The Fat and the Thin

by Эмиль Золя

  These remarks, I trust, will not be considered out of place in an introduction to a work which to no small extent treats of the appetite of Paris. The reader will find that the characters portrayed by M. Zola are all types of humble life, but I fail to see that their circumstances should render them any the less interesting. A faithful portrait of a shopkeeper, a workman, or a workgirl is artistically of far more value than all the imaginary sketches of impossible dukes and good and wicked baronets in which so many English novels abound. Several of M. Zola's personages seem to me extremely lifelike-Gavard, indeed, is a chef-d'oeuvre of portraiture: I have known many men like him; and no one who lived in Paris under the Empire can deny the accuracy with which the author has delineated his hero Florent, the dreamy and hapless revolutionary caught in the toils of others. In those days, too, there was many such a plot as M. Zola describes, instigated by agents like Logre and Lebigre, and allowed to mature till the eve of an election or some other important event which rendered its exposure desirable for the purpose of influencing public opinion. In fact, in all that relates to the so-called "conspiracy of the markets," M. Zola, whilst changing time and place to suit the requirements of his story, has simply followed historical lines. As for the Quenus, who play such prominent parts in the narrative, the husband is a weakling with no soul above his stewpans, whilst his wife, the beautiful Lisa, in reality wears the breeches and rules the roast. The manner in which she cures Quenu of his political proclivities, though savouring of persuasiveness rather than violence, is worthy of the immortal Mrs. Caudle: Douglas Jerrold might have signed a certain lecture which she administers to her astounded helpmate. Of Pauline, the Quenus' daughter, we see but little in the story, but she becomes the heroine of another of M. Zola's novels, "La Joie de Vivre," and instead of inheriting the egotism of her parents, develops a passionate love and devotion for others. In a like way Claude Lantier, Florent's artist friend and son of Gervaise of the "Assommoir," figures more particularly in "L'Oeuvre," which tells how his painful struggle for fame resulted in madness and suicide. With reference to the beautiful Norman and the other fishwives and gossips scattered through the present volume, and those genuine types of Parisian gaminerie, Muche, Marjolin, and Cadine, I may mention that I have frequently chastened their language in deference to English susceptibilities, so that the story, whilst retaining every essential feature, contains nothing to which exception can reasonably be taken.

  E. A. V.

  CHAPTER I

  Amidst the deep silence and solitude prevailing in the avenue several market gardeners' carts were climbing the slope which led towards Paris, and the fronts of the houses, asleep behind the dim lines of elms on either side of the road, echoed back the rhythmical jolting of the wheels. At the Neuilly bridge a cart full of cabbages and another full of peas had joined the eight waggons of carrots and turnips coming down from Nanterre; and the horses, left to themselves, had continued plodding along with lowered heads, at a regular though lazy pace, which the ascent of the slope now slackened. The sleeping waggoners, wrapped in woollen cloaks, striped black and grey, and grasping the reins slackly in their closed hands, were stretched at full length on their stomachs atop of the piles of vegetables. Every now and then, a gas lamp, following some patch of gloom, would light up the hobnails of a boot, the blue sleeve of a blouse, or the peak of a cap peering out of the huge florescence of vegetables-red bouquets of carrots, white bouquets of turnips, and the overflowing greenery of peas and cabbages.

  And all along the road, and along the neighbouring roads, in front and behind, the distant rumbling of vehicles told of the presence of similar contingents of the great caravan which was travelling onward through the gloom and deep slumber of that matutinal hour, lulling the dark city to continued repose with its echoes of passing food.

  Madame Francois's horse, Balthazar, an animal that was far too fat, led the van. He was plodding on, half asleep and wagging his ears, when suddenly, on reaching the Rue de Longchamp, he quivered with fear and came to a dead stop. The horses behind, thus unexpectedly checked, ran their heads against the backs of the carts in front of them, and the procession halted amidst a clattering of bolts and chains and the oaths of the awakened waggoners. Madame Francois, who sat in front of her vehicle, with her back to a board which kept her vegetables in position, looked down; but, in the dim light thrown to the left by a small square lantern, which illuminated little beyond one of Balthazar's sheeny flanks, she could distinguish nothing.

