by Sahara Kelly
“No sir, I’m afraid not.” Letitia kept her expression calm and her words simple. She was masquerading as the author’s friend and intended Mr. Lesley to completely accept her role. “Given the nature of the manuscript, I’m sure you can understand her desire to remain anonymous.”
“Indeed.” Lesley nodded. “Cytherean Tales has the potential to be a very popular volume, Miss Smith.”
Letitia’s heart jumped. “It does?”
“Yes.” He tapped his leather case which lay on the table next to him. “It is quite remarkable in its characterization and the heroines’ voices are strong and will easily attract and hold a reader’s attention.”
“Well,” Letitia cleared her throat. “I can assure you she will be very happy to hear that. Very happy indeed.”
“You realize however, that this is a very controversial volume?”
“I do.”
“You have read it yourself?” He raised an eyebrow. “I will admit to some surprise that a lady of your tender years has risked exposing herself to the material contained in this book.”
Letitia’s chin rose. “I believe Lady Corinth wrote much of the book with women in mind, Mr. Lesley.” She caught herself up. “At least that’s what she told me, several times, during its creation.”
“You astound me.” He shook his head. “I’m not sure that we will be able to market it as suitable for ladies.”
Unwilling to argue at this point, Letitia let that issue lie. “Do I take it then, that you are considering accepting Lady Corinth’s work, sir?”
“Indeed yes. I will be very happy to offer a publication contract to Lady Corinth. On most generous terms, I might add.”
Since she couldn’t stand up, shout, dance, whoop or do any of the things she would like to have done, she just smiled.
“There is one proviso…” He reached for his bag and withdrew the manuscript.
Her heart dropped to her boots. Here it comes. Nothing is ever that simple.
“I have made a copy and taken the liberty of marking up some areas that need greater clarification. I’ve also had a copy made of the document with the suggestions. It never hurts to have an extra manuscript for safety.”
“Would not an editor be the one to make those suggestions, sir? I believe I’ve heard that that’s how these matters are handled?”
“We do have editors with whom we consult; several are well-respected in their fields. However, given this particular volume and the nature of the content, I felt it better to retain it in our own offices. I’m sure you can appreciate my point of view.”
She watched him. He was not embarrassed, just cautious.
“Therefore I have done what might be called a preliminary read, and made some editing suggestions. If Lady Corinth would be good enough to look them over, and perhaps attend to them, then we would be delighted to offer one of our highest tier contracts.”
He withdrew a document from his case and passed it to Letitia.
Her vision blurred for a few moments as she read the terms. The advance alone would be enough to fix a lot of the rotting floors at Ridlington Chase. And the consequent profits from sales and second and third editions? Her mind scrambled to grasp the significance of the numbers.
After a few minutes, she laid the document beside her on the couch. “You must be confident of success, Mr. Lesley, to offer such generous amounts. You’ve said yourself that this is controversial material. Are you that sure it will sell? Is there a market for works of such a nature?”
“I can understand your questions, Miss Smith. And since they must emanate from Lady Corinth herself…” He glanced at her with a questioning look.
“Yes, they do.”
“Then you may reassure her that yes, there is indeed a very active interest in such books. I think it fair to describe this as erotic, if you’ll forgive my blunt words. And such volumes have achieved very healthy sales numbers, while not necessarily finding their way into the most popularly visited sections of bookshops or libraries.”
“Ah,” exclaimed Letitia. “I see what you mean.” You’re going to make a fortune selling my book under the counter.
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About the Author
British born and bred, Sahara Kelly has enjoyed writing and reading Regency romances for many decades, beginning in her childhood with books by Jane Austen, Georgette Heyer and Barbara Cartland.
Arriving in America with her almost-complete collection of Leslie Charteris’ Saint novels and a passion for Monty Python, Sahara’s new life eventually expanded to include a husband, offspring, citizenship, and a certain amount of acclimation to her new surroundings.
She never quite managed to attain a level of comfort with the American way of spelling, however, and creating a Regency novel offers challenges in that regard. So you’ll see words that British readers will recognize, but American readers might perhaps find unusual. It’s a choice… should one write an English romance using English spelling? Sahara has come around to that belief. She can now enjoy the extra “u” which has always seemed so colourful…
After more than two decades of writing, Sahara is now enjoying the greater freedom offered to authors by the rapidly expanding self-publishing scene, and looking forward to many more such experiences.
Being freed of controlling restraints has opened doors—for Sahara and many other writers. There are now no impediments; no obstructions barring the path from writer to reader. Which is, in many ways, exactly as originally intended when that first storyteller sat on a rock outside her cave, tugged her bearskin around her shoulders and smiled at her kids across the open fire with the words “Once upon a time...” (or however it sounded several million years ago.)
To find out more about Sahara Kelly and her writing, please drop by her website and visit her at:
Sahara Kelly (Website – http://www.saharakelly.com)
This is where Sahara shares none of the intimate details of her life, but will present you with a list of books she'd like you to buy so that she can go do research on a beach in Aruba and be pampered with massages accompanied by drinks with umbrellas in them. She’ll send you a postcard. Thank you.
When not dreaming of lazing on tropical beaches, Sahara has a relatively active social presence on the Internet. Take a look:
Follow Sahara on Twitter
Friend her on Facebook
See what she’s blogging about
Follow her on BookBub
Get her latest release info from Amazon
Also By Sahara Kelly
(*- co-written with S.L. Carpenter)
The Landlocked Baron
Book 1 in the Six Pearls of Baron Ridlington series
St. Simon’s Sin
Book 2 in the Six Pearls of Baron Ridlington series
Word of a Lady
Book 3 in the Six Pearls of Baron Ridlington series
The Mistress Wager
Book 4 in the Six Pearls of Baron Ridlington series
~
The Mistletoe Marquess
Outrageous Ladies
~
Honor and Secrets
Book 1 in the Gypsy Gentlemen Series
Control and Compassion
Book 2 in the Gypsy Gentlemen Series
Endings and Beginnings
Book 3 in the Gypsy Gentlemen Series
~
Consent
Sword Play
~
Oh My Laird!
Book 4 in the Regency Rascals Series
Deverell’s Obsession
Book 3 in the Regency Rascals Series
The Fifth Wife
Book 2 in the Regency Rascals Series
Julia and the Devil
Book 1 in the Regency Rascals Series
~
Discreet Madness
The Viscount and the Witch
Feels So Right*
~
Whole Lotta Love Series
Love in the Cards*
Love on
the Road*
Love Under the Lights*
A Whole Lotta Love*
(the boxed set)
~
Happy Endings*
With a Little Help from my Friends
(with Ciana Stone)
Letting Off Steam
Winding Her Up
Stripping Her Gears
My Renaissance Romance
Hired Help*
Open House
So Into You*
Faerieland needs YOU
My Wish
My Prize
My Hero
Showing Off*
And many more…
*~~*~~*
Sahara would like to mention that she and S.L. Carpenter co-own a small business, and have been up and running for over five years. They have blended another of their shared passions — art — and formed an online graphics business focusing on the complicated world of writers. If you’re interested in seeing what they get up to when they’re not writing something twistedly hot and sexy, they’d like to invite you to come visit their company at the link below and check out some of the amazing cover art they’re creating. No wonder they have no time to be bored!
P and N Graphics
www.pandngraphics.com
Happy Reading.