Somebody else got hold of the lute, somebody who could actually play the damned thing because he started by tuning it. No alehouse lute was ever in tune. When the man began playing, Carey sat up and put his mug on the table.
It was the Spanish air he had sung at Rycote. The tune didn’t have the same arrangement that Byrd had given it, but it was still the same wistful melody. And the man playing the lute was the man who had disappeared from Byrd’s music consort on the Saturday night after hearing Carey sing.
Carey’s neck felt cold. Had he put the poison in Carey’s booze? Why would he do that? He’d annoyed Mr. Byrd by leaving the musicians’ consort—that didn’t say he’d left the whole party.
The man finished playing that air and then played two other tunes more. Despite applause and calls for more from the workmen, he put the lute down and walked out of the alehouse without even passing a hat round.
Goddamn it, he needed a man at his back, he wished he hadn’t sent the yawning Tovey off to his bed. At least Tovey could have run to Trinity College and rousted out Sergeant Ross and a few Northerners to arrest the man.
No help for it, he couldn’t afford to lose the man so Carey put his half-finished ale down and followed. At least now that the streets were fully dark apart from occasional public-spirited lanterns on college gates, his eyes worked very well. He could see as clearly as if it were a moonlit night and not as overcast as it was.
The man walked purposefully along the road to New College, went into the tiny boozing ken next to it, picked up the violin there and played that. Once again the Spanish air rang out, followed by two more tunes and the man left once more.
Carey pulled his hat down, wished he’d bothered with a cloak and pretended to be staggering drunk as he followed the man on down the lane that eventually wound up passing by Magdalen deerpark where he turned right and came back along the High Street.
There were a lot of inns and alehouses on the High Street and the man went into each one, played the Spanish air and a couple more tunes, then left without passing a hat round or accepting any of the beer offered to keep him in the place.
He stayed and ate the ordinary at the London Inn on the southwards road from Carfax, then off he went again, having maybe one quart of mild per five boozing kens and playing the Spanish air at each of them. And there certainly were an amazing number of inns and alehouses in Oxford. Studying must be thirsty work.
Just as Carey was loitering in a doorway on the corner of St. Giles after a foray to the Eagle & Child where the alewife had scowled at both of them, he saw a looming pair of shoulders and a statute cap pulled down low on Hughie’s saturnine young face.
“Ay, sir,” said Hughie, when Carey caught up with him, “I came to find ye because I minded me of something. The hand of the man that gave me the flagon back…it was…Ah…ye ken, his fingernails wis long and he had rough ends tae his fingers.”
Carey paused, his heart lifting. Hughie was screwing up his eyes and frowning and Carey knew that the very little light from the torches on the college gates was still bothering him.
“Hughie, well done!” he said, clapping the man’s shoulder, “That’s wonderful because I think I may be following the villain. Come with me.”
They went into the White Horse where the musician was just setting down the house lap harp and being applauded. There was a flicker over his face which could have been fear. As far as Carey could tell he had a square handsome old face, grey beard and hair, a solid-looking, dependable man, not at all what you might expect a musician to look like. He didn’t even have a drunkard’s red nose. Perhaps he and Hughie could lay hands on the man?
Then he heard a quiet cough behind him, turned and found Sir Robert Cecil sitting in a corner booth. Cecil lifted his quart to Carey.
“Sir Robert,” said Burghley’s second son, “I’m glad to see you up and about again.”
“Thank you, Mr. Secretary,” said Carey warily.
“May I get you anything?”
In the corner of his eye, he could see the greybeard musician moving toward the back of the alehouse. Under his breath he said to Hughie, “Is that him?” Hughie made the indeterminate Scotch sound “Iphm” which probably meant he wasn’t sure. “Go after him, keep him in sight,” Carey hissed. “Do it quietly.”
“Ay sir,” said Hughie with a shy smile, and went over to the bar.
Cecil had already beckoned the potboy. Carey certainly couldn’t ignore a Privy Counsellor in favour of an old musician, so why not? He had run out of money again, having come out with only a shilling in his purse. “Thank you, sir, I’ll have brandywine.”