  "Come, old woman, let's get on!" cried one of the men, who had raised himself to a kneeling position amongst his turnips; "it's only some drunken sot."

  Madame Francois, however, had bent forward and on her right hand had caught sight of a black mass, lying almost under the horse's hoofs, and blocking the road.

  "You wouldn't have us drive over a man, would you?" said she, jumping to the ground.

  It was indeed a man lying at full length upon the road, with his arms stretched out and his face in the dust. He seemed to be remarkably tall, but as withered as a dry branch, and the wonder was that Balthazar had not broken him in half with a blow from his hoof. Madame Francois thought that he was dead; but on stooping and taking hold of one of his hands, she found that it was quite warm.

  "Poor fellow!" she murmured softly.

  The waggoners, however, were getting impatient.

  "Hurry up, there!" said the man kneeling amongst the turnips, in a hoarse voice. "He's drunk till he can hold no more, the hog! Shove him into the gutter."

  Meantime, the man on the road had opened his eyes. He looked at Madame Francois with a startled air, but did not move. She herself now thought that he must indeed be drunk.

  "You mustn't stop here," she said to him, "or you'll get run over and killed. Where were you going?"

  "I don't know," replied the man in a faint voice.

  Then, with an effort and an anxious expression, he added: "I was going to Paris; I fell down, and don't remember any more."

  Madame Francois could now see him more distinctly, and he was truly a pitiable object, with his ragged black coat and trousers, through the rents in which you could espy his scraggy limbs. Underneath a black cloth cap, which was drawn low over his brows, as though he were afraid of being recognised, could be seen two large brown eyes, gleaming with peculiar softness in his otherwise stern and harassed countenance. It seemed to Madame Francois that he was in far too famished a condition to have got drunk.

  "And what part of Paris were you going to?" she continued.

  The man did not reply immediately. This questioning seemed to distress him. He appeared to be thinking the matter over, but at last said hesitatingly, "Over yonder, towards the markets."

  He had now, with great difficulty, got to his feet again, and seemed anxious to resume his journey. But Madame Francois noticed that he tottered, and clung for support to one of the shafts of her waggon.

  "Are you tired?" she asked him.

  "Yes, very tired," he replied.

  Then she suddenly assumed a grumpy tone, as though displeased, and, giving him a push, exclaimed: "Look sharp, then, and climb into my cart. You've made us lose a lot of time. I'm going to the markets, and I'll turn you out there with my vegetables."

  Then, as the man seemed inclined to refuse her offer, she pushed him up with her stout arms, and bundled him down upon the turnips and carrots.

  "Come, now, don't give us any more trouble," she cried angrily. "You are quite enough to provoke one, my good fellow. Don't I tell you that I'm going to the markets? Sleep away up there. I'll wake you when we arrive."

  She herself then clambered into the cart again, and settled herself with her back against the board, grasping the reins of Balthazar, who started off drowsily, swaying his ears once more. The other waggons followed, and the procession resumed its lazy march through the darkness, whilst the rhythmical jolting of the wheels again awoke the echoes of the sleepy house fronts, and the waggoners, wrapped in their cloaks, dozed off afresh. The one who
had called to Madame Francois growled out as he lay down: "As if we'd nothing better to do than pick up every drunken sot we come across! You're a scorcher, old woman!"

  The waggons rumbled on, and the horses picked their own way, with drooping heads. The stranger whom Madame Francois had befriended was lying on his stomach, with his long legs lost amongst the turnips which filled the back part of the cart, whilst his face was buried amidst the spreading piles of carrot bunches. With weary, extended arms he clutched hold of his vegetable couch in fear of being thrown to the ground by one of the waggon's jolts, and his eyes were fixed on the two long lines of gas lamps which stretched away in front of him till they mingled with a swarm of other lights in the distance atop of the slope. Far away on the horizon floated a spreading, whitish vapour, showing where Paris slept amidst the luminous haze of all those flamelets.

  "I come from Nanterre, and my name's Madame Francois," said the market gardener presently. "Since my poor man died I go to the markets every morning myself. It's a hard life, as you may guess. And who are you?"

