As he caught the glass he said, with an abrupt change from his friendly manner to an air of fault-finding — “’Ere — that’s enough from you. Better lie down for a bit till you get over it.”
“I am over it. D’you mean the pain?”
“I mean the cure. You need to lie down.”
“I know what I need and I don’t like to be told. I’m not going to stand any more telling — see?”
“No offence meant,” said Wragge, friendly again.
Finch put an arm about Wragge’s shoulders. “None taken. And I chertainly am grateful for the way you stopped that pain. By the way — where just was that pain?”
“In your fice. Toothache.”
“Ah, yesh. Terrible toothache. Believe I’ll go to the library and lie down. Feel funny.”
But he turned in the wrong direction and found himself in the drawing-room. He was surprised to discover the piano there and stood dazedly regarding it for some minutes.... Then a clearness descended on his brain like a mystic hand. His brain was so clear that he felt himself capable of anything — even capable of playing the piano. He always had wanted to play the piano and now he discovered that he could.
He had some difficulty in making his way to the piano. A footstool was directly in his path and the detour he made in order to pass it brought him directly in front of the fireplace. The piano was not to be seen. But he saw his own reflection in the mirror above the mantelpiece. His face appeared flushed to him and rather splendid. He took a long pleasurable look at it before he again set out in search of the piano.
When he found it he discovered that the stool was too high. He twirled it till it became too low. However, it was fun twirling it, he laid his hands on the keyboard. He drooped there for a space blinking at the keys, which were strangely blurred. He waited, watching himself, as an outsider might have watched him, with a cool impersonal interest.
Then he heard himself beginning to play. Softly at first, with an exquisite singing tone, as of the first rippling of the frozen streams in springtime. Then the music grew stronger, as other streams added the power of their waters. Gradually the volume increased till all the rivers, set free, were shouting in their exaltation. His body swayed, his hands were raised high and brought down with a crash, as the flood waters, heaving with broken ice, crashed in ferocious surrender into the sea.... He realized now that he was not alone but that a great crowd in a magnificent concert hall were applauding him. Lights reflected in a thousand prisms in the chandeliers dazzled him. He knew that he should rise and bow, but he had not the strength in his legs. All his power was in hands and arms. With the loud pedal down he played with greater volume, more splendid ferocity than ever.
The door of the drawing-room was thrown open. Lady Buckley, her hands pressed to her ears, staggered toward him. She called his name, but he was so rapt in his music that he did not hear her. He did not hear the four dogs in the hall. This canine quartette were, in the torture of their sensitive ears, rending the air with their howls.
Lady Buckley staggered forward, a bandage about her aching head adding to the classic cast of her features, her long dressing gown threatening to trip her at every step, and laid her hands heavily on Finch’s shoulders.
“Stop!” she commanded in a stentorian voice.
His hands fell from the keys.
Silence that was almost palpable flooded the room. For a moment it lasted; then the quartette in the hall raised their voices in one last howl — high, shrill, and soprano from the Yorkshire terrier, quavering mournful baritones with all the misery of radio singers from the spaniels, heart-rending bass from the bob-tailed sheepdog.
“How dare you cause such a riot?” demanded Augusta.
Speechless, Finch raised a dazed face to hers.
“Have you lost your reason?” she demanded.
He could not speak.
What he thought was the blaze of chandeliers was the glare of sunlight from a cloudless sky. His aunt’s face hung above him. He smelled the camphor with which she had wet the cloth about her head. Behind his own head he felt the fullness of her breast and burrowed against it.
“Aunty,” he breathed, and his breath went through her with a terrible shock.
“Finch,” she mourned, “you have been drinking.”
“Just whisky,” he mumbled, “for my tooth.”
“You’re drunk,” she said.
“Thash’s what made me able to play,” he giggled.
“I was never more shocked,” she said, and looked it. Indeed her shock was so great that, for the moment, she forgot her migraine. She took him firmly by the arm and drew him to his feet.
