by Thomas Mann
“Counting from below?” asked Klaus Heinrich. And she answered at once:
“Of course. Six, counting from above.”
He got muddled and lost his bearings and it was a long time before he realized that she was making fun of him. Then he tried to explain himself and to make his simple question clear, explaining that he meant to ask whether she included the under-water holds, the cellars so to speak, in the five—in short, to prove that he was not lacking in common sense, and at last he joined heartily in the merriment which was the result of his efforts. As for the Court Theatre, Miss Spoelmann gave it as her opinion, with a pout and a wag of the head, that the actress who played the ingénue should be strongly recommended to go through the cure at Marienbad, coupled with a course of lessons in dancing and deportment, while the hero should be warned that a voice as resonant as his should be used most sparingly, even in private life.… All the same, Miss Spoelmann expressed her warm admiration for the theatre in question.
Klaus Heinrich laughed and wondered, a little oppressed by so much smartness. How well she spoke, how pointed and incisive were her words! They discussed the operas also and the plays which had been produced during the winter, and Imma Spoelmann contradicted Klaus Heinrich’s judgments, contradicted him in every case, just as if she thought that not to contradict would show a mean spirit; the superior wit of her tongue left him dazed, and the great black eyes in her pearl-white face glittered from sheer joy in her dialectic skill, while Mr. Spoelmann leaned back in his chair, holding the fat cigarette between his lips and blinking through its smoke, and gazed at his daughter with fond satisfaction.
More than once Klaus Heinrich showed in his face the look of pained bewilderment which he had noticed on a previous occasion on the face of the good sister, and yet he felt convinced that it was not Imma Spoelmann’s intention to wound his feelings, that she did not consider him humbled because he was not successful in standing up to her, that she rather let his poor answers pass, as if she considered that he had no need of a sharp wit to defend him—it was only she who had. But how was that, and why? He thought involuntarily of Ueberbein at many of her sallies, of the nimble-tongued blusterer Ueberbein, who was a natural misfortune, and had grown up in conditions which he described as favourable. A youth of misery, loneliness, and misfortune, shut out from the blessings of fortune—such a man knew no luxury, no comfort, he saw himself clearly and cruelly thrown on his own resources, which assuredly gave him an advantage over those who “knew not necessity.”
But Imma Spoelmann sat there in her red-gold dress at the table, reclining indolently, with the mocking look of a spoled child; there she sat in confident ease, while her tongue ran on sharply and freely, as befitted an atmosphere of refinement and lively wit. But why did she give it play? Klaus Heinrich pondered the question, the while they discussed Atlantic steamers and plays. He sat bolt upright at the table, in a dignified and uncomfortable attitude, while he concealed his left hand, and more than once he felt a sidelong glance of hatred from the eyes of Countess Löwenjoul.
A servant came in and handed Mr. Spoelmann a telegram on a silver salver. Mr. Spoelmann tore it open crossly, glanced through it, blinking and with the remains of his cigarette in the corner of his mouth, and threw it back on the salver, with the curt order: “Mr. Phlebs.” Thereupon he lighted a new cigarette.
Miss Spoelmann said: “In spite of distinct medical orders, that’s the fifth cigarette you’ve had to-day. Let me tell you that the unbridled passion with which you abandon yourself to the vice little beseems your grey hairs.”
Mr. Spoelmann obviously tried to laugh, and as obviously failed; the acid tone of his daughter’s words was not to his liking, and he flushed up.
“Silence!” he snarled. “You think you can say anything in fun, but please spare me your saucy jokes, chatterbox!”
Klaus Heinrich, appalled, looked at Imma, who turned her big eyes on her father’s angry face, and then sadly dropped her head. Of course she had not meant any offence, she had simply amused herself with the strange, swelling words which she used to poke her fun; she had expected to raise a laugh, and had failed dismally.
“Father, darling father!” she said beseechingly, and crossed over to stroke Mr. Spoelmann’s flushed cheeks.
