‘Are you really sure, Steph?’
‘Yes. Caro, if I could undo the past, to make it up to you that I never got in touch, I would. We’re family. I shouldn’t have let my feelings about Elizabeth and the whole situation get between you and me. Can you ever forgive me?’
Forgive her? I didn’t know about that. I chewed my lip; I hadn’t tried that hard to contact her either.
‘Do we need to think like that?’ I said. ‘Forgive each other? What’s important is now. Only I wish you didn’t live so far away.’
‘Well, this time I promise I will keep in touch. I get over to the UK quite a bit these days. I’ll let you know when I’ll be around next and we can meet up. We’ll hit the shops, eh? Get you some nice clothes, a haircut.’
I flinched at that, remembering her quiet look at my wild hair. Paul had sneered at my hair, even when things had still been good between us.
‘… and go to a show. I’d like that, Sis.’
That word again.
‘Sure, I’d like that too.’ I smiled down the phone.
‘Right – gotta go. Oh, and calls are stupidly expensive from New York. You got Skype?’
‘Yeah.’
‘Great.’
Steph reeled off a Skype address and I noted it down.
‘Add me and I’ll Skype you every now and again. It’ll be nice to see your face. You take care, Caro. I’ll be thinking of you!’ Steph called off.
The house was too quiet after she’d gone. Steph had never really been a sister to me. But now? I scanned the kitchen, my painting gear laid out on the table, my laptop, the emails filling up the screen with rubbish. I clicked delete and stood up. Time to check out the upstairs.
I was reluctant to use the bedrooms on the first floor. No way was I going to sleep in Elizabeth’s room and, though I couldn’t explain it, I didn’t fancy the other ones either. But I needed a proper bed, I didn’t want another night on the sofa. I hung back, feet on the first step, then curiosity got the better of me and I climbed the stairs to the top floor.
My old bedroom was right under the eaves. It was the most neglected of all the rooms and hadn’t changed much. It didn’t surprise me, I could just picture my stepmother shutting the door after I’d gone and forgetting all about it. There was a single bed under the window overlooking the back of the house, a desk against the wall and a lamp tinged with yellow. A bookcase stood between a wardrobe built into the eaves and a small Victorian fireplace. The ceiling was low and, in the middle, a large spider dangled from a web strung out across a hatch into the roof. A fly was caught in its strands, still moving as the spider wrapped it with thread. I wanted to pull out my sketchbook, to record the shape of it suspended like it was, pencil lines capturing the spider’s legs, the way they tapered and moved, weaving silk with the delicacy of a pâtissier making spun sugar. I lowered my head. The room had seemed bigger when I was little.
I opened the wardrobe. The doors stuck; the wood had swollen and loose flakes of paint fell onto my fingers. Inside smelt of charity shop clothes, damp cardboard boxes and old bedding. I fished out a soft toy, a felt penguin. Its beak was bent and worn, its once white breast grey from a thousand childish cuddles. I’d had it for as long as I could remember. It was missing when I’d looked for it when packing to go to uni. I hadn’t realised then that I wouldn’t be back, even once; that I’d have to find jobs in the holidays to support myself. I held it for a moment, stroking its beak, then placed it gently on the floor.
I reached further into the cupboard. More stuff. A wooden doll, her clothes worn ragged, and a Monopoly set. I grimaced at the board game – I’d been thrilled to get it all those years ago, but I’d never had anyone to play it with, neither Steph nor Elizabeth had ever been interested. I would set up the bank, line up the penguin and doll and we’d play like that, the three of us. Sometimes I won, sometimes they won, that in itself had been the game, which toy would win. Sad, I thought. What a sad little girl I’d been.
