by Daryl Banner
Also, I’m rather amazed at how well things seem to be going between him and Kellen. Although, I really wouldn’t mind Kellen accidentally slipping on a banana peel in the grid and plummeting to the stage below with a shriek and a bone-crunching splat.
Wow. My bitterness over his presence really knows how to pull the dark and morbid out of me.
It becomes a regular joy of mine to visit the Throng every Saturday night for a performance. I meet up with the musicians in my free time, practicing new songs. They help me with melody and song structure, which makes me half-appreciate the attention that Sam gives her own work, with all that knowhow she gains from her classes. I may suck like hell when I’m handed an acting role, but put me in front of a microphone with some keen musicians and I will sing a ship full of men into the rocks at the shore.
Twice, I’ve caught Victoria at the Throng. One time, she seemed to be listening to my song, but with half-opened, unimpressed eyes. The second time, she was carrying on a conversation with the orange-bearded Freddie in the very back during my whole performance.
I don’t mind, really. It totally doesn’t make my blood boil.
But Clayton Watts sure does, because he’s always in that audience, and both of his roommates have taken quite a liking to me. Every Saturday after my gig is over, the musicians compliment me, give me high-fives like I’m just another dude in the band, then throw out their ideas for what they want me to come up with next weekend. “Please write a song about my ex,” the guitarist begs me. “She set fire to my bed. She’s a fucking lunatic.” Then, the moment I step offstage, I meet with Clayton and his roommates, who have taken to sitting with Eric and Chloe. Nothing’s official, but I think Chloe might be warming up to Brant, and I may be totally off, but I think there’s a spark or two flying between Eric and Dmitri. Clayton did tell me that Dmitri swings both ways, and I can’t help but notice how cutely clingy Eric’s gotten toward Dmitri, insisting on sitting next to him during my gigs.
“Want to crash at my place?” Clayton always asks, as if he still needs to, even four Saturdays later.
“Good idea,” I always tease him back.
And then another night of sweating, wrinkled bed sheets, and slamming his headboard against the wall commences.
I always worry that his roommates get tired of me being around all the time, but they seem to be more amused by it. On my way out one Sunday morning, Brant looks at me over his cup of coffee and says, “You mean you can still walk after last night?”
I give him the finger.
He gives me two—placed over his mouth with his tongue wiggling between them.
Good ol’ Brant.
It isn’t until Monday after my acting class that I run into Victoria and Chloe in the lobby. Chloe’s face is a mess of black ink running from her eyes to her chin. Victoria sits next to her with a consoling hand on her back, and the moment she sees me, her eyes turn dark.
I come up to the pair of them, undaunted by Victoria’s coldness. “Chloe?”
Chloe gives one short look at me, then sniffles. “That fucker.”
“What fucker?” I prompt her.
Victoria sighs, long and dramatically, then says, “Can you give us space, Desdemona? Chloe’s having troubles and her friend here is trying to console her.” She rubs Chloe’s back in little circles with one hand, clenching her thigh with the other.
I ignore Victoria’s snark. “What happened?” I ask Chloe gently, crouching down by her side.
“That male slut,” she spits out, sniffling. “Ugh. I’m such a stupid mess. I never get this way over a boy. I am such an idiot.”
“No, you’re not,” murmurs Victoria, rubbing her back with mounting zest, as if she were trying to scrub the glass off of a window. “You’re smart and you’re full of love. That ass is just a good-for-nothing womanizer.”
“Brant?” I say suddenly. “Are we talking about—?”
“Don’t fucking say his name,” groans Chloe. She practically snarls, her teeth bared. “I could kill him. He doesn’t have any feelings. He just uses girls like, like, like, like rags and … and then he just …”
“We don’t have to rehash it all,” murmurs Victoria soothingly, and I get the impression that what she really means is: Don’t bother letting Dessie into any of this. I’m your real friend. I’m here. Dessie is a bitch.
