'Put the light out!' Nikolka ordered.
The light went out, and a freezing blast of air lashed into the room. Nikolka eased himself half way out into the icy black space and hooked the loop round one of the spikes, from which the tin hung at the end of a two foot length of cord. Nothing was visible from the street, since the fireproof wall of No. 13 was built at an angle to the street. The very narrow gap between the two houses was covered by the large signboard belonging to a dressmaker's workshop in No. 11. The tin could only be seen by someone actually climbing into the gap, which no one was likely to do before spring thanks to the huge piles of snow which had been shovelled out of the yard, forming an ideal fence in front of the
house. The chief advantage of the hiding place, however, was that it could be checked without opening the main casement of the window: one only had to open the little pane at the top, push one's hand through and feel for the cord, taut as a 'cello string. Perfect.
The light was switched on again, and kneading the putty which Anyuta had left over from the fall, Nikolka sealed up the casement again. Even if by some miracle the tin were found, they would always be ready with the answer: 'What? Whose box? What revolvers, Tsarevich . . . ? Impossible! No idea. God only knows who put it out there! Somebody must have climbed up on the roof and hung it from there. Not many other people around here? Well, so what? We're peaceful, law abiding folk, why should we want a picture of the Tsarevich . . .'
'A perfect job, brilliantly done, I swear it', said Lariosik. It could not have been better - easy to reach, yet outside the apartment.
*
It was three o'clock in the morning. Evidently no one would be coming tonight. Her eyelids heavy with exhaustion Elena tiptoed out into the dining-room. It was Nikolka's turn to take over from her by Alexei's bedside. He would keep watch from three till six, then Lariosik from six till nine.
They spoke in whispers.
'So if anyone asks, he's got typhus', Elena whispered. 'We must stick to that story, because Wanda has already been up from downstairs trying to find out what's the matter with Alexei. I said it was suspected typhus. She probably didn't believe me, because she gave me a very funny look . . . and she kept on asking questions -how were we, where had we all been, wasn't one of us wounded. Not a word about his being wounded.'
'No, of course not', Nikolka gestured forcibly. 'Vasilisa is the biggest coward in the world! If anything happened he'd babble to anybody that Alexei had been wounded if it meant saving his own skin.'
'The swine!' said Lariosik. 'What a filthy thing to do.'
Alexei lay in a coma. After the injection his expression had become quite calm, his features looked sharper and finer. The soothing poison coursed through his bloodstream and kept vigil. The gray figures had ceased to act as though they belonged to his room, they departed about their affairs, the mortar had finally been removed altogether. Whenever strangers did appear they now behaved decently, fitting in with the people and things which belonged legitimately in the Turbins' apartment. Once Colonel Malyshev appeared and sat down in an armchair, but he smiled as much as to say that all would be for the best. He no longer growled menacingly, no longer filled the room with heaps of paper. It was true he did burn some documents, but he refrained from touching Alexei's framed diplomas and the picture of his mother, and he did his burning in the pleasant blue flame of a spirit lamp, which was reassuring because the lighting of the spirit lamp was usually followed by an injection. Madame Anjou's telephone bell rang constantly.
'Rrring . . .' said Alexei, trying to pass on the sound of the telephone bell to the person sitting in the armchair, who was by turns Nikolka, then a stranger with mongoloid eyes (the drug kept Alexei from protesting at this intrusion), then the wretched Maxim, the school janitor, gray and trembling.
'Rrring', murmured the wounded man softly, as he tried to make a moving picture out of the writhing shadows, a difficult and agonising picture but one with an unusual, delightful but painful ending.
On marched the hours, round went the hands on the dining-room clock, and when the short one on the white clock-face pointed to five, he fell into a half-sleep. Alexei stirred occasionally, opening his narrowed eyes and mumbling indistinctly:
'I'll never make it . . . never get to the top of the stairs, I'm getting weaker, I'm going to fall . . . And she's running so fast . . . boots, on the snow . . . You'll leave a trail . . . wolves . . . Rrring, rrring . . .'
