A Man Called Destruction: The Life and Music of Alex Chilton, From Box Tops to Big Star to Backdoor Man

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A Man Called Destruction: The Life and Music of Alex Chilton, From Box Tops to Big Star to Backdoor Man Page 46

by George-Warren, Holly


  “I started hanging out”: ibid.

  “song that later became ‘Feel’”: Bruce Eaton interview with AC.

  “we played a few things”: HGW interview with Keith Sykes.

  “About the summer of ’71”: Parke Puterbaugh interview with AC.

  “Alex and I respected”: Max Bell, “The Big Star Story.”

  “It was pretty close”: Puterbaugh interview with AC.

  “we’d just show up”: HGW interview with Jody Stephens.

  “were a good match”: Hoskyns interview with Rosebrough.

  “Chris was a very driven”: Daniel Coston interview with Andy Hummel.

  “Chris would show up”: Puterbaugh interview with AC, 1993.

  “my knowledge of music theory”: Cub Koda, “My Dinner with Alex,” Goldmine.

  “I went by the studio”: Hoskyns interview with Rosebrough.

  “We were doing our own thing”: HGW interview with Poag.

  “Big Star grocery store”: ibid.

  “Chris and I were smoking a joint”: Puterbaugh interview with AC, 1993.

  “feeling really uncomfortable”: HGW interview with Stephens.

  “Chris was really into recording”: Ken Sharp and Doug Suply, Power Pop! Conversations with the Power Pop Elite.

  “I can remember first working up”: HGW interview with Stephens; Sharp and Suply, Power Pop!

  “Chris and I did all the harmony vocals”: Koda, “My Dinner with Alex.”

  “my almost-good songs”: Dawn Eden, “Mr. Postman,” The Bob.

  “A lot of the time”: Martin Aston, “Alex’s Wild Years,” Melody Maker, 1985.

  “represent the real Alex Chilton”: HGW interview with Terry Manning.

  “We weren’t big stars”: Puterbaugh interview with AC.

  “a mythical album number”: Max Bell, “The Big Star Story.”

  “We were always threatening”: ibid.

  “I was depressed”: Eaton interview with Andy Hummel.

  “John Fry was a genius”: Sharp and Suply, Power Pop!

  “We had to really work”: Rob Jovanovic, Big Star.

  “improper language”: ibid.

  “I knew everyone in the band”: Michael O’Brien written remembrance of AC.

  “Looking back at #1 Record”: Puterbaugh interview with AC, 1993.

  Chapter 13: #1 Record

  “Vera was not in the background”: HGW interview with Robert Schiffer.

  “They were so volatile”: Drew DeNicola interview with Diane Wall Smith.

  “They were all kids”: Barney Hoskyns interview with Richard Rosebrough.

  “Then when I came out”: ibid.

  “Chris persuaded John”: film, Big Star: Nothing Can Hurt Me.

  “That live recording”: Frank Gutch, “The Story of Cargoe,” http://www.rockandreprise.net/cargoer&r6.html.

  “Chris was too high and mighty”: Eaton interview with AC.

  “100 percent certainty”: Big Star: Nothing Can Hurt Me.

  “Some of the larger independent labels”: HGW e-mail interview with Seymour Stein.

  “All of a sudden”: HGW interview with Peter Jesperson.

  “We were not a big company”: Frank Gutch and Wade Anderson, “The Ardent Records Story,” Bomp.

  “I was disgusted”: Rob Jovanovic, Big Star.

  “Chris was a very troubled person”: HGW interview with Robert Schiffer.

  “Chris complained about them”: Jovanovic, Big Star.

  “There were problems with friendships”: Hoskyns interview with Rosebrough.

  “Alex Chilton’s voice”: Robert Christgau, Rock Albums of the ‘70s: A Critical Guide.

  “Led Zeppelin and all those bands”: Parke Puterbaugh interview with AC.

  “Depression can come on”: David Bell, I Am the Cosmos liner notes.

  “He was taking some drugs”: Epic Soundtracks, “Alex Chilton,” What a Nice Way to Turn Seventeen.

  “I remember Chris coming to me”: Bruce Eaton interview with AC.

  “the emotional turmoil”: Jason Gross interview with Andy Hummel (Perfect Sound Forever).

  “He and Fry”: Jonathan Valania interview with Dickinson.

