That would be enough for today, Sharkey thought. Time to kick. He lit a cigarette and bent over the seat of his motorbike to work the combination on the Master lock. His dreads flopped down past his eyes and he could smell some of the coconut stuff he had put in his hair the night before at the Jaguar guy's house. That was after Arson had broken the guy's nose and the blood got everywhere. He stood up and was about to wrap the chain around his waist when he saw them coming. Cops. They were too close. Too late to run. Trying to act like he hadn't yet seen them, he quickly made a mental list of everything in his pockets. The credit cards were gone, already sold. The money could have come from anywhere, some of it did. He was cool. The only thing they'd have would be the queer guy's identification if they had a lineup. Sharkey was surprised the guy had made a report. No one ever had before.
Sharkey smiled at the two approaching cops, and the man held up a tape recorder. A tape recorder? What was this? The man hit the play button and after a few seconds Sharkey recognized his own voice. Then he recognized where it had come from. This wasn't about the Jaguar guy. This was about the pipe.
Sharkey said, "So?"
"So," said the man, "we want you to tell us about it."
"Man, I didn't have anything to do with it. You ain't going to put that—Hey! You're the guy from the police station. Yeah, I saw you there the next night. Well, you ain't going to get me to say I did that shit up there."
"Take it down a notch, Sharkey," the man said. "We know you didn't do it. We just want to know what you saw, is all. Lock your bike up again. We'll bring you back."
The man gave his name and the woman's. Bosch and Wish. He said she was FBI, which really confused things. The boy hesitated, then stooped and locked the bike again.
Bosch said, "We just want to take a ride over to Wilcox to ask you some questions, maybe draw a picture."
"Of what?" Sharkey asked.
Bosch didn't answer; he just gestured with his hand to come along and then pointed up the block at a gray Caprice. It was the car Sharkey had seen in front of the Chateau. As they walked, Bosch kept his hand on Sharkey's shoulder. Sharkey wasn't as tall as Bosch yet, but they shared the same wiry build. The boy wore a tie-dyed shirt of purple and yellow shades. Black sunglasses hung around his neck on orange string. The boy put them on as they approached the Caprice.
"Okay, Sharkey," Bosch said at the car. "You know the procedure. We've got to search you before you go in the car. That way we won't have to cuff you for the ride. Put everything on the hood."
"Man, you said I was no suspect," Sharkey protested. "I don't have to do this."
"I told you, procedure. You get it all back. Except the pictures. We can't do that."
Sharkey looked first at Bosch and then Wish, then he started putting his hands in the pockets of his frayed jeans.
"Yeah, we know about the pictures," Bosch said.
The boy put $46.55 on the hood along with a pack of cigarettes and book of matches, a small penknife on a key chain and a deck of Polaroid photos. They were photos of Sharkey and the other guys in the crew. In each, the model was naked and in various stages of sexual arousal. As Bosch shuffled through them, Wish looked over his shoulder and then quickly looked away. She picked up the pack of cigarettes and looked through it, finding a single joint among the Kools.
"I guess we have to keep that, too," Bosch said.
They drove to the police station on Wilcox because it was rush hour and it would have taken them an hour to get to the Federal Building in Westwood. It was after six by the time they got into the detective bureau, and the place was deserted, everybody having gone home. Bosch took Sharkey into one of the eight-by-eight interview rooms. There was a small, cigarette-scarred table and three chairs in the room. A handmade sign on one wall said No Sniveling! He sat Sharkey down in the Slider—a wooden chair with its seat heavily waxed and a quarter-inch of wood cut off the bottom of the front two legs. The incline was not enough to notice, but enough that the people who sat in the chair could not get comfortable. They would lean back like most hard cases and slowly slide off the front. The only thing they could do was lean forward, right into the face of their interrogator. Bosch told the boy not to move, then stepped outside to plan a strategy with Wish, shutting the door. She opened the door after he closed it.
She said, "It's illegal to leave a juvenile in a closed room unattended."
Bosch closed the door again.
"He isn't complaining," he said. "We've got to talk. What's your feel for him? You want him, or you want me to take it?"
