Plump and placid, too placid to attract suitors less determined, Madame Rosa had been a perfect stepmother. She gave Anya love and warmth and wrapped her in the luxurious comfort of her massive bosom and the home she made for Anya and her father. She sometimes complained gently of Anya’s conduct as she was growing up, but never scolded, and certainly never attempted to discipline her. Her tactics stemmed from indolence in part, but also from an innate shrewdness. Anya’s loss of her mother and doting grandparents at the same time that she was uprooted from her familiar home in Virginia had left her prey to violent nightmares. The indulgence she received because of them, combined with being treated like a small princess by the slaves who had come with the plantation her father had won, had make her willful and wild. Madame Rosa soothed her fears and gave her security. She did her best to make her a biddable young lady, and had succeeded well enough until the deaths of the two men closest to Anya, those of Jean and of her father.
Nathan Hamilton died of injuries after a fall from a horse just two months after the death of Anya’s fiancé. The double tragedy propelled Anya into a fierce rebellion. She was only eighteen, and it seemed that her life was over. If living and loving could come to an end so soon and for so slight a reason, then it would be as well to use the hours allowed precisely as one pleased. If such terrible things could happen to people who followed all the stifling rules dictated by the church and society, while men like Ravel Duralde, who had killed her Jean, went blithely on their way flouting every canon of decency, then what good was conforming? She would do so no longer.
And so she had discarded her petticoats and sidesaddle to ride astride over her father’s plantation in a long, divided skirt of soft leather worn with a man’s shirt and broad-brimmed hat. She read books and periodicals on farming methods and, when she found her father’s overseer unwilling to listen to her ideas for improvements, fired him and took on the job of running the plantation herself. Sometimes she argued with the men who were her neighbors about the theories of breeding horses and swine, a subject a lady should know nothing of, much less speak about in mixed company. She learned to swim with the slave children, braving the treacherous currents of the river, and could not understand why drowning was thought preferable for a female to engaging in such an activity. She tended the ills of the plantation slaves, male as well as female, helping the elderly woman who served as nurse to set limbs and sew up cuts, as well as deliver babies and aid the women who had attempted to rid themselves of unwanted children. And she listened to the hair-raising tales of the shifts of love and desire, hate and assault that took place in the slave quarters after dark. The female slaves taught her a number of interesting facts, in addition to several tricks of self-preservation.
While in New Orleans during those years, she had fallen in with a crowd consisting mainly of young married couples, many of them Americans. They were a fast lot who thought it splendid fun to go for moonlight sails on Lake Pontchartrain, visit the cemeteries at midnight where the ghostly mausoleums in plastered brick and white marble shone like cities of the dead, or else drive at a gallop down Gallatin Street on a Saturday night, watching for the ladies of the evening who adorned the balconies and open windows, or who plied their wares on the street. They dared not drive slow on such pilgrimages because of the danger; there was on average a murder every night of the year on that short thoroughfare, and that was counting only the corpses that were discovered. It was an accepted fact that there were many other men who wound up in the river, the only rule of the street being that a man must dispose of his own victims.
With this group of friends Anya had spent a great many nights eating in the finest restaurants of the city, partaking liberally of wine with each of the many courses. Sometimes they would go on to some soiree or ball, or if some other amusement did not appeal, entertain themselves by thinking up ludicrous dares and wagers. Once Anya was persuaded to steal an operatic tenor’s nightcap.
It was the custom for opera companies to arrive in the city for runs lasting three to four weeks. The tenor of the company then in town was flamboyant and vain, with a high opinion of himself as a ladies’ man. He was also known to be more than a little balding. The dare had begun as a joke about the kind of nightgear such a Lothario might wear to hide a tonsorial deficiency always covered while on stage by a wig.
