by Zane Grey
Johnny went off into a pet daydream and was almost happy for a little while. Some day the Rolling R boys would be telling with pride how they used to know Johnny Jewel, the wonderful birdman that had his picture in all the papers and was getting thousands of dollars for exhibition flights. Tex, Aleck, Bud, Bill—Mary V, too, gol darn her!—would go around bragging just because they used to know him! And right then he’d sure play even for some of the insults they were handing him now.
“Mary V Selmer? Let’s see—the name sounds familiar, somehow. O-oh! You mean that little red-headed ranch girl from Arizona? Oh-h, yes! Well, give her a free pass—but I mustn’t be bothered personally with her. The girl’s all right, but no training, no manners. Hick stuff; no class, you understand. But give her a good seat, where she can view the getaway.”
Tex, Aleck, Bud, and Bill—little Curley was all right; Curley could have a job as watchman at the hangar. But the rest of the bunch could goggle at him from a distance and be darned to them. Old Sudden too. He’d be kind of nice to old Sudden—nice in an offhand, indifferent kind of way. But Mary V could get down on her knees, and he wouldn’t be nice to her. He should say not!
So dreamed Johnny Jewel, all the way to the mail box out by the main road, and nearly all the way back again. But then his ears were assailed with lugubrious singing:
“An’ dlead the Great Bear ho-o-ome,
An’ dlead the Great Bear hoo-me,
I’ll brand each star with the Rollin’ R,
An-n dlead the Great Bear home!”
That was Bud’s contribution.
“Aw, for gosh sake, shut up!” yelled Johnny, his temper rising again.
From the bungalow, when he passed it on his way to the bunk house, came the measured thump-thump of a piano playing the same old tune with a stress meant to mock him and madden him.
“Then if she’ll smile I’ll stop awhile,
And kiss her snow-white hand.”
That was Mary V, singing at the top of her voice, and Johnny walked stiff-backed down the path. He wanted to turn and repeat to Mary V what he had shouted to Bud, but he refrained, though not from any chivalry, I am sorry to say. Johnny feared that it would be playing into her hand too much if he took that much notice of her. He wouldn’t give her the satisfaction of knowing he heard her.
“It would be grand to kiss ’er hand,
Her-rr snow-white hand if I had the sand,”
Bud finished unctuously, adjusting the tune to fit the words.
Johnny swore, flung open the low door of the bunk house, went in, and slammed it shut after him, and began to pack his personal belongings. Presently Tex came in, warbling like a lovesick crow:
“I’ll cir-cle high ’s if pass-in’ by,
Then vol-lup bank-an’ la-a-and—”
“So will this la-and,” Johnny said viciously and threw one of his new riding boots straight at the warbler. “For gosh sake, lay off that stuff!”
Tex caught the boot dexterously without interrupting his song, except that he forgot the words and sang ta-da-da-da to the end of the verse.
“Po’try was wrote to be read,” he replied sententiously when he had finished. “And tunes was made to be sung. And yo’ all oughta be proud to death at the way yo’ all made a hit with yore po’try. It beats what Mary V wrote, Skyrider. If yo’ all want to know my honest opinion, Mary V’s plumb sore because yo’ all made up po’try about Venus instid of about her.” He sat down on a corner of the littered table and began to roll a cigarette, jerking his head towards the bungalow and lowering one eyelid slowly. “Girls, I’m plumb next to ’em, Skyrider. I growed up with four of ’em. Mary V loves that there Venus stuff, and kissin’ her snow-white hand, same as a cat loves snow. Jealous—that’s what’s bitin’ Mary V.”
Johnny was sorting letters, mostly circulars and “follow up” letters from various aviation schools. He looked up suspiciously at Tex, but Tex manifested none of the symptoms of sly “kidding.” Tex was smoking meditatively and gazing absently at Johnny’s suitcase.