  “I got a call”: Big Star: Nothing Can Hurt Me.

  Chapter 14: You Get What You Deserve

  “Chris Bell was somebody”: Martin Aston, “Alex’s Wild Years,” Melody Maker, 1985.

  “If you’re writing anything decent”: ibid.

  “We had played the songs”: Bruce Eaton interview with Andy Hummel.

  “Most of the lyrics”: Martin Aston, 1985.

  “I don’t care for those words”: Epic Soundtracks, “Alex Chilton,” What a Nice Way to Turn Seventeen.

  “it was so popular”: Michael Finger, “When It Was Hip to Be Square.”

  “We weren’t popular”: Parke Puterbaugh interview with AC.

  “Alex began the lyrics”: Rob Jovanovic, Big Star.

  “We never did have”: HGW interview with Vera Ellis Poag.

  “the most popular Memphis party”: John Beifuss, “‘Golden’ Years: Documentary Recounts Overton Square’s Days as Nightlife Mecca,” Commercial Appeal online, August 4, 2011, http://www.commercialappeal.com/news/2011/aug/04/golden-years/.

  “Alex really loved his cocktails”: Jovanovic, Big Star.

  “drunk and drugged out”: ibid.

  “Alex was a perfectionist”: HGW interview with Danny Jones.

  “We cut that at Studio A”: Bruce Eaton, Radio City.

  “All the words were stolen”: Eaton interview with AC.

  “All the rock writers”: HGW interview with Ross Johnson.

  “The sound was much more driving”: Metal Mike Saunders, “Big Star at Overton Square, Memphis,” Phonograph Record.

  “one of the most electrifying rock & roll performances”: Barney Hoskyns, “The Great Lig.”

  “We played that gig”: Eaton interview with AC.

  Chapter 15: Radio City

  “The important thing is to make a good record”: AC interview at New Orleans Jazz and Heritage Festival, 1992.

  “We had a bunch of material”: Bruce Eaton interview with AC.

  “I don’t recall it as being an uneven”: Bruce Eaton interview with Andy Hummel.

  “We kept up the tradition”: Eaton interview with AC.

  “Alex really started getting great on guitar”: Eaton interview with Hummel.

  “bring his tack piano”: ibid.

  “great musicians”: Eaton interview with AC.

  “There were versions”: Bruce Eaton, Radio City.

  “I probably was sedated”: Barney Hoskyns interview with Richard Rosebrough.

  “lost weekend”: HGW interview with Clifford Hill.

  “Alex and I were hanging around”: Rob Jovanovic, Big Star.

  “I’d never had an easy relationship”: Sandy Robertson, “Alex Chilton: Getting the Cramps,” Sounds.

  “piano went through a compressor”: Eaton interview with Hummel.

  “John would spend an hour or two”: Eaton interview with AC.

  “You would tag things”: film, Big Star: Nothing Can Hurt Me.

  “I wanted the design”: Jovanovic, Big Star.

  “We drank a lot”: ibid.

  “pointed at me”: HGW interview with Gail Elise Clifton.

  “more than a little disillusioned”: Jovanovic, Big Star.

  “Alex could be pretty cruel”: Drew DeNicola interview with John Dando.

  “I went to Max’s”: HGW interview with Robert Schiffer.

  “Stax didn’t have any control”: DeNicola interview with Dando.

  Chapter 16: Sister Lovers

  “Lesa didn’t want her teeth fixed”: HGW interview with Gail E
lise Clifton.

  “Lesa’s mother was extremely liberal”: HGW interview with Amy Gassner Starks.

  “You really had to”: HGW interview with Elizabeth Hoehn (Lesa Aldridge).

  “They’d been hanging out”: ibid.

  “I don’t think I’ve known”: David Cavanaugh, “Oh My Soul.”

  “Her parents were pretty remarkable”: HGW interview with Jody Stephens.

  “When I was learning the songs”: HGW interview with John Lightman.

  “The distribution never worked”: HGW e-mail interview with Robert Gordon.

  “You know how it is”: HGW interview with John Fry.

  “When Big Star got onstage”: HGW interview with Stephens.

  “going to get a hernia”: HGW interview with Lightman.

  “Alex says, loudly”: ibid.

  “Big Star had a buzz going”: Written remembrance of AC by Binky Philips.

  “need a second guitar player”: HGW interview with Jon Tiven.

