The Seashell Anthology of Great Poetry

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  find room

  Even in the eyes of all posterity

  That wear this world out to the ending doom.

  So, till the judgment that yourself arise,

  You live in this, and dwell in lovers' eyes.

  William Shakespeare, 1594

  Next | TOC> What Lips My Lips> Campion

  Advice to a Girl

  Never love unless you can

  Bear with all the faults of man!

  Men sometimes will jealous be

  Though but little cause they see,

  And hang the head as discontent,

  And speak what straight they will repent.

  Men, that but one Saint adore,

  Make a show of love to more;

  Beauty must be scorned in none,

  Though but truly served in one:

  For what is courtship but disguise?

  True hearts may have dissembling eyes.

  Men, when their affairs require,

  Must awhile themselves retire;

  Sometimes hunt, and sometimes hawk,

  And not ever sit and talk:

  If these and such-like you can bear,

  Then like, and love, and never fear!

  Thomas Campion, 1617

  Next | TOC> What Lips My Lips> Sandburg

  Joy

  Let a joy keep you.

  Reach out your hands

  And take it when it runs by,

  As the Apache dancer

  Clutches his woman.

  I have seen them

  Live long and laugh loud,

  Sent on singing, singing,

  Smashed to the heart

  Under the ribs

  With a terrible love.

  Joy always,

  Joy everywhere—

  Let joy kill you!

  Keep away from the little deaths.

  Carl Sandburg, 1916

  Next | TOC> What Lips My Lips> Herrick

  To the Virgins, To Make Much

  of Time

  Gather ye rosebuds while ye may,

  Old Time is still a-flying;

  And this same flower that smiles today,

  Tomorrow will be dying.

  The glorious lamp of heaven, the sun,

  The higher he's a-getting,

  The sooner will his race be run,

  And nearer he's to setting.

  That age is best which is the first,

  When youth and blood are warmer;

  But being spent, the worse, and worst

  Times still succeed the former.

  Then be not coy, but use your time,

  And while ye may, go marry;

  For having lost but once your prime,

  You may forever tarry.

  Robert Herrick, 1640

  Next | TOC> What Lips My Lips> Walker

  Love Is Not Concerned

  love is not concerned

  with whom you pray

  or where you slept

  the night you ran away

  from home

  love is concerned

  that the beating of your heart

  should kill no one.

  Alice Walker, 1983

  Next | TOC> What Lips My Lips> Drayton

  To His Coy Love

  I pray thee, leave, love me no more,

  Call home the heart you gave me!

  I but in vain that saint adore

  That can but will not save me.

  These poor half-kisses kill me quite—

  Was ever man thus servèd?

  Amidst an ocean of delight

  For pleasure to be starvèd?

  Show me no more those snowy breasts

  With azure riverets branchèd,

  Where, whilst mine eye with plenty feasts,

  Yet is my thirst not stanchèd;

  O Tantalus, thy pains ne'er tell!

  By me thou art prevented:

  'Tis nothing to be plagued in Hell,

  But thus in Heaven tormented.

  Clip me no more in those dear arms,

  Nor thy life's comfort call me,

  O these are but too powerful charms,

  And do but more enthrall me!

  But see how patient I am grown

  In all this coil about thee:

  Come, nice thing, let my heart alone,

  I cannot live without thee!

  Michael Drayton, 1619

  Next | TOC> What Lips My Lips> Marvell

  To His Coy Mistress

  Had we but world enough, and time,

  This coyness, Lady, were no crime.

  We would sit down, and think which way

  To walk, and pass our long love's day.

  Thou by the Indian Ganges' side

  Shouldst rubies find; I by the tide

  Of Humber would complain. I would

  Love you ten years before the Flood,

  And you should, if you please, refuse

  Till the conversion of the Jews.

  My vegetable love should grow

  Vaster than empires and more slow;

  An hundred years should go to praise

  Thine eyes, and on thy forehead gaze;

  Two hundred to adore each breast,

  But thirty thousand to the rest;

  An age at least to every part,

  And the last age should show your heart.

  For, Lady, you deserve this state,

  Nor would I love at lower rate.

  But at my back I always hear

  Time's wingèd chariot hurrying near;

  And yonder all before us lie

  Deserts of vast eternity.

  Thy beauty shall no more be found,

  Nor, in thy marble vault, shall sound

  My echoing song; then worms shall try

  That long-preserved virginity,

  And your quaint honor turn to dust,

  And into ashes all my lust:

  The grave's a fine and private place,

  But none, I think, do there embrace.