The man was staying at the Pontalba apartments that were then newly finished, the first of their kind in the United States. They were constructed with ornate wrought-iron balconies overlooking Jackson Square, the old Place d’Armes of the French and Spanish regimes. To do the deed, Anya persuaded her coachman to drive under the tenor’s balcony late one night. Dressed in boy’s clothes, she swung to the top of the carriage, then pulled herself up onto the balcony that led to the man’s rooms. It was a warm night, and she depended on his windows to be open. What she had not made allowance for was the possibility that he might not be asleep, or alone in his bed.
Nonplussed, but dauntless, Anya stole into the bedchamber and snatched the nightcap, a splendid affair of velvet and gold lace, from the tenors head while he labored in the throes of passion. Whirling with her prize, she ran for her life.
The tenor bellowed and gave chase. So magnificent was the capacity of the opera stars lungs that his shouts awakened the building. As Anya was driven away at breakneck speed, lying flat on the roof of her carriage, the Pontalba balcony was lined with spectators. She had not, by the grace of God, been recognized, but the story had spread so quickly of the stolen nightcap that at the next performance the poor tenor was laughed from the stage. Anya had felt such guilt for the man’s public embarrassment that she had sharply curtailed such escapades, and finally dropped the company of the married crowd altogether.
Anya glanced back toward the dancers in the theater ballroom. They were growing noisier, the effect of the iced champagne punch being served up along with the lemonade in the refreshment room. This was a public ball for the benefit of one of the city’s many orphanages, with entrance by subscription. As a result, the guest list was less than exclusive, including anyone who might have the price of a ticket. The air of license seemed to be growing as the night advanced. It was not surprising.
The contredanse came to an end, and after a moment or two, another waltz began. It appeared that Celestine and Murray were going to remain on the floor for it. Anya pushed away from the column, making her way toward Madame Rosa and Gaspard, trying to discover some way to frame a request that they go home.
There was a flicker of movement above her. A dark shadow spread, swooping, and from the balcony overhead a man in costume leaped, to land with springing lightness on his feet before her. His cloak settled around him, swinging in heavy folds about his heels.
With her nerves jangling, Anya drew herself up, staring at the Black Knight. The helmet he wore was real, as was the plate armor cuirass molded to the muscles of his chest, but for ease of movement the rest of his armor was constructed of black metallic cloth cut and stitched in a clever design that looked very like the real thing. His cloak was of black velvet lined with cloth of silver.
“May I have this waltz, Mademoiselle Sauvagesse?”
His voice echoed hollowly from inside his helmet as he made his request, giving her the title that went with her costume. The deep timbre had a familiar ring, though she did not think she knew it well. It seemed to vibrate through her, touching a resonant chord inside. She did not like the sensation, nor the feeling of being caught off guard. Her voice was cold with annoyance as she spoke. “Thank you, no. I was just leaving the floor.”
As she stepped away from him, he put out a gauntleted hand to catch her arm, detaining her. “Don’t refuse, I beg of you. Such opportunities as this come seldom, sometimes only once in an overlong life.”
His touch, even through the heavy glove, made the skin of her arm tingle with the prickling rise of gooseflesh. She stared at him, trying to pierce his disguise, disturbed by a peculiar and unwilling awareness. “Who are you?�
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“A man who desires a single dance, no more.”
“That’s no answer,” she said sharply. She thought he had hesitated over his choice of words. It made them seem as if they held a meaning hidden from her. She tried to pierce the bars that made up the visor of his helmet, but could catch no more than a jet glitter where his eyes should be.
“But can’t you see? I am a knight painted black, a dastard, the foe of good and master of evil; an outcast. Won’t you take pity on me? Allow me to bask in the warmth of your favor; dance with me!”
His tone was light and his touch the same, not at all restraining, she discovered, though she would have sworn a moment before that the hold was unbreakable. For a breathless instant she was assailed by a sense of overwhelming, inescapable intimacy. So disturbing was it that she jerked her arm free, turning away once more. “I fear it would not be wise.”
“But when have you been that, Anya?”
