The fields he’d already passed through had seemed rank and overgrown, as though claimed by the wilderness decades ago. Yet there was no mistaking what stretched before him as anything but open moor. Clumps of gorse sprang everywhere, starbursts of yellow blossom shadowing pale-green ferns and tufts of dogtooth violets. He walked cautiously - he couldn’t see the earth underfoot for all the new growth - but the ground felt solid beneath mats of dead bracken that gave off a spicy October scent. He was so intent on watching his step that he nearly walked into a standing stone.
He sucked his breath in sharply and stumbled backward. For a fraction of a second he’d perceived a figure there, but it was only a stone, twice his height and leaning at a forty-five degree angle, so that it pointed towards the sea. He circled it, then ran his hand across its granite flank, sun-warmed and furred with lichen and dried moss. He kicked at the thatch of ferns and ivy that surrounded its base, stooped and dug his hand through the vegetation, until his fingers dug into raw earth.
He withdrew his hand and backed away, staring at the ancient monument, at once minatory and banal. He could recall no indication of a standing stone between Cardu and Zennor, and when he checked the map he saw nothing there.
But something else loomed up from the moor a short distance away - a house. He headed towards it, slowing his steps in case someone saw him, so that they might have time to come outside.
No one appeared. After five minutes he stood in a rutted drive beside a long, one-storey building of grey stone similar to those he’d passed on the main road; slate-roofed, with deep small windows and a wizened tree beside the door, its branches rattling in the wind. A worn hand-lettered sign hung beneath the low eaves: GOLOVENNA FARM.
Jeffrey looked around. He saw no car, only a large plastic trash bin that had blown over. He rapped at the door, waited, then knocked again, calling out a greeting. When no one answered he tried the knob, but the door was locked.
He stepped away to peer in through the window. There were no curtains. Inside looked dark and empty, no furniture or signs that someone lived here, or indeed if anyone had for years. He walked round the house, stopping to look inside each window and half-heartedly trying to open them, without success. When he’d completed this circuit, he wandered over to the trash bin and looked inside. It too was empty.
He righted it, then stood and surveyed the land around him. The rutted path joined a narrow, rock-strewn drive that led off into the moor to the west. He saw what looked like another structure not far from where the two tracks joined, a collapsed building of some sort.
He headed towards it. A flock of little birds flittered from a gorse bush, making a sweet high-pitched song as they soared past him, close enough that he could see their speckled breasts and hear their wings beat against the wind. They settled on the ruined building, twittering companionably as he approached, then took flight once more.
It wasn’t a building but a mound, roughly rectangular but with rounded corners, maybe twenty feet long and half again as wide; as tall as he was, and so overgrown with ferns and blackthorn that he might have mistaken it for a hillock. He kicked through brambles and clinging thorns until he reached one end, where the mound’s curve had been sheared off.
Erosion, he thought at first; then realised that he was gazing into an entryway. He glanced behind him before drawing closer, until he stood knee-deep in dried bracken and whip-like blackthorn.
In front of him was a simple doorway of upright stones, man-high, with a larger stone laid across the tops to form a lintel. Three more stones were set into the ground as steps, descending to a passage choked with young ferns and ivy mottled black and green as malachite.
Jeffrey ducked his head beneath the lintel and peered down into the tunnel. He could see nothing but vague outlines of more stones and straggling vines. He reached to thump the ceiling to see if anything moved.
Nothing did. He checked his phone - still no signal - turned to stare up into the sky, trying to guess what time it was. He’d left the car around 2:30, and he couldn’t have been walking for more than an hour. Say it was four o’clock, to be safe. He still had a good hour-and-a-half to get back to the road before dark.
He took out the apple Thomsa had given him and ate it, dropped the core beside the top step; zipped his windbreaker and descended into the passage.