"I don't know," she said.
That settled it. That was a no. An initial interview with a witness, a reluctant witness at that, required a skillful blend of scamming, cajoling, demanding. If she didn't know, she didn't go.
"You're supposed to be the expert interrogator," she said in what seemed to Bosch to be a mocking voice. "According to your file. I don't know if that's using brains or brawn. But I'd like to see how it's done."
He nodded, ignoring the jab. He reached into his pocket for the boy's cigarettes and matches.
"Go in and give him these. I want to go check my desk for messages and set up a tape." When he saw the look on her face as she eyed the cigarettes, he added, "First rule of interrogation: make the subject think he is comfortable. Give 'im the cigarettes. Hold your breath if you don't like it."
He started to walk away but she said, "Bosch, what was he doing with those pictures?"
So that was what was bothering her, he thought. "Look. Five years ago a kid like him would have gone with that man and done who knows what. Nowadays, he sells him a picture instead. There are so many killers—diseases and otherwise—these kids are getting smart. It's safer to sell your Polaroids than to sell your flesh."
She opened the door to the interview room and went in.
Bosch crossed the squad room and checked the chrome spike on his desk for messages. His lawyer had finally called back. So had Bremmer over at the Times, though he had left a pseudonym they had both agreed on earlier.
Bosch didn't want anybody snooping around his desk to know the press had called.
Bosch left the messages on the spike, took out his ID card and went to the supply closet and slipped the lock. He opened a new ninety-minute cassette and popped it into the recorder on the bottom shelf of the closet. He turned on the machine and made sure the backup cassette was turning. He set it on record and watched to make sure both tapes were rolling. Then he went back down the hallway to the front desk and told a fat Explorer Scout who was sitting there to order a pizza to be delivered to the station.
He gave the kid a ten and told him to bring it to the interview room with three Cokes when it came.
"What do you want on it?" the kid asked.
"What do you like?"
"Sausage and pepperoni. Hate anchovies."
"Make it anchovies."
Bosch walked back to the detective bureau. Wish and Sharkey were silent when he walked back into the small interview room, and he had the feeling they had not been talking much. Wish had no feel for the boy. She sat to Sharkey's right. Bosch took the seat on his left. The only window was a small square of mirrored glass in the door. People could look in but not out. Bosch decided to be up front with the boy from the start. He was a kid, but he was probably wiser than most of the men who had sat on the Slider before him. If he sensed deceit, he would start answering questions in one-syllable words.
"Sharkey, we are going to tape this because it might help us later to go over it," Bosch said. "Like I said, you are not a suspect, so you don't have to worry about what you say, unless of course you're going to say you did it."
"See what I mean?" the boy protested. "I knew you'd get around to saying that and putting on the tape. Shit, I been in one of these rooms before, you know."
"That's why we aren't bullshitting you. So let's say it once for the record. I'm Harry Bosch, LAPD, this is Eleanor Wish, FBI, and you are Edward Niese, AKA Sharkey. I want to start by—
"
"What's this shit? Was that the president what got dragged in that pipe? What's the FBI doing here?"
"Sharkey!" Bosch said loudly. "Cool it. It's just an exchange program. Like when you used to go to school and the kids would come from France or someplace. Think like she's from France. She's just kinda watching and learning from the pros." He smiled and winked at Wish. Sharkey looked over at her and smiled a little, too. "First question, Sharkey, let's get it out of the way so we can get to the good stuff. Did you do the guy up at the dam?"
"Fuck no. I see—"
"Wait a minute, wait a minute," Wish broke in. She looked at Bosch. "Can we go outside a moment?"
Bosch got up and walked out. She followed, and this time she closed the interview room door.
"What are you doing?" he said.
"What are you doing? Are you going to read that kid his rights, or do you want to taint this interview from the start?"
"What are you talking about? He didn't do it. He isn't a suspect. I'm just asking him questions because I'm trying to establish an interrogation pattern."
"We don't know he isn't the killer. I think we should give him his rights."
"We read him his rights and he is going to think we think he's a suspect, not a witness. We do that and we might as well go in there and talk to the walls. He won't remember a thing."
