blessing to us. Two girls of the same charming cast of face as the first whom we had seen waited on us while we ate, and very nicely they did it. They were also dressed in the same fashion namely, in a white linen petticoat coming to the knee, and with the toga-like garment of brown cloth, leaving bare the right arm and breast. I afterwards found out that this was the national dress, and regulated by an iron custom, though of course subject to variations. Thus, if the petticoat was pure white, it signified that the wearer was unmarried; if white, with a straight purple stripe round the edge, that she was married and a first or legal wife; if with a black stripe, that she was a widow. In the same way the toga, or 'kaf', as they call it, was of different shades of colour, from pure white to the deepest brown, according to the rank of the wearer, and embroidered at the end in various ways. This also applies to the 'shirts' or tunics worn by the men, which varied in material and colour; but the kilts were always the same except as regards quality. One thing, however, every man and woman in the country wore as the national insignia, and that was the thick band of gold round the right arm above the elbow, and the left leg beneath the knee. People of high rank also wore a torque of gold round the neck, and I observed that our guide had one on.
So soon as we had finished our meal our venerable conductor, who had been standing all the while, regarding us with inquiring eyes, and our guns with something as like fear as his pride would allow him to show, bowed towards Good, whom he ev
idently took for the leader of the party on account of the splendour of his apparel, and once more led the way through the door and to the foot of the great staircase. Here we paused for a moment to admire two colossal lions, each hewn from a single block of pure black marble, and standing rampant on the terminations of the wide balustrades of the staircase. These lions are magnificently executed, and it is said were sculptured by Rademas, the great prince who designed the staircase, and who was without doubt, to judge from the many beautiful examples of his art that we saw afterwards, one of the finest sculptors who ever lived, either in this or any other country. Then we climbed almost with a feeling of awe up that splendid stair, a work executed for all time and that will, I do not doubt, be admired thousands of years hence by generations unborn unless an earthquake should throw it down. Even Umslopogaas, who as a general rule made it a point of honour not to show astonishment, which he considered undignified, was fairly startled out of himself, and asked it the 'bridge had been built by men or devils', which was his vague way of alluding to any supernatural power. But Alphonse did not care about it. Its solid grandeur jarred upon the frivolous little Frenchman, who said that it was all 'tres magnifique, mais triste--ah, triste!' and went on to suggest that it would be improved if the balustrades were GILT.
On we went up the first flight of one hundred and twenty steps, across the broad platform joining it to the second flight, where we paused to admire the glorious view of one of the most beautiful stretches of country that the world can show, edged by the blue waters of the lake. Then we passed on up the stair till at last we reached the top, where we found a large standing space to which there were three entrances, all of small size. Two of these opened on to rather narrow galleries or roadways cut in the face of the precipice that ran round the palace walls and led to the principal thoroughfares of the city, and were used by the inhabitants passing up and down from the docks. These were defended by gates of bronze, and also, as we afterwards learnt, it was possible to let down a portion of the roadways themselves by withdrawing certain bolts, and thus render it quite impracticable for an enemy to pass. The third entrance consisted of a flight of ten curved black marble steps leading to a doorway cut in the palace wall. This wall was in itself a work of art, being built of huge blocks of granite to the height of forty feet, and so fashioned that its face was concave, whereby it was rendered practically impossible for it to be scaled. To this doorway our guide led us. The door, which was massive, and made of wood protected by an outer gate of bronze, was closed; but on our approach it was thrown wide, and we were met by the challenge of a sentry, who was armed with a heavy triangular-bladed spear, not unlike a bayonet in shape, and a cutting sword, and protected by breast and back plates of skilfully prepared hippopotamus hide, and a small round shield fashioned of the same tough material. The sword instantly attracted our attention; it was practically identical with the one in the possession of Mr Mackenzie which he had obtained from the ill-starred wanderer. There was no mistaking the gold-lined fretwork cut in the thickness of the blade. So the man had told the truth after all. Our guide instantly gave a password, which the soldier acknowledged by letting the iron shaft of his spear fall with a ringing sound upon the pavement, and we passed on through the massive wall into the courtyard of the palace. This was about forty yards square, and laid out in flower-beds full of lovely shrubs and plants, many of which were quite new to me. Through the centre of this garden ran a broad walk formed of powdered shells brought from the lake in the place of gravel. Following this we came to another doorway with a round heavy arch, which is hung with thick curtains, for there are no doors in the palace itself. Then came another short passage, and we were in the great hall of the palace, and once more stood astonished at the simple and yet overpowering grandeur of the place.