  “Dando had locked”: HGW interview with Paul Jobe.

  “I remember the first set”: HGW interview with Stephens.

  “The first set was awful”: HGW interview with Lightman.

  “The house hors d’oeuvre”: DeNicola interview with Dando.

  “She was just really cool”: HGW interview with Lightman.

  “Most of the night’s repertoire”: HGW e-mail interview with Dave DiMartino.

  “absolutely nobody in the club”: Drew DeNicola interview with John Dando.

  “I don’t know why we did that tour”: HGW interview with Lightman.

  “Big Star was like the black sheep”: HGW interview with Kent Benjamin.

  “just totally blew us away”: ibid.

  “He was always writing”: HGW interview with Hoehn/Aldridge.

  “You have to sing a song”: ibid.

  Chapter 17: 3rd

  “Instead of coming after”: Rob Jovanovic, Big Star.

  “It was so horrible”: HGW interview with Elizabeth Hoehn (Lesa Aldridge).

  “We at Ardent”: Frank Gutch and Wade Anderson, “The Ardent Records Story,” Bomp.

  “I have a file”: ibid.

  “The halls of Ardent”: HGW interview with John Lightman.

  “John would let Alex drive”: ibid.

  “Alex even taught me”: HGW interview with Hoehn/Aldridge.

  “In ’74, I had the key”: Parke Puterbaugh interview with AC.

  “It’s just another tune”: Jonathan Valania interview with AC.

  “He encouraged me”: HGW interview with Hoehn/Aldridge.

  “Alex and Lesa made history”: Barney Hoskyns interview with Richard Rosebrough.

  “moth to a flame”: HGW interview with Hoehn/Aldridge.

  “Holliday was like a little puppy”: HGW interview with Lightman.

  “Holliday was the quieter sister”: HGW interview with Jon Tiven.

  “I always had to work”: HGW interview with Jody Stephens.

  “When I was in my twenties”: AC at New Orleans Jazz & Heritage Festival, 1997.

  “Alex always bristled”: HGW interview with Lightman.

  “I was so nervous”: Jovanovic, Big Star.

  “Alex liked to stay wasted”: ibid.

  “said that for shock value”: HGW interview with Lightman.

  “I’d always been interested in Alex”: Valania interview with Jim Dickinson.

  “talked to him at his mama’s house”: Hoskyns interview with Jim Dickinson.

  “When I asked him why”: Valania interview with Dickinson.

  “I was living kind of progressively”: Valania interview with AC.

  “I had heard this recording”: Hoskyns interview with Dickinson.

  “shoot Demerol down his throat”: ibid.

  “Alex was getting close”: Hoskyns interview with Rosebrough.

  “He’s a real significant part”: Hoskyns interview with Dickinson.

  “Getting involved with Dickinson”: Valania interview with AC.

  “Alex came in one morning”: Hoskyns interview with Dickinson.

  “Alex as a collaborator”: Valania interview with Dickinson.

  “to torment Lesa”: Hoskyns interview with Dickinson.

  “a big confrontation”: HGW interview with Pat Rainer.

  “Jim getting out that basketball”: ibid.

  “R&B things”: unreleased film, The (R)evolution of Big Star’s Album “Third/Sister Lovers.”

  “Cropper was doing”: Hoskyns interview with Rosebrough.

  “I like [Holocaust]” : Puterbaugh interview with AC, 1993.

  “physical abuse of Lesa”: Valania interview with Dickinson.

  “I wasn’t doing anything”: Robert Gordon, It Came from Memphis.

  “We were together every day”: HGW interview with Danny Graflund.

  “You better tell your friend”: Gordon, It Came from Memphis.

  “His eyes rolled back”: HGW interview with Lightman.

  “His mother was so upset”: HGW interview with Hoehn/Aldridge.

  “‘Dream Lover’ is the furthest”: Valania interview with Dickinson.

  “That’s an imitation of Graflund”: ibid.

  Chapter 18: The Walking Dead

  “I was just living this very unsettled”: Sandy Robertson, “Alex Chilton: Getting the Cramps,” Sounds.

  “Mixing is half the record”: film, Big Star: Nothing Can Hurt Me.

  “I was just throwing ideas”: Jonathan Valania interview with AC.

  “would never have been finished”: Valania interview with Jim Dickinson.

  “The record broke John’s heart”: Russell Hall interview with Dickinson.