Thirteen
The last time that Alexei had heard the sound of a bell ringing was when he had been running out of the back door of Madame Anjou's sensually perfumed boutique. The door bell rang. Someone had just come to the door of the shop, possibly someone like Alexei himself, a straggler from the Mortar Regiment, but equally possibly an enemy in pursuit. In any case, there was no question of going back into the shop, which would have been a totally superfluous piece of heroics.
A slippery flight of steps took Alexei down into the yard. There he could quite plainly hear the sound of rifle-fire very close by, somewhere on the broad street which sloped down to the Kresh-chatik, possibly even as close as the museum. It was now obvious that he had wasted too much time musing sadly in the twilit shop and that Malyshev had been quite right in advising him to hurry. His heart-beat quickened with anxiety.
Looking round, Alexei saw that the long and endlessly tall yellow box-like building which housed Madame Anjou's boutique extended backwards into an enormous courtyard and that this courtyard stretched as far as a low wall dividing it from the adjoining property, the head office of the railroad. Glancing around through narrowed eyes Alexei set off across the open space straight towards the wall. There was a gate in it, which to his great surprise was unlocked, and he passed through it into the grim courtyard of the empty railroad building, whose blind, ugly little windows heightened the sense of desolation. Passing through the building under an echoing archway, Alexei emerged from the asphalted passageway on to the street. It was exactly four o'clock in the afternoon by the old clock on the tower of the house opposite, and just starting to get dark. The street was completely deserted. Nagged by an uncomfortable presentiment Alexei again
looked grimly around and turned, not uphill but down towards the Golden Gates which loomed up, covered in snow, in the middle of the wet, slushy square. A solitary pedestrian ran towards Alexei with a frightened look and vanished.
An empty street always looks depressing, but here the feeling was augmented by an uncomfortable sense of foreboding somewhere in the pit of Alexei's stomach. Scowling in order to overcome his indecision - he had to go in some direction, he couldn't fly home through the air - he turned up his coat collar and set off.
He soon realised part of the reason for his unease - the gunfire had suddenly stopped. It had been booming away almost without cease for the past two weeks, and now there was silence in the surrounding sky. Yet in town, in fact right ahead of him down on the Kreshchatik, he could plainly hear bursts of rifle-fire. Alexei should have turned sharp left at the Golden Gates along a side-street, and then by keeping close to the back of St Sophia's Cathedral, he could have slipped home through a network of alleyways. If Alexei had done this, life would have turned out quite differently, but he did not do it. There is a kind of power which sometimes makes us turn and look over a mountain precipice, which draws us to experience the chill of fear and to the edge of the abyss. It was the same instinct which now made Alexei head towards the museum. He simply had to see, even if from a distance, just what was going on there; and instead of turning away Alexei took ten unnecessary steps and walked into Vladimirskaya Street. At this point an inner voice of alarm prompted him and he distinctly heard Malyshev's voice whispering 'Run!' Alexei looked to his right, towards the distant museum. He managed to catch a glimpse of part of the museum's white wall, the towering dome and a few small black figures scuttling into the distance . . . and that was all.
Coming straight toward him up the slope of P
roreznaya Street from the Kreshchatik, veiled in a distant frosty haze, a herd of little gray men in soldiers' greatcoats was advancing, strung out across the whole width of the street. They were not far away -
thirty paces at the most. It was instantly obvious that they had been on the move for a long time and were showing signs of exhaustion. Not his eyes, but some irrational movement of his heart told Alexei that these were Petlyura's troops.
'Caught', Malyshev's voice said clearly from the pit of his stomach.
The next few seconds were effaced from Alexei's life and he never knew what happened in them. He only became conscious of himself again when he was round the corner in Vladimirskaya Street, his head hunched between his shoulders, and running on legs which were carrying him as fast as they could go, away from the fatal corner of Proreznaya Street, by the French patisserie, La Marquise.
'Come on, come on, come on, keep going . . . keep going . . .' The blood in his temples beat time to his pace.
For a little while there was still no sound from behind. If only he could turn into a razor blade and slip into a crack in the wall. But inevitably the silence was broken:
'Stop!' A hoarse voice shouted at Alexei's retreating back.
