by Ian Rankin
He knows, Rebus was thinking. He knows everything we might try. So damned smart.
'Well, thanks anyway,' he said. The young man raised his eyebrows and spread his palms.
'I wish we could do more.'
You could start by getting a haircut, son, he thought to himself. You look too much like Kenny Watkiss. He sighed instead. 'Just do what you can,' he said. 'Just do what you can.’
Turning to walk away, Rebus felt a mixture of fresh rage and impotence, sudden savage frustration. The Wolfman was too good. He would stop killing before they could catch him; or he would simply go on killing again and, again and again. No one would be safe. And most of all, it seemed, Lisa would not be safe.
Lisa.
She was being blamed by the Wolfman for the story Rebus had invented. It had nothing to do with Lisa. And if the Wolfman should' somehow get to her it would be Rebus's fault, wouldn't it?. Where was Lisa going? Rebus didn't know. Flight thought it was safer that way. But Rebus couldn't shake off the idea that the Wolfman might well be a policeman. Might: well be any policeman. Might be the brawny detective or the thin and silent detective. Lisa had gone off with them thinking them her protection. What if she had walked straight into the clutches of …? What if the Wolfman knew exactly.;.? What if Philip Cousins …?
A loudspeaker, sounded from its recess in the ceiling.
'Telephone call for Inspector Rebus at reception. Telephone call for Inspector Rebus.
Rebus walked quickly down the rest of the corridor and through the swing-door at the end. He didn't know if Flight was still in the building, didn't care. His mind was filling with horrors: Wolfman, Lisa, Rhona, Sammy. Little Sammy, his daughter. She'd' seen enough terror in her life. He'd been responsible before. He didn't want her to be hurt ever again.
The receptionist lifted the receiver as he approached, holding it out to him. As he grabbed it, she pressed a button on the dial, connecting him to the caller.
'Hello?' he said, breathlessly.
'Daddy?' Oh Christ, it was Sammy.
'Sammy?' Nearly yelling now. 'What is it? What's wrong?'
'Oh, Daddy.' She was crying. The memory flashed in front of him, scalding his vision. Phonecalls. Screams.
'What is it, Sammy? Tell me!'
'It's,' a sniff, 'it's Kenny.'
'Kenny?' He furrowed his brow. 'What's wrong with him? Has he been in a crash?'
'Oh no, Daddy. He's just … just disappeared."
'Where are you, Sammy?'
'I'm in a call-box.'
'Okay, I'm going to give you the address of a police station. Meet me there. If you have to get a taxi, that's fine. I'll pay for it when you arrive. Understand?'
'Daddy.' She sniffed back tears. 'You've got to find him. I'm' worried. Please find him, Daddy. Please. Please!'
By the time. George Flight, reached reception, Rebus had already left. The receptionist explained as best she could, while Flight rubbed his jaw, encountering stubble. He’ had argued with Lisa Frazer, but by Christ she'd been stubborn. Attractively stubborn, he had to admit. She'd told him she didn't mind bodyguards but that the idea of a 'safe location' was out of the question. She had, she said, an appointment at the Old Bailey, a couple of appointments actually, interviews she was doing in connection with some research.
'It's taken me weeks to set them up,' she said, 'there's no way I'm going to blow them out now!'
'But my dear,' Philip Cousins had drawled, 'that's just where we're headed.' He was, Flight knew keen for a close to proceedings, glancing at his watch impatiently. And it seemed that Lisa and Cousins knew one another from the murder at Copperplate Street, that they had things in common, things they wanted to talk about. That they were keen to be going.
So Flight made a decision. What did it matter after all if she did visit the Bailey? There were few better protected spots in the whole city. It was several hours yet until the first of her interviews, but that didn't really bother her. She did not, she said, mind hanging around in the 'courthouse'. In fact, she rather enjoyed the idea. The two officers could accompany her, wait for her, then drive her on to whatever safe location Flight had in mind. This, at any rate, was Lisa Frazer's argument, an argument defended by Philip Cousins who could see 'no flaw in the reasoning, m'lud'. So, to smiles on their part and a shrug on Flight's, the course of action was decided. Flight watched the Ford Granada roll away from him. the two officers in the front, Philip and Lisa Frazer in the back. Safe as houses, he was thinking. Safe as bloody houses.