An odd picture they made as they moved, clasped in a dizzy embrace, through the hall, and into the library. There she laid him on the old leather couch and went to the trouble of covering him with a woollen afghan which she herself had knitted many years ago. But she said, before she left him:
“I shall be obliged to speak to your brother about this.”
That did not worry him. Nothing worried him. He fell into a heavy sleep.
Meantime the two parties arrived at the church.
The merry jangle of the sleigh bells mingled with the sonorous ringing of the church bell. Close behind the sleigh came the motor-car, chugging, bumping over the ruts, honking its urgency to the sleigh. Grandmother was half-lifted out and, with Renny and Piers on either side, slowly, slowly she mounted the steep steps that led to the church. The frosty air made her wheeze. Nicholas, Dilly, Ernest, Meg, Eden, and Wakefield followed. Always she felt that she was being hurried, though everyone was suiting his pace to hers. She wanted the other churchgoers to have plenty of time on this morning to admire the beauty of her new fur coat. She espied the Misses Lacey, daughters of a retired English admiral, whom she had known all their lives. They were now aged sixty-three and sixty-four but had retained their fresh complexions and happy zest for life in this quiet spot.
“Dear Mrs. Whiteoak,” they cried simultaneously, “what a beautiful new fur coat!”
At this moment it seemed a burden to her, but when she heard it admired she preened herself and stepped out more strongly. “It’s a good coat,” she said. “’Twill do me the rest of my life.”
“But,” said Miss Lydia, “your other fur coat is so handsome still.”
“Aye, ’twill do for a ‘knockabout’.”
Nicholas winked at Miss Lacey, who had once wanted very badly to marry him and even now had a warm spot in her heart for him.
It seemed that the little procession would never reach the door of the church, so slow was its progress behind the shuffling leadership of old Mrs. Whiteoak. It was a relief to their ears when the clanging of the bell ceased. In the vestibule she said to Todd, the bell-ringer — “It’s high time you stopped that clamour. Didn’t you see me coming?”
“Yes, indeed, Mrs. Whiteoak, ma’am,” he said respectfully, his hands still clinging to the big rope, “but I thought you’d like a little music on the way.”
That tickled her fancy and she gave him a gracious grin, inclining her head, massive in its window’s weeds. Along the aisle she progressed and those already in the pews turned their heads to see her. The oldest of them could not remember the time when she was not there or picture the time when she would be no more seen.
Now the new cushions for the pews which she had donated, in the first glow of her successful investing, caught and held her attention. In those pews that still were empty they were stretched invitingly, soft yet firm, and in a lovely shade of red. Those seated on them had a relaxed, armchair sort of look. Even those of the congregation whom nature had comfortably padded look gratified, while relief was strongly mingled with gratitude on the faces of the thin ones.
Adeline Whiteoak saw that it was now too late to take back the cushions. Willy-nilly the expense of them must be borne by the remnant of her fortune. Never very good at figures, she now varied between looking on herself as impoverished or completely forgetting her loss.
>
Wakefield was in such haste to test the new cushions that he almost ran up the aisle to be first to reach the family pews. There were two of these. Into the foremost one went Piers, Eden, Dilly, and Ernest. Into the pew behind, Grandmother and Meg, with Wakefield between them, and Nicholas next the aisle. With an audible grunt the old lady sank on to her cushion. Its comfort was nothing to her, because a cushion was always brought by Meg to put under her and another for her back. Now all the family, with that luxury beneath them, bent their heads in prayer, or the semblance of it. Miss Pink was softly playing the organ, her new winter hat an object of interest to the congregation. As the Whiteoaks straightened their backs Wakefield was bouncing on his seat. He was exhilarated by the resilience of the cushion till Nicholas, observing his unseemly conduct, reached behind Meg and gave him a fillip on the head. The little boy subsided against his grandmother and stroked the silky fur of her new coat.
