Morgan hadn’t told me much; whatever didn’t feel like betrayal. I’d lase it back to Charon, where they’d give it to some specialist to ponder. Maybe they’d find more in it than I had. I doubted it.
“Hey, mandy.” I turned to see Remi gazing at me through his helmet visor, ready, I suppose, to go on shift. It was a moment before I recalled the remote riding on my ear. I plucked it off and handed it back.
“All straighten out?”
“More or less. He’ll be ready to leave tomorrow. He wants you to run the catapult.”
“He ain’t stridin’ again?”
“Not like he has a lot to worry about.”
“Ahh…I gotcha.”
“Nice to have friends,” I said. He shook his head. “Can’t stand him myself. He chatters.”
I watched him leave. For a moment he was silhouetted against the tower, and I saw him as an impi might, a human figure outlined by light. Then he vanished, the way jacks do.
It wasn’t as dark as it had been. The shadows had lifted somewhat. I knew the names of one of the spirits, the right questions to ask, and the fact that the dragons might not be dragons after all. A pretty good day, all considered.
I looked over my shoulder toward home. The stars glared back, but I couldn’t, for the life of me, decide which was which. After a moment I gave up and went to tell Witcove how it was going to be.
Grandma
CAROL EMSHWILLER
Carol Emshwiller (www.sfwa.org/members/emshwiller/) lives in New York City and has been publishing in the SF field since the 1950s, when her attractive image graced the covers of many SF books and magazines illustrated by her husband, Ed Emshwiller, who signed his paintings EMSH. By the early 1970s, her fiction had moved into the area of the literary avant-garde, and she became a respected feminist writer as well—her first story collection was Joy in Our Cause (1975). Her career flowered in the last decade or so, with several collections of stories— Verging on the Pertinent (1989), The Start of the End of it All (1990), and Report to the Men’s Club (2002)—and three novels—Carmen Dog (1990), Ledoyt (1995), Leaping Man Hill (1999), and The Mount (2002). In the year 2002, she published at least four fine new stories and two books.
“Grandma,” from F&SF , is a feminist SF story rich in metaphorical resonances, perhaps a satire on superheroes, or perhaps at the same time an allegory of generational changes in feminism. Grandma was a superhero (sort of like Wonder Woman) in her younger days, who spent her time righting wrongs and defending justice. She could fly through the air, wore a special costume, and was world-famous. Now she is quite old, and her granddaughter (who, in the shadow of her reputation, feels that she can never do anything right) lives with her in the country.
Grandma used to be a woman of action. She wore tights. She had big boobs, but a teeny weeny bra. Her waist used to be twenty-four inches. Before she got so hunched over she could do way more than a hundred of everything, pushups, sit-ups, chinning…. She had naturally curly hair. Now it’s dry and fine and she’s a little bit bald. She wears a babushka all the time and never takes her teeth out when I’m around or lets me see where she keeps them, though of course I know. She won’t say how old she is. She says the books about her are all wrong, but, she says, that’s her own fault. For a long while she lied about her age and other things, too.
She used to be on every search and rescue team all across these mountains. I think she might still be able to rescue people. Small ones. Her set of weights is in the basement. She has a punching bag. She used to kick it, too, but I don’t know if she still can do that. I hear her thumping and grunting around down there—even now when she needs a cane for walking. And talk about getting up off the couch!
I go down to that gym myself sometimes and try to lift those weights. I punch at her punching bag. (I can’t reach it except by standing on a box. When I try to kick it, I always fall over.)
Back in the olden days Grandma wasn’t as shy as she is now. How could she be and do all she did? But now she doesn’t want to be a bother. She says she never wanted to be a bother, just help out is all.
She doesn’t expect any of us to follow in her footsteps. She used to, but not anymore. We’re a big disappointment. She doesn’t say so, but we have to be. By now she’s given up on all of us. Everybody has.
It started…we started with the idea of selective breeding. Everybody wanted more like Grandma: strong, fast thinking, fast acting, and with the desire…that’s the most important thing…a desire for her kind of life, a life of several hours in the gym every single day. Grandma loved it. She says (and says and says), “I’d turn on some banjo music and make it all into a dance.”