I sigh. “I’m so sorry, Chloe.”
“None of them are any good,” Chloe spits back, her eyes sharp as needles. “Those boys all deserve each other, those woman-using chauvinists.”
Is she talking about Clayton now, too? “Wait a minute,” I start.
“I warned you,” Chloe goes on, looking up at me with those two wet paths of darkness down her face. “I said you should stay away from him. None of them are any good. They’re a pack of pricks and always were.”
“Chloe,” I press on, getting annoyed.
“He’s going to fuck you over, too. They’re best friends, two peanuts in a shell. When he’s bored of you, he’ll dump your ass—”
“Chloe!”
“And he and Brant will laugh about you,” she goes on, “and share stories about you behind your back. You’ll just be another dent on the headboard. Wait for it.”
“You don’t know a damn thing about Clayton at all,” I shout at her, furious.
Something is being rehearsed at the other end of the lobby—six freshmen working on a group project—and they go silent at my outburst. Chloe glares at me from her seat and Victoria, all too ready for another excuse to hate me, just looks up at me with a pained sort of put-on sympathetic expression.
“I think you should go,” Victoria quietly suggests.
“I think I will,” I respond just as stingingly.
The glass doors shut softly at my back, despite my effort to slam them. I feel everyone’s eyes staring at me through the windows as I pass through the courtyard. If I’m honest, Chloe and I weren’t really super close to begin with, but I could not just stand by while she poured all her resentment on both Clayton and Brant. I mean, sure, Brant’s a total player; I called it the moment I met him at the bowling alley. But if she’s mad at him, why did she have to bring up Clayton and pull him into the mix? They might be best friends, but they’re nothing alike.
Still, even just thinking that, a seed of doubt has planted itself in my already unrested stomach.
It isn’t until I get back to my dorm that I take a glance at the calendar and realize opening night is this Friday.
Of course I knew already, but the days still somehow snuck up on me. I knew it was coming for weeks, but seeing it in black and white makes it a reality.
Too much of a reality.
I throw myself into the bathroom just in time to cling to the rim of the toilet, then proceed to ungently turn myself inside-out.
Kellen Michael Wright says some scholarly know-it-all bullshit to me in the lighting booth when we’re alone. I nod, pretending I heard him.
I didn’t hear a fucking word.
People don’t realize how much we speak with our bodies. You don’t need lips or words to communicate. The flick of an eye says so much more. The tensing of the shoulders. The bend of a back.
Maybe that’s why they say eighty percent of sign language is your expression, and not the actual signs you make with your hands.
I get sentences from the way your feet fold when you’re seated. Or how your legs are inclined toward—or away—from the person you’re talking to. You tell me whether you’re comfortable around me by letting your arms hang at your side, or thrusting your hands into your pockets, or crossing your arms protectively over your chest. I note the angle of your head, where your chin points, the wrinkles in your face between which either amusement or resentment is expressed.
It’s a fucking book, from one end of your body to the other. And Kellen says it all without speaking.
He looks at me, awaiting an answer to some question I didn’t hear.
I nod. “Exactly,” I agree, just wa
nting this stupid shit to be over with so I can get back to Dessie. She should be out of her acting class by now, and it’s dress week, which is when life gets tough for both of us. She has dress rehearsal every night while the crews give their full focus to the show, making adjustments to the costumes, set, sound, and lights as we communicate with the director to set up lighting cues, like when the lights come on or fade out or change color, and so on.
It’s Monday. Only five days separate her from opening night. I can’t imagine what a wreck she must be. It doesn’t matter how good I tell her she is; she won’t hear a word of it.
Suddenly, the screen of Kellen’s tablet slides over the table in front of my eyes. In place of the description of a lighting cue, he’s typed:
Are you here today?
Getting anything
I’m saying at all?
Or am I wasting my breath
trying to teach you?