“Do you think,” Meg whispered to Nicholas, “that she should have the coat off?”
“Too much effort,” he whispered back. “We should never get it on her again.”
“Who?” demanded the grandmother.
“Who what, Granny?”
“I bought it to be seen. I’ll keep it on, thanks.”
Even more than Miss Pink’s hat, it was indeed noticed. What with the hat, the coat, the new cushions in the pews, few of the congregation had eyes for the Rector and the lay reader when they took their places. But above all there was Miss Warkworth. Ever since she had come to Jalna Miss Warkworth had been the object of the most intense interest to the neighbourhood. She was often the object of disapproval also. The redness of her lips was almost scandalous, and she had been seen, more than once, to intensify their colour in public. She wore her hair short, in the new fashion, and curled all over her pretty head. She had an air of cool audacity, vastly different from the sweet expression of Miss Whiteoak whom everyone admired. It was said that she went out, tooth and claw, to capture Renny Whiteoak. It was also said that she would meet her match in him. Now she stood between Eden and Ernest joining her sweet English voice to the lusty voices of the Whiteoaks in the processional hymn.
Renny Whiteoak was the lay reader, as had been his father and grandfather before him. He had hastened to the vestry and donned his surplice under the urgent eye of Mr. Fennel. As soon as he was in his place he cast a glance at the family to see if Finch had arrived. Finch was missing, but there was Dilly blooming like a rose beside Uncle Ernest.
Mr. Fennel was reading, in his Sunday voice:
“‘To the Lord our God belong mercies and forgiveness though we have rebelled against him: neither have we obeyed the voice of the Lord our God, to walk in his laws which he set before us.’” The service proceeded.
Dilly was looking extraordinarily pretty, thought Renny. But, try as she would, she could not look devout, while Eden, without effort, looked rather like a young saint, with that face like his lovely mother. And there was young Wake, again steadily bouncing on the cushion, in spite of the fillip Uncle Nick had given him. And there was Gran, looking mountainous, getting red in the face from the bulk of the new coat. Strange that Meg would not have taken it from her. Strange that Meg would allow the child to go on bouncing. Well — he’d get something to bounce for, if he didn’t behave himself.... Renny noticed that his surplice was a little crumpled. It would be freshly laundered for Christmas. He must see that plenty of greenery was cut for decorating the church, and holly ordered. A sudden recollection came to him of a Christmas when he was a very small boy. It had been the first Christmas after the death of his own mother. He and Meg had been sitting down there in that pew, with their grandmother and their father — the old widow and the young widower, all in black. Renny remembered his own little grey suit and the black band of crêpe on his left arm. He was proud of its blackness because it made him seem more grown-up and like his father. Often he would bend his head to look at it. But all the while he was thinking of the beautiful little iron train, with the windup engine, that he had glimpsed standing beneath the Christmas tree in the library when he and Meg had peeped through the keyhole. How he had quivered with longing to hold that key in his hand and wind up the locomotive!
It was the time of the Second Lesson. Renny stood behind the brass eagle of the lectern and read:
“‘And there shall be signs in the sun and in the moon and in the stars ... ”
Meg thought — “Now those sunspots we’ve been hearing of — they’re bound to mean something — drought and a poor season for strawberries, or floods and seeds washed out of the ground ... ”
Renny read on — “‘And upon the earth distress of nations, with perplexity; the sea and the waves roaring; men’s hearts failing them for fear, and for looking after those things which are coming on the earth.’”
To pass the time Eden played a game with Dilly. He had a pencil but no paper, so they used a blank page in the back of a hymn book. First he wrote:
“The congregation sag and snooze —”
He then handed the book to Dilly, who after a moment’s consideration added:
“There are red cushions on the pews —”
She returned the hymn book to him and he instantly wrote:
“The reader reads so badly—”
This time Dilly nibbled the end of the pencil in perplexity but could think of nothing but to repeat the first line. She wrote, however:
“The congregation sags and snoozes —”
He nudged her. “Go on.”