He couldn’t see how long it was, but he counted thirty paces, pausing every few steps to look back at the entrance, before the light faded enough that he needed to use his cell phone for illumination. The walls glittered faintly where broken crystals were embedded in the granite, and there was a moist, earthy smell, like a damp cellar. He could stand upright with his arms outstretched, his fingertips grazing the walls to either side. The vegetation disappeared after the first ten paces, except for moss, and after a few more steps there was nothing beneath his feet but bare earth. The walls were of stone, dirt packed between them and hardened by the centuries so that it was almost indistinguishable from the granite.
He kept going, glancing back as the entryway diminished to a bright mouth, then a glowing eye, and finally a hole no larger than that left by a finger thrust through a piece of black cloth.
A few steps more and even that was gone. He stopped, his breath coming faster, then walked another five paces, the glow from his cell phone a blue moth flickering in his hand. Once again he stopped to look back.
He could see nothing behind him. He shut off the cell phone’s light, experimentally moved his hand swiftly up and down before his face; closed his eyes then opened them. There was no difference.
His mouth went dry. He turned his phone on, took a few more steps deeper into the passage before halting again. The phone’s periwinkle glow was insubstantial as a breath of vapour: he could see neither the ground beneath him nor the walls to either side. He raised his arms and extended them, expecting to feel cold stone beneath his fingertips.
The walls were gone. He stepped backwards, counting five paces, and again extended his arms. Still nothing. He dropped his hands and began to walk forward, counting each step - five, six, seven, ten, thirteen - stopped and slowly turned in a circle, holding the phone at arm’s-length as he strove to discern some feature in the encroaching darkness. The pallid blue gleam flared then went out.
He swore furiously, fighting panic. He turned the phone on and off, to no avail; finally shoved it into his pocket and stood, trying to calm himself.
It was impossible that he could be lost. The mound above him wasn’t that large, and even if the fogou’s passage continued for some distance underground, he would eventually reach the end, at which point he could turn around and painstakingly wend his way back out again. He tried to recall something he’d read once, about navigating the maze at Hampton Court - always keep your hand on the left-hand side of the hedge. All he had to do was locate a wall, and walk back into daylight.
He was fairly certain that he was still facing the same way as when he had first entered. He turned, so that he was now facing where the doorway should be, and walked, counting aloud as he did. When he reached one hundred he stopped.
There was no way he had walked more than a hundred paces into the tunnel. Somehow, he had got turned around. He wiped his face, slick and chill with sweat, and breathed deeply, trying to slow his racing heart. He heard nothing, saw nothing save that impenetrable darkness. Everything he had ever read about getting lost advised staying put and waiting for help; but that involved being lost above ground, where someone would eventually find you. At some point Thomsa and Harry would notice he hadn’t returned, but that might not be till morning.
And who knew how long it might be before they located him? The thought of spending another twelve hours or more here, motionless, unable to see or hear, or touch anything save the ground beneath his feet, filled Jeffrey with such overwhelming horror that he felt dizzy.
And that was worst of all: if he fell, would he even touch the ground? He crouched, felt an absurd wash of relief as he pressed his p
alms against the floor. He straightened, took another deep breath and began to walk.
He tried counting his steps, as a means to keep track of time, but before long a preternatural stillness came over him, a sense that he was no longer awake but dreaming. He pinched the back of his hand, hard enough that he gasped. Yet still the feeling remained, that he’d somehow fallen into a recurring dream, the horror deadened somewhat by a strange familiarity. As though he’d stepped into an icy pool, he stopped, shivering, and realised the source of his apprehension.
It had been in the last chapter of Robert Bennington’s book, Still the Seasons; the chapter that he’d never been able to recall clearly. Even now it was like remembering something that had happened to him, not something he’d read: the last of the novel’s four children passing through a portal between one world and another, surrounded by utter darkness and the growing realisation that with each step the world around her was disintegrating and that she herself was disintegrating as well, until the book ended with her isolated consciousness fragmented into incalculable motes within an endless, starless void.