“Surely,” he grumbled on, “you’ve grown out of that sort of thing by now.” But then he yielded to her blandishments, let her kiss the top of his head, and swallowed his anger. Klaus Heinrich, when peace was restored, alluded to the collection of glass, whereupon the party left the tea-table and went into the adjoining museum, with the exception of Countess Löwenjoul, who withdrew with a deep curtsey. Mr. Spoelmann himself switched on the electric light in the chandeliers.
Handsome cabinets in the style of the whole Schloss, with swelling curves and rounded glass doors, alternated with rich silk chairs all round the room. In these cabinets Mr. Spoelmann’s collection of glass was displayed. Yes, there could be no doubt that it was the most complete collection in either hemisphere, and the glass which Klaus Heinrich had acquired was merely a most modest sample of it. It began in one corner of the room with the earliest artistic productions of the industry, with finds of heathenish designs from the culture of the earliest times; then came the products of the East and West of every epoch; next, wreathed, flourished, and imposing vases and beakers from Venetian blow-pipes and costly pieces from Bohemian huts, German tankards, picturesque Guild and Electorate bowls, mixed with grotesque animals and comic figures, huge crystal cups, which reminded one of the Luck of Edenhall in the song, and in whose facets the light broke and sparkled; ruby-coloured glasses like the Holy Grail; and finally the best samples of the latest development of the art, fragile blossoms on impossibly brittle stems, and fancy glasses in the latest fashionable shape, made iridescent with the vapours of precious metals. The three, followed by Percival, who also examined the collection, walked slowly round the hall; and Mr. Spoelmann related in his harsh voice the origin of particular pieces, taking them carefully off their velvet stands with his thin, soft-cuffed hand, and holding them up to the electric light.
Klaus Heinrich had had plenty of practice in visits of inspection, in putting questions and making adroit remarks, so that he was well able at the same time to ponder over Imma Spoelmann’s mode of expressing herself, that peculiar mode which worried him not a little. What amazing freedom she allowed herself! What extraordinary remarks she allowed herself to make! “Passion,” “vice,” where did she get the words from? where did she learn to use them so glibly? Had not Countess Löwenjoul, who herself dealt with the same topics in a confused sort of way, and had obviously seen the seamy side of life, described her as quite innocent!
And the description was undoubtedly correct, for was she not an exception by birth like himself, brought up like a girl “born to be queen,” kept apart from the busy strife of men and from all the turmoil to which those sinister words corresponded in the life of reality? But she had uttered the words glibly, and had treated them as a joke. Yes, that was it, this dainty creature in her red-gold gown was merely a wielder of words; she knew no more of life than those words, she played with the most serious and most awful of them as with coloured stones, and was puzzled when she made people angry by their use. Klaus Heinrich’s heart, as he thought of this, filled with sympathy.
It was nearly seven o’clock when he asked for his carriage to be called—slightly uneasy about his long stay, in view of the Court and the public. His departure evoked a fresh and terrifying demonstration on the part of Percival, the collie. Every alteration or interruption in a situation seemed to throw the noble animal off his moral balance. Quivering, yelping, and deaf to all blandishments, he stormed through the rooms and the hall and up and down the steps, drowning the words of leave-taking in his hubbub. The butler did the Prince the honours as far as the floor with the statues of gods. Mr. Spoelmann did not accompany him any distance. Miss Spoelmann made the position clear: “I am convinced that your sojourn in the bosom of our
family has charmed you, Prince.” And he was left wondering whether the joke lay in the expression “the bosom of our family” or in the actual fact. Anyhow, Klaus Heinrich was at a loss for a reply.
Leaning back in the corner of his brougham, rather sore and battered, and yet stimulated by the unusual treatment he had experienced, he drove home, through the dark Town Gardens to the Hermitage, returned to his sober Empire room, where he dined with von Schulenburg-Tressen and Braunbart-Schellendorf. Next day he read the comments of the Courier. They amounted only to a statement that yesterday his Royal Highness Prince Klaus Heinrich went to Schloss Delphinenort for tea, and inspected Mr. Spoelmann’s renowned collection of fancy glass.