I shut the wardrobe door and turned to the bookcase. Books had been my escape. Peter Pan, Five Go to Smuggler’s Top, Black Beauty, all classics. The Little Mermaid caught my eye, a picture book, its glossy pages smooth beneath my fingers. It had arrived in the post one year. I’d been first to the door that day. I wasn’t sure about the name on the card, some relative on my mother’s side, Elizabeth said. Whoever it was had never come to visit, at least as far as I knew. It had been a fantasy of mine, my mother’s relatives hammering at the door demanding to see me, but that had never happened. I pulled the book from the shelf. There was something about the story of The Little Mermaid. The sea princess who has to lose her place in the family and give up her beautiful voice, whose every step with her new feet felt like walking on a thousand shards of glass. Even then, she still didn’t get her prince. I’d read that story again and again.
The bed was by the window. My refuge, there where the light was best, where I could look out over the hills and immerse myself in stories of another time, another place, away from my existence at home. Something caught my eye, the corner of a book peeping out from under the bed. I reached down to pull it out. A collection of fairy tales. It had been one of my favourites. How could I have left it behind? Had that too been missing? I frowned.
I brought the book to my nose, drinking in the old-book scent, a mixture of woody glue and grass cuttings, old paint and vanilla candles. The pages fell open in my hands. It was as if the black ink already stained my fingers, my hands tracing the beautiful line drawings – princesses with long rope-like hair; trees gnarled like old man’s hands; lilies, roses and wild garlic blossoming around the words, winding about the letters. It was the book that had inspired me to paint, the fine detail, the insects under the leaves, the sense of a hidden, lush world of fantasy.
I’d first met Paul at the British Library, at an exhibition on fairy tales. There’d been old woodcut prints and illustrations from all the books I remembered from my childhood. H.J. Ford’s illustrations from The Fairy Books of Andrew Lang, Arthur Rackham’s prints for the collections of the Brothers Grimm, I’d been in heaven moving slowly from one display to the next. I was standing in front of a book, the pages open at the full-page picture of a cat perched like an owl upon a branch. By day she made herself into a cat. Its expression scowled at me, teeth and claws etched angrily onto the print, the dark shape of the animal like a black cloud bursting onto the sky. I’d scarcely noticed Paul at first, as I peered down at the book.
‘Not exactly the cute, cuddly kittens you see on Facebook,’ he’d said.
I’d swung round to look at him. He was tall and slim, dark-haired with a neatly trimmed beard and high pale cheekbones that made his eyes leap out from his face. He looked like he must be a writer or a poet, someone who spent his time in the proverbial garret, too intensely absorbed in his work to spend time outside in the sunlight. It turned out he was an accountant, working for the one of the firms that had sponsored the exhibition.
‘I don’t like cute, cuddly kittens,’ I said, only half a truth. I stood up and made to move on.
‘She was a witch,’ he said. ‘She turned women into birds, and men into statues.’
‘I don’t like stories about witches,’ I said. ‘It’s misogynism, pure and simple.’
He nodded in agreement. ‘Not helping the reputation of black cats, either. But look at the fur on her haunches, the way it echoes the lines of the storm clouds behind, and the tint of orange in her eyes. It’s not the cat that was being drawn but the repressed anger within.’
His hands were slender, pointing at the image, and a smile illuminated his face. As we talked, I imagined him standing trapped within the stained-glass window of a Victorian church like one of those translucent tortured saints. I found myself wanting to paint his face, to capture the angles of his features, the long line of his neck. One of my favourite artists had been Modigliani, known for the exaggerated necks and seductive features of his subjects. I felt the warm heat of a blush seeping acros
s my face. Paul – even the letters of his name sparked that image in my head, long and lean, his legs white against the covers of my bed. Paul had been the man from my teenage fantasies, intelligent, courteous, patient. By the time we first slept together all my nervous reservations had gone.
I let the book drop from my fingers onto the floor of my old bedroom. I thought about the commission. The Pear Drum and Other Dark Tales from the Nursery. I hadn’t even started it and already two weeks had gone by. Too busy packing up to leave London. Or had I been avoiding it?
It was there on my phone, an attachment to David’s email. I reached into the wardrobe, pulled out a musty eiderdown, and dragged it over to the bed by the window. I propped up the pillows, arranged the eiderdown about my body and curled up with my phone, swiping through the emails to download the manuscript, then pausing to look out of the window. The sky was pastel pink, white mist shrouding the valley, trees fanning out against the horizon. The height of the window made me feel distant and alone, safe. The file loaded up and I scrolled through the contents, quickly passing over The Pear Drum to stop at a story I recognised, The Wild Swans. I settled down to read.
