Never, since it has been a court, has it had such a Fortunatus’s purse of gossip as in the proceedings at the rag and bottle shop. Regularly, every morning at eight, is the elder Mr. Smallweed brought down to the corner and carried in, accompanied by Mrs. Smallweed, Judy, and Bart; and regularly, all day, do they all remain there until nine at night, solaced by gipsy dinners, not abundant in quantity, from the cook’s shop; rummaging and searching, digging, delving, and diving among the treasures of the late lamented. What those treasures are, they keep so secret, that the court is maddened. In its delirium it imagines guineas pouring out of tea-pots, crown-pieces overflowing punch-bowls, old chairs and mattresses stuffed with Bank of England notes. It possesses itself of the sixpenny history (with highly-coloured folding frontispiece) of Mr. Daniel Dancer and his sister, and also of Mr. Elwes, of Suffolk, and transfers all the facts from those authentic narratives to Mr. Krook. Twice when the dustman is called in to carry off a cartload of old paper, ashes, and broken bottles, the whole court assembles and pries into the baskets as they come forth. Many times the two gentlemen who write with the ravenous little pens on the tissue-paper are seen prowling in the neighbourhood—shy of each other, their late partnership being dissolved. The Sol skilfully carries a vein of the prevailing interest through the Harmonic nights. Little Swills, in what are professionally known as “patter” allusions to the subject, is received with loud applause; and the same vocalist “gags” in the regular business like a man inspired. Even Miss M. Melvilleson, in the revived Caledonian melody of “We’re a-nodding,” points the sentiment that “the dogs love broo” (whatever the nature of that refreshment may be) with such archness, and such a turn of the head towards next door, that she is immediately understood to mean, Mr. Smallweed loves to find money, and is nightly honoured with a double encore. For all this, the court discovers nothing; and, as Mrs. Piper and Mrs. Perkins now communicate to the late lodger whose appearance is the signal for a general rally, it is in one continual ferment to discover everything, and more.
Mr. Weevle and Mr. Guppy, with every eye in the court’s head upon them, knock at the closed door of the late lamented’s house, in a high state of popularity. But, being contrary to the court’s expectation admitted, they immediately become unpopular, and are considered to mean no good.
The shutters are more or less closed all over the house, and the ground-floor is sufficiently dark to require candles. Introduced into the back shop by Mr. Smallweed the younger, they, fresh from the sunlight, can at first see nothing save darkness and shadows; but they gradually discern the elder Mr. Smallweed, seated in his chair upon the brink of a well or grave of waste-paper; the virtuous Judy groping therein, like a female sexton; and Mrs. Smallweed on the level ground in the vicinity, snowed up in a heap of paper fragments, print, and manuscript, which would appear to be the accumulated compliments that have been sent flying at her in the course of the day. The whole party, Small included, are blackened with dust and dirt, and present a fiendish appearance not relieved by the general aspect of the room. There is more litter and lumber in it than of old, and it is dirtier if possible; likewise, it is ghostly with traces of its dead inhabitant, and even with his chalked writing on the wall.
On the entrance of visitors, Mr. Smallweed and Judy simultaneously fold their arms and stop in their researches.
“Aha!” croaks the old gentleman. “How de do, gentlemen, how de do! Come to fetch your property, Mr. Weevle? That’s well, that’s well. Ha! ha! We should have been forced to sell you up, sir, to pay your warehouse room, if you had left it here much longer. You feel quite at home here, again, I dare say? Glad to see you, glad to see you!”
Mr. Weevle, thanking him, casts an eye about. Mr. Guppy’s eye follows Mr. Weevle’s eye. Mr. Weevle’s eye comes back without any new intelligence in it. Mr. Guppy’s eye comes back, and meets Mr. Smallweed’s eye. That engaging old gentleman is still murmuring, like some wound-up instrument running down, “How de do, sir—how de—how—” And then having run down, he lapses into grinning silence, as Mr. Guppy starts at seeing Mr. Tulkinghorn standing in the darkness opposite, with his hands behind him.
“Gentleman so kind as to act as my solicitor,” says Grandfather Smallweed. “I am not the sort of client for a gentleman of such note; but he is so good!”