She then added: “There are red cushions on the pewses —”
With a scowl he wrote: “I’m dying to kiss you madly.”
Piers’s strong hand reached in front of Eden, trying to get possession of the book. Dilly was clutching it delightedly. There was an incipient struggle, not lost on the Rector, the lay reader, or those in the nearby pews.
But now the organ pealed forth. The congregation rose and sang:
O be joyful in the Lord, all ye lands: serve the Lord with
gladness and come before His presence with a song.
All had risen but Grandmother, who too had seen the little scuffle. Muttering, “Young whelps, misbehaving in church,” she took her stick and gave Eden a sharp poke in the back with it. This was so unexpected that the excellent note he had just struck turned to an astonished grunt. He glared over his shoulder at his grandmother. “Behave yourself,” she adjured, in a voice not drowned by the Jubilate Deo.
He turned and hissed at her — “Why should I be singled out?”
“Because you’re the one I can reach,” she hissed back, but this time her voice was lost in the singing.
She enjoyed the little skirmish and settled back into the comfort of her fur coat like an old she-bear gone into hibernation for the winter. But she kept herself awake till Mr. Fennel had mounted the pulpit. Then he would, she knew, thank her for the cushions. He did indeed. Before beginning his sermon he said:
“We are enjoying on this Sunday morning still another benefit conferred on us by a member of that family which has been so generous with its gifts in the past — right from the time when Captain Whiteoak gave the land and built on it this church. Now the lady who was his beloved wife, and who, I am happy to say, is with us this morning, has donated cushions for all the pews in the church. This is a really splendid gift and one that I am sure you all deeply appreciate. The cushions are handsome and will add greatly to the physical comfort of our members. I can only hope that in this bodily comfort none of us will forget that we are in God’s house.... And now, in the name of the Father, the Son, and the Holy Ghost....”
Dilly’s cheeks were flaming. Eden folded his arms and looked straight up into Mr. Fennel’s face. Piers hung his head. But the grandmother’s eyes were heavy with tears at mention of Captain Whiteoak. The tears hung in her eyes till she blinked, then they trickled down either side of her strongly modelled, handsome old nose which defied the shapeless onslaught of time. Meg clasped her hand and squeezed
it. Her family turned their heads to smile at her. All the congregation craned to have a glimpse of her, to make their offering of gratitude. Wakefield made no attempt to conceal his self-importance. If he had himself donated the cushions he could not have felt more the Triton among the minnows.
The wintry sunshine pencilled the shadows of bare twigs on the windows. Its thin light was not flattering but picked out warm spots, wrinkles, and grey hairs, showed how Farmer Tomkins had cut himself shaving, how young Fred Miller was getting a boil, how the brasses needed cleaning, and where there was a bit of plaster loose. But the splashes of colour from the stained-glass window, in memory of Captain Whiteoak, were clear and serene. In truth there was a serenity and confidence about the whole scene, as though the actors, in pews, choir, and pulpit, were playing parts they well understood, uttering lines well suited to them, feeling emotions for which their forefathers had prepared them. Mr. Fennel’s sermon was not long. It was without rhetoric and rather dull, but his voice was pleasant; he preached of goodness rather than sin, and no aspect of fear or doubt entered into it.
As all rose at the end Piers managed to get possession of the hymn-book and to tear out the page where the verse was written.
The voices of the Whiteoaks, soprano, tenor, and baritone, led in the singing of the last hymn, the little choir being quite helpless against them.
Let all the world in every corner sing,
My God and King!
The heavens are not too high,
His praise my thither fly;
The earth is not too low,
His praises there may grow.
Let all the world in every corner sing,
My God and King!
Let all the world in every corner sing,
The Jalna Saga – Deluxe Edition: All Sixteen Books of the Enduring Classic Series & The Biography of Mazo de la Roche Page 174