The Surrendered

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by Lee, Chang-rae


  Please let me find him first, is what she said now, her head drifting down as she lay across the backseat. They were still heeding her and she believed that if she could endure their massing they might somehow forget about her, or else count her a kindred specter, let her soon join their number lingering in the ashen underworld gloom.

  T E N

  D O R A , H E T H O U G H T , was more than all right. It wasn't yet evening and Hector had just showered and was shaving and she was in his kitchen fixing them a dinner of pan-fried blade steaks and roast potatoes, singing an old tune his mother used to croon in her throaty, impure voice but that Dora intoned like a just-born nightingale: From this happy day,

  No . . . more . . . blue . . . songs . . .

  Her voice was fizzy and girlish and despite the patent optimism of lyrics that would have ordinarily made him instantly contract into a leaden die he was instead humming along with her in a dusky key. His sound wasn't half bad. When was the last time he had let his voice be an instrument? He was raised in a family that valued singing, and he had performed, briefly, in the church choir, being one of its youngest boys. He showed enough talent to feature in a few solos and liked music well enough but in fact he was drawn just as much by the bodily practice of it, the used-up sensation he would get in his throat and chest after the hours of rehearsal, that blood-warmed exhaustion; but he had to quit it after the priest one day asked him to sing privately in the vestry, the florid-cheeked old man kneeling before him and tightly embracing his legs and whispering into his chest that he was a right gift from God. You're magnificence, dear boy, the padre said, with tears in his eyes. You're a thing eternal. The choir leader opened the vestry door at that moment and at the next rehearsal she made him promise not to return. After that he only went to mass with his mother, and it was the last of his singing, formal and not, this nearly fifty years past. He wiped his face of remaining streaks of lather and dabbed on some aftershave he'd just bought himself, and combed his close-cropped hair. Dora had cut it before his shower and it seemed darker and thicker than he remembered it and with the music of her woman's voice and the smell of real cooking it seemed he was now in a wholly different life. There were already noticeable changes in his apartment. She was good about not leaving anything obvious of hers behind, such as jewelry or clothing, after he'd made it known that he preferred her not to. And yet there were clearly indications that he was no longer living by himself; the bed was made differently in the morning, with tighter corners than he ever bothered to make; his toothbrush and toothpaste were put away inside the medicine chest; his three pairs of shoes lined up neatly beside the door; and with each night she spent, another diaphanous layer of her presence seemed to settle upon him and everything else, this fine dust of her that he could almost taste on a spoon, on the rim of a glass.

  For nearly two weeks now Dora had been consorting with him and they had already gone past the point in time he would have normally nudged her on her way. She was joyful and effortlessly kind to him and like a revelation these simple facts made him joyful, too, or something close to it, and he thought he should do whatever it took to preserve the feeling. He had come to appreciate her surprisingly optimistic spirit--who at Smitty's ever spoke of life actual years hence, about such a thing as traveling, or taking a college class at night? Even if her cheerfulness were more a late-rigged buttress than any natural, inner girding, the product of one of the self-help books she always carried in her handbag, he certainly didn't think less of her for it. So what if she believed that advice from a book could work. So what if she held herself to a standard far beyond any possibility of attainment. Isn't that what every normal, decent person did? Maybe she drank too much, like the rest of them, but she was dogged in pursuing her interests, this better idea of herself, paddling furiously even if she wasn't yet getting too far.

  As a girl she was accidentally shot by her stepfather during a duck hunt--he was a drinker, too, a small-town Ohio banker with a temper as unknowable as heat lightning who sometimes made visitations to Dora or her sister late at night--and she told Hector that from time to time she was sure she could still feel the pellets the surgeon had to leave undisturbed in her neck and back for fear of paralyzing her; like an echo the pain was both angular and diffuse, and she suffered it all her life, though these days she said it arrived with certain kinds of weather, with the tides and the moon, with her female cycle, which had just gone intermittent.

  She had been fine since spending time with him but just last night she was whimpering in her sleep and Hector could not wake her and in a ghoulish state with her eyes open wide but unseeing she'd crawled on top of him and moved her hips until he felt her wetness painting him. He already loved the ready pliancy of her flesh, the faintly damp hand of her skin, the confected, buttery odor of her scalp and hair, all these combining in an insuperable womanly embrace, which was to him a true summons to rest. To sleep. With her racked expression he wasn't sure if he ought to comply but after he did she slept the rare and peerless slumber of the gratified dead.

  But he had not slept as deeply. Since hearing of June he was being hounded again by an old nightmare, the iron obstinacy of it like a railway spike fixed through his gut. The nightmare was not about June. Instead, still reigning in his thoughts was the sentinel of Sylvie Tanner, looming naked before him, perfectly alive and beautiful, her skin aglow with a pure unrivaled shimmer.

  I'm too warm, she would say, and his heart would begin to skip out of time.

  Please don't, he begged her.