'This is it', from the pit of his stomach.
'Stop!' the voice repeated urgently.
Alexei Turbin looked around and even stopped for a second, because of a crazy, momentary thought that he might pretend to be a peaceful citizen. I'm just going about my business . . . leave me alone . . . His pursuer was about fifteen paces away and hurriedly unslinging his rifle. The moment the doctor turned around, amazement showed in the eyes of the pursuer and the doctor thought they were squinting, mongoloid eyes. A second figure dashed round the corner, tugging at his rifle-bolt. The astonishment on the first man's face changed to an incomprehensible, savage joy.
'Hey!' he shouted, 'Look, Petro - an officer!' At that moment he looked exactly like a hunter who had spotted a hare on the path right in front of him.
'What the hell? How do they know?' The thought struck Alexei like a hammer-blow.
The second man's rifle was suddenly reduced to a tiny black hole no bigger than a ten-kopeck piece. Alexei then felt himself turn and fly like an arrow up Vladimirskaya Street, desperate because his felt boots were slowing him down. Above and behind him came a whip-crack through the air - crack-thump . . .
'Stop! Get him!' Another crack. 'Get that officer!' The whole of Vladimirskaya Street echoed to the baying of the pack. Twice more the air was split by a high-pitched report.
A man only has to be chased with firearms for him to turn into a cunning wolf: in place of his weak, and in really desperate situations useless intellect, the wisdom of animal instinct will suddenly take over. Turning the corner of Malo-Provalnaya Street like a hunted wolf, Alexei caught a glimpse of the black rifle-muzzle behind him suddenly blotted out by a pale ring of fire. Putting on a spurt he swerved into Malo-Provalnaya Street, making a life-and-death choice for the second time in the course of the last five minutes.
Instinct told him that the men were chasing him hard and obstinately, that they wouldn't stop and that once they had caught up with him they would inevitably kill him. They would kill him because he had turned and run, there was not a single identification paper in his pocket, there was a revolver, and he was wearing a gray coat. They would kill him because men in pursuit might miss once, might miss twice, but the third time they would hit him. Third time lucky. It was a law as old as mankind. That meant that with these heavy felt boots on his feet he had about another half minute, and then it would be over. Once he realised that it was irrevocable, a wave of fear passed right through his body, out of his feet and into the ground. But it was at once replaced, like icy water creeping up his legs, by a savage fury which he exhaled with his panting breath. Already he was glancing wolfishly about him as he ran. Two of the gray men, followed by a third, rushed around the corner of Vladimirskaya Street and all three rifles flashed in turn. Slowing down, gritting his teeth, Alexei fired three shots at them without aiming. He quickened his pace again, dimly noticing ahead of him a slight black shadow pressed up against the wall
alongside a drainpipe, then he felt as though someone with wooden pincers was tugging at his side under his left armpit, which made him run jerkily in an odd, crooked, sideways fashion. Turning round again he carefully fired three shots, deliberately stopping himself when he had fired his sixth round:
'Keep the last one for myself. Think of Elena and Nikolka. Done for. They'll torture me, carve epaulettes on my shoulders with their knives. Keep the seventh one for myself.'
Limping sideways, he had an odd sensation: although he could feel the weight of the revolver in his right hand, it was his left arm which was somehow growing heavier. He had to stop. He was out of breath and he would never get away. Nevertheless Alexei somehow reached the turn of that most beautiful street in the world, disappeared round the corner and gained a brief respite. The prospect looked hopeless: that wrought-iron doorway was firmly shut, those huge double doors over there were bolted . . . He remembered a stupid old proverb: 'Don't give up, brother, till you hit bottom.'
Then, in one miraculous moment, he saw her beside a black, moss-grown wall that almost hid a row of trees in the garden behind it. Half collapsing against the wall, she was stretching out her arms and like the heroine in a melodrama her huge, terror-stricken eyes shone as she screamed:
'You - officer! Here! Here . . .'