“Yo’ all ain’t quittin’?” Tex roused himself to ask. “Not over a little josh? Say, you’re layin’ yoreself wide open to more of the same. Yo’ all wants to take it the way it’s meant, Skyrider. Listen here, boy, if yo’ all wants to git away from the ranch right now, why don’t yo’ all speak for to stay at Sinkhole camp? Yo’ all could have mo’ time to write po’try an’ study up on flyin’ machines, down there. And Pete, he’s aimin’ to quit the first. He don’t like it down there.”
Johnny dropped the letters back into his suitcase and sat down on the side of his bed to smoke. His was not the nature to hold a grudge, and Tex seemed to be friendly. Still, his youthful dignity had been very much hurt, and by Tex as much as the other boys. He gave him a supercilious glance.
“I don’t know where you get the idea that I’m a quitter,” he said pettishly. “First I knew that a bunch of rough-necks could kid me out of a job. Go down to Sinkhole yourself, if you’re so anxious about that camp. Furthermore,” he added stiffly, “it’s nobody’s business but mine what I write or study, or where I write and study. So don’t set there trying to look wise, Tex—telling me what to do and how to do it. You can’t put anything over on me; your work is too raw. Al-to-gether too raw!”
He glanced sidewise at a circular letter he had dropped, picked it up and began reading it slowly, one eye squinted against the smoke of his cigarette, his manner that of supreme indifference to Tex and all his kind. Johnny could be very, very indifferent when he chose.
He did not really believe that Tex was trying to put anything over on him; he just said that to show Tex he didn’t give a darn one way or the other. But Tex seemed to take it seriously, and glowered at Johnny from under his black eyebrows that had a hawklike arch.
“What yo’ all think I’m trying to put over? Hey? What yo’ all mean by that statement?”
Johnny looked up, one eye still squinted against the smoke. The other showed surprise back of the indifference. “You there yet?” he wanted to know. “What’s the big idea? Gone to roost for the night?”
Tex leaned toward him, waggling one finger at Johnny. The outer end of his eyebrows were twitching—a sign of anger in Tex, as Johnny knew well.
“What yo’ all got up yore sleeve—saying my work is raw! What yo’ all aimin’ at? That’s what I’m roostin’ here to learn.”
Johnny fanned away the smoke and gave a little chuckle meant to exasperate Tex, which it did.
“I guess the roosting’s going to be pretty good,” he said. “You better send cookee word to bring your meals to yuh, Tex. Because if you roost there till I tell yuh, you’ll be roosting a good long while!” He got up and lounged out, his hands in his pockets, his well-shaped head carried at a provocative tilt. He heard Tex swear under his breath and mutter something about making the darned little runt come through yet, whereat Johnny grinned maliciously.
Halfway to the corral, however, Johnny’s steps slowed as though he were walking straight up to a wall. The wall was there, but it was mental, and it was his mind that halted before it, astonished.
What had touched Tex off so suddenly when Johnny had flung out that meaningless taunt? Meaningless to Johnny—but how about Tex?
“Gosh! He took it like a guilty conscience,” said Johnny. “What the horn-toad has Tex been doin’?”
CHAPTER THREE
JOHNNY GOES GAILY ENOUGH TO SINKHOLE
Johnny Jewel, moved by the fluctuating determination of the young, went to bed that night fully resolved that he would not quit a good job just because untoward circumstance compelled him to herd with a bunch of brainless clowns. He, who had a definite aim in life, would not permit that aim to be turned aside because various and sundry roughneck punchers thought it was funny to go around yelping like a band of coyotes. Mary V, too—he di
d not neglect to include Mary V. Indeed, much of his determination to remain was born of his desire to crush that insolent young woman with polite, pitying toleration.
Even when the boys trooped in and began to compose what they believed to be rhymes, Johnny did not weaken. He turned his face to the wall and ignored them. Poor simps, what more could you expect? They went so far as to attempt some poetizing on the subject of Johnny’s downfall in the corral, but no one seemed able to eliminate the word bronk at the end of the first line, “Johnny tried to ride a bronk.” No one seemed able, either, to find any rhyme but honk. They tried ker-plunk, and although that seemed to answer the purpose fairly well, they were far from satisfied.