And Klaus Heinrich continued to live his unreal life, and to carry out his exalted calling. He uttered his gracious speeches, made his gestures, represented his people at the Court and at the President of the Council’s great ball, gave free audiences, lunched in the officers’ mess of the Grenadier Guards, showed himself at the Court Theatre, and bestowed on this and that district of the country the privilege of his presence. With a smile, and with heels together, he carried out all due formalities and did his irksome duty with complete self-possession, albeit he had at this time so much to think of—about the peppery Mr. Spoelmann, the muddle-headed Countess Löwenjoul, the harum-scarum Percy, and especially about Imma, the daughter of the house. Many a question to which his first visit to Delphinenort had given rise he was not yet in a position to answer, but only succeeded in solving as the result of further intercourse with the Spoelmanns, which he maintained to the eager and at last feverish interest of the public, and which advanced a step further when the Prince in the early morning one day, to the astonishment of his suite, his servants, and himself—indeed, partly involuntarily, and as if carried along by destiny—appeared alone and on horseback at Delphinenort, for the purpose of taking Miss Spoelmann, whom he disturbed in her mathematical studies at the top of the Schloss, for a ride.
The grip of winter had relaxed early in this ever-to-be-remembered year. After a mild January, the middle of February had seen the coming of a preliminary spring with birds and sunshine and balmy breezes, and as Klaus Heinrich lay on the first of these mornings at the Hermitage in his roomy old mahogany bed, from one of whose posts the spherical crown was missing, he felt himself, as it were, impelled by a strange hand and irresistibly inspired to deeds of boldness.
He rang the bell-pull for Neumann (they only had draw-bells at the Hermitage), and ordered Florian to be ready saddled in an hour’s time. Should a horse be got ready for the groom too? No, it was not necessary. Klaus Heinrich said that he wanted to ride alone. Then he gave himself into Neumann’s skilful hands for his morning toilette, breakfasted impatiently below in the garden room, and mounted his horse at the foot of the terrace. With his spurred top-boots in the stirrups, the yellow reins in his brown-gloved right hand, and the left planted on his hip under his open cloak, he rode at a walking pace through the soft morning, scanning the still bare branches for the birds whose twittering he heard. He rode through the public part of his park, through the Town Gardens and the grounds of Delphinenort. He reached it at half-past nine. Great was the general surprise.
At the main gate he gave Florian over to an English groom. The butler, who was crossing the mosaic hall busy on his household duties, stood still, taken aback at the sight of Klaus Heinrich. To the inquiry which the Prince addressed to him, in a clear and almost haughty voice, about the ladies, he did not even reply, but turned helplessly towards the marble staircase, gazing dumbly at the top step, for there stood Mr. Spoelmann.
It seemed that he had just finished breakfast, and was in the best of tempers. His hands were plunged deep in his pockets, his lounge coat drawn back from his velvet waistcoat, and the blue smoke of his cigarette was making him blink.
“Well, young Prince?” he said, and stared down at him.…
Klaus Heinrich saluted and hurried up the red stair-carpet. He felt that the situation could only be saved by swiftness and, so to speak, by an attack by storm.
“You will be astounded, Mr. Spoelmann,” he said, “at this early hour …” He was out of breath, and the fact disturbed him greatly, he was so little used to it.
Mr. Spoelmann answered him by a look and a shrug of the shoulders, as much as to say that he could control himself, but desired an explanation.
“The fact is, we have an appointment …” said Klaus Heinrich. He was standing two steps below the millionaire and was speaking up at him. “An appointment for a ride between Miss Imma and myself.… I have promised to show the ladies the ‘Pheasantry’ and the Court Kennels.… Miss Imma told me that she knew nothing about the surrounding country. It was agreed that on the first fine day … It’s such a lovely day to-day.… It is of course subject to your approval.…”
Mr. Spoelmann shrugged his shoulders, and made a face as if to say: “Approval—why so?”
