Gone: The Last Days of the “New Yorker” (Adler)
“Goodbye to All That” (“Farewell to the
Enchanted City,” Didion)
Gopnik, Adam
Gordon, Ruth
Göring, Hermann
Gottlieb, Robert
Grant, Jane
The Great Gatsby (Fitzgerald)
Green, Aaron (pseud)
Greenburg, Dan
The Group (McCarthy)
The Group (movie)
Guccione, Bob
Gurley Brown, Helen
Hale, Ruth
Hardwick, Elizabeth
Harper’s
Harriet Hume (West)
Harrison, Barbara Grizzuti
Hayes, Harold
Heartburn (Ephron)
Heidegger, Martin
anti-Semitism of
Arendt and
as Nazi
philosophy and educational approach
Heilbrun, Carolyn
Hellman, Lillian
Hemingway, Ernest
Here to Stay: Studies in Human Tenacity (Hersey)
Hersey, John
Hess, Rudolf
Hilberg, Raul
Hillis, Marjorie
Hiroshima Mon Amour
Holiday
homosexual community and camp
Hook, Sidney
Horan, Robert
Houseman, John
“How Can I Tell Them There’s Nothing Left?” (Didion)
Howe, Irving
How I Grew (McCarthy)
“How It Feels to Be Colored Me” (Hurston)
Hughes, Olwyn
Hughes, Ted
The Human Condition (Rich)
Hurston, Zora Neale
Husserl, Edmund
Illness as Metaphor (Sontag)
I Lost It at the Movies (Kael)
Imaginary Friends (Ephron)
In America (Sontag)
In Our Time (Hemingway)
intellectual history, twentieth century
chronicled through male lens
chronicled through white lens
contempt for women as intellectuals
cultural outlaws in
homme de lettres
justification of pleasure from art
in Nazi Germany
Partisan Review “What’s Happening in America” symposium
power of political ideologies
second-wave feminist movement and
women in
“Interior Desecration” (Parker)
In the Freud Archives (“Trouble in the Archives,” Malcolm)
“Is There a Cure for Film Criticism?” (Kael)
Jackson, Shirley
James, Alice
James, Henry
Jarrell, Randall
Jaspers, Karl
Jews and Judaism
Arendt’s loyalty to Jews
Final Solution
Varnhagen’s identity and
Johnsrud, Harold
The Journalist and the Murderer (Malcolm)
Joyce, William
The Judge (West)
“Just a Little One” (Parker)
Kael, Gina James
Kael, Pauline. See also specific works
Adler and
background
Bogdanovich and
characteristics
colleagues’ opinion of
daughter
death
Didion and
Dunne and
feminism and
feud with editors of Movie
feud with Sarris
first movie review
Guggenheim fellowship
in Hollywood
last long essay
marriage
McCall’s and
on McCarthy’s Meg Sargent
movies as fun
New Yorker and
New York Review of Books and
Segal and
sexism of auteur critics and
Sontag and
“The Kane Mutiny” (Bogdanovich)
Kasabian, Linda
Kauffmann, Stanley
Kaufman, Hal
Kazin, Alfred
Kees, Weldon
Kellow, Brian
Kennedy, Anthony
Kierkegaard, Søren
Kirchwey, Freda
Kiss Kiss Bang Bang (Kael)
Koch, John
Kracauer, Siegfried
Kristol, Irving
The Ladies of the Corridor (Parker)
Landberg, Edward
Lawrence, D. H.