And now Rebus had buggered off Oh well, he'd catch up with him no doubt. He didn't regret bringing Rebus down here, not a bit. But he knew it had been his decision, not one entirely endorsed by the upper echelons. Any ballsups and it would be Flight's pension on the block. He knew that only too well, as did everyone else. Which was why he'd stuck so close to Rebus in the first few days, just to be sure of the man.
Was he sure of the man? It was, a question he would rather not answer, even now, even to himself. Rebus was like the spring in a trap, likely to jump no matter what landed on the bait. He was also a Scot, and Flight had never trusted the Scots, not since the day they'd voted to stay part of the Union …
'Daddy!'
And she runs into his arms. He hugs her to him, aware that he does not have to bend too far to accomplish this. Yes, she's grown, and yet she seems more childlike than ever. He kisses the top of her head, smells her clean hair. She is trembling. He can feel the vibrations darting through her chest and arms.
'Sshh,' he says. 'Ssshhh, pet, ssshhh.'
She pulls back and almost smiles, sniffs, then; says, 'You always used to call me that. Your pet. Mum never called me pet. Only you.'
He smiles back and strokes her hair. 'Yes,' he says, 'your mum told me off for that. She said a pet was a possession and that you weren't a possession.' He is remembering now. 'She had some funny ideas, your mum'
'She still does.' Then she remembers why she is here. The tears well up anew in her eyes.
'I know you don't like him,' she says.-
'Nonsense, whatever gives you that — '
'But I love him, Daddy.' His heart spins once in his chest. 'And I don't want anything to happen to him.' 'What makes you think something's going to happen to him?'
'The way he's been acting lately, like he's keeping secrets from me. Mum's noticed it, too. I'm not just dreaming. But she said she thought maybe he' was planning an engagement.' She sees his eyes widen, and shakes her head. 'I didn't believe it. I knew it was something else. I thought, I don't know, I just..:'
He notices for the first time that they have an audience. Until now they might have been in a sealed box for all the notice he has taken of their surroundings. Now, though, he sees a bemused desk sergeant, two WPCs clutching paperwork to their bosoms and watching the scene with a kind of maternal glow, two unshaven men slumped in seats against the wall, just waiting.
'Come on, Sammy,' he says. 'Let's go up to my office.'
They were halfway to the Murder Room before he remembered that it was not, perhaps, the most wholesome environment for a teenage. girl. The photos on the walls were only the start of it. A sense of humour was needed on a case like the Wolfman, and that sense of humour had begun to manifest itself in cartoons, jokes and mock-ups of newspaper stories either pinned to the noticeboards or taped onto the sides of computer screens. The language could be choice, too, or someone might- be overheard in conversation with someone from forensics.
'. torn.. ripped her right … kitchen knife, they reckon … slit from ear..gouged … anus..; nasty bastard makes some of them seem almost human.' Stories were swapped of serial killers past, of suicides scraped from railway lines, of police dogs playing ball with a severed head.
No, definitely not the place for his daughter. Besides, there was always the possibility that Lamb might be there.
Instead, he found a vacant interview room.. It had been turned into a temporary cupboard while the investigation continued, filled with empty cardb
oard boxes, unneeded chairs, broken desk-lamps and computer keyboards, a heavy-looking manual typewriter. Eventually, the computers in the Murder Room would be packed back into the cardboard boxes, the files would be tidied away into dusty stacks somewhere.
For now, the room had a musty, barren feel, but it still boasted a light-bulb hanging from the ceiling, a table and two chairs. On the table sat a glass ashtray full of stubs and two plastic coffee cups containing a layer of green and black mould. On the floor lay a crushed cigarette packet. Rebus kicked the packet beneath some of the stacked chairs.
'It's not much,' he said, 'but' it's home. Sit down. Do you want anything?''
She seemed not to understand' the question. 'Like what?'
'I don't know, coffee, tea?'
'Diet Coke?'
Rebus shook his head.
'What about Irn-Bru?'
Now he laughed: she was joking; with him. He couldn't bear to see her upset, especially over someone as undeserving as Kenny Watkiss.