“My daughter is grown up,” he said. “I don’t interfere. If she rides, she rides. But I don’t think she has time. You must find that out for yourself. She’s in there.” And Mr. Spoelmann pointed his chin towards the tapestry door, through which Klaus Heinrich had already once passed.
“Thanks,” said Klaus Heinrich. “I’ll go and see for myself.” And he ran up the remaining steps, pushed the tapestry hanging aside with a determined gesture, and went down the steps into the sunlit, flower-scented winter garden.
In front of the splashing fountain and the basin with fancy-feathered ducks sat Imma Spoelmann leaning over a table, her back turned to the incomer. Her hair was down. It hung black and glossy on each side of her head, covered her shoulders, and allowed nothing to be seen but a shadow of the childlike quarter profile of her face, which showed white as ivory against the darkness of her hair. There she sat absorbed in her studies, working at the figures in the notebook before her, her lips pressed on the back of her left hand, and her right grasping the pen.
The Countess too was there, also busy writing. She sat some way off under the palms, where Klaus Heinrich had first conversed with her, and wrote sitting upright with her head on one side, a pile of closely scribbled note-paper lying at her side. The clank of Klaus Heinrich’s spurs made her look up. She looked at him with half-closed eyes for two seconds, the long pen poised in her hand, then rose and curtseyed. “Imma,” she said, “his Royal Highness Prince Klaus Heinrich is here.”
Miss Spoelmann turned quickly round in her basket chair, shook her hair back and gazed without speaking at the intruder with big, startled eyes, until Klaus Heinrich had bid the ladies good-morning with a military salute. Then she said in her broken voice: “Good-morning to you too, Prince. But you are too late for breakfast. We’ve finished long ago.”
Klaus Heinrich laughed.
“Well, it’s lucky,” he said, “that both parties have had breakfast, for now we can start at once for a ride.”
“A ride?”
“Yes, as we agreed.”
“We agreed?”
“No, don’t say that you’ve forgotten!” he said pleadingly. “Didn’t I promise to show you the country round? Weren’t we going for a ride together when it was fine? Well, to-day it’s glorious. Just look out …”
“It’s not a bad day,” she said, “but you go too fast, Prince. I remember that there was some suggestion of a ride at some future time—but surely not so soon as this? Might I not at least have expected some sort of notification, if your Highness will allow the word? You must allow that I can’t ride like this about here.”
And she stood up to show her morning dress, which consisted of a loose gown of many-coloured silk and an open green-velvet jacket.
“No,” he said, “unfortunately you cannot. But I’ll wait here while you both change. It’s quite early.…”
“Uncommonly early. But in the second place I am rather busy with my innocent studies, as you saw. I’ve got a lecture at eleven o’clock.”
“No,” he cried, “to-day you must not gri
nd at algebra, Miss Imma; you must not play in the vacuum, as you put it! Look at the sun!… May I?…” And he went to the table and took up the notebook.
What he saw made his head swim. A fantastic hocus-pocus, a witches’ sabbath of abbreviated symbols, written in a childish round hand which was the obvious result of Miss Spoelmann’s peculiar way of holding her pen, covered the pages. There were Greek and Latin letters of various heights, crossed and cancelled, arranged above and below cross lines, covered by other lines, enclosed in round brackets, formulated in square brackets. Single letters, pushed forward like sentries, kept guard above the main bodies. Cabalistic signs, quite unintelligible to the lay mind, cast their arms round letters and ciphers, while fractions stood in front of them and ciphers and letters hovered round their tops and bottoms. Strange syllables, abbreviations of mysterious words, were scattered everywhere, and between the columns were written sentences and remarks in ordinary language, whose sense was equally beyond the normal intelligence, and conveyed no more to the reader than an incantation.
Klaus Heinrich looked at the slight form, which stood by him in the shimmering frock, becurtained by her dark hair, and in whose little head all this lived and meant something. He said, “Can you really waste a lovely morning over all this God-forsaken stuff?”
A glance of anger met him from her big eyes. Then she answered with a pout:
“Your Highness seems to wish to excuse yourself for the want of intelligence you recently displayed with regard to your own exalted calling.”