Lehmann-Haupt, Christopher
Leonard, John
Lessing, Doris
Liddy, G. Gordon
Life
The Life of the Mind (Arendt with McCarthy)
Limelight
literary history, twentieth century
access journalism
beat poets
camp in
chronicled through male lens
evolution of magazines
exploitation of subjects by journalists
fiction as pinnacle of achievement
film criticism
“I” of journalism
New Journalism
Parker’s hate songs
sexism of auteur critics and
use of metaphors
writing as sensual
“literary Rotarians,”
Little Rock (AK) Central High School, integration of
Living Age
Locke, Richard
“Lolita” (Parker)
Los Angeles Times
Love and Saint Augustine (Arendt)
Love Story (Segal)
Lowell, Robert
Lumet, Sidney
Lyons, Leonard
MacArthur, Charles
Macdonald, Dwight
MacDonald, Jeffrey
Maddocks, Melvin
Mademoiselle
Maier-Katkin, Daniel
Mailer, Norman
Malcolm, Anne Olivia
Malcolm, Donald
Malcolm, Janet. See also specific works
Arendt and
background
child
colleagues’ opinion of
Diana Trilling and
Ephron and
feminism and
Malcom (misspelling)
marriages
Masson and
Malcolm, Janet McGinniss and
New Republic and
New Yorker and
on Parker
Sontag and
Manhattan
“The Man in the Brooks Brothers Suit” (McCarthy)
Mankiewicz, Herman
Mansfield, Katherine
Marriage (Wells)
Marsden, Dora
Marshall, Margaret
Masson, Jeffrey Moussaieff
Maugham, Somerset
McCall’s
McCarthy, Mary. See also specific works
Adler and
Arendt and
attitude toward men
autobiographical nature of fiction
background
on Bellow
Broadwater and
characteristics
colleagues’ opinion of
Communism and
Diana Trilling and
Didion and
feminism and
first review by
Hellman and
Mailer and
maintenance of image
marriages
mental health
New York Review of Books and
Parker and
as Partisan Review drama critic
Rahv and
review of The Company She Keeps
review of Franny and Zooey
review of The Origins of Totalitarianism
Rosenberg and
sexual activity
Sontag and
spread of fame
transit into fiction
trip to North Vietnam
Vassar experience
West and
Wilson and
McCollum, Ruby
McGinniss, Joe
McKuen, Rod
Mehta, Ved
Memoirs of an Ex–Prom Queen (Shulman)
Memories of a Catholic Girlhood (McCarthy)
Menorah Journal
Millay, Edna St. Vincent
Millett, Kate
Milne, A. A.
Mitchell, Juliet
Mitford, Jessica
Mitgang, Herbert
Monocle
Movie
“Movies and Television” (Kael)
Ms.
Musmanno, Michael
“My Confession” (McCarthy)
Nabokov, Vladimir
The Naked and the Dead (Mailer)
Naked Lunch (Burroughs)
Nation
National Review
Navasky, Victor
Nazism. See also Germany, Nazi
collaboration with
concentration camps as ultimate instrument
Heidegger and
Sontag’s essay about aesthetics of
Soviet totalitarianism and
West on
Nedelsky, Jennifer
Negro Digest
New Freewoman
Newhouse, S. I.
New Leader
New Masses
New Republic
Adler and
Donald Malcolm and
Kael and
Malcolm and
McCarthy and
racism
Wells and
West and
New Statesman
Newsweek
New York
New Yorker
Adler and
Arendt and
Baldwin in
Donald Malcolm and
founded
Kael and
Malcolm and
McCarthy’s fiction in
Parker’s contributions
racism
Shawn firing
West and
New York Herald Tribune
New York Post
New York Radical Women
New York Review of Books
Adler’s contributions
Didion’s contributions
FitzGerald and
founded
McCarthy and
philosophy of
review of Sontag’s essay “Fascinating Fascism,”
reviews of The Group
New York Times
Adler and
Arendt and
Hellman lawsuit against McCarthy
Hurston and
Kael and
Malcolm and
Marshall and
McCarthy and
review of Slouching Towards Bethlehem
review of Three Is a Family
reviews of West’s books
Sontag and
“The Women’s Movement” (Didion) in
New York Times Book Review
Nin, Anaïs
“Notes on ‘Camp’” (Sontag)
Notes on Novelists (James)
“Notes on the Auteur Theory” (Sarris)
The Oasis (McCarthy)
Observer
Odets, Clifford
O’Hagan, Anne
“Once More Mother Hubbard” (Parker)
“The One-Way Mirror” (Malcolm)
“Only Disconnect” (Harrison)
On Photography (Sontag)
“On Self-Respect” (Didion)
The Origins of Totalitarianism (Arendt)
Orwell, Sonia
“Our Critics, Right or Wrong” (McCarthy and Marshall)
Our Town (Wilder)
Over Twenty-One (Gordon)
Pankhurst, Christabel
Pankhurst, Emmeline
pariah. See “conscious pariahs”
Paris Review
Parker, Dorothy. See also specific works
as Ainslee’s drama critic
Algonquin Round Table and
appearance of
attitude toward men
awards
background
on beat poets
characteristics
colleagues’ opinion of
Communism and
death
disillusionment with sophistication
Ephron and
Esquire reviews by
failure to complete assignments
fears of
feminism and
fictional versions of
Fitzgerald and
Hemingway and
marriages
New Yorker and
as pianist
poetry and
political activism
reputation of
as screenwriter
suicide attempts
use of clichés
Vanity Fair and
at Vogue
Parker, Edwin Pond
Partisan Review
Arendt and
McCarthy and
second incarnation
Sontag and
“What’s Happening in America” symposium
The Passionate Friends (Wells)
PEN/Hemingway Award
Pentimento (Hellman)
“The Perils of Pauline” (Adler)
The Philadelphia Story
Phillips, William
Pictures from an Institution (Jarrell)
“Pilgrimage” (Sontag)
The Pink Panther
Pitch Dark (Adler)
Pittsburgh Courier
Plath, Sylvia
Plimpton, George
Podhoretz, Norman
Politics
Portnoy’s Complaint (Roth)
The Portrait of a Lady (James)
“The Prisoner of Sex” (Mailer)
Pritchett, V. S.