  “I worked with engineers”: Valania interview with Dickinson.

  “Everybody’s kind of down and depressed”: Frank Gutch and Wade Anderson, “The Ardent Records Story,” Bomp.

  “deteriorating relationships”: Valania interview with Dickinson.

  “Every song has a geographical”: ibid.

  “had its moments”: HGW interview with John Fry.

  “not sure we were calling ourselves Big Star”: Parke Puterbaugh interview with AC, 1993.

  “That scene was disturbing enough”: Rob Jovanovic, Big Star.

  “shopping of it was a nightmare”: Valania interview with Dickinson.

  “Karin Berg”: ibid.

  “people at these conventional record companies”: Stamey interview with Fry, UNC.

  “I tell my victims”: Valania interview with Dickinson.

  “The best songs don’t get recorded”: Robert Gordon, It Came From Memphis.

  “After the split”: Barney Hoskyns interview with Richard Rosebrough.

  “This is gonna be mine”: Valania interview with Dickinson.

  “Fry and I sort of fell out”: Valania interview with AC.

  “Alex . . . sent me some tapes”: Hoskyns interview with Jon Tiven.

  “They look like they’ve just come out”: David Cavanaugh, “O My Soul!” Uncut, May 2012.

  “It was a total rock & roll love letter”: HGW interview with Rick Clark.

  “Alex was using a different vocal personality”: HGW interview with Tiven.

  “I was in the studio playing drums”: Hoskyns interview with Rosebrough.

  “We tried to get everybody out”: HGW interview with Tiven.

  “Alex couldn’t really find”: ibid.

  “During the backing vocals”: Jovanovic, Big Star.

  “a very vivid memory”: HGW interview with Tiven.

  “Most of the people around Ardent”: Valania interview with AC.

  “I made a deal”: Gutch and Anderson, “The Ardent Records Story.”

  Alex “was always thinki
ng”: Gordon, It Came from Memphis.

  Alex “introduced them”: HGW interview with Mary Lindsay Dickinson.

  “‘My Rival,’ I thought”: Martin Aston, 1985.

  “Alex was at a juncture”: Gordon, It Came from Memphis.

  “It was love/hate”: HGW interview with Pat Rainer.

  “When it was the two of us”: HGW interview with Elizabeth Hoehn (Lesa Aldridge).

  “Alex was as down”: Valania interview with Tommy Hoehn.

  “I was very frustrated”: AC interview at New Orleans Jazz & Heritage Festival.

  “I thought it was”: Daniel Coston interview with Andy Hummel.

  “I remember walking into my den”: Valania interview with Tommy Hoehn.

  Chapter 19: Shakin’ the World

  “I began sorting things out”: Martin Aston, “Alex’s Wild Years.”

  “It’s a great description”: Jonathan Valania interview with AC.

  “I decided to quit taking drugs and did”: Ralph Traitor, “Wildman on the Edge.”

  “and sank further into dipsomania”: Cub Koda, “Alex Chilton: My Dinner with Alex,” Goldmine.

  “I was getting to the point”: Epic Soundtracks,“Alex Chilton,” What a Nice Way to Turn Seventeen.

  “at a big art-type function”: HGW interview with Vernon Richards.

  “orgone energy life force stuff”: Aston, “Alex’s Wild Years.”

  “I think I realized”: Soundtracks, “Alex Chilton.”

  “I said, ‘I was in Memphis,’”: HGW interview with Jon Tiven.

  “He seemed a little reserved”: HGW interview with Chris Stamey.

  “I was trying to figure out”: ibid.

  “the most gregarious guy”: Richard Hell, I Dreamed I Was a Very Clean Tramp.

  “He had a drinking problem”: Rob Jovanovic, Big Star.

  “He was kind of beguiling”: HGW interview with Jamie K. Sims.

  “opening a door”: HGW interview with Stamey.

  “was hardly very polished”: John Rockwell, “Alex Chilton, Rock Legend, Back.” New York Times.

  “Alex would do things”: HGW interview with Stamey.

  “Love . . . makes people grow”: Bernard Kugel, “Alex Chilton,” Big Star.

  “I remember him telling me”: HGW interview with Stamey.

  “The first night the place was packed”: Koda, “My Dinner with Alex.”

  “It’s real easy to run through New York”: Kugel, “Alex Chilton.”

 

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