  Now therefore, while the youthful hue

  Sits on thy skin like morning dew,

  And while thy willing soul transpires

  At every pore with instant fires,

  Now let us sport us while we may,

  And now, like amorous birds of prey,

  Rather at once our time devour

  Than languish in his slow-chapped power.

  Let us roll all our strength and all

  Our sweetness up into one ball,

  And tear our pleasures with rough strife

  Thorough the iron gates of life;

  Thus, though we cannot make our sun

  Stand still, yet we will make him run.

  Andrew Marvell, 1651

  Next | TOC> What Lips My Lips> Browning R

  Meeting at Night

  The gray sea and the long black land;

  And the yellow half-moon large and low;

  And the startled little waves that leap

  In fiery ringlets from their sleep,

  As I gain the cove with pushing prow,

  And quench its speed i' the slushy sand.

  Then a mile of warm sea-scented beach;

  Three fields to cross till a farm appears;

  A tap at the pane, the quick sharp scratch

  And blue spurt of a lighted match,

  And a voice less loud, through its joys and fears,

  Than the two hearts beating each to each!

  Robert Browning, 1845

  Next | TOC> What Lips My Lips> Browning R

  Parting at Morning

  Round the cape of a sudden came the sea,

  And the sun looked over the mountain's rim:

  And straight was a path of gold for him,

  And the need of a world of men for me.

  Robert Browning, 1845

  Next | TOC> What Lips My Lips> Sexton

  That Day

  This is the desk I sit at

  and this is the desk where I love you too much

&n
bsp; and this is the typewriter that sits before me

  where yesterday only your body sat before me

  with its shoulders gathered in like a Greek chorus,

  with its tongue like a king making up rules

  as he goes,

  with its tongue quite openly like a cat lapping

  milk,

  with its tongue—both of us coiled in its

  slippery life.

  That was yesterday, that day.

  That was the day of your tongue,

  your tongue that came from your lips,

  two openers, half animals, half birds

  caught in the doorway of your heart.

  That was the day I followed the king's rules,

  passing by your red veins and your blue veins,

  my hands down the backbone, down quick

  like a firepole,

  hands between legs where you display your

  inner knowledge,

  where diamond mines are buried and come

  forth to bury,

  come forth more sudden than some

  reconstructed city.

  It is complete within seconds, that monument.

  The blood runs underground yet brings

  forth a tower.

  A multitude should gather for such an edifice.

  For a miracle one stands in line and throws

  confetti.

  Surely The Press is here looking for headlines.

  Surely someone should carry a banner on the

  sidewalk.

  If a bridge is constructed doesn't the mayor

  cut a ribbon?

  If a phenomenon arrives shouldn't the Magi

  come bearing gifts?

  Yesterday was the day I bore gifts for your gift

  and came from the valley to meet you on the

  pavement.

  That was yesterday, that day.

  That was the day of your face,

  your face after love, close to the pillow, a lullaby.

  Half asleep beside me letting the old fashioned

  rocker stop,

  our breath became one, became a child-breath

  together,

  while my fingers drew little o's on your shut eyes,

  while my fingers drew little smiles on your

  mouth,

  while I drew I LOVE YOU on your chest and

  its drummer

  and whispered, 'Wake up!' and you mumbled

  in your sleep,

  'Sh. We're driving to Cape Cod. We're heading for

  the Bourne

  Bridge. We're circling around the Bourne Circle.'

  Bourne!

  Then I knew you in your dream and prayed

  of our time

  that I would be pierced and you would take

  root in me

  and that I might bring forth your born, might bear

  the you or the ghost of you in my little household.

  Yesterday I did not want to be borrowed

  but this is the typewriter that sits before me

  and love is where yesterday is at.

  Anne Sexton, 1969

  Next | TOC> What Lips My Lips> Swenson

  Staying at Ed's Place

  I like being in your apartment, and not

  disturbing anything.

  As in the woods I wouldn't want to move a tree,

  or change the play of sun and shadow

  on the ground.

  The yellow kitchen stool belongs right there

  against white plaster. I haven't used your

  purple towel

  because I like the accidental cleft of shade

  you left in it.

