MARIANNE AND THE REBELS
By
Juliette Benzoni
Contents
PART I - VENICE
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
PART II - PERILOUS ISLANDS
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
Marianne and the Rebels
From the front and back flap:
Marianne
and the Rebels
By JULIETTE BENZONI
As the city of Florence basks in afternoon sunlight, pleasurable anticipation stirs in the heart of beautiful Marianne d'Asselnat, Princess Sant'Anna. The trials and uncertainties of her eventful past life seem almost over, for she is soon to rejoin her beloved sea rover Jason Beaufort and enjoy with him a peaceful future in America. So she is not particularly dismayed when called upon to render a last vital service to her master, the Emperor Napoleon, whom once she had known as lover and still called friend. But, abruptly, an ominous shadow appears in her future, cast by the dark influence of her unseen husband, the mysterious masked Prince Corrado. The tricks of fate then force her to embark on a perilous odyssey which carries her from luxurious Venice, through Greek islands smoldering with revolt, to the court of the legendary Sultans of the Ottoman Empire.
Through all her adventures her spirit is sustained by her passionate love for Jason, yet always strange, dark forces seem intent on drawing him away from her...
Here is another exciting novel of the world of Europe as Napoleon I strives to make France master of Europe, indeed of the world, and himself its tyrant. The action moves through the courts of Europe and the then largely unknown Ottoman Empire, and a host of characters from the pages of history flit through its pages, bringing a glittering age vividly to life. Marianne and the Rebels, like its author's earlier novels chronicling the adventures of Marianne d'Asselnat, offers historical romance at its satisfying, exciting best.
Juliette Benzoni was educated in Paris, studying at the College d'HuIet, then at the Institut Catholique, where she obtained a BA degree in philosophy, a licentiate in law, and a licentiate in letters. Married to Count Andre Benzoni di Costa, she makes her home in Paris, where she has been in charge of the historical section of the French paper Confidences since 1960. Juliette Benzoni is also author of the Catherine series of historical romances which are set in the court of Louis XIV. She was awarded the Prix Alexandre Dumas in 1973 for her work as journalist and novelist.
Also by Juliette Benzoni
MARIANNE
MARIANNE: THE EAGLE AND THE
NIGHTINGALE
MARIANNE AND THE MASKED PRINCE
MARIANNE AND THE PRIVATEER
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NOVELS BY
JULIETTE BENZONI
One Love Is Enough
Catherine
Belle Catherine
Catherine and Arnaud
Catherine and a Time for Love
Marianne
Marianne and the Masked Prince
Marianne and the Privateer
Marianne and the Rebels
FIRST AMERICAN EDITION 1974
First published as Toi, Marianne
COPYRIGHT © 1972 BY OPERA MUNDI, PARIS
Translation Copyright © 1973 by Opera Mundi, Paris
SBN: 399-11194-8
Library of Congress Catalog
Card Number: 73-87176
PRINTED IN THE UNITED STATES OF AMERICA
PRINCIPAL CHARACTERS
Marianne Elisabeth d'Asselnat, now Princess Sant'Anna. The daughter of a French marquis and his English wife, both of whom perished in the French Revolution. She was rescued as a baby by her godfather, Gauthier de Chazay, and taken to England to be brought up by her spinster aunt, Ellis Selton. In 1809 she married Francis Cranmere who, on her wedding night, gambled away both her fortune and her virginity to an American privateer, Jason Beaufort. Much later, after many adventures in France and Italy, first as the mistress of Napoleon, and then, when she discovers she is about to bear the Emperor's child, as wife to the mysterious recluse, Corrado Sant'Anna, Marianne has come to realize that Jason is, after all, the man she really loves.
Adelaide d'Asselnat. A French cousin of Marianne's, an elderly spinster, and devoted companion.
Jason Beaufort. The man to whom Francis Cranmere lost Marianne