She walked back into the interview room without another word. Bosch followed and picked up where he had left off, without saying anything about anybody's rights.
"You do the guy in the pipe, Sharkey?"
"No way, man. I seen him, that's all. He was already dead."
The boy looked to his right at Wish as he said this. Then he pulled himself up in his chair.
"Okay, Sharkey," Bosch said, "By the way, how old are you, where you from, tell me a couple of things like that."
"Almost eighteen, man, then I'm free," the boy said, looking at Bosch. "My mom lives up in Chatsworth, but I try not to live with—man, you already got all of this in one of your little notebooks."
"You a faggot, Sharkey?"
"No way, man," the boy said, staring hard at Bosch. "I sell them pictures, big fucking deal. I ain't one of 'em."
"You do more'n sell pictures to them? You roll a few when you get the chance? Bust 'em up, take their money. Who's going to file a complaint? Right?"
Now Sharkey looked back over to Wish and raised an open hand. "I don't do that shit. I thought we're talking about the dead guy."
"We are, Sharkey," Bosch said. "I just want to figure out who we're dealing with here, is all. Take it from the top. Tell us the story. I got pizza coming and there's more cigarettes. We got the time."
"It won't take any time. I din't see anything, except the body in there. I hope there's no anchovies."
He said this looking at Wish while pulling himself up in the chair. He had established a pattern in which he would look at Bosch when he was telling the truth, at Wish when he was shading it or outright lying. Scammers always play to the women, Bosch thought.
"Sharkey," Bosch said, "if you want we can take you up to Sylmar and have 'em hold you overnight. We can start again in the morning, maybe when you're memory's a little—"
"I'm worried about my bike back there, might get stole."
"Forget the bike," Bosch said, leaning into the boy's personal space. "We aren't spoiling you, Sharkey, you haven't told us anything yet. Start the story, then we'll worry about the bike."
"Okay, okay. I'll tell you everything."
The boy reached for his cigarettes on the table and Bosch pulled back and got out one of his own. The leaning in and out of his face was a technique Bosch had learned while spending what seemed like ten thousand hours in these little rooms. Lean in, invade that foot and a half that is all theirs, their own space. Lean back when you get what you want. It's subliminal. Most of what goes on in a police interrogation has nothing to do with what is said. It is interpretation, nuance. And sometimes what isn't said. He lit Sharkey's cigarette first. Wish leaned back in her chair as they exhaled the blue smoke.
"You wanna smoke, Agent Wish?" Bosch said.
She shook her head no.
Bosch looked at Sharkey and a knowing look passed between them. It said, You and me, sport. The boy smiled. Bosch nodded for him to start his story and he did. And it was a story.
"I go up there to crash sometimes," Sharkey said. "You know? When I don't find anybody to help me out with some motel money or nothing. Sometimes the room at my crew's motel is too crowded. I gotta get out. So I go up there, sleep in the pipe. It stays warm most the night. Not bad. So anyway, it was one of those nights. So I went up there—"
"What time was this?" Wish asked.
Bosch gave her a look that said, Cool it, ask the questions after the story is out. The kid had been going pretty good.
"Musta been pretty late," Sharkey answered. "Three, maybe four o'clock. I don't have a watch. And so I went up there. And I went in the pipe and I saw the guy that was dead. Just laying there. I climbed out and split. I wasn't going to stay in there with a dead guy. When I got down the hill I called you guys, nine one one."
He looked back from Wish to Bosch.
"That's it," he said. "Can I get a ride back to my bike?"
No one answered, so Sharkey lit another cigarette and pulled himself up in the chair.
"That's a nice story, Edward, but we need the whole thing," Bosch said. "We also need it right."
"Whaddaya mean?"
"I mean it sounds like it was made up by a moron, is what I mean. How'd you see the body in there?"
"I had a flashlight," he explained to Wish.
"No you didn't. You had matches, we found one." Bosch leaned forward until his face was only a foot from the boy's. "Sharkey, how do you think we knew it was you that called? You think the operator just recognized your voice? 'Oh, that's old Sharkey. He's a good kid, calling us about the body.' Think, Sharkey. You signed your name— or at least half of it on the pipe up there. We got your prints off a half a can of paint. And we know you only crawled halfway in the pipe. That's when you got scared and got out. You left tracks."
