Hi, Chowderhead!
Looking for Foxy Denise. Met you at the Metallica concert 12/28. Where’d you go?Joey, Box 101B, Newport Beach, CA.
Long Live the Rough Riders! See, we said we’d do it!
Happy Birthday, Liza! I Love You!
Mr. Mojo has risen. The lady is—
Mary stopped reading. Her throat tightened, her mouth full of beer. Swallowing was a major effort. She got the beer down, and then her eyes went back to the beginning of the message.
Mr. Mojo has risen. The lady is still weeping. Does anybody remember? Meet me there. 2/18, 1400.
She stared at the last four numbers. Fourteen hundred. Military time. Two in the afternoon, the eighteenth of February. She read the message again, and a third time. The Mr. Mojo was a reference to Jim Morrison, from a line in a song called “L.A. Woman.” The weeping lady was—
It had to be. It had to be.
She thought maybe the acid was still freaking her mind, and she went to the fridge, got a handful of ice cubes, and bathed her face again. She was trembling, not only from the cold, when she looked at the Stone once more. The message had not changed. Mr. Mojo. The weeping lady. Does anybody—
“I remember,” Mary Terror whispered.
Gordie opened his eyes to a shadow standing over him. “Whazzit?” he said, his mouth moving on rusted hinges.
“Get out.”
“Huh? I’m tryin’ to—”
“Get out.”
He blinked. Ginger was standing beside the bed, staring down at him. She was naked, a mountain of flesh. Big ol’ baggy tits, Gordie thought. He smiled, his brain still full of flowers, and reached up for one of her breasts. Her hand caught his, and held it like a bird in a trap.
“I want you gone,” the woman said. “Right now.”
“What time is it? Whoa, my head’s spinnin’!”
“It’s almost ten-thirty. Come on, Gordie, get up. I mean it, man.”
“Hey, what’s the rush?” He tried to pull his hand free, but the woman’s fingers tightened. The force of her grip was beginning to scare him. “You gonna break my hand, or what?”
She let him go and stepped back. Sometimes her strength got away from her, and this would not be a good time for that to happen. “Sorry,” she said. “But you’ll have to go. I like to sleep alone.”
“My eyeballs are fried.” Gordie pressed his palms into the sockets and rubbed them. Stars and pinwheels exploded in the darkness. “Man, that shit’s got a kick, don’t it?”
“I’ve had stronger.” Mary picked up Gordie’s clothes and dumped them on the bed beside him. “Get dressed. Come on, move it!”
Gordie grinned at her, slack-lipped and red-eyed. “You been in the army or somethin’?”
“Or something,” she answered. “Don’t go back to sleep.” She waited until he’d shrugged into his shirt and had started buttoning it before she put on her robe and returned to the kitchen. Her eyes took in the message once again, and her heart pounded in her chest. No one could’ve written this but a Storm Fronter. No one knew about the weeping lady but the Storm Front’s inner circle: ten people of which five had been executed by the pigs, one had been killed in a riot at Attica, and the other three were—like her—fugitives without a country. The names and faces reeled through her mind as she stared at the black words on paper as if looking through a keyhole into the past: Bedelia Morse, Gary Leister, CinCin Omara, James Xavier Toombs, Akitta Washington, Janette Snowden, Sancho Clemenza, Edward Fordyce, and the Commander, Jack Gardiner, “Lord Jack.” She knew who had died by the pig bullet and who still held to the underground faith, but who had written this message? She opened a drawer and fumbled around, searching for a calendar she’d gotten in the mail as a promotion from a furniture store. She found it, the days one white square after another. Today was the twenty-third of January. Thirty-one days in this month. Eight days to go. Meet me there. 2/18, 1400. She couldn’t count right, the acid and her own excitement were screwing her up. Calm down, calm down. Her palms were slick. Twenty-six days before the meeting. Twenty-six. Twenty-six. She intoned it aloud, a soothing mantra but a mantra that was also ripe with dangerous possibilities. It could be Jack himself, calling the last of the Storm Front together again. She could see him in her mind, his blond hair wild in the wind and his eyes gleaming with righteous fire, Molotov cocktails gripped in both hands and a gunbelt around his waist. It could be Jack, calling for her. Calling, calling…
She would answer. She would walk through hell to kiss his hand, and nothing would stop her from answering his summons.