“A Problem of Making Connections” (Didion)
Prynne, Xavier (pseud)
psychoanalysis
Psychoanalysis: The Impossible Profession (Malcolm)
Quinn, Sally
racism
Rahel Varnhagen (Arendt)
Rahv, Philip
as conscious pariah of Communism
Hardwick and
Kael and
McCarthy and
Raising Kane (Kael)
Reagan, Nancy
Reckless Disregard (Adler)
Reed, Rex
“Reflections on Little Rock” (Arendt)
“Résumé” (Parker)
The Return of the Soldier (West)
Reynolds, Debbie
Rich, Adrienne
Richler, Mordecai
ridicule
“literary Rotarians” articles (Parker)
Parker on, as weapon
Parker’s New Yorker reviews
social criticism by Crowninshield
by West toward women
Rieff, David
Rieff, Philip
Rosenberg, Ethel “Ted,”
Rosenblatt, Jack
Rosenblatt, Mildred
Ross, Harold
Ross, Lillian
Roth, Philip
Rothschild, Dorothy. See Parker, Dorothy
Run River (Didion)
Ryan, Meg
Sacco, Nicola
Saint Joan
Salinger, J. D.
Salle, David
Sarris, Andrew
Sartre, Jean-Paul
Saturday Evening Post
Saturday Review
Schiff, Dorothy
Schocken Books
Scholem, Gershom
Schwartz, Delmore
Scoundrel Time (Hellman)
second-wave feminism
“seduction thesis,”
Segal, Erich
Seligman, Craig
sexuality
creativity and
Ephron and
McCarthy and
“seduction thesis,”
Sontag and
Wells and
West and
Sexual Politics (Millett)
“The Shadows” (“Die Schatten,” Arendt)
Sharon v. Time
sharpness, described,
Shawn, William
Adler and
Arendt and
Kael and
Malcolm and
Sherwood, Robert
Shulman, Alix Kates
Sight and Sound
The Silent Woman (Malcolm)
Silkwood
Silvers, Robert
Simpson, Eileen
Sirica, John
Sischy, Ingrid
Slouching Towards Bethlehem (Didion)
Sohmers, Harriet
“Some Dreamers of the Golden Dream” (Didion)
Sontag, Judith
Sontag, Nathan
Sontag, Susan. See also specific works
accused of favoring Communism
Arendt and
background
cancer
characteristics
colleagues’ opinions of
feminism and
as filmmaker
Harper’s and
Hiroshima Mon Amour and
inspirations for
Kael and
Mademoiselle award
Malcolm and
marriage
McCarthy and
as new version of McCarthy
New York Times reviews
in North Vietnam
Partisan Review and
pleasure in analysis of art
reaction to response to “Notes on ‘Camp,’”
reputation
sexuality of
Vogue essays
women’s magazines articles
The Sound of Music
South China Morning Post
Soviet Russia
Speedboat (Adler)
The Spirit of St. Louis
Stafford, Jean
A Star Is Born
Steinbeck, John
Steinem, Gloria
Stern, Gunther
Stevenson, Anne
Stewart, Donald Ogden
Suber, Howard
suffragettes
Parker and
West and
The Sun Also Rises (Hemingway)
Sunday Times
Sweet Smell of Success
Take Her, She’s Mine (Phoebe and Henry Ephron)
Tanguay, Eva
Tell My Horse (Hurston)
Their Eyes Were Watching God (Hurston)
“Theses on the Philosophy of History” (Benjamin)
“The Third World of Women” (Sontag)
This Side of Paradise (Fitzgerald)
Thomas, Lately (pseud)
Three Is a Family (Phoebe and Henry Ephron)
Thurber, James
Thurmond, Strom
Tice, Clara
Time
“To a Tragic Poetess” (Hemingway)
“Tonstant Weader fwowed up” (Parker’s quip about Milne)
totalitarianism
“Trash, Art, and the Movies” (Kael)
Trilling, Diana
Trilling, Lionel
“Trouble in the Archives” (In the Freud Archives, Malcolm)
Truman, Harry
Tumin, Melvin
“Two Roads” (Malcolm)
Tynan, Kenneth
An Unfinished Woman (Hellman)
The Unsinkable Molly Brown
Vanity Fair
Adler and
as feminism’s voice
Parker and
Vanzetti, Bartolomeo
Variety
Varnhagen, Rahel
Vidal, Gore
Sharp Page 37