There were eleven brothers spurned by their new mother; their father, the king, under her spell. They’d been transformed into eleven black swans, their long bodies drooping as they flew low over the valley. Their sister, the youngest, mourned their loss and swore to turn them back. She spun and she sewed, weaving nettles into flax, blisters bubbling on her skin. Each night she crept out into the graveyard where the nettles grew, gathering what she needed. Each day she sewed the shirts. Ten she made, one after the other, glad to start the last.
But by then her stepmother had discovered her plan.
‘She’s a witch!’ she cried, persuading the king to have his daughter burnt at the stake.
One final shirt the sister had to make, sewing as quickly as she could, as the cart dragged her towards the fire, as the guards pulled her against the stake, one last shirt floating up into the air, not quite finished, as they bound her hands behind her …
The swans appeared, darkening the sky, their cries drowning out the crowd as they swooped down. Scooping up the shirts, they slipped them over their feathers, transforming back into men. The truth was out, the princess was saved, the stepmother put to death, the brothers restored to their family. Except the youngest, number eleven. He was fine, almost. Apart from his arm. It was still a feathered wing, you see, where his sister hadn’t quite finished his shirt.
I looked out of the window, the late sun burning up the hillside, streaks of mist streaming out across the valley like a line of swan brothers. I could see them as clear as day, the swans, pink eyes blinking, red beaks snapping, hissing, crowding round their sister, beating their wings, pushing her, almost crushing her in their eagerness for freedom.
I closed my eyes. I could feel her hands fighting back, the panic rising in her chest. This time it was me. Boys, girls too, crowding round me, pulling at my hair, kicking at my feet. Voices shouting, laughing, their hands reaching out to tug the feathered wings from my back …
I shook my head, as if to loosen the image from its grip. It was just my imagination, too vivid. It was how I experienced stories, as if I were there, the action a tangible thing, reaching out to touch the shapes and colours as they formulated in my head, buzzing around me like a swarm of bees. Crazy girl, that was what Paul had used to say, laughing, when I tried to explain to him how I felt about stories, about painting.
But this was different, this time it was more. My heart was racing, my knees trembling, my lips moving as if to scream. It felt real. A memory – but of what? My feet had gone numb. I unfolded my legs from under my body and swung them out onto the floor. Perhaps it was something at school? It felt that way with all those children. I wriggled my toes. I tried to picture the classroom in the village school, a building not far from the church. But it was too vague.
It was freezing up here, no heating in the room. I wasn’t going to sleep here, I decided. I levered myself from the bed, left the room and shut the door behind me.
CHAPTER 5
It was the next day, after another night on the sofa. I was perched on a stool in the kitchen, my hand sweeping across the paper, sketching with a light, confident motion the wings of a black swan. I’d been fired up by that first story, eager to get started on the commission in between clearing the house. As the image grew, my heart warmed to him, my swan prince, his eyes soft and human.
There followed a series of pictures, paper floating frantically to the ground as one sheet after another was rejected. I couldn’t capture him properly. The feathers were too bold, the angle of his wing too taut. I couldn’t fathom his expression. Was it fear? Was it joy? Was he wilful, wild and free? The lines had to be perfect, so pleasing to the eye that I couldn’t stop looking at it. I wasn’t there yet. Then at last, I had it. This, the youngest prince, my prince, was sweet and innocent, untouched by the human world, the purity of his black feathers a mirror to his sinless soul. Now I was happy, I stopped. The secret to a good picture is to know when to stop.
My fingers ached. I tipped off the stool and pulled on a coat, deciding to head down to the village. Or maybe I would go into Ashbourne. There were tea shops there and more people. I craved human contact, albeit the impersonal kind.