Sharkey stared forward, his eyes slightly lifted toward the mirrored window on the door.
"You knew the body was there before you went in. You saw somebody drag it into the pipe, Sharkey. Look at me now and tell me the real story."
"Look, I didn't see nobody's face. It was too dark, man," the boy said to Bosch. Eleanor let out a breath. Bosch felt like telling her that if she thought the boy was a waste of time she could leave.
"I was hiding," Sharkey said. " 'Cause, see, at first I thought they were after me or something. I had nothin' to do with this. Why you dragging me down, man?"
"We got a man dead, Edward. We've got to find out why. We don't care about faces. That's fine. Tell us what you did see, and then you're no longer in it."
"That'll be it?"
"That'll be it."
Bosch leaned back then and lit his second cigarette.
"Well, yeah, I was up there and I wasn't too tired yet so I was doing my paint thing and I heard a car coming. Like holy shit. And what was weird was that I heard it before I saw it. 'Cause the guy has no lights on. So, man, I hauled ass and hid in the bushes on the hill right by there, you know, right by the pipe, right by where I hide my bike, you know, while I'm sleeping."
The boy was becoming more animated, using his hands and nodding his head and looking mostly at Bosch now.
"Shit, I thought those guys were coming for me, like somebody had called the cops on account of me being up there spraying a scrip or something. So like I hid. In fact, when they got there a guy gets out and says to the other guy he smells paint. But it turns out they didn't even see me. They just stopped by the pipe 'cause of the body. And only it wasn't a car, either. It was a Jeep."
"You get a license plate number?" Wish said.
"Let him tell it," Bosch said without looking at her.
"No, I didn't get a f
uckin' plate. Shit, their lights were off and it was too dark. So anyway, there was three of them, if you count the dead guy. One guy gets out, he was the driver, and he pulls the dead guy right out of the back, from underneath a blanket or something. Opened a little back door those Jeeps got and drug the guy onto the ground. It was total horror, man. I could tell it was real, you know, a real dead body, just kinda by the way it fell on the ground. Like a dead guy. It made a noise like a body. Not like on TV. But what you'd expect, like, 'Oh no, that's a body he drug out of there,' or something. Then he drug it into the pipe. The other guy wouldn't help him. He stayed in the Jeep. So the first dude, he did it by hisself."
Sharkey took a deep drag on his cigarette and then killed it in the tin ashtray, which was already full of ash and old butts. He exhaled through his nose and looked at Bosch, who just nodded for him to continue. The boy pulled himself up in the seat.
"Um, I stayed there and the guy came out of the pipe after a minute. No longer than that. He looked around when he came out but didn't see me. He went over to a bush near where I was hiding and tore off a branch. Then he went back inside the pipe for a while. And I could hear him in there sweeping or something with the branch. Then he came out and they left. Oh, and uh, he started to back up and the reverse light went on, you know. He took it out of gear like real quick. Then I heard him say something about they couldn't go backward 'cause of the light. They might get seen. So then they went forward, you know, without lights. They drove down the road and across the dam and around the other side of the lake. When they went by that little house on the dam they bashed the light bulb. I saw it go out. I stayed hidden till I couldn't hear the engine anymore. Then I come out."
Sharkey stopped the story for a beat and Wish said, "I'm sorry, can we open the door, get some of this smoke out of here?"
Bosch reached over and pulled the door open without getting up or trying to hide his annoyance. "Go on, Sharkey," was all he said.
"So when they were gone I went over to the pipe and yelled in to the guy. You know, 'Hey, in there' and 'Are you all right,' stuff like that. But nobody answered. So I leaned my bike down on the ground so the light would go in there and I crawled in a little bit. I also lighted a match like you say. And I could see him in there and he looked dead and all. I was going to check but it was too creepy. I got out. I went down the hill and I called the cops. That's all I did, and that's the whole thing."
Harry Bosch 01 - The Black Echo Page 19