Back when Grandma was young, offspring weren’t even thought of since who was there around good enough for her to marry? Besides, everybody thought she’d last forever. How could somebody like her get old? is what they thought.
She had three… “husbands” they called them (donors more like it), first a triathlon champion, then a prize fighter, then a ballet dancer.
There’s this old wives tale of skipping generations, so, after nothing good happened with her children, Grandma (and everybody else) thought, surely it would be us grandchildren. But we’re a motley crew. Nobody pays any attention to us anymore.
I’m the runt. I’m small for my age, my foot turns in, my teeth stick out, I have a lazy eye…. There’s lots of work to be done on me. Grandma’s paying for all of it though she knows I’ll never amount to much of anything. I wear a dozen different kinds of braces, teeth, feet, a patch over my good eye. My grandfather, the ballet dancer!
Sometimes I wonder why Grandma does all this for me, a puny, limping, limp-haired girl? What I think is, I’m her real baby at last. They didn’t let her have any time off to look after her own children—not ever until now when she’s too old for rescuing people. She not only was on all the search and rescue teams, she was a dozen search and rescue teams all by herself, and often she had to rescue the search and rescue teams.
Not only that, she also rescued animals. She always said the planet would die without its creatures. You’d see her leaping over mountains with a deer under each arm. She moved bears from camp grounds to where they wouldn’t cause trouble. You’d see her with handfuls of rattlesnakes gathered from golf courses and carports, flying them off to places where people would be safe from them and they’d be safe from people.
She even tried to rescue the climate, pulling and pushing at the clouds. Holding back floods. Reraveling the ozone. She carried huge sacks of water to the trees of one great dying forest. In the long run there was only failure. Even after all those rescues, always only failure. The bears came back. The rattlesnakes came back.
Grandma gets to thinking all her good deeds went wrong. Lots of times she had to let go and save…maybe five babies and drop three. I mean, even Grandma only had two arms. She expected more of herself. I always say, “You did save lots of people. You kept that forest alive ten years longer than expected. And me. I’m saved.” That always makes her laugh, and I am saved. She says, “I guess my one good eye can see well enough to look after you, you rapscallion.”
She took me in after my parents died. (She couldn’t save them. There are some things you just can’t do anything about no matter who you are, like drunken drivers. Besides, you can’t be everywhere.)
When she took me to care for, she was already feeble. We needed each other. She’d never be able to get along without me. I’m the saver of the saver.
How did we end up this way, way out here in the country with me her only helper? Did she scare everybody else off with her neediness? Or maybe people couldn’t stand to see how far down she’s come from what she used to be. And I suppose she has gotten difficult, but I’m used to her. I hardly notice. But she’s so busy trying not to be a bother she’s a bother. I have to read her mind. When she holds her arms around herself, I get her old red sweatshirt with her emblem on the front. When she says, “Oh dear,” I get her a cup of green tea. Wh
en she’s on the couch and struggles and leans forward on her cane, trembling, I pull her up. She likes quiet. She likes for me to sit by her, lean against her, and listen to the birds along with her. Or listen to her stories. We don’t have a radio or TV set. They conked out a long time ago and no one thought to get us new ones, but we don’t need them. We never wanted them in the first place.
Grandma sits me down beside her, the lettuce planted, the mulberries picked, sometimes a mulberry pie already made (I helped), and we just sit. “I had a grandma,” she’ll say, “though I know, to look at me, it doesn’t seem like I could have. I’m older than most grandmas ever get to be, but we all had grandmas, even me. Picture that: Every single person in the world with a grandma.” Then she giggles. She still has her girlish giggle. She says, “Mother didn’t know what to make of me. I was opening her jars for her before I was three years old. Mother…. Even that was a long time ago.”
When she’s in a sad mood she says everything went wrong. People she had just rescued died a week later of something that Grandma couldn’t have helped. Hantavirus or some such that they got from vacuuming a closed room, though sometimes Grandma had just warned them not to do that. (Grandma believes in prevention as much as in rescuing.)