I smirk and face him, unable to hide my irritation for some reason. “I must’ve missed what you just said. Can you repeat it?”
He erases his words on the tablet, then types onto it in front of me:
Can’t rely on you seeing
what I’m saying anymore?
Need me to type everything out
for you suddenly???
Looking back at him, I see the exasperation in his eyes. I see the frustration in his hunched shoulders. I also see the curl of dislike in his parted lips, the way it makes his chin dimple.
It’s not just my absentmindedness. He’s annoyed by something else entirely, and taking into account all of what Dessie’s told me about this piece of work—and how public Dessie and I have been over the past several weeks—I can take a guess as to what’s tied his pretentious panties into a pretzel: he doesn’t like that Dessie and I are together.
“I’m fine,” I tell his lips, feeling the tension in my jaw work into each word. “Repeat yourself once and I will understand.”
He mashes his fingers into the tablet, yet again:
You sure about that???
I’m teaching you valuable lessons here.
I can easily do this by myself.
I barely read the message. My eyes zero in on his. I give him every ounce of fury behind my gaze as I consider whether to punch him in the face for what he did to Dessie years ago, or punch him in the jaw for the condescending way he’s talking to me now, or just let it all go and taking the higher ground.
“I’m here to learn,” I say through gritted teeth.
Then, twisting his face away, I see Kellen mouth something to himself.
“What was that?” I prompt him.
He shakes his head, taking his tablet back to resume his work, except this time he ignores me, not saying a word.
I won’t let it go. “What did you just say?”
He rolls his eyes, then mouths the word, “Nothing,” at me before returning to his little thousand-dollar shiny show-off tablet.
I can’t hold back with this motherfucker. “Maybe it escaped your attention, but I’m deaf,” I explain to him, drawing his gaze back to me, “and it’s fucking rude to say something under your breath when you know damn well I can’t hear you.”
He studies my face for a moment, pensive and superior. Then, without the assistance of his tablet, he says, “She told you about us.”
My nostrils flare. I say nothing.
“Yeah,” he murmurs, his mouth curling into a triumphant smirk. “That’s what this is, isn’t it?”
I can’t be sure of his words, not exactly, but I know the gleam of arrogance in another man’s eyes when I see it, even if it’s through his pair of designer glasses.
He leans in, his face so close that I smell the onion from the bagel he ate this morning. His lips part and he says, “You’re pissed because I got inside her first.”
My fist meets his face before I draw my next breath.
The force is so strong, he flies back in his rolling chair, knocking against the sound console.
And apparently I’m not done. I’m on my feet and my fist meets his face again because the first time just wasn’t satisfying enough.
The second hit cracks his designer glasses in half.
Satisfied.
Kellen’s on the floor before I know it, his hands thrown up to block himself against any more surprise fists. He doesn’t fight back. He quivers and pushes his back against the foot of the table. I already see his face reddening from my impact. That’ll leave a monster of a bruise. It’s strange, for as hard as I hit him, for there to be no blood.
I look at my own fist to find a tiny bloody spot where I must’ve nicked a knuckle on his glasses.
There it is.
I glare at him. “I wonder what Dessie’s dad would think about your predatory appetite years ago. His eighteen-year-old daughter back then, with his twenty-nine-year-old … whatever the fuck you are.” I crouch down. He cringes away, terrified. With his hands shielding his face, I can’t tell if he’s pleading for me not to kill him, begging for his life in a whiny, sniveling voice, or not saying a word at all. “Thanks for teaching me so much about lighting. You really fucking lit up my eyes to what a lowlife prick you are, and how much better of a man Dessie deserves.”
The way his broken glasses sit askew on his face, his cheek turning redder by the second, I could almost laugh at him.
Until I remember some fifteen-year-old kid from Yellow Mills High on the floor of a locker room, cowering in the exact same way, pushing himself as far away from the dangerous, fist-happy Clayton as he could.
Every trace of bloodlust is gone in an instant.