She swung back toward him so quickly that her long thick braids flew out to strike soft ringing blows against his metal cuirass. “You know me?”
“Is that so strange?”
“I find it more than odd that you can recognize me while I am masked, yet you still remain unknown to me.”
“You knew me once.”
It was an evasion. “If this is a guessing game, you must hold me excused; I don’t care for such play.”
She stepped quickly around him. This time his hand shot out to capture her wrist, and it was not a light clasp. She was whirled back against him so that her shoulder landed hard upon the metal that covered his chest. She stared up at him through the slits of her demi-mask, her eyes wide and startled as she recognized the superior strength he held in leash, and also the sheer radiating force of him as a man. Her pulse began to throb. A soft apricot flush rose to her cheekbones, and her eyes darkened slowly to deepest cobalt with rising anger and the strange distress that increased it a hundredfold.
The man in black stared down at her with a tight feeling in his chest. His gaze caught and held for a long instant on the delicate color of her face, the lovely and smooth contours of her mouth. He was a fool; if he had not known it before, he knew it now.
His voice rasped as he spoke. “It’s such a small thing I ask; why could you not have the grace to grant it without getting into a ridiculous wrangle?”
“I’m glad to see that you realize it is ridiculous.” Her rage was no less biting for being quiet. “It will be less so if you will let me go, at once.”
Before he could comply, before he could answer, there was a stir behind them and the sound of quick footsteps. Murray Nicholls, his face flushed and his hands clenched, appeared beside them. His tones stiff, he asked, “Is this man troubling you, Anya?”
The Black Knight breathed a soft imprecation before he released Anya’s wrist and stepped back. “My most sincere apologies,” he said. Inclining his head in a bow, he turned away with a swirl of his cloak.
“Just a minute,” Murray called, his tone harsh, imperative. “I saw you molesting Anya, and I believe there is an explanation due.”
“To you?” The voice of the man in black was as hard as granite as he turned back.
“To me, as a man who will soon be as a brother to her. Shall we step outside where we may discuss it in private?”
Celestine, standing a short distance away, made a sound of dismay that she smothered by raising her hands to her lips. Anya glanced at her, aware as was the other girl of the implications of the words of the two men. Duels had been fought many times over much less than had just occurred.
“Really, Murray,” she said, moving to put her hand on his arm, “there is no need. It was a simple misunderstanding.”
“Please stay out of this, Anya.” The face of Celestine’s fiancé was pale and his voice unusually stern.
Anya’s temper, held precariously until that moment, left her control. “Don’t take that tone with me, if you please, Murray Nicholls! You and Celestine are not yet married, and you have no responsibility where I am concerned. I can fight my own battles.”
He paid no attention, but made a curt gesture that indicated he expected the black-costumed man to follow as he pulled his arm from Anya’s grasp and walked away. The Black Knight hesitated, then, with a movement of wide shoulders that might have been a shrug, moved after the younger man, overtaking him in a few long strides.
Celestine tottered toward Anya, clutching her hand. “Oh, what is going to happen? What are we going to do?”
Anya hardly heard her. “Damn men,” she said with unaccustomed heat. “Damn them and their stupid pride and their idiotic pairing off like fighting cocks.”
The girls were joined almost at once by Madame Rosa and Gaspard. The older couple had seen the contretemps from where they were sitting. Gaspard had thought the matter had a most serious appearance and feared his presence might be needed, but he had, it seemed, arrived too late. Neither by word nor tone did he indicate that Madame Rosa had delayed him, still Anya knew it must be so, and was sorry. There might have been something he could have done; Gaspard was not only well versed in such matters, he was, above all else, extremely diplomatic.