So was Johnny, but he would not say a word to save their lives. In spite of himself he heard a howl of glee when some genius among them declaimed loudly: “Johnny volluped into Job’s Coffin, and Venus she most died a-lawfin!”
Johnny gave a grunt of contempt, and the genius, who happened to be Bud, lifted his head off the pillow and stared at the black shadow where Johnny lay curled up like a cat.
“What’s the matter with that, Skyrider? Kain’t I make up po’try if I want to?”
“Sure. Help yourself—you poor fish. Vollup! Hunh!” The contempt was even more pronounced than before.
“Well? What’s the matter with that? You said it yourself. And look out how you go peddlin’ names around here. You think nobody knows anything but you! You’re the little boy that invented flyin’—got the idea from yore own head, by thunder, when it swelled up like a balloon with self-conceit! That there gas-head of yourn’ll take yuh right up amongst the clouds some day, and you won’t need no flyin’ machine, neither! Skyrider—is—right!” Accidentally Johnny had touched Bud’s self-esteem in a tender spot. “And that’s no kidding, either!” he clinched his meaning. “Punch a hole in yore skelp, and I’ll bet that big haid of yourn would wizzle all up like them red balloons they sell at circuses! You—”
“Hm-m-m! Just so it ain’t all solid bone like yours,” Johnny came back at him with youth’s full quota of scorn. “Keep away from pool rooms, Bud. Somebody is liable to take your head off and use it for a cue-ball. Vollup! Hunh!”
Bud said more; a great deal more. But Johnny flopped over on the other side, buried his head under the blankets, and let them talk. Cue-balls—that was all their heads were good for. So why concern himself over their senseless patter?
It occurred to him, just before he went to sleep, that the unmistakable, southern drawl of Tex was missing from the jumble of voices. Tex, he remembered, had been unusually silent at supper, also, and twice Johnny had caught Tex watching him somberly. But he could think of no possible reason why Tex should want him to go down to Sinkhole Camp, and he could not see how either of them could effect the change even if Johnny had cared to go. Sudden Selmer did not ask his men what was their desire. Sudden gave orders; his men could obey or they could quit. And if Pete left, as Tex had hinted, Sudden would send some one down there, and that would be an end of it. There was just about one chance in six that Johnny Jewel would be the man to go.
Yet it so happened that Johnny did go—though Tex had nothing to do with it, so far as Johnny could see. For all his determination to stay and tolerate his companions, noon found him packed and out by the gate that opened on the stage road, waiting to flag the stage and buy a ride to town. He had accomplished, since breakfast, two fights and another quarrel with Mary V over that infernal jingle he had written. And though Johnny could not see it, Tex had had something to do with them all.
Tex was not one of these diabolically cunning villains. He did not consider himself any kind of a villain. He accepted himself more or less contentedly as a poor, striving young man who wanted to get ahead in the world and was eager to pick up what he called “side money,” which might, if he were on to his job, amount to more than his wages. Tex did not consider that he owed the Rolling R anything whatever save a certain number of days’ work in each month that he drew a pay check. He sold Sudden his time and his skill in the saddle—a month of it for fifty dollars. But if he could double that fifty without harm to himself, Tex was not going to split any hairs over the method.
Tex was not displaying any great genius when he edged the boys on to tease Johnny beyond the limit of that young man’s endurance, or when he tattled to Mary V a slighting remark about her ability as a poet. Tex was merely carrying out an idea which had come to him when he saw Johnny with his hands full of aircraft literature. If it worked, all right. If it didn’t work, Johnny would not be on the Rolling R pay roll any longer, but Tex would not have lost anything. It would be convenient to have Johnny down at Sinkhole Camp, shirking his job while he fiddled around with his flying bug. Tex believed he knew how he could keep the bug very active, and Johnny very much engrossed with it—down at Sinkhole Camp. It was simple enough, and worth the slight effort Tex was making.
So there was Johnny Jewel with his saddle and bridle and suitcase and chaps, waiting out by the mail box for the stage. And there came Sudden, driving back from the railroad—Tex knew he was expected back that forenoon—and reaching the gate before the stage had come in sight around the southwest spur of the ridge it could not cross. Sudden liked Johnny—and Tex knew that too. (Tex made it his business to know a good deal which had nothing to do with his legitimate work.) And good riders who did not get drunk every chance that offered were not to be hired every day in the week.