'Sammy,' he asked, 'does Kenny have an uncle?'
'Uncle Tommy?'
Rebus nodded. 'That's the one.'
'What about him?'
'Well,' said Rebus, crossing his legs, 'what do you know about him?'
'About Kenny's Uncle Tommy? Not a lot.' 'What does he do for a living?'
'I think Kenny said he's got a stall somewhere, you know in a market.''
Lake Brick Lane' market? Did he sell false teeth?
'Or maybe he just delivers to market stalls, I can't really remember:'
Delivers stolen goods? Goods given to him by thieves like the one they'd picked up, the one who had pretended to be the Wolfman?
'Anyway, he's got a few bob.'
'How do you know that?'
'Kenny told me. At least, I think he did. Otherwise how would I know?'
'Where does Kenny work, Sammy?'
'In the City.'
'Yes, but for which firm?'
'Firm?'
'He's a courier, isn't he? He must work for a company?'
But she shook her head. 'He went freelance when he had enough regular clients. I remember he said that his boss at the old place was pissed off ' She broke off suddenly and looked up at him, her face going red. She'd forgotten for a moment that she was talking to her father, and not just to some copper. 'Sorry, Dad,' she, apologised, 'His boss was angry with him for taking away so much of the trade. Kenny was good, see, he knows all the shortcuts, knows which buildings are which. Some drivers get confused when they can't find some tiny alleyway, or when the numbers on a street don't seem to make sense.' Yes. Rebus had noticed that; how sometimes the street numbers seemed illogical, as though numbers had been skipped. 'But not Kenny. He knows London like the back of his hand.'
Knows London well, the roads, the shortcuts. On a motorbike, you could cut across London in a flash. ' Tow-paths, alleys — in a flash.
'What kind of bike does he have, Sammy?'
'I don't know. A Kawasaki something-or-other. He's got one that he uses for work, because it's not too heavy, and another he keeps for weekends, a really big bike:'
'Where does he keep them? There can't be too many safe places around the Churchill Estate?'
'There are some garages nearby. They get vandalised, but Kenny's put a reinforced door on. It's like Fort Knox. I keep kidding him about it. It's better guarded than his.. ' Her voice falls flat. 'How did you know he lives on Churchill?'
'What?'
Her voice is stronger now, curious 'How did you know Kenny lives on Churchill?'
Rebus shrugged. 'I suppose he told me, that night I met him round; at your place.'
She's thinking back, trying to recall the conversation. But there's nothing there, nothing she can latch onto. Rebus is thinking, too.
Like Fort Knox. A handy place to store stolen gear. Or a corpse.
'So,' he says, pulling his chair a little further in to the table. 'Tell me what you think has happened. What do you think he's been keeping from you?'
She stared at the table-top, shaking her head slowly, staring, shaking, until finally: 'I don't know.'
'Well, had you fallen out over anything? Maybe you'd been arguing?'
'No.’
'Maybe he was jealous?'
She gave a desperate laugh. 'No.'
'Maybe he had other girlfriends?'
'No!'
When her eyes "caught his, Rebus felt a stirring of shame inside him. He couldn't forget that she was his daughter; nor could he forget that he needed to ask her these questions. Somehow he kept swerving between the two, careering into her.
'No,' she repeated softly. 'I'd have known if there was someone else.'
'Friends, then: did he have any close friends?'
'A few. Not many. I mean, he talked about them, but he never introduced me.'
'Have you tried calling them? Maybe one of them knows something.'
'I only know their first names. A couple of guys Kenny grew up with, Billy and Jim. Then there was someone called Arnold. He used to mention him. And one of the other bike messengers, I think his name was Roland or Ronald, something posh like that.'.
'Hold on, let me jot these down.' Rebus took notebook and pen from his pocket. 'Right,' he said, 'so that was Billy, Jim. What was the other one?'
'Roland or Ronald or something.' She watched him writing. 'And Arnold.'
Rebus sat back in his chair. 'Arnold?' 'Yes.'
'Did you ever meet Arnold?'
'I don't think so.'
'What did Kenny say about him?'