The hall is, as we afterwards learnt, one hundred and fifty feet long by eighty wide, and has a magnificent arched roof of carved wood. Down the entire length of the building there are on either side, and at a distance of twenty feet from the wall, slender shafts of black marble springing sheer to the roof, beautifully fluted, and with carved capitals. At one end of this great place which these pillars support is the group of which I have already spoken as executed by the King Rademas to commemorate his building of the staircase; and really, when we had time to admire it, its loveliness almost struck us dumb. The group, of which the figures are in white, and the rest is black marble, is about half as large again as life, and represents a young man of noble countenance and form sleeping heavily upon a couch. One arm is carelessly thrown over the side of this couch, and his head reposes upon the other, its curling locks partially hiding it. Bending over him, her hand resting on his forehead, is a draped female form of such white loveliness as to make the beholder's breath stand still. And as for the calm glory that shines upon her perfect face--well, I can never hope to describe it. But there it rests like the shadow of an angel's smile; and power, love, and divinity all have their part in it. Her eyes are fixed upon the sleeping youth, and perhaps the most extraordinary thing about this beautiful work is the success with which the artist has succeeded in depicting on the sleeper's worn and weary face the sudden rising of a new and spiritual thought as the spell begins to work within his mind. You can see that an inspiration is breaking in upon the darkness of the man's soul as the dawn breaks in upon the darkness of night. It is a glorious piece of statuary, and none but a genius could have conceived it. Between each of the black marble columns is some such group of figures, some allegorical, and some representing the persons and wives of deceased monarchs or great men; but none of them, in our opinion, comes up the one I have described, although several are from the hand of the sculptor and engineer, King Rademas.
In the exact centre of the hall was a solid mass of black marble about the size of a baby's arm-chair, which it rather resembled in appearance. This, as we afterwards learnt, was the sacred stone of this remarkable people, and on it their monarchs laid their hand after the ceremony of coronation, and swore by the sun to safeguard the interests of the empire, and to maintain its customs, traditions, and laws. This stone was evidently exceedingly ancient (as indeed all stones are), and was scored down its sides with long marks or lines, which Sir Henry said proved it to have been a fragment that at some remote period in its history had been ground in the iron jaws of glaciers. There was a curious prophecy about this block of marble, which was reported among the people to have fallen from the sun, to the effect that when it was shattered into fragments a king of alien race should rule over the land. As the stone, however, looked remarkably solid, the native princes seemed to have a fair chance of keeping their own for many a long year.
At the end of the hall is a dais spread with rich carpets, on which two thrones are set side by side. These thrones are shaped like great chairs, and made of solid gold. The seats are richly cushioned, but the backs are left bare, and on each is carved the emblem of the sun, shooting out his fiery rays in all directions. The footstools are golden lions couchant, with yellow topazes set in them for eyes. There are no other gems about them.
The place is lighted by numerous but narrow windows, placed high up, cut on the principle of the loopholes to be seen in ancient castles, but innocent of glass, which was evidently unknown here.
Such is a brief description of this splendid hall in which we now found ourselves, compiled of course from our subsequent knowledge of it. On this occasion we had but little time for observation, for when we entered we perceived that a large number of men were gathered together in front of the two thrones, which were unoccupied. The principal among them were seated on carved wooden chairs ranged to the right and the left of the thrones, but not in front of them, and were dressed in white tunics, with various embroideries and different coloured edgings, and armed with the usual pierced and gold-inlaid swords. To judge from the dignity of their appearance, they seemed one and all to be individuals of very great importance. Behind each of these great men stood a small knot of followers and at
tendants.
Seated by themselves, in a little group to the left of the throne, were six men of a different stamp. Instead of wearing the ordinary kilt, they were clothed in long robes of pure white linen, with the same symbol of the sun that is to be seen on the back of the chairs, emblazoned in gold thread upon the breast. This garment was girt up at the waist with a simple golden curb-like chain, from which hung long elliptic plates of the same metal, fashioned in shiny scales like those of a fish, that, as their wearers moved, jingled and reflected the light. They were all men of mature age and of a severe and impressive cast of features, which was rendered still more imposing by the long beards they wore.
The personality of one individual among them, however, impressed us at once. He seemed to stand out among his fellows and refuse to be overlooked. He was very old--eighty at least--and extremely tall, with a long snow-white beard that hung nearly to his waist. His features were aquiline and deeply cut, and his eyes were grey and cold-looking. The heads of the others were bare, but this man wore a round cap entirely covered with gold embroidery, from which we judged that he was a person of great importance; and indeed we afterwards discovered that he was Agon, the High Priest of the country. As we approached, all these men, including the priests, rose and bowed to us with the greatest courtesy, at the same time placing the two fingers across the lips in salutation. Then soft-footed attendants advanced from between the pillars, bearing seats, which were placed in a line in front of the thrones. We three sat down, Alphonse and Umslopogaas standing behind us. Scarcely had we done so when there came a blare of trumpets from some passage to the right, and a similar blare from the left. Next a man with a long white wand of ivory appeared just in front of the right-hand throne, and cried out something in a loud voice, ending with the word NYLEPTHA, repeated three times; and another man, similarly attired, called out a similar sentence before the other throne, but ending with the word SORAIS, also repeated thrice. Then came the tramp of armed men from each side entrance, and in filed about a score of picked and magnificently accoutred guards, who formed up on each side of the thrones, and let their heavy iron-handled spears fall simultaneously with a clash upon the black marble flooring. Another double blare of trumpets, and in from either side, each attended by six maidens, swept the two Queens of Zu-Vendis, everybody in the hall rising to greet them as they came.
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