The terror of that memory jarred him. He jammed his hands into his pockets and felt his cell phone and the map, his car keys, some change. He walked more quickly, gazing straight ahead, focused on finding the spark within the passage that would resolve into the entrance.
After some time his heart jumped - it was there, so small he might have imagined it, a wink of light faint as a clouded star.
But when he ran a few paces he realised it was his mind playing tricks on him. A phantom light floated in the air, like the luminous blobs behind one’s knuckled eyelids. He blinked and rubbed his eyes: the light remained.
‘Hello?’ he called, hesitating. There was no reply.
He started to walk, but slowly, calling out several times into the silence. The light gradually grew brighter. A few more minutes and a second light appeared, and then a third. They cast no glow upon the tunnel, nor shadows: he could see neither walls nor ceiling, nor any sign of those who carried the lights. All three seemed suspended in the air, perhaps ten feet above the floor, and all bobbed slowly up and down, as though each was borne upon a pole.
Jeffrey froze. The lights were closer now, perhaps thirty feet from where he stood.
‘Who is it?’ he whispered.
He heard the slightest of sounds, a susurrus as of escaping air. With a cry he turned and fled, his footsteps echoing through the passage. He heard no sounds of pursuit, but when he looked back, the lights were still there, moving slowly towards him. With a gasp he ran harder, his chest aching, until one foot skidded on something and he fell. As he scrambled back up, his hand touched a flat smooth object; he grabbed it and without thinking jammed it into his pocket, and raced on down the tunnel.
And now, impossibly, in the vast darkness before him he saw a jot of light that might have been reflected from a spider’s eye. He kept going. Whenever he glanced back, he saw the trio of lights behind him.
They seemed to be more distant now. And there was no doubt that the light in front of him spilled from the fogou’s entrance -he could see the outlines of the doorway, and the dim glister of quartz and mica in the walls to either side. With a gasp he reached the steps, stumbled up them and back out into the blinding light of afternoon. He stopped, coughing and covering his eyes until he could see, then staggered back across first one field and then the next, hoisting himself over rocks heedless of blackthorns tearing his palms and clothing, until at last he reached the final overgrown tract of heather and bracken, and saw the white roof of his rental car shining in the sun.
He ran up to it, jammed the key into the lock and with a gasp fell into the driver’s seat. He locked the doors, flinching as another car drove past, and finally looked out the window.
To one side was the gate he’d scaled, with field after field beyond; to the other side the silhouettes of Gurnard’s Head and its sister promontory. Beyond the fields, the sun hung well above the lowering mass of Zennor Hill. The car’s clock read 15:23.
He shook his head in disbelief: it was impossible he’d been gone for scarcely an hour. He reached for his cell phone and felt something in the pocket beside it - the object he’d skidded on inside the fogou.
He pulled it out. A blue metal disc, slightly flattened where he’d stepped on it, with gold-stamped words above a beacon.
ST AUSTELL SWEETS: FUDGE FROM REAL CORNISH CREAM
He turned it over in his hands and ran a finger across the raised lettering.
Aunt Becca gave one to each of us the day we arrived. The fudge was supposed to last the entire two weeks, and I think we ate it all that first night.
The same kind of candy tin where Evelyn had kept her comb and Anthea her locket and chain. He stared at it, the tin bright and enamel glossy-blue as though it had been painted yesterday. Anyone could have a candy tin, especially one from a local company that catered to tourists.
After a minute he set it down, took out his wallet and removed the photo Evelyn had given him: Evelyn and Moira doubled-up with laughter as Anthea stared at them, slightly puzzled, a half-smile on her face as though trying to determine if they were laughing at her.
He gazed at the photo for a long time, returned it to his wallet, then slid the candy lid back into his pocket. He still had no service on his phone.
*
He drove very slowly back to Cardu, nauseated from sunstroke and his terror at being underground. He knew he’d never been seriously lost - a backwards glance as he fled the mound reassured him that it hadn’t been large enough for that.
