I went to an arts conference in Manhattan last spring and everyone was scrambling to meet everyone, asserting their individuality like sad salesmen. This is my idea, I would say, this is my thing. We stood in cocktail circles and exchanged earnest interest. Hoo, hoo! Open spaces! Ohh yes! The avant garde! I didn’t have a business card. It didn’t even occur to me. It might have been funny or endearing but I ended up just being embarrassed. I don’t have one, I’d say again and again. (Ha Ha!) Then I’d sit down for another panel to take notes and nod. There were so many people there. There are just so many people.
The thing is, someday the sun is going to die and everything on Earth will freeze. This will happen. Even if we end global warming and clean up our radiation. The complete works of William Shakespeare, Monet’s lilies, all of Hemingway, all of Milton, all of Keats, our music libraries, our library libraries, our galleries, our poetry, our letters, our names etched in desks. I used to think printing things made them permanent, but that seems so silly now. Everything will be destroyed no matter how hard we work to create it. The idea terrifies me. I want tiny permanents. I want gigantic permanents! I want what I think and who I am captured in an anthology of indulgence I can comfortingly tuck into a shelf in some labyrinthine library.
Everyone thinks they’re special—my grandma for her Marlboro commercials, my parents for discos and the moon. You can be anything, they tell us. No one else is quite like you. But I searched my name on Facebook and got eight tiny pictures staring back. The Marina Keegans with their little hometowns and relationship statuses. When we die, our gravestones will match. HERE LIES MARINA KEEGAN, they will say. Numbers one, two, three, four, five, six, seven, eight.
I’m so jealous. Laughable jealousies, jealousies of everyone who might get a chance to speak from the dead. I’ve zoomed out my timeline to include the apocalypse, and, religionless, I worship the potential for my own tangible trace. How presumptuous! To assume specialness in the first place. As I age, I can see the possibilities fade from the fourth-grade displays: it’s too late to be a doctor, to star in a movie, to run for president. There’s a really good chance I’ll never do anything. It’s selfish and self-centered to consider, but it scares me.
Sometimes I think about what it would be like if there was actually peace. The whole planet would be super sustainable: windmills everywhere, solar-paneled do-bops, clean streets. Before the world freezes and goes dark, it would be perfect. The generation flying its tiny cars would think itself special. Until one day, vaguely, quietly, the sun would flicker out and they’d realize that none of us are. Or that all of us are.
I read somewhere that radio waves just keep traveling outward, flying into the universe with eternal vibrations. Sometime before I die I think I’ll find a microphone and climb to the top of a radio tower. I’ll take a deep breath and close my eyes because it will start to rain right when I reach the top. Hello, I’ll say to outer space, this is my card.
PHOTOGRAPH BY McKAY NIELD
MARINA KEEGAN (1989–2012) was an award-winning author, journalist, playwright, poet, actress, and activist. Her nonfiction has been published in the New York Times; her fiction has been published on NewYorker.com and read on NPR’s Selected Shorts; her musical, Independents, was a New York Times Critics’ Pick. Marina’s final essay for the nal essay for Yale Daily News, “The Opposite of Loneliness,” became an instant global sensation, viewed by more than 1.4 million people from ninety-eight countries. For more information, please visit www.theoppositeofloneliness.com.
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Contents
* * *
Dedication
Epigraph
Introduction
Acknowledgments
The Opposite of Loneliness
Fiction
Cold Pastoral
Winter Break
Reading Aloud
The Ingenue
The Emerald City
Baggage Claim
Hail, Full of Grace
Sclerotherapy
Challenger Deep
Nonfiction
Stability In Motion
Why We Care About Whales
Against the Grain
I Kill For Money
Even Artichokes Have Doubts
The Art of Observation
Song For the Special
About the Author
The Opposite of Loneliness: Essays and Stories Page 18