She shrugged. 'He was just someone Kenny used to bump into. I think he worked the stalls, too. They went for a drink sometimes.'
It couldn't be the same Arnold, could it? Flight's bald sex-offender snitch? What were the chances? Going for a drink? They seemed unlikely supping companions,' always supposing it was the same Arnold.
'All right,' Rebus said, closing the notebook. 'Do you have a recent photo of Kenny? A good one, one.that's nice and sharp.'
'I can get one. I've got some back at the house.'
'Okay, I'll get someone to drive you home. Give them the picture and they'll bring it back to me. Let's circulate Kenny's description, that's: the first thing to do. Meanwhile I'll do some snooping, see what I can come up with.'
She smiled. 'It's not really your patch, is it?'
'No, it's not my patch at all. But sometimes if you look at something, or some place, for too long, you stop seeing what's there. Sometimes it takes a fresh pair of eyes to see what's staring you in the face.' He was thinking of Flight, of the reason Flight. had brought him down here.-He-was thinking, too, of whether he, Rebus, could muster enough clout to organise a search for Kenny Watkiss. Maybe not without Flight to back him up. No, what was he thinking of? This was a missing person, for Christ's sake. It had to be investigated. Yes, but there were ways and ways of investigating, and he could count on no preferential treatment, no favours, when it came to the crunch. 'I don't suppose,' he asked now, 'you know whether or not his bikes are still in' the garage?'
'I took a look. They're both still there. That was when I started to get worried.'
'Was there anything else in the garage?' But she wasn't listening to him.
'He hardly ever goes anywhere without a bike. He hates buses and stuff He said he-was going to name his big bike after.'.. after me.'
The tears came again. This time he let her cry, though it hurt him more than he could say. Better out than in, wasn't that how the cliche went? She was blowing her nose when the door opened. Flight looked into the small room. His eyes said it all: you might have taken her somewhere better than this.
'Yes, George? What can I do for you?'
'After you left the lab,' the pause showed displeasure at not having been informed or left a message, 'they gave me a bit more gen on the letter itself'
'I'll be with you in a minute.'
Flight — nodded but directed his attention to Samantha. 'Are you okay, love?'
&nbs
p; She sniffed. 'Fine, thanks.' -
'Well,' he said archly, 'if you do want to register a complaint against Inspector Rebus, see the desk sergeant.!
'Ach, get away, George,' said Rebus.
Sammy was trying to giggle and blow her nose at the same time, and making a bit of a mess of both. Rebus winked towards Flight who, having done as much as. he could- (and for which Rebus was grateful), — was now retreating.
'You're not all bad, are you?' said Samantha when Flight had gone.
'What do you mean?'
'Policemen. You're not all as.bad as they say.'
'You're a copper's daughter, Sammy. Remember that. And you're a straight copper's daughter. Be sure-to stick up for your old dad. Okay?'
She smiled again. 'You're not old, Dad.'
He smiled, too, but did not reply. In truth, he was basking in the compliment, whether it was mere: flattery or. no. What mattered was that Sammy, his daughter Sammy, had said it.
'Right,' he said at last, 'let's get you into a car. And don't worry, pet, we'll track down your missing beau.' 'You called me pet again.'
Did I? Don't tell your mother.'
'I won't. And, Dad?'
'What?' He half-turned towards her just in time to receive her peck on the cheek.
'Thanks,' she said. 'Whatever happens, thanks.'
Flight was in the small office of the Murder Room. After the close confiness of the interview cupboard, this space had suddenly taken on a new, much' larger dimension. Rebus sat himself down and swung one leg over the other.
'So what's this about the Wolfman letter?' he said.
'So,' replied Flight, 'what's this about Kenny Watkiss disappearing?'
'You tell me yours' and I'll tell you mine.'
Flight picked up a folder, opened it, took-out three or four closely typed sheets of paper, and began to read.
'Typeface used is Helvetica. Unusual for personal correspondence, though used by newspapers and, magazines.' Flight looked up meaningfully.
'A' reporter?' Rebus' said doubtfully.
'Well, think about it,' said Flight; 'Every crime reporter in England knows — about Lisa Frazer by now. They could probably find out where she lives, too.'