  At your small six-sided table, covered with

  mysterious

  dents in the wood like a dartboard, I drink

  my coffee

  from your brown mug. I look into the

  clearing

  of your high front room, where sunlight slopes

  through bare window squares. Your

  Afghanistan hammock,

  a man-sized cocoon

  slung from wall to wall, your narrow desk

  and typewriter

  are the only furniture. Each morning your light

  from the east

  douses me where, with folded legs, I sit in your

  meadow,

  a casual spread of brilliant carpets. Like a cat

  or dog

  I take a roll, then, stretched out flat

  in the center of color and pattern, I listen

  to the remote growl of trucks over cobbles on

  Bethune Street below.

  When I open my eyes I discover the

  peaceful blank

  of the ceiling. Its old paint-layered surface

  is moonwhite

  and trackless, like the Sea—of Tranquility.

  May Swenson, 1974

  Next | TOC> What Lips My Lips> Synge

  In May

  In a nook

  That opened south,

  You and I

  Lay mouth to mouth.

  A snowy gull

  And sooty daw

  Came and looked

  With many a caw;

  "Such," I said,

  "Are I and you,

  When you've kissed me

  Black and blue!"

  John Millington Synge, 1908

  Next | TOC> What Lips My Lips> Hall

  Gold

  Pale gold of the walls, gold

  of the centers of daisies, yellow roses

  pressing from a clear bowl. All day

  we lay on the huge bed, my hand

  stroking the deep

  gold of your things and your back.

  We slept and woke

  entering the golden room together,

  lay down in it breathing

  quickly, then

  slowly again,

  caressing and dozing, your hand sleepily

  touching my hair now.

  We made in those days

  tiny identical rooms inside our bodies

  which the men who uncover our graves

  will find in a thousand years

  shining and whole.

  Donald Hall, 1971

  Next | TOC> What Lips My Lips> Whitman

  A Woman Waits for Me

  A woman waits for me, she contains all,

  nothing is lacking,

  Yet all were lacking if sex were lacking,

  or if the moisture of the right man

  were lacking.

  Sex contains all, bodies, souls,

  Meanings, proofs, purities, delicacies,

  results, promulgations,

  Songs, commands, health, pride, the maternal

  mystery, the seminal milk,

  All hopes, benefactions, bestowals, all the

  passions, loves, beauties, delights of

  the earth,

  All the governments, judges, gods, followed

  persons of the earth,

  These are contained in sex as parts of itself

  and justifications of itself.

  Without shame the man I like knows and

  avows the deliciousness of his sex,

  Without shame the woman I like knows

  and avows hers.

  Now I will dismiss myself from impassive women,

  I will go stay with her who waits for me,

  and with those women that are

  warm-blooded and sufficient for me,

  I see that they understand me and do not

  deny me,

  I see that they are worthy of me, I will be the

  robust husband of those women.

  They are not one jot less than I am,

  They are tanned in the face by shining suns

  and blowing winds,

  Their flesh has the old divine suppleness

  and strength,

  They know how to swim, row, ride, wrestle,

  shoot, run, strike, retreat, advance,
resist,

  defend themselves,

  They are ultimate in their own right—they are

  calm, clear, well-possessed of themselves.

  I draw you close to me, you women,

  I cannot let you go, I would do you good,

  I am for you, and you are for me, not only for

  our own sake, but for others' sakes,

  Enveloped in you sleep greater heroes and bards,

  They refuse to awake at the touch of any man

  but me.

  It is I, you women, I make my way,

  I am stern, acrid, large, undissuadable,

  but I love you,

  I do not hurt you any more than is necessary

  for you,

  I pour the stuff to start sons and daughters

  fit for these States,

  I press with slow rude muscle,

  I brace myself effectually, I listen to no entreaties,

  I dare not withdraw till I deposit what has so long

  accumulated within me.

  Through you I drain the pent-up rivers of myself,

  In you I wrap a thousand onward years,

  On you I graft the grafts of the best-beloved of

  me and America,

  The drops I distill upon you shall grow fierce and

  athletic girls, new artists, musicians,

  and singers,

  The babes I beget upon you are to beget babes

  in their turn,

  I shall demand perfect men and women out of

  my love-spendings,

  I shall expect them to interpenetrate with others,

  as I and you interpenetrate now,

  I shall count on the fruits of the gushing

  showers of them,

  as I count on the fruits of the gushing showers

  I give now,

  I shall look for loving crops from the birth, life,

  death, immortality,

  I plant so lovingly now.

  Walt Whitman, 1860

  Next | TOC> What Lips My Lips> Williams C

  It Is This Way with Men

  They are pounded into the earth

  like nails; move an inch,

  they are driven down again.

  The earth is sore with them.

  It is a spiny fruit

  that has lost hope

  of being raised and eaten.

 

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