She loved him. He was her heart, ripped away like the baby she’d been carrying for him had been ripped from her womb. He was her heart, and without him she was an empty shell.
“Hey, what’s in the Stone?” A hand reached past her and grabbed up the magazine from the countertop.
Mary Terror whirled toward Gordie. She felt it come out of her like the seething magma from a volcano. She knew what it was, had lived with it for what seemed like all her life. She had loved it, suckled it, embraced it, and fed on it, and its name was Rage. Before she could stop herself, she placed a hand around Gordie’s stalky throat and pressed a thumb into his windpipe, at the same time slamming him so hard against the wall that some of the pictures of the precious infants jumped off their nails and clattered to the floor.
“Gaak,” Gordie said, his face reddening, his eyes beginning to bulge from the sockets. “Jesusgaaklemmegaaak…”
She didn’t want to kill him. She needed him for what was ahead. Ten minutes ago she’d been a slug, its mind aglimmer with the bright wattage of LSD. Now the deep part of her that craved the smell of blood and gunpowder had awakened, and it was staring out at the world through heavy-lidded gray eyes. But she needed this young man for what he could bring her. She took the Stone from his hand and released his throat, leaving a red splotch of fingers on his pallid skin.
Gordie coughed and wheezed for a few seconds, backing out of the kitchen away from her. He was dressed except for his shoes, his shirttail hanging out. When he could get his voice again, he hollered, “You’re crazy! Fuckin’ crazy! You tryin’ to fuckin’ kill me, bitch?”
“No.” That would have been easy enough, she thought. She felt sweat in her pores, and she knew she’d stepped very close to the edge. “I’m sorry, Gordie. Really. I didn’t mean to—”
“You almost choked me, lady! Shit!” He coughed again and rubbed his throat. “You get your jollies outta shovin’ people around?”
“I was reading,” she said. She tore the page out and gave him the rest of the magazine. “Here. Keep it. Okay?”
Gordie hesitated, as if he feared the woman might gnaw his arm off if he reached for the Stone. Then he took it, and he said in a raspy voice, “Okay. Man, you almost put your thumb through my fuckin’ throat.”
“I’m sorry.” That was the last time she would apologize, but she managed a cool smile. “We’re still friends, right?”
“Yeah.” He nodded. “Still friends, what the hell.”
Gordie had the brains of an engine block, Mary thought. That was all right; just so he started up when she turned his key. At the front door Mary looked into his eyes and said, “I’d like to see you again, Gordie.”
“Sure. Next time you want a score, just gimme a call.”
“No.” She said it purposefully, and let her mouth linger around the word. “That’s not what I mean. I’d like you to come over and spend some time.”
“Oh. Uh…yeah, but…I’ve got a girlfriend.”
“You can bring her over, too,” Mary said, and she saw the greasy light shine in Gordie’s eyes.
“I’ll…uh…I’ll be callin’ you,” Gordie told her, and then he went to his Mazda in the nasty drizzle, got in, and pulled away. When the car was out of sight, Mary closed the door, locked it, and took a long, deep breath. She lit a cone of strawberry incense, put it in its burner, and stood with the blue coils of smoke rising past her face. She closed her
eyes, thinking of Lord Jack, the Storm Front, the message in the Rolling Stone, and the eighteenth of February. She thought of guns and blue-uniformed pigs, pools of blood and walls of flame. She thought of the past, and how it wound like a sluggish river through the present into the future.
She would answer the summons. She would be there, at the weeping lady, on the appointed day and hour. There were lots of plans to be made, lots of strings to cut and burn. Gordie would help her get what she needed. The rest she would do by instinct and cunning. She went into the kitchen, got a pen from a drawer, and made a mark on the eighteenth square of February: a star, by which to fix her destination.
She was so happy she began to cry.
In the bedroom Mary lay on the bed with her back supported by pillows and her legs splayed. “Push,” she told herself, and began breathing in harsh whuffs. “Push! Push!” She pressed against her scarred belly with both hands. “Push! Come on, push!” She strained, her face tortured in a rictus of concentrated pain. “Oh God,” she breathed, her teeth gritted. “Oh God oh God ohhhhhh…” She shivered and grunted, and then with a long cry and a spasm of her thigh muscles she reached under one of the pillows and slid the new baby out between her legs.