  Don't worry, she'd answer. It's okay. She would then scratch lightly at her shoulder, like she had an itch. But instead of simply scratching she would tuck her fingers beneath her fine skin and then, with no effort at all, no pain, peel it off as if it were a full-length glove. She'd do the same with the other arm, and then start in with her torso, pull it down with a terrible measure, down over her breasts, her belly, slowly skinning herself and revealing to him not blood and tissue but the charred ruins of her insides, all blackness and collapse. He had awoken hugging Dora's legs, smothering his own face in her belly, as if to throttle himself in penance. She took his powerful grip for ardor and whispered that she ought to wash down there quickly but he only buried himself deeper and she let him, soon enough pulling and pushing him by his hair. He was more than glad; he wanted to be aligned with her good rhythms, to be her sightless, obliging implement. But could he devote himself to Dora, ongoing? Be good to her and adore her beyond his squalid little universe? He was almost certain he wanted to, and yet his fear of leaving her somehow in shambles ruled him, too, causing him to clam up in moments when he should have been sweetly generous, making him delay before meeting up with her, all of which, of course, only served to make her more unsure of herself than she was and seek his attentions all the more. Although she tried to hide her feelings he could see the welling anxiousness in her eyes, a grime of remorse freshly layering his heart whenever she peeped "It's fine!" when he showed up thirty minutes late at Smitty's, or said he had to get to work when he really didn't. It wasn't fine, not even close, it was rotten and cowardly and weak, and if such notions of his conduct hadn't bothered him in years, they were bothering him now. Yesterday he had tried to take a first small step toward being a respectable mate. Dora had been worrying about his fight with Tick, not mentioning it directly but sighing and saying again how it scared her when he got into fights, that she never wanted to see him hurt. He didn't want to be hurt, either, not anymore, but it was giving-hurt that disturbed him most. Since the tussle with Tick he'd been thinking how pathetic it was for a fifty-five-year-old man to be so keen to mix it up, how sorry and shaming a picture, and then doubly so from the idea that Dora might have seen him that night standing over poor Tick, pummeling him monstrously and without pause. So at work he had roused Jung from his early-midday nap and told him they were going to drive to Teaneck, where Old Rudy lived. Jung naturally didn't want to go, saying he had just over half the money together, and that in fact he
was going to go there himself next week after he gathered the rest he owed. Hector knew that "gathering" meant "betting," which would only end in more trouble, and like any comrade might he hoisted up the drowsy man by the collar and counseled him that partial payments were always accepted. Jung cried out, "What, GI, you work for that old fuck now?"

  "I'm working for you, friend."

  "Fuck that, I don't want to go."

  "We're going."

  "Don't betray me, Rambo!"

  "We're going now."

  Jung saw that Hector was serious and relented, if unhappily, grabbing a fresh fifth of Chivas for the road. He cracked the seal and took deep slugs from it while Hector drove his fancy Lincoln coupe, heading them west on Route 4. Hector knew where the house was because he had been there once or twice, years back, to see Old Rudy's daughter, and only child, Winnie.

  Winnie was just twenty-six at the time, a statuesque, buxom woman with huge brown eyes and a sandbox of a voice and who was much like her father in the seismic potential of her temper. She was volatile and sexy and could be downright dangerous if she felt threatened or wronged, a notorious instance of her local legend being that she'd nearly gelded a two-timing boyfriend with a steak knife in a restaurant bathroom. Hector was forty then, as primed and handsome as a fellow ever was, fit for eternal bronze, and in a period of his life when he was bedding women with an almost pathological zeal. For a long time after leaving Korea he had isolated himself, existing, ironically, like some toiling monk, erasing himself and all his memories of the orphanage and June and Sylvie Tanner with unceasing hard labors, and, of course, drink. But eventually an oceanic surge of loneliness and desire roiled him and once he let himself go it was as if he were diving through endless, dense schools of women. He never meant to cause unhappiness or heartbreak but he couldn't bear anything but serial connections, and with each union's demise it was their angry tears and shouts that would echo in his head, causing him to move on only quicker. In Winnie, Hector encountered someone as restive and inconstant and craving as he; she had a reputation for wildness and a stout appetite for sex, a nature that would have made Old Rudy proud if she were his son but instead drove him mad. For a whole week of nights she and Hector twisted furiously about each other in the sheets and it might have been more had she not driven on this very road, swervy and narrow, in a driving rain to pick him up at a job site out in Wayne.

  She never showed up. He didn't much mind, figuring he'd see her the next night. He hitched a ride home with a coworker and the next morning he read about the accident in the newspaper, how a pickup truck skidded and fl ipped and somehow jumped the dividing median, landing squarely on an oncoming car. There was a photograph of the two vehicles with the article, the picture showing the entire front half of Winnie's white Camaro crumpled all the way back to the trunk. Hector saw it and threw up in his cereal. When he showed up at the closed-casket wake Old Rudy asked him if he was the man she was driving to meet. When he nodded somberly, Old Rudy grabbed him by the throat with both hands and held on a few scant moments short of snuffing him, which at that point Hector, despising himself all over again, hadn't minded, and hardly resisted, but a mourner who was an off-duty cop broke Old Rudy's grip and shoved Hector out the funeral home door.