I’ve rescued things. Lots of them. Nothing went wrong either. I rescued a junco with a broken wing. After rains I’ve rescued stranded worms from the wet driveway and put them back in our vegetable garden. I didn’t let Grandma cut the suckers off our fruit trees. I rescued mice from sticky traps. I fed a litter of feral kittens and got fleas and worms from them. Maybe this rescuing is the one part of Grandma I inherited.
Who’s to say which is more worthwhile, pushing atom bombs far out into space or one of these little things I do? Well, I do know which is more important, but if I were the junco I’d like being rescued.
Sometimes Grandma goes out, though rarely. She gets to feeling it’s a necessity. She wears sunglasses and a big floppy hat and scarves that hide her wrinkled-up face and neck. She still rides a bicycle. She’s so wobbly it’s scary to see her trying to balance herself down the road. I can’t look. She likes to bring back ice-cream for me, maybe get me a comic book and a licorice stick to chew on as I read it. I suppose in town they just take her for a crazy lady, which I guess she is.
When visitors come to take a look at her I always say she isn’t home, but where else would a very, very, very old lady be but mostly home? If she knew people had come she’d have hobbled out to see them and probably scared them half to death. And they probably wouldn’t have believed it was her, anyway. Only the president of the Town and Country Bank—she rescued him a long time ago—I let him in. He’ll sit with her for a while. He’s old but of course not as old as she is. And he likes her for herself. They talked all through his rescue and really got to know each other back then. They talked about tomato plants and wildflowers and birds. When she rescued him they were flying up with the wild geese. (They still talk about all those geese they flew with and how exciting that was with all the honking and the sound of wings flapping right beside them. I get goose bumps—geese bumps?—just hearing them talk about it.) She should have married somebody like him, potbelly, pock-marked face and all. Maybe we’d have turned out better.
I guess you could say I’m the one that killed her—caused her death, anyway. I don’t know what got into me. Lots of times I don’t know what gets into me and lots of times I kind of run away for a couple of hours. Grandma knows about it. She doesn’t mind. Sometimes she even tells me, “Go on. Get out of here for a while.” But this time I put on her old tights and one of the teeny tiny bras. I don’t have breasts yet so I stuffed the cups with Kleenex. I knew I couldn’t do any of the things Grandma did, I just thought it would be fun to pretend for a little while.
I started out toward the hill. It’s a long walk but you get to go through a batch of piñons. But first you have to go up an arroyo. Grandma’s cape dragged over the rocks and sand behind me. It was heavy, too. To look at the satiny red outside you’d think it would be light, but it has a felt lining. “Warm and waterproof,” Grandma said. I could hardly walk. How did she ever manage to fly around in it?
I didn’t get very far before I found a jackrabbit lying in the middle of the arroyo half dead (but half alive, too), all bit and torn. I’ll bet I’m the one that scared off whatever it was that did that. That rabbit was a goner if I didn’t rescue it. I was a little afraid because wounded rabbits bite. Grandma’s cape was just the right thing to wrap it in so it wouldn’t.
Those jackrabbits weigh a lot. And with the added weight of the cape….
Well, all I did was sprain my ankle. I mean I wasn’t really hurt. I always have the knife Grandma gave me. I cut some strips off the cape and bound myself up good and tight. It isn’t as if Grandma has a lot of capes. This is her only one. I felt bad about cutting it. I put the rabbit across my shoulders. It was slow going but I wasn’t leaving the rabbit for whatever it was to finish eating it. It began to be twilight. Grandma knows I can’t see well in twilight. The trouble is, though she used to see like an eagle, Grandma can’t see very well anymore either.
She tried to fly, as she used to do. She did fly. For my sake. She skimmed along just barely above the sage and bitter-brush, her feet snagging at the taller ones. That was all the lift she could get. I could see, by the way she leaned and flopped like a dolphin, that she was trying to get higher. She was calling, “Sweetheart. Sweetheart. Where are yooooowwww?” Her voice was almost as loud as it used to be. It echoed all across the mountains.