Mr. Guppy, slightly nudging his friend to take another look, makes a shuffling bow to Mr. Tulkinghorn, who returns it with an easy nod. Mr. Tulkinghorn is looking on as if he had nothing else to do, and were rather amused by the novelty.
“A good deal of property here, sir, I should say,” Mr. Guppy observes to Mr. Smallweed.
“Principally rags and rubbish, my dear friend! Rags and rubbish! Me and Bart and my granddaughter Judy, are endeavouring to make out an inventory of what’s worth anything to sell. But we haven’t come to much as yet, we—haven’t—come—to—hah!”
Mr. Smallweed has run down again; while Mr. Weevle’s eye, attended by Mr. Guppy’s eye, has again gone round the room and come back.
“Well, sir,” says Mr. Weevle. “We won’t intrude any longer, if you’ll allow us to go upstairs.”
“Anywhere, my dear sir, anywhere! You’re at home. Make yourself so pray!”
As they go upstairs, Mr. Guppy lifts his eyebrows inquiringly, and looks at Tony. Tony shakes his head. They find the old room very dull and dismal, with the ashes of the fire that was burning on that memorable night yet in the discoloured grate. They have a great disinclination to touch any object, and carefully blow the dust from it first. Nor are they desirous to prolong their visit: packing the few movables with all possible speed, and never speaking above a whisper.
“Look here,” says Tony, recoiling. “Here’s that horrible cat coming in!”
Mr. Guppy retreats behind a chair. “Small told me of her. She went leaping and bounding and tearing about, that night, like a Dragon, and got out on the house-top, and roamed about up there for a fortnight, and then came tumbling down the chimney very thin. Did you ever see such a brute? Looks as if she knew all about it, don’t she? Almost looks as if she was Krook. Shoohoo! Get out, you goblin!”
Lady Jane in the doorway, with her tiger snarl from ear to ear, and her club of a tail, shows no intention of obeying; but Mr. Tulkinghorn stumbling over her, she spits at his rusty legs, and swearing wrathfully, takes her arched back upstairs. Possibly to roam the house-tops again, and return by the chimney.
“Mr. Guppy,” says Mr. Tulkinghorn, “could I have a word with you?”
Mr. Guppy is engaged in collecting the Galaxy Gallery of British Beauty from the wall, and depositing those works of art in their old ignoble band-box. “Sir,” he returns, reddening, “I wish to act with courtesy towards every member of the profession, and especially, I am sure, towards a member of it so well known as yourself—I will truly add, sir, so distinguished as yourself. Still, Mr. Tulkinghorn, sir, I must stipulate that if you have any word with me, that word is spoken in the presence of my friend.”
“Oh, indeed?” says Mr. Tulkinghorn.
“Yes, sir. My reasons are not of a personal nature at all; but they are amply sufficient for myself.”
“No doubt, no doubt.” Mr. Tulkinghorn is as imperturbable as the hearthstone to which he has quietly walked. “The matter is not of that consequence that I need put you to the trouble of making any conditions, Mr. Guppy.” He pauses here to smile, and his smile is as dull and rusty as his pantaloons. “You are to be congratulated, Mr. Guppy; you are a fortunate young man, sir.”
“Pretty well so, Mr. Tulkinghorn; I don’t complain.”
“Complain? High friends, free admission to great houses, and access to elegant ladies! Why, Mr. Guppy, there are people in London who would give their ears to be you.”
Mr. Guppy, looking as if he would give his own reddening and still reddening ears to be one of those people at present instead of himself, replies, “Sir, if I attend to my profession, and do what is right by Kenge and Carboy, my friends and acquaintances are of n
o consequence to them, nor to any member of the profession, not excepting Mr. Tulkinghorn of the Fields. I am not under any obligation to explain myself further; and with all respect for you, sir, and without offence—I repeat, without offence—”
“Oh, certainly!”
“—I don’t intend to do it.”
“Quite so,” says Mr. Tulkinghorn, with a calm nod. “Very good: I see by these portraits that you take a strong interest in the fashionable great, sir?”
He addresses this to the astonished Tony, who admits the soft impeachment.
“A virtue in which few Englishmen are deficient,” observes Mr. Tulkinghorn. He has been standing on the hearthstone, with his back to the smoked chimney-piece, and now turns round, with his glasses to his eyes. “Who is this? ‘Lady Dedlock.’ Ha! A very good likeness in its way, but it wants force of character. Good day to you, gentlemen; good day!”