  He hadn't seen the man since the wake, and as Hector parked in front of the large whitewashed Tudor, he wondered if Old Rudy would even recognize him now, as sick as he purportedly was.

  "This is your last chance to be my friend," Jung said, taking a last drink. "Let's go back and Sang-Mee will serve us food. I pay."

  "Just give me the money now."

  Jung took out a wad of bills from the inner pocket of his jacket and Hector immediately plucked it from his hand. While Hector counted it, Jung cried, "If I had that, I could make what I owe real quick! Easy winners coming up. How I'm going to make the other half now?"

  "You'll figure it out."

  "I'm gonna take it out of your pay."

  "What, you're going to lay six dollars on the Mets? Let's go. And leave the bottle."

  "I gotta stay here, GI. I hate seeing my money in somebody else's hand."

  "Suit yourself," Hector told him, suddenly thinking that Jung should stay behind, being that there was a slight chance Old Rudy had somebody--or two--like Tick with him. "Maybe you should keep it running."

  Jung's face flashed with alarm, and as Hector walked up the slate path he heard behind him the muted thump of the car's power locks. At the front door he rang the bell and a uniformed home nurse answered. Hector said his name, adding that he wasn't expected, and when the nurse appeared again she opened the door and led him upstairs. The house was dim and chilly, the narrow Tudor windows dingy with water stains, the air musty with old carpeting and the lingering gas of reheated food. The bedroom door was wide open and even from the hall Hector could smell the antiseptic sickroom smell, then beneath it the old-flesh smell, the piss-and-half-wiped-shit-and-fungal smell of someone spoiling from within, and he almost turned around then to leave when a raspy, cold-blooded voice weakly called out: "What are you waiting for?"

  Hector stepped in the doorway. Old Rudy was sitting up in bed, dressed in a gray hospital gown, a tube for oxygen strapped about his face. Beside the bed stood an air tank in its caddy and a rolling cart topped full of medications. A plastic bag of urine lay on the fl oor, a line from it snaking up underneath the sheets. His bony shoulders showed through the wide neck of the gown and his once-sturdy fl esh had receded, his skin stretched back onto his frame like an artifi cial hide. He was a menacing physical specimen, this jagged piece of IrishGerman rock, and had only been known as Old Rudy because of his prematurely gray hair. But now almost all the hair was gone, leaving just the fins of his temples, the shiny, translucent skin showing through. For a moment Hector wondered what his father, Jackie, would have looked like had he lived to old age. Would his wide, ruddy cheeks have shrunken like this? Would his hand have withered even more?

  Would he still insist that Hector stay at his side always, to be his best buttress and squire, to sing to in his larking, fanciful tenor?

  "I figured you'd come around," Old Rudy said, having to take a rushed extra half-breath after every fourth or fifth word. "You should make your move, before I croak."

  "I'm not here to hurt you."

  "Oh yeah? What did you come for, then, to pay your respects? To wish me well?"

  Hector showed him the thin brick of bills, saying it was from Jung and that the rest of it was coming but would be a little while. He placed the money on the rolling cart. Old Rudy didn't look at it, or seem at all to care, breathing out with some effort through his mouth like Hector had already begun pressing a board against his chest. Old Rudy groaned, "You think I'm worried about a few thousand bucks?"

  "Seems like two weeks ago you were."

  "Two weeks ago I was feeling like I wasn't going to die right away. Now even when the piss fl ows out of me I'm sucking wind."

  "What's the matter with you?"

  "Everything," he said, but before he could elaborate he was besieged by a long fit of nasty coughing. When he finally settled down, his eyes were bloodshot and glassy, and he gestured to a large lidded styrofoam cup on the cart. Hector gave it to him and Old Rudy took some sips through the straw, the drink the same color as the liquid in his catheter bag. He said wearily to Hector, "You don't look much different than you did."

  "You're not seeing my insides."

  "Fair enough," he said, handing back the cup to Hector. His voice was hollowed out from the coughing, and his body seemed emptied, too, husklike, its weight hardly pushing back into the pillows. "How long has it been?"

  "Maybe fifteen years."

  "You've been cleaning buildings since?"

  "Other things, too. But pretty much."

  "That's my doing, I guess."

  "I could have moved on, if I wanted construction work."

  "But you didn't."

  "No," Hector said.

  "How come?"

>   "I guess cleaning suits me, after all."

  "Do you remember what she looked like?" He meant Winnie, of course, and Hector began to realize that the old man had simply wanted to talk about her, and had thus reached out to him in the only way he knew how.

  "I do."

  "You're the last person who spent any real time with her," Old Rudy said. "She and I just argued constantly. I stopped seeing her like everybody else did. Like you probably did."

  "She was very beautiful."

  "Was she? You're lucky. The last time I saw her, I had to see her in the morgue. There wasn't much left of her, above the chest. Really no face at all. You know how I identified her? She wore a ring of her mother's, a sapphire with diamonds around. When I think of her now I just try to see her hand. It was colorless and pale but it was perfect. Maybe they washed her, but there wasn't even any blood on it. You think they did that? You think they washed her?"

 

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