Johnny opened the gate, but Sudden did not drive through. He stopped and eyed the suitcase and the saddle and the chaps, and then he looked at Johnny.
“Too much song-bird stuff?” he asked, which showed how sensitive was the finger Sudden kept on the pulse of his outfit.
“I’ve got to work for a living, but I don’t have to work with that bunch of idiots,” Johnny stated with much dignity.
Sudden rubbed a gauntleted hand across the lower part of his face; and that, I think, is why Johnny saw himself taken as seriously as his young egotism demanded.
“Rather be by yourself, would you? Well, throw your baggage in the back of the car. I want you to catch up a couple of horses and go on down to Sinkhole. You won’t be annoyed down there with anybody’s foolishness but your own, young man. You’ll work for your living, all right! Got a gun? A rifle? Well, there’s one at the house you can take. There may not be any Rolling R horses going across the line—but it’ll be your business to know there aren’t. If you see a greaser prowling around, put him on the run. They’re paying good money for horses in Mexico, remember. You’re down there to see they don’t get ’em too cheap on this side. Do you get that?”
“Yes, sir—you bet!”
“Oh. You do? Well, get in.”
At the corral he turned again to Johnny. “Stop at the house when you’re ready. There’s a pile of Modern Mechanics you may as well take along. You won’t have any too much time for reading, though—not if you work the way you rhyme.”
“Well, I hope I work better,” said Johnny, his spirits risen to where speech bubbled. “I get paid for my work—and I guess I’d starve writing poetry for a living.”
“Yes, I guess you would. Good thing you know it.” Sudden swung his machine around and drove into the garage, and Johnny, untying his rope from his saddle, went into the corral to catch two fairly gentle horses.
When he was ready he rode over to the bungalow, leading the gentlest horse packed with bedding roll, “war bag,” and a few odds and ends that Johnny wanted to take along. Sudden was waiting on the porch with a rifle, cartridge belt and two extra boxes of ammunition, and a sack half full of magazines. He stood with his hands in his pockets while Johnny tied rifle and sack on the saddle.
“Now I want you to understand, Johnny, that you’re going down there on special work,” he said, coming down the steps and standing close to the horse. “There’s a telephone, and that’s your protection
if anything looks off-color. Keep the stock pushed back pretty well away from the line fences. There’s some good feed in those draws over east of Sinkhole creek. Let ’em graze in there—but keep an eye out for rustlers. Get to know the bunches of horses and watch their moves. You’ll soon know whether they are being bothered. Pete leaves camp this afternoon. You’ll probably meet him.
“And this gun—well, you keep it right with you. I don’t want you to go around hunting trouble, but I want you to be ready for it if it comes. A horse looks awfully good to a greaser, remember. But no greaser likes the looks of a white man with a gun. Now let’s see how much brains you’ve got for the job, young man. If you see to it that no Rolling R stuff comes up missing, and do it without any trouble, I’ll call that making good.”
“All right, I’ll try and make good, then.” Johnny’s shoulders went back. “When a man’s got some object in life besides just earning a living, he—”
From within the house full-toned chords were struck from a piano. Johnny scowled, gave his packed horse a yank, and rode off. Couldn’t that girl ever let up on a fellow? Playing that darn fool tune over and over! It sure showed how much brains she had in her head! He hoped she’d get enough of it. If he was her mother or her father, he knew what he’d do with her and the whole outfit. He’d stand ’em all up in a row and make ’em sing that fool song till they were hoarse as calves on the fifth day of weaning. There was a time, too, when he had liked that girl. If she had shown any brains or feeling, he could have loved Mary V. Good thing he found out in time.
Johnny looked back from the gate and heaved a great sigh of relief at his narrow escape. Or was it regret? Johnny himself did not know, but he called it relief because that was the most comfortable emotion a young man may take away with him into desert loneliness.