“Grandma, go back. I’ll be all right.” My voice can be loud, too.
She heard me. Her ears are still as sharp as a mule’s.
The way she flew was kind of like she rides a bicycle. All wobbly. Veering off from side to side, up and down, too. I knew she would crack up. And she looked funny flying around in her print dress. She only has one costume and I was wearing it.
“Grandma, go back. Please go back.”
She wasn’t at all like she used to be. A little fall like that from just a few feet up would never have hurt her a couple of years ago. Or even last year. Even if, as she did, she landed on her head.
I covered her with sand and brush as best I could. No doubt whatever was about to eat the rabbit would come gnaw on her. She wouldn’t mind. She always said she wanted to give herself back to the land. She used to quote, I don’t know from where, “All to the soil, nothing to the grave.” Getting eaten is sort of like going to the soil.
I don’t dare tell people what happened—that it was all my fault—that I got myself in trouble sort of on purpose, trying to be like her, trying to rescue something.
But I’m not as sad as you might think. I knew she would die pretty soon anyway and this is a better way than in bed looking at the ceiling, maybe in pain. If that had happened, she wouldn’t have complained. She’d not have said a word, trying not to be a bother. Nobody would have known about the pain except me. I would have had to grit my teeth against her pain the whole time.
I haven’t told anybody partly because I’m waiting to figure things out. I’m here all by myself, but I’m good at looking after things. There are those who check on us every weekend—people who are paid to do it. I wave at them. “All okay.” I mouth it. The president of the Town and Country Bank came out once. I told him Grandma wasn’t feeling well. It wasn’t exactly a lie. How long can this go on? He’ll be the one who finds out first—if anybody does. Maybe they won’t.
I’m nursing my jackrabbit. We’re friends now. He’s getting better fast. Pretty soon I’ll let him go off to be a rabbit. But he might rather stay here with me.
I’m wearing Grandma’s costume most of the time now. I sleep in it. It makes me feel safe. I’m doing my own little rescues as usual. (The vegetable garden is full of happy weeds. I keep the bird feeder going. I leave scraps out for the skunk.) Those count—almost as much as Grandma’s rescues did. Anyway, I know the weeds think so.
Snow in
the Desert
NEAL ASHER
Neil Asher (http://website.lineone.net/~nealasher) lives in Chelmsford, England. His short fiction has been published for several years in the UK small press. Books include Mindgames: Fool’s Mate (1993), The Parasite & The Engineer (1997) Africa Zero (2001), and Runcible Tales (1999). The aforementioned are all short story collections and novellas. His first novel, Gridlinked, a kind of James Bond space opera, was published in the UK in 2001, and his second, The Skinner, in 2002. Both books are set in the same future—the “runcible universe,” where matter transmitters called runcibles link the settled worlds—and are forthcoming in the U.S.
“My aim is to entertain,” he says, “not blind people with my brilliance. I’m from the school of Arnold Schwartzenegger SF.”
“Snow in the Desert,” published in Spectrum SF, where several of Asher’s stories have appeared, is proof that space opera in the most traditional sense (related to the western) is still being written with verve and sincerity. It certainly is hyperbolic. Our hero, a long-lived albino gunslinger, is hiding out on a frontier planet because there is a bounty price on his balls. Everyone wants his genetic code because he may be the only immortal human. It is interesting to compare this to the Moorcock story on page 458.
A sand shark broke through the top of the dune, only to be snatched by a crab-bird and shredded in mid-air. Hirald squatted down, wrapping her cloak around her and pulling up the hood. The chameleon cloth shaded to match the violet sand, leaving only her Toshiba goggles and the blunt snout of her singun visible. It was a small crab bird, but she had quickly learned never to underestimate them. Should the prey be too large for it to kill, the bird would take pieces instead. No motile source of protein was too large to attack. The shame was that all the life-forms on Vatch were based on non-Terran proteins, so to a crab-bird, human flesh was completely without nourishment.
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