At Cecil’s gesture, he sat down in the booth facing the youngest member of the Privy Council. Meanwhile Hughie had carried his jack of ale straight over to the musician, tapped him on the shoulder and asked him in a harsh slurred voice how you set about playing a harp, it was something he’d always wanted to do. The greybeard paused and then warily let Hughie sit next to him and started showing him how to tune the instrument.
“Ye have to do that, eh?” said Hughie, after a big gulp of ale. “Why?”
“No sign of Sergeant Dodd yet?” Cecil asked while the musician stared at the lad and clearly struggled to find words to explain something so obvious. Carey shook his head.
“My father’s gone south again to try and find him.”
Cecil smiled. “I wanted to tell you that I found a distraught innkeeper at the post inn that had its roof burnt off on Saturday night. He had been suspicious of Dodd because he was, of course, riding one of the Queen’s horses but didn’t present his warrant to get half-price booze.”
“Ah.”
“By his account, he locked Dodd into his room, and put one of his men on guard, planning to alert the authorities in Oxford.” Carey winced slightly. “Yes, indeed. The mysterious fire started in the wall between Dodd’s and the next chamber. However when I had my pursuivant find and question the merchant in that room, a Mr. Thomas Jenks, he insisted that Dodd was clearly a man of worship and no horsethief, had very kindly helped him carry out his strongbox when his two pages had run away, helped his young groom in the stable to get the beasts out, refused any reward and behaved very gentlemanlike all round. Mr. Jenks last saw Dodd make an impressive flying leap onto the back of his horse and chase a bolted nag out of the inn gates.”
Carey laughed outright. Sir Robert Cecil smiled. “And then, I’m afraid, the trail goes cold again. Nobody between the London inn and Oxford has seen hide nor hair of him—they would have noticed him because he would have been riding without a saddle, of course.”
Hughie and the musician were getting along famously. Hughie had the harp on his lap and was clumsily twanging the strings. He started a song, some Scotch caterwaul about corbies which was Scotch for crows and no crow could have made a less musical noise than Hughie when he sang. Even Cecil winced at it and glanced at the barman, while the musician closed his eyes in pain. Something niggled Carey about Hughie then. What was it?
Hughie was looking soulful. “Oahh,” he said, “I’ve allus wanted to be a musician. I love tae sing. What would lessons cost?”
The potboy sniggered while the musician stoutly explained that a shilling an hour was the minimum possible amount.
Sir Robert Cecil was speaking again. “I even had my people check further south and on the Great North Road in case he decided to go home without visiting you in Oxford but again, no traces.”
Carey lifted his silver cup to Cecil. “I’m indebted to you, Mr. Secretary,” he said formally, wondering why Cecil was being so pleasant to him and what he wanted in exchange. “Thank you for taking such trouble over it.”
“Not at all,” Cecil was genial, “I feel a sense of responsibility for Sergeant Dodd’s troubles. I realise now I should have warned him not to…er…reive any of Heneage’s horses that had the Queen’s brand on them, but I’m afraid it never crossed my mind.”
Carey nodded. “Why should it, Sir Robert? Only someone who had to
deal with Borderers regularly would know what they’re like with good horseflesh.” Should he mention to Cecil the musician he had been following, who so liked the Spanish air? No. Perhaps not. After all, Cecil’s father had suddenly become a major suspect in Amy Dudley’s murder again. And goddamn it, both Hughie and the musician had gone. They must have left the place by the back door to the jakes while Carey’s attention was on Cecil.
“Her Majesty is in a terrible temper. If she were not the Queen, I would go so far as to call it a foul mood.” Cecil paused. The pause was a polite opening for Carey to tell Cecil what he had been up to.
Carey continued to say nothing. It wasn’t easy to do in the face of Cecil’s tilted face, his grotesquely curved back disguised by the clever cut of his doublet and gown. Cecil shifted on the bench and winced slightly.
“I understand you brought something back from Cumnor Place today,” said Cecil. Of course Cecil had spies everywhere, just as his father did. It was part of the game of Court politics.
“Quite so, Mr. Secretary,” Carey said evenly, “I did. I believe it was the murder weapon. A crossbow.”