As my car swung out from the bottom of the drive, another car appeared behind me. It was the jeep again, I recognised the driver, the same impatient craggy-faced thirty-something who’d beeped at me before. He seemed content enough this time, driving behind me, a large dog hanging out of the front passenger window despite the cold. When we got to the village, the road widened and he accelerated past.
Larkstone was quiet. The cottages that lined the road were built with solid stone, curtains drawn, blinds lowered, as if the whole village was closed to me. The Co-op shop window was full of local adverts and Christmas-cracker boxes piled high in a stack, but the doors were locked, the lights were out and no one stirred on the street. Only the butcher’s lights were on. Tinsel was strung across the window and a pheasant, hanging from its neck, bumped against the glass. A figure moved away from the door and a blind dropped into place.
I decided Ashbourne was definitely a better bet.
I managed to nab a space in the market square car park and ambled down the hill to the main street. It had a pleasant buzz to it, fairy lights in every shop, traffic passing slowly under the street decorations. I didn’t really have a purpose. I wanted to soak in the atmosphere and the voices around me.
There were various gift shops. I thought, why not buy something for Steph for Christmas this year? But what did you buy for someone who could afford to waive a substantial inheritance? Perfume? A silk scarf? Those seemed eminently suitable for Steph, but a little boring. I wanted to give something more personal, something that I’d taken my time over, that spoke to us both, even after all these years of silence between us. One of my pictures, I thought. She’d said how much she liked them. I’d give her one of my pictures, something I’d painted especially for her.
There was an artists’ supply shop on St John Street and I went inside. I wanted paper the right size to fit into a table-top picture frame. The shop was a tiny space, pungent with the smell of oil paint and varnish. I lingered awhile, appalled at the prices – I usually bought my supplies on the internet. I selected a pad of thick watercolour paper, adding a pack of pencils, paid for them and left. Back out into the cold air and the damp.
I couldn’t have been looking where I was going. I ricocheted off a passing man.
‘I … I’m so sorry!’ I cried. My pad had landed on the pavement and the pencils were rolling out of their box. ‘Damn!’
‘Fucking bitch, don’t you look where you’re going?’
I recoiled from the man’s language, the aggression in his face. He stepped towards me, a huge athletic man with thick blond hair, his face right against mine. His hands were grasping my shoulders as if he were about to shake
me. I felt fear ripple down my spine.
‘I … that is …’
‘Leave the lady alone, Angus!’
Another man appeared, forcing his way in front of me, knocking back the ugly hands from where they gripped my shoulders.
‘You don’t want to get physical now, do you?’ he said.
He had his back to me, this new man. He was tall too, and brown-haired. At his feet was a large dog. I stared in dismay; it was the one from the jeep. It sat on the pavement, tongue hanging out, panting, quite relaxed. It was more than how I felt. The dog watched its master and I watched the two men. I was shaking, desperate to rub off the feel of those hands on my shoulders.
The animal rose up onto its feet, a low growl in its throat. The blond man’s posture shifted, aggression distorting his face.
‘She’s a fucking stupid—’ said Angus.
I backed up, ready to run.
‘Well that may be,’ interrupted my rescuer, ‘but not worth getting an assault charge for, eh?’
How dare he, I thought. What was the point of coming to my aid if he then colluded with this oaf to insult me? I felt my anger rise, my courage re-grouping. I bristled behind him.
Angus, whoever he was, took a moment to think about it. There was an uncomfortable standoff. Then he seemed to concede, nodding to the stranger, kicking my block of paper as he marched off. The dog sat on its haunches and cocked its head to look at me.
I reached down for my things, even more annoyed when I considered how much they’d cost. The paper was marked, the pencil leads broken; I wished I’d never come out. The man looked at me from on high. Was that pity or exasperation on his face? It didn’t help.
‘What are you staring at?’ I said ungraciously.
‘Nothing at all,’ he said. ‘Here, let me.’
He bent down to pick up a stray pencil.
‘I’ve got it … thanks …’
No thanks. I tucked the pad under my arm, snatching the pencil from his hand and turning aside, refusing to look at him. I walked away, side-stepping the dog, picking up speed with the urgency of embarrassment.
The Stranger in Our Home Page 4