Chaney, still holding his broken shoulder, let the moment last. "Come on, Hunter," he said finally. "You're hurt. I'm hurt. The rest are dead and that thing is dead. It's over. Now it's up to you and that body of yours to make sure something good comes out of this. Skull and I'll clean up the rest of the mess."
Frowning, Hunter paused, then began walking beside Chaney up the hill, toward the descending sun.
"So much for immortality," he said.
James Byron Huggins emerged from the cobwebs of Alabama in 1993 and literally stunned both the American East Coast and West Coast with multiple million-dollar movie and book deals to create some of the most admired story lines and characters in recent fiction.
After creating his allegorical first novel, “A Wolf Story,” Huggins switched to the counterintelligence genre with the ground-breaking, “The Reckoning.” Long hailed as the first true thriller with the backdrop of a profoundly religious plot, “The Reckoning” remains a favorite of actions fans. Then Huggins wrote “Leviathan” – the story of a Komodo Dragon transformed into the biblical Leviathan and the havoc it wreaks upon those who must destroy it before it destroys the world.
Million dollar deals were immediately signed for “Cain,” and “Hunter,” before Huggins could even finish the books and overseas rights were sold before the novels were even released in the United States. Even now Huggins remains one of the most sought-after action screen writers in Hollywood.
Raised in a small Alabama town Huggins grew up to become involved in fantastic adventures that took him to the far side of the world and so very far from his beginnings. After spending several years in Europe smuggling people and materials in and out of the Iron Curtain to assist those suffering religious and political persecution in nations doomed to war, Huggins became a decorated police officer in Huntsville, Ala. But he resigned from police work in 1993 after publication of his first novel.
Huggins continues to write and to speak and frequently holds writing seminars for libraries, book clubs, colleges, high schools and churches. Anyone wishing to have Huggins visit your group or edit your work before publication or theatrical production need only contact him through this site.
Table of Contents
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 7
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Hunter Page 52