He was a beautiful, healthy boy. Jack, she would call him. Sweet, sweet Jackie. He made a few mewling cries, but he was a good boy and he would not disturb her sleep. Mary held him close and rocked him, her face and breasts damp with sweat. “Such a pretty baby,” she crooned, her smile radiant. “Oh such a pretty pretty baby.” She offered a finger, as she had done to the infant in the shopping cart at the supermarket. She was disappointed that he didn’t grasp her finger, because she longed for the warmth of a touch. Well, Jackie would learn. She cradled him in her arms and rested her head against the pillows. He hardly moved at all, just lay there against her, and she could feel his heart beating like a soft little drum. She went to sleep with Lord Jack’s face in her mind. He was smiling, his teeth as white as a tiger’s, and he was calling her home.
5
Perpetrator Down
WHEN LAURA GOT HOME from the burt reynolds movie, she found a message on the machine.
Beep. “Laura, hi. Listen, the work’s taking longer than we thought. I’ll be in around midnight, but don’t wait up. I’m sorry about this. I’ll take you to dinner tomorrow night, okay? Your choice. Back to the salt mines.” Click.
He didn’t say I love you, Laura thought.
A wave of incredible sadness threatened to break over her, she could feel its weight poised above her head. Where had he called from? Surely not the office. Someone’s apartment, maybe. Eric was in Charleston. Doug had lied about that, and what else was he lying about?
He had not said I love you, she thought, because there was another woman with him.
She started to call his office, but she put down the phone. What was the point of it? What was the point of any of it? She wandered the house, not quite sure of her destination. She wound through the kitchen, the dining room, the living room, and the bedroom, her eyes taking note of their possessions: hunting prints on the walls, here a Waterford crystal vase, there an armchair from Colonial Williamsburg, a bowl of glass apples, a bookcase filled with Literary Guild best sellers neither of them had bothered to read. She opened both their closets, looked at his Brooks Brothers suits and his power ties, looked at her own designer dresses and her variety of expensive shoes. She retreated from there and walked into the nursery.
The crib was ready. The walls were light blue, and a Buckhead artist had painted tiny, brightly colored balloons around the room just below the ceiling. The room still smelled faintly of fresh paint. A mobile of plastic fish hung above the crib, ready to be tossed and jangled.
Doug was with another woman.
Laura found herself back in the bathroom, looking at herself in the mirror under an unkind light. She released the gold clasp that pinned her hair and let it fall free around her shoulders in a chestnut cascade. Her eyes stared at her eyes, light blue as the sky of April. Tiny wrinkles were creeping in around them, foretellers of the future. They were the briefest impressions of crow’s feet now, but later they would become the tracks of hawks. Dark circles there, too; she needed more sleep than she was getting. If she looked hard enough, she would find too many strands of gray in her hair. She was nearing forty, the black-balloon year. She was already six years past that age you weren’t supposed to trust anybody over. She regarded her face: sharp nose and firm chin, thick dark eyebrows and a high forehead. She wished she had the etched cheekbones of a model instead of chipmunk cheeks grown plumper with baby fluids, but those had always been so. She had never been an awe-inspiring beauty, and in fact she had been homely—a quaint word—until her sixteenth year. Not many dates, but many books had filled her time. Dreams of travel, and of the crusading reporter. She was very attractive with makeup, but her features took on a harder quality without the paints and powders. It was in her eyes, especially, when she didn’t have on liner and eyeshadow: a chilly brooding, the light blue the color of packed ice instead of springtime. They were the eyes of someone who senses time being lost, time going into the dark hole of the past like Alice after her white rabbit.
She wondered what the girl looked like. She wondered what her voice sounded like when she spoke Doug’s name.
Sitting in the theater with a big tub of buttered popcorn on her lap, Laura had realized there were things she had chosen not to see in the last couple of months. A long golden hair on a suit jacket, lying curled up like a question mark. A scent that was not her own. A flush of makeup smeared on a shirt cuff. Doug drifting into thought when she talked to him about the baby; to whom had he run in his dreams? He was like the invisible man, wrapped up in bandages; if she dared to unwrap him, she might find nothing at home.