I leave Kellen whimpering—or trembling in silence, or crying, whatever he’s doing—and I shove through the door of the lighting booth and descend the stairs to the lobby.
I haven’t been this hot about anything in a long time. I feel my peripheral view vibrating with anger and my teeth are starting to ache.
I just punched Kellen in the face. Twice.
I broke his glasses.
My career is fucking over.
I hardly notice Chloe and Victoria sitting in the lobby when I pass by, but when I do, I’m only met with their glares.
I can’t even be bothered with either of them. I need to see Dessie and I need to explain what I’ve done. Fuck, it’s her opening week, I remind myself all over again. Why am I so good at fucking things up?
Do I tell Dr. Thwaite, or let the fucker do it first?
I push out of the building, furious. I don’t know if I’m more angry at myself, or at Kellen for being a prick, or at Dr. Thwaite for pushing him on me. Who is to blame here? The chemist for not knowing what volatile chemicals he was pouring into the same flask? The flask for containing said chemicals as they mixed and erupted? The chemicals themselves for being so damn volatile, despite it being in their nature to explode upon mixing?
Fuck if I know.
The sky is grey and heavy. Halfway to Dessie’s dorm, droplets of rain begin to kiss my hair. I suck the drop of blood off my knuckle, feeling the sting of regret already. I shouldn’t have punched him. Fuck, fuck, fuck, fuck, double-fuck.
I’ve ruined everything.
That power-tripping prick is going to go straight to Thwaite and have me removed from the program for my assault. He’s going to press charges, hiring his big fancy lawyers with his big-shot money, and rape every last cent out of my bank account, which took me years and years of sweat and tears to earn. It’ll all be his, in some sickening turn of irony that began and ended with my fist.
I end up cheek-to-wood when I reach Dessie’s, feeling the vibrations of my own knocks as my face presses against the door.
The door opens, nearly spilling me inside, and I find Dessie’s alarmed eyes staring back.
I see her stiff shoulders. I see her tensed jaw and lips, the tightness of her fingers squeezing the doorknob, and her taut forehead.
Something’s wrong with her, too.
“Are you okay?” I ask her first.
> After a moment of indecision, she sighs and falls into my chest, wrapping her arms around me and vibrating with deep breaths that match my own. My clothes are a little damp from the light rain that caught me outside, but she doesn’t seem to care. We stand there in the doorway for countless minutes just holding each other, saying nothing.
Whatever’s bothering her stays inside her, and what’s bothering me stays inside my clenched fists and strained eyes.
After some time, she pulls away and draws me into her room. The door stays open behind me as we lower onto her bed. The windowpane fills with little droplets and streaks of rain. The room is dim and cold, the coldness made worse by the feel of the air conditioning against my rain-speckled clothes.
Dessie faces me and starts to spill her worries in broken signs and words. The gist seems to be that Chloe’s heart was broken, apparently, and Victoria and her are saying awful things about me now, for whatever reason. Added to that, she’s about to perform this Friday to her first-ever audience since her time in Italy, and she’s having a mental breakdown—or something to that effect.
I have my arm around her the whole time, and I can’t help but feel comforted by holding her body against mine, no matter the shit that just went down before I took flight from the theater or the turmoil that’s making a mess of my stomach.
Despite not being able to keep my hands very steady, I speak back to her while signing at the same time: “You’re going to be fine, Dessie. From what I could see in the rehearsals, you look confident up there. No matter how you feel inside, it doesn’t show.”
“I feel like a failure,” she signs and says to me. “I feel like a cheat. I feel like someone else better than me deserves to be on that stage.”
Half the signs are wrong, but I understand well enough. This isn’t a lesson in sign language; it’s a lesson in self-confidence, of which Dessie is lacking. How can I convince her of the beauty I see every time she graces the stage? How can I convince her that she commands the attention of the audience even without the assistance of my stupid, inadequate lights?