Yet he was profoundly unnerved by his reaction to the darkness, the way his sight had betrayed him and his imagination reflexively dredged up the images from Evelyn’s story. He was purged of any desire to remain another night at the cottage, or even in England, and considered checking to see if there was an evening train back to London.
But by the time he edged the car down the long drive to the cottage, his disquiet had ebbed somewhat. Thomsa and Harry’s car was gone. A stretch of wall had been newly repaired, and many more daffodils and narcissus had opened, their sweet fragrance following him as he trudged to the front door.
Inside he found a plate with a loaf of freshly baked bread and some local blue cheese, beside it several pamphlets with a yellow Post-It note.
Jeffrey —
Gone to see a play in Penzance. Please turn off lights downstairs. I found these books today and thought you might be interested in them.
Thomsa
He glanced at the pamphlets - another map, a flyer about a music night at the pub in Zennor, a small paperback with a green cover - crossed to the refrigerator and foraged until he found two bottles of beer. Probably not proper B&B etiquette, but he’d apologise in the morning.
He grabbed the plate and book and went upstairs to his room. He kicked off his shoes, groaning with exhaustion, removed his torn windbreaker and regarded himself in the mirror, his face scratched and flecked with bits of greenery.
‘What a mess,’ he murmured, and collapsed onto the bed.
He downed one of the bottles of beer and most of the bread and cheese. Outside, light leaked from a sky deepening to ultra-marine. He heard the boom and sigh of waves, and for a long while he reclined in the window-seat and stared out at the cliffs, watching as shadows slipped down them like black paint. At last he stood and got some clean clothes from his bag. He hooked a finger around the remaining bottle, picked up the book Thomsa had left for him and retired to the bathroom.
The immense tub took ages to fill, but there seemed to be unlimited hot water. He put all the lights on and undressed, sank into the tub and gave himself over to the mindless luxury of hot water and steam and the scent of daffodils on the windowsill.
Finally he turned the water off. He reached for the bottle he’d set on the floor and opened it, dried his hands and picked up the book, a worn paperback, its creased cover showing a sweep of green hills topped by a massive tor, with a glimpse o
f sea in the distance.
OLD TALES FOR NEW DAYS
BY ROBERT BENNINGTON
Jeffrey whistled softly, took a long swallow of beer and opened the book. It was not a novel but a collection of stories, published in 1970 - Cornish folktales, according to a brief preface, ‘told anew for today’s generation’. He scanned the table of contents - ‘Pisky-Led’, ‘Tregeagle and the Devil’, ‘Jack the Giant Killer’ - then sat up quickly in the tub, spilling water as he gazed at a title underlined with red ink: ‘Cherry of Zennor’. He flipped through the pages until he found it.
Sixteen-year-old Cherry was the prettiest girl in Zennor, not that she knew it. One day while walking on the moor she met a young man as handsome as she was lovely.
‘Will you come with me?’ he asked, and held out a beautiful lace handkerchief to entice her. ‘I’m a widower with an infant son who needs tending. I’ll pay you better wages than any man or woman earns from here to Kenidjack Castle, and give you dresses that will be the envy of every girl at Morvah Fair.’
Now, Cherry had never had a penny in her pocket in her entire young life, so she let the young man take her arm and lead her across the moor …
There were no echoes here of The Sun Battles, no vertiginous terrors of darkness and the abyss; just a folk tale that reminded Jeffrey a bit of Rip Van Winkle, with Cherry caring for the young son and, as the weeks passed, falling in love with the mysterious man.
Each day she put ointment on the boy’s eyes, warned by his father never to let a drop fall upon her own, until of course one day she couldn’t resist doing so, and saw an entire host of gorgeously-dressed men and women moving through the house around her, including her mysterious employer and a beautiful woman who was obviously his wife. Bereft and betrayed, Cherry fled; her lover caught up with her on the moor and pressed some coins into her hand.
A Book of Horrors - [Anthology] Page 40