Cecil raised his eyebrows as if this was new to him. “Did you find Lady Dudley’s damaged headtire?” Of course he would have read all the paperwork by now and seen what Carey had seen.
“No, Mr. Secretary, I didn’t.”
Cecil nodded. He hadn’t expected Carey to find it, he was making a point. There was a long silence again. “I may be able to help you in your quest,” Cecil said slowly, “I am not without…resources of my own.”
Carey thought very carefully about this. There was more to it than simple information exchanged for assistance. Carey was the Earl of Essex’s man and of all the great men at Court, it was well known that Essex and Sir Robert Cecil hated each other. At least, Essex despised Cecil whom he occasionally teased about his hunchback. Cecil, it was obvious to everyone except Essex, virulently hated the Earl.
On the other hand, Cecil was as loyal to the Queen as his father and did, indeed, have resources of his own. Although it was Essex who had hurried to take over Walsingham’s intelligence networks when Sir Francis died in 1590, Cecil was where the pursuivants and intelligencers went when they got tired of dealing with Heneage. He was even more close-mouthed than his father so it was impossible to know how much information he had access to, but Carey’s guess was that he would be a lot better at the work than Essex was, who tended to boast. And Cecil had been behind the subtle coney-catching lay of the Cornish lands, Carey was certain of it.
Yet when Lady Hunsdon had taken that colossal risk to pay back Heneage for covertly attacking her husband through her son, she had deliberately involved Cecil in the business. And Mr. Secretary Cecil had cooperated.
Cecil would want to protect his father, might even be acting on his father’s orders. And what if Essex found out? Nonetheless, some gut instinct was telling him to talk to Cecil.
“She wasn’t shot?” Cecil wasn’t really asking a question.
“Of course not. She was struck hard on the head with the end of the crossbow and broke her neck as she fell down the stairs.”
Cecil nodded. “The Earl of Leicester?”
Carey shook his head. “I really doubt it, sir. Why would he set on a man to shoot his wife with a crossbow—so clumsy, so risky—when a little belladonna could have sufficed as it nearly did for me?”
“No, I’ve never thought it was him either. So. Interesting. I will leave it in your capable hands, Sir Robert. Do not hesitate to call on me if you need any…er…advice or assistance.”
“Thank you, Mr. Secretary,” Carey said with a polite tilt of his head. “I will.”
Cecil smiled, a sweet and charming smile that lit up his saturnine face. “Have you ever considered a place on the Privy Council?”
Carey shuddered. “Good God, no, sir! I had rather go back to France and fight for the King of Navarre.”
“Why not?”
“Too many meetings, too much paperwork. And I hate paperwork.”
Cecil laughed. “It is an acquired taste, I admit. I only acquired it perforce but now I find it quite entrancing.”
“It would be good to have such an influential position,” Carey admitted. “And I’m honoured you think I might be suitable, Mr. Secretary, but I’m afraid that the Queen knows me far too well and would never appoint me.”
Cecil tilted his head and raised his cup in toast. “To your continued freedom from paperwork then, Sir Robert.”
Carey touched cups with him. “And to your expert navigation of it, Mr. Secretary.”
Monday 18th September 1592, night
Hughie and the old musician walked down the lane at the rear of the White Horse, the musician going ahead to lead the way to his lodgings where he had brandy and a variety of instruments for Hughie to try.
Hughie was in a quandary. His first impulse was simply to get out his stolen harpstring and throttle the man in vengeance for daring to try and poison Hughie’s prey without Hughie’s permission—and nearly poisoning Hughie into the bargain. Why, why had he done it? The itch to know was as urgent as the itch to kill. The jeering voice inside was with him on this one—shouting at him to hurt the old man, make him suffer, find out if anyone else had been set on to kill Carey.
Despite Carey’s gift for making enemies on the Border and at the Scottish Court, Hughie didn’t think there was any real competition for the £30 in gold he expected to reap once Carey was dead and buried.
Perhaps he’d even have a lesson with the old fool. His interest in learning to sing and play an instrument was genuine. When you saw the mewling idiots who could impress the girls with their warbling and strumming, music couldn’t be so very hard to learn. It was just noise that went up and down to a beat, wasn’t it?