They stood in a close group as if for mutual comfort as they waited for Murray to return. As the time passed, a terrible coldness grew inside Anya. She could remember so well the morning she had been told Jean was dead. The man who had killed him, Ravel Duralde, had come to tell her. He had been dark and handsome, perhaps three years older than Jean and his closest friend, though not of the plantation aristocracy. On that occasion, his face had been gray and his eyes filled with pain as he tried to explain, to make her understand the reckless euphoria, the sheer joie de vivre, that had led to the moonlight duel. She had not understood at all. Looking at the man, sensing the vibrant life that flowed so strongly within him, knowing of his reputation as a superb swordsman while Jean had been merely competent, Anya had hated him. She could remember screaming at him in her shocked grief, though she could not recall the words. He had stood gazing at her, his face dazed and without defense; then he had gone away. From that moment, the mere thought of dueling had roused Anya to instant rage, a rage so great she could scarcely control it.
Suddenly Celestine gasped with her hand over her heart. “Thank God. Murray. There he is, and alive.”
“Did you think they would fly at each other at once?” Gaspard asked in his precise tones, his distinguished features expressing shocked surprise. “That is not the way an affair such as this is conducted. There must be seconds chosen, weapons collected, arrangements made. It will be at least the dawn, and possibly twenty-four hours more, before the duel can commence.” Catching the glance of asperity sent him by Madame Rosa, he added hastily, “Of course, we do not know that the matter will come to such a painful necessity.”
Murray Nicholls’s face was greenish, with a fine sheen of perspiration across his forehead and upper lip. His smile was less than a success, and there was false heartiness in his tone as he reached them. “Well, that’s settled. Celestine, ma chérie, shall we dance?”
“But what happened?” the girl asked, her gaze searching his features.
“Men don’t discuss these matters.”
“Quite right,” Gaspard said, nodding his approval.
“In any case,” Murray went on, “it came to nothing. Let’s speak of something else, if you please.”
Anya stepped forward with a frown between her winged brows. “Don’t act as if we were simpletons. We were here when it started; it’s useless to pretend that we know nothing. Are you going to meet this man, or not?
“Perhaps it would be better if we took the ladies home,” Murray said to Gaspard, ignoring Anya’s question. “I believe they have been made a little overwrought by the incident.”
Celestine, her gaze on the hand Murray held at his side, asked in a rush, “What is that you are holding? It’s a card, isn’t it?”
Murray glanced down at the strip of pasteboard in his hand, then with
an abrupt gesture tried to stuff it into the pocket of the doublet of his costume. The card flipped from his fingers, fluttering to the floor.
It was a calling card of the sort one man gave to another in order that his opponent in a duel might know where to send his seconds to arrange the details of their meeting. Of heavy cream-colored stock, richly engraved, it was a damning piece of evidence. There would be a duel.
Anya knelt quickly to pick up the card before Murray could retrieve it. Rising slowly to her feet, she stared at it. The blood drained from her face as the name sprang out at her in strong black lettering, the name of the man in the costume of the Black Knight who had invited her to waltz, the man whom Celestine’s finance would meet on the field of honor for her sake.
The man who had killed her fiancé with a thrust to the heart on a moonlit night seven years before.
Ravel Duralde.
2
“WHERE ARE YOU GOING?”
Anya halted with a violent start as the question came to her from down the dark gallery. She recovered quickly, turning toward the dim figure of her half-sister seated in a rocking chair a few yards away. “Celestine! What are you doing still up?”
“I couldn’t sleep. My thoughts whirl around in circles until I think I shall go mad. Oh, Anya, Murray will be killed, I know it! He’s no match for a man like Ravel Duralde. I’m so afraid.”
“Don’t upset yourself again. I thought Madame Rosa gave you a sleeping cordial.”
“I couldn’t drink it. I feel quite ill with nerves. But what of you? You can’t be going out again, not alone and at this hour.”
It was bad luck that she had been caught, Anya thought. She had meant to slip quietly away, leaving a note with some excuse. And yet, a spoken lie could not be worse than a written one.
“There has been a message from Beau Refuge, some problem among the hands. I’ll only be gone a day or two.”
Prisoner of Desire Page 2