  "My name's Florent, I come from a distance," replied the stranger, with embarrassment. "Please excuse me, but I'm really so tired that it is painful to me to talk."

  He was evidently unwilling to say anything more, and so Madame Francois relapsed into silence, and allowed the reins to fall loosely on the back of Balthazar, who went his way like an animal acquainted with every stone of the road.

  Meantime, with his eyes still fixed upon the far-spreading glare of Paris, Florent was pondering over the story which he had refused to communicate to Madame Francois. After making his escape from Cayenne, whither he had been transported for his participation in the resistance to Louis Napoleon's Coup d'Etat, he had wandered about Dutch Guiana for a couple of years, burning to return to France, yet dreading the Imperial police. At last, however, he once more saw before him the beloved and mighty city which he had so keenly regretted and so ardently longed for. He would hide himself there, he told himself, and again lead the quiet, peaceable life that he had lived years ago. The police would never be any the wiser; and everyone would imagine, indeed, that he had died over yonder, across the sea. Then he thought of his arrival at Havre, where he had landed with only some fifteen francs tied up in a corner of his handkerchief. He had been able to pay for a seat in the coach as far as Rouen, but from that point he had been forced to continue his journey on foot, as he had scarcely thirty sous left of his little store. At Vernon his last copper had gone in bread. After that he had no clear recollection of anything. He fancied that he could remember having slept for several hours in a ditch, and having shown the papers with which he had provided himself to a gendarme; however, he had only a very confused idea of what had happened. He had left Vernon without any breakfast, seized every now and then with hopeless despair and raging pangs which had driven him to munch the leaves of the hedges as he tramped along. A prey to cramp and fright, his body bent, his sight dimmed, and his feet sore, he had continued his weary march, ever drawn onwards in a semi-unconscious state by a vision of Paris, which, far, far away, beyond the horizon, seemed to be summoning him and waiting for him.

  When he at length reached Courbevoie, the night was very dark. Paris, looking like a patch of star-sprent sky that had fallen upon the black earth, seemed to him to wear a forbidding aspect, as though angry at his return. Then he felt very faint, and his legs almost gave way beneath him as he descended the hill. As he crossed the Neuilly bridge he sustained himself by clinging to the parapet, and bent over and looked at the Seine rolling inky waves between its dense, massy banks. A red lamp on the water seemed to be watching him with a sanguineous eye. And then he had to climb the hill if he would reach Paris on its summit yonder. The hundreds of leagues which he had already travelled were as nothing to it. That bit of a road filled him with despair. He would never be able, he thought, to reach yonder light crowned summit. The spacious avenue lay before him with its silence and its darkness, its lines of tall trees and low houses, its broad grey footwalks, speckled with the shadows of overhanging branches, and parted occasionally by the gloomy gaps of side streets. The squat yellow flames of the gas lamps, standing erect at regular intervals, alone imparted a little life to the lonely wilderness. And Florent seemed to make no progress; the avenue appeared to grow ever longer and longer, to be carrying Paris away into the far depths of the night. At last he fancied that the gas lamps, with their single eyes, were running off on either hand, whisking the road away with them; and then, overcome by vertigo, he stumbled and fell on the roadway like a log.

  Now he was lying at ease on his couch of greenery, which seemed to him soft as a feather bed. He had slightly raised his head so as to keep his eyes on the luminous haze which was spreading above the dark roofs which he could divine on the horizon. He was nearing his goal, carried along towards it, with nothing to do but to yield to the leisurely jolts of the waggon; and, free from all further fatigue, he now only suffered from hunger. Hunger, indeed, had once more awoke within him with frightful and wellnigh intolerable pangs. His limbs seemed to have fallen asleep; he was only conscious of the existence of his stomach, horribly cramped and twisted as by a red-hot iron. The fresh odour of the vegetables, amongst which he was lying, affected him so keenly that he almost fainted away. He strained himself against that piled-up mass of food with all his remaining strength, in order to compress his stomach and silence its groans. And the nine other waggons behind him, with their mountains of cabbages and peas, their piles of artichokes, lettuces, celery, and leeks, seemed to him to be slowly overtaking him, as though to bury him whilst he was thus tortured by hunger beneath an avalanche of food. Presently the procession halted, and there was a sound of deep voices. They had reached the barriers, and the municipal customs officers were examining the waggons. A moment later Florent entered Paris, in a swoon, lying atop of the carrots, with clenched teeth.

  "Hallow! You up there!" Madame Francois called out sharply.

  And as the stranger made no attempt to move, she clambered up and shook him. Florent rose to a sitting posture. He had slept and no longer felt the pangs of hunger, but was dizzy and confused.

  "You'll help me to unload, won't you?" Madame Francois said to him, as she made him get down.

  He helped her. A stout man with a felt hat on his head and a badge in the top buttonhole of his coat was striking the ground with a stick and grumbling loudly:

  "Come, come, now, make haste! You must get on faster than that! Bring the waggon a little more forward. How many yards' standing have you? Four, isn't it?"

  Then he gave a ticket to Madame Francois, who took some coppers out of a little canvas bag and handed them to him; whereupon he went off to vent his impatience and tap the ground with his stick a little further away. Madame Francois took hold of Balthazar's bridle and backed him so as to bring the wheels of the waggon close to the footway. Then, having marked out her four yards with some wisps of straw, after removing the back of the cart, she asked Florent to hand her the vegetables bunch by bunch. She arranged them sort by sort on her standing, setting them out artistically, the "tops" forming a band of greenery around each pile; and it was with remarkable rapidity that she completed her show, which, in the gloom of early morning, looked like some piece of symmetrically coloured tapestry. When Florent had handed her a huge bunch of parsley, which he had found at the bottom of the cart, she asked him for still another service.

  "It would be very kind of you," said she, "if you would look after my goods while I put the horse and cart up. I'm only going a couple of yards, to the Golden Compasses, in the Rue Montorgueil."

  Florent told her that she might make herself easy. He preferred to remain still, for his hunger had revived since he had begun to move about. He sat down and leaned against a heap of cabbages beside Madame Francois's stock. He was all right there, he told himself, and would not go further afield, but wait. His head felt empty, and he had no very clear notion as to where he was. At the beginning of September it is qui
te dark in the early morning. Around him lighted lanterns were flitting or standing stationary in the depths of the gloom. He was sitting on one side of a broad street which he did not recognise; it stretched far away into the blackness of the night. He could make out nothing plainly, excepting the stock of which he had been left in charge. All around him along the market footways rose similar piles of goods. The middle of the roadway was blocked by huge grey tumbrels, and from one end of the street to the other a sound of heavy breathing passed, betokening the presence of horses which the eye could not distinguish.

  Shouts and calls, the noise of falling wood, or of iron chains slipping to the ground, the heavy thud of loads of vegetables discharged from the waggons, and the grating of wheels as the carts were backed against the footways, filled the yet sonorous awakening, whose near approach could be felt and heard in the throbbing gloom. Glancing over the pile of cabbages behind him. Florent caught sight of a man wrapped like a parcel in his cloak, and snoring away with his head upon some baskets of plums. Nearer to him, on his left, he could distinguish a lad, some ten years old, slumbering between two heaps of endive, with an angelic smile on his face. And as yet there seemed to be nothing on that pavement that was really awake except the lanterns waving from invisible arms, and flitting and skipping over the sleep of the vegetables and human beings spread out there in heaps pending the dawn. However, what surprised Florent was the sight of some huge pavilions on either side of the street, pavilions with lofty roofs that seemed to expand and soar out of sight amidst a swarm of gleams. In his weakened state of mind he fancied he beheld a series of enormous, symmetrically built palaces, light and airy as crystal, whose fronts sparkled with countless streaks of light filtering through endless Venetian shutters. Gleaming between the slender pillar shafts these narrow golden bars seemed like ladders of light mounting to the gloomy line of the lower roofs, and then soaring aloft till they reached the jumble of higher ones, thus describing the open framework of immense square halls, where in the yellow flare of the gas lights a multitude of vague, grey, slumbering things was gathered together.