Now the musician had turned down a very narrow wynd, Hughie paused at the corner, loosened his knife. It occurred to him the musician must have marked him to give him the poisoned flagon in the first place and so…
He swayed back as the cosh came at him from a shadowed doorway on the other side of the wynd where the musician had been waiting.
Hughie laughed for sheer delight—knocked the cosh away with a sweep of his arm, then dived straight forward with his large left hand splayed, caught the man’s throat and shoved him back against the wall. A knee in the man’s groin finished the matter.
“Ay,” Hughie said, “we do have business, but ye canna beat me in a fight.”
The musician was hunched over creaking for breath. A light punch in the kidneys put him on his face and Hughie knelt on his back, forced his left arm out on the ground and pinned the wrist, then started sawing at the man’s thumb with his knife blade, which was shocking blunt, he’d have to sharpen it.
“No! No!” screamed the man, “Please!”
Hughie stopped sawing. There was only a cut. “Why did ye try tae poison me?”
“Not you,” gasped the man, “your master, Hunsdon’s boy.”
“Ay?”
“He knew Heron Nimmo’s song, I thought…But he’s a spy, he’ll ruin it all.”
“Ay?” said Hughie, “All what?”
There was a pause. Hughie shrugged and started sawing at the man’s thumb again.
The jabbering took a while to get through because Hughie was intent on the pretty way the dark blood came out, but at last he stopped and listened. And then he let the weeping old man sit up and even wrap a handkerchief round his thumb and spoil the nice look of it.
“Och, shut yer greeting,” Hughie said, tossing his knife up and catching it. He found a likely looking cobble stone and started sharpening the blade—how had he let it get so bad? “Start at the beginning. Say it slow.”
The musician took a long shuddering breath and did as he was told. Hughie listened carefully. It was an astonishing tale, stretching back into the past well before Hughie’s own birth during the troubles that ended the mermaid Queen of Scots’ wicked Papistical reign.
At the end of it, Hug
hie laughed. “Och so all ye want is tae kill the English Queen? Is that all?”
The musician goggled at him. Hughie shrugged. “I’m a Scot,” he said, “what do I care fer yer witch Queen, eh?”
The musician stammered something about treason. “’Tis nae such thing for me,” Hughie explained, “if she goes, in comes the King o’ Scots and that’ll be a fine thing for me.” Especially if he could take the credit for it. Though King James, who was notoriously against bloodshed, might take a poor view of the man who did the deed, however much it might profit him.
“A’right, a’right,” he said to calm the old man’s begging. Seemingly it all had to do with a great friend he hadn’t seen for years, who made the song, or some such. Hughie couldn’t be bothered to work it all out. “Ah’m no worried about yer killing the Queen, but ye willna take another shot at Sir Robert Carey, d’ye follow me? Eh?”
The musician nodded, eyes like a hanged man’s, beard full of turnip peelings, doublet smeared with shit, his hand cradled.
“I swear it,” he said. “Nothing more against Carey.”
For a moment Hughie was tempted to tell the old fool what he himself was about, but why? Knowledge was gold. There was no need to give it away free.
They shook on it. “Off ye go then,” Hughie said, dismissing him with a gesture. “Dinna cross me again.”
Once the musician had stumbled off down the alley, Hughie brushed himself down and set off in the opposite direction, back to Broad Street.
He found the White Horse inn again, but no sign of Carey who must have gone back to his bed. It was a very tempting thought, he was unusually tired.
The candles and the fire in the grate bothered Hughie’s sore eyes and he wasn’t feeling very well, so he was turning to leave when a shadowy twisted figure in one of the booths beckoned him over.
The gentleman Carey had spoken to respectfully wasn’t ill-looking under his tall hat and his doublet was a smart black brocade, well cut and padded to hide his hunchback, clearly London tailoring and very skillful. The cloak was tidily folded beside him.
“Are you Hughie Tyndale?” asked the man.
Air of Treason, An: A Sir Robert Carey Mystery (Sir Robert Carey Mysteries) Page 22