Doug was with another woman, and David moved in Laura’s belly.
She sighed, a small sound, and she turned off the bathroom light.
In the darkness, she cried a little. Then she blew her nose and wiped her eyes, and she decided she would not say a word about this night. She would wait, and watch, and let time spin out its wire for fools like her to dance upon.
She took off her clothes and got ready for bed. The rain outside was intermittent, hard and soft, like two instruments playing at odds. In the bed, she stared at the ceiling with a babycare book next to her on the bedside table. She thought of her lunch with Carol today, and her vision of the angry hippie who used to be.
Laura realized, quite suddenly, that she’d forgotten what a peace sign looked like.
Thirty-six, she thought. Thirty-six. She placed her hands on David’s swell. A funny thing, all those people who said not to trust anyone over thirty. Real funny.
They had been right.
Laura turned out the light and searched for sleep.
She found it after twenty minutes or so, and then the dream came. In it, a woman held a shrieking baby by the back of its neck, and she screamed toward the sea of blue lights, “Come on, come on you pigfuckers, come on ain’t gonna kiss your ass no more ain’t gonna kiss nobody’s ass!” She shook the baby like a ragged flag, and the sharpshooter on the roof behind Laura radioed on the walkie-talkie that he couldn’t drop the woman without hitting the baby. “Come on, you bastards!” the woman shouted, her teeth glinting. Blood was splattered over the yellow flowers on her dress, and her hair was the color of iron. “Come on, fuck you! Hear me?” She shook the baby again, and its scream made Laura flinch and step back into the protection of the police cars. Somebody brushed past her and told her to get out of the way. Somebody else spoke over a bullhorn to the woman who stood on the apartment’s balcony, the words like a rumble of dumb thunder across the sweltering projects. The woman on the balcony stepped over the dead man at her feet, his head shot open like a clay pot, and she held the pistol against the infant’s skull. “Come on and take me!” she hollered. “Come on, we’ll go to hell together, okay?” She began to laugh then, a cocaine giggle, and the inhuman tr
agedy of that hopeless laugh crashed around Laura and made her retreat. She bumped into other reporters, the TV people on the scene. They were grim and efficient, but Laura saw something darkly joyous in their eyes. She couldn’t look in their faces without feeling shamed. “Crazy bitch!” somebody yelled, a man who lived in the projects. “Put down that baby!” Another voice, a woman’s: “Shoot her ’fore she kills that baby! Somebody shoot her!”
But the madwoman on the balcony had found her stage, and she paced it with the pistol’s barrel against the infant’s skull and her audience spread out in the parking lot below. “Ain’t gonna give him up!” she hollered. “Ain’t gonna!” Her shadow was thrown large by the lights, and moths fluttered in the heat. “Ain’t gonna take what’s mine!” she shouted, her voice hoarse and cracking. “Told him! Told him! Ain’t nobody gonna take what’s mine away from me! Swear to Jesus, I told him!” A sob burst out, and Laura saw the woman’s body tremble. “Ain’t gonna! Oh my Jesus, ain’t gonna take what’s mine! Fuck you!” she roared at the lights and the police cars and the TV cameras and the snipers and Laura Beale. “Fuck you!” Someone began playing an electric guitar in one of the other apartments, the volume cranked up to earsplitting, and the noise of the bullhorn and the walkie-talkies, the reporters, the onlookers, and the raging of the madwoman merged into a single terrifying sound that Laura would forever think must be the voice of Evil.
The woman on the balcony lifted her face to the night, her mouth open in an animal scream.
A sniper fired. Pop, like a backfire.
Pop went the pistol in the woman’s hand as the back of her head blew apart.
Laura felt something warm and damp on her face. She gasped, fighting upward through the dream.
Doug’s face was over her. The light was on. He was smiling, his eyes a little puffy. She realized he had just kissed her.
“Hi,” he said. “Sorry I’m so late.”
She couldn’t make her mouth work. In her mind she was still at the projects, on that hot night in July, and moths spun before the lights as the policemen stormed the building. Perpetrator down, perpetrator down, she heard a policeman saying into a walkie-talkie. Three bodies up there, Captain. She took the kid out.
Mine Page 7