When he has walked out, Mr. Guppy, in a great perspiration, nerves himself to the hasty completion of the taking down of the Galaxy Gallery, concluding with Lady Dedlock.
“Tony,” he says hurriedly to his astonished companion, “let us be quick in putting the things together, and in getting out of this place. It were in vain longer to conceal from you, Tony, that between myself and one of the members of a swan-like aristocracy whom I now hold in my hand, there has been undivulged communication and association. The time might have been, when I might have revealed it to you. It never will be more. It is due alike to the oath I have taken, alike to the shattered idol, and alike to circumstances over which I have no control, that the whole should be buried in oblivion. I charge you as a friend, by the interest you have ever testified in the fashionable intelligence, and by any little advances with which I may have been able to accommodate you, so to bury it without a word of inquiry!”
This charge Mr. Guppy delivers in a state little short of forensic lunacy, while his friend shows a dazed mind in his whole head of hair, and even in his cultivated whiskers.
CHAPTER 40
NATIONAL AND DOMESTIC
England has been in a dreadful state for some weeks. Lord Coodle would go out, Sir Thomas Doodle wouldn’t come in, and there being nobody in Great Britain (to speak of) except Coodle and Doodle, there has been no Government. It is a mercy that the hostile meeting between those two great men, which at one time seemed inevitable, did not come off; because if both pistols had taken effect, and Coodle and Doodle had killed each other, it is to be presumed that England must have waited to be governed until young Coodle and young Doodle, now in frocks and long stockings, were grown up. This stupendous national calamity, however, was averted by Lord Coodle’s making the timely discovery, that if in the heat of debate he had said that he scorned and despised the whole ignoble career of Sir Thomas Doodle, he had merely meant to say that party differences should never induce him to withhold from it the tribute of his warmest admiration; while it as opportunely turned out, on the other hand, that Sir Thomas Doodle had in his own bosom expressly booked Lord Coodle to go down to posterity as the mirror of virtue and honour. Still England has been some weeks in the dismal strait of having no pilot (as was well observed by Sir Leicester Dedlock) to weather the storm; and the marvellous part of the matter is, that England has not appeared to care very much about it, but has gone on eating and drinking and marrying and giving in marriage, as the old world did in the days before the flood. But Coodle knew the danger, and Doodle knew the danger, and all their followers and hangers-on had the clearest possible perception of the danger. At last Sir Thomas Doodle has not only condescended to come in, but has done it handsomely, bringing in with him all his nephews, all his male cousins, and all his brothers-in-law. So there is hope for the old ship yet.
Doodle has found that he must throw himself upon the country—chiefly in the form of sovereigns and beer. In this metamorphosed state he is available in a good many places simultaneously, and can throw himself upon a considerable portion of the country at one time. Britannia being much occupied in pocketing Doodle in the form of sovereigns, and swallowing Doodle in the form of beer, and in swearing herself black in the face that she does neither—plainly to the advancement of her glory and morality—the London season comes to a sudden end, through all the Doodleites and Coodleites dispersing to assist Britannia in those religious exercises.
Hence Mrs. Rouncewell housekeeper at Chesney Wold foresees, though no instructions have yet come down, that the family may shortly be expected, together with a pretty large accession of cousins and others who can in any way assist the great Constitutional work. And hence the stately old dame, taking Time by the forelock, leads him up and down the staircases, and along the galleries and passages, and through the rooms, to witness before he grows any older that everything is ready; that floors are rubbed bright, carpets spread, curtains shaken out, beds puffed and patted, still-room and kitchen cleared for action—all things prepared as beseems the Dedlock dignity.
This present summer evening, as the sun goes down, the preparations are complete. Dreary and solemn the old house looks, with so many appliances of habitation, and with no inhabitants except the pictured forms upon the walls. So did these come and go, a Dedlock in possession might have ruminated passing along; so did they see this gallery hushed and quiet, as I see it now; so think, as I think, of the gap that they would make in this domain when they were gone; so find it, as I find it, difficult to believe that it could be, without them; so pass from my world, as I pass from theirs, now closing the reverberating door; so leave no blank to miss them, and so die.