His felt boots slipping, breathing in ragged, hot gulps, Alexei stumbled towards the rescuing arms and threw himself after them through the narrow gateway in the black wooden wall. Instantly everything changed. The woman pushed the gate to close the gap in the wall, the lock clicked shut. Alexei found her eyes close to his. In them he was vaguely conscious of determination, energy and blackness.
'Follow me', the woman whispered as she turned and ran along the narrow brick-paved path. Alexei ran very slowly after her. The walls of courtyards flashed past to his left, then the woman turned. To his right was what looked like a beautiful white terraced garden. Stopping at a low fence the woman passed
through another gate, and Alexei followed her, panting. She slammed the gate shut. A shapely black-stockinged leg flashed before his eyes, there was a swish of her coat and she was climbing nimbly up a brick stairway. Alexei's sharpened hearing could hear the sounds of his pursuers in the street which they had left behind. There . . . they had just turned the corner and were looking for him. 'She might have saved me . . . might have . . .' thought Alexei, 'but I don't think I shall make it . . . my heart.' Suddenly he collapsed on to his left knee and his left hand at the very top of the steps. Everything started to revolve. The woman bent down and gripped Alexei under his right arm.
'Just a little ... a little bit further!' she screamed. Fumbling wildly with her left hand she opened a third little wicket gate, pulled along the stumbling Alexei by his arm and began running again along a tiny narrow alleyway. 'What a labyrinth . . . thank God for it, though', Alexei thought hazily as he found himself in the white garden, but now at a much higher level and mercifully far away from Malo-Provalnaya Street. He felt the woman pulling him, felt that his left side and arm were very hot while the rest of his body was cold and his icy heart scarcely beating. 'She might have saved me, but this is the end now . . . legs getting weaker . . .' He dimly saw what looked like some lilac bushes under the snow, a door, a lantern hanging outside an old-fashioned porch covered in snow. There was the sound of a key. The woman was still there at his right side and was straining with the last of her strength to drag Alexei toward the lantern. Then after the sound of a second key, into the gloom of a place with an old, lived-in smell. Overhead a dim little light flared, the floor skidded sideways to the left under his feet . . . Some unfamiliar poison-green blobs with fiery edges flashed past his eyes, and in the darkness that followed he felt a great relief . . .
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nbsp; A row of tarnished brass knobs in the dim, flickering light. Something cold was running down his open shirt-front, enabling him to breathe more easily, but his left sleeve was full of a damp, ominous,
lifeless warmth. 'That's it. I'm wounded.' Alexei realised that he was lying on the floor, his head leaning painfully against something hard and uncomfortable. The brass knobs in front of him belonged to a trunk. The cold, so great that it took his breath away, was her throwing water over him.
'For God's sake,' said a faint, husky voice over his head, 'drink this. Are you breathing? What am I to do now?'
A glass clattered against his teeth and Alexei noisily gulped down some icy cold water. Now, very close, he could see her fair curls and her dark, dark eyes. Squatting on her haunches the woman put down the glass on the floor and gently putting her arm behind his neck she began to lift Alexei up.
'How's my heart?' he wondered. 'Seem to be coming round . . . maybe I haven't lost too much blood . . . must fight.' His heart was beating, but fast, unevenly and in sudden jerks and Alexei said weakly:
'Cut my clothes off if necessary, but whatever you do put on a tourniquet at once . . .'
Her eyes widened as she strained to hear him, then as she understood she jumped up and ran to a closet, and pulled out heaps of material.
Biting his lip, Alexei thought: 'At least there's no bloodstain on the floor, with luck I may not have been bleeding too hard.' With the woman's help he wriggled out of his coat and sat up, trying to ignore the dizziness. She began to take off his tunic.
'Scissors', said Alexei.
He was short of breath and it was hard to talk. The woman disappeared, sweeping the floor with the silk hem of her dress, and wrenched off her hat and fur coat in the lobby. Then she came back and squatted down again. With the scissors she sliced clumsily and painfully into the sleeve, already wet and sticky with blood, ripped it open and freed Alexei's arm. The shirt was quickly dealt with. The whole left sleeve and side was dark red and soaking. Blood started to drip on to the floor.
The White Guard Page 21