Through some of the fiery windows, beautiful from without, and set, at this sunset hour, not in dull-grey stone but in a glorious house of gold, the light excluded at other windows pours in, rich, lavish, overflowing like the summer plenty in the land. Then do the frozen Dedlocks thaw. Strange movements come upon their features, as the shadows of leaves play there. A dense Justice in a corner is beguiled into a wink. A staring Baronet, with a truncheon, gets a dimple in his chin. Down into the bosom of a stony shepherdess there steals a fleck of light and warmth, that would have done it good, a hundred years ago. One ancestress of Volumnia, in high-heeled shoes, very like her—casting the shadow of that virgin event before her full two centuries—shoots out into a halo and becomes a saint. A maid of honour of the court of Charles the Second, with large round eyes (and other charms to correspond), seems to bathe in glowing water, and it ripples as it glows.
But the fire of the sun is dying. Even now the floor is dusky, and shadow slowly mounts the walls, bringing the Dedlocks down like age and death. And now, upon my Lady’s picture over the great chimney-piece, a weird shade falls from some old tree, that turns it pale, and flutters it, and looks as if a great arm held a veil or hood, watching an opportunity to draw it over her. Higher and darker rises shadow on the wall—now a red gloom on the ceiling—now the fire is out.
All that prospect, which from the terrace looked so near, has moved solemnly away, and changed—not the first nor the last of beautiful things that look so near and will so change—into a distant phantom. Light mists arise, and the dew falls, and all the sweet scents in the garden are heavy in the air. Now, the woods settle into great masses as if they were each one profound tree. And now the moon rises, to separate them, and to glimmer here and there in horizontal lines behind their stems, and to make the avenue a pavement of light among high cathedral arches fantastically broken.
Now, the moon is high; and the great house, needing habitation more than ever, is like a body without life. Now, it is even awful, stealing through it, to think of the live people who have slept in the solitary bedrooms; to say nothing of the dead. Now is the time for shadow, when every corner is a cavern, and every downward step a pit, when the stained glass is reflected in pale and faded hues upon the floors, when anything and everything can be made of the heavy staircase beams excepting their own proper shapes, when the armour has dull lights upon it not easily to be distinguished from stealthy movement, and when barred helme
ts are frightfully suggestive of heads inside. But, of all the shadows in Chesney Wold, the shadow in the long drawing-room upon my Lady’s picture is the first to come, the last to be disturbed. At this hour and by this light it changes into threatening hands raised up, and menacing the handsome face with every breath that stirs.
“She is not well, ma’am,” says a groom in Mrs. Rouncewell’s audience-chamber.
“My Lady not well! What’s the matter?”
“Why, my Lady has been but poorly, ma’am, since she was last here—I don’t mean with the family, ma’am, but when she was here as a bird of passage—like. My Lady has not been out much for her, and has kept her room a good deal.”
“Chesney Wold, Thomas,” rejoins the housekeeper, with proud complacency, “will set my Lady up! There is no finer air, and no healthier soil in the world!”
Thomas may have his own personal opinions on this subject; probably hints them, in his manner of smoothing his sleek head from the nape of his neck to his temples; but he forbears to express them further, and retires to the servants’ hall to regale on cold meat-pie and ale.
This groom is the pilot-fish before the nobler shark. Next evening, down come Sir Leicester and my Lady with their largest retinue, and down come the cousins and others from all the points of the compass. Thenceforth for some weeks, backward and forward rush mysterious men with no names, who fly about all those particular parts of the country on which Doodle is at present throwing himself in an auriferous and malty shower, but who are merely persons of a restless disposition and never do anything anywhere.
On these national occasions, Sir Leicester finds the cousins useful. A better man than the Honourable Bob Stables to meet the Hunt at dinner, there could not possibly be. Better got up gentlemen than the other cousins, to ride over to polling-booths and hustings here and there, and show themselves on the side of England, it would be hard to find. Volumnia is a little dim, but she is of the true descent; and there are many who appreciate her sprightly conversation, her French conundrums so old as to have become in the cycles of time almost new again, the honour of taking the fair Dedlock into dinner, or even the privilege of her hand in the dance. On these national occasions, dancing may be a patriotic service; and Volumnia is constantly seen hopping about, for the good of an ungrateful and unpensioning country.
The Solitary House (With Bonus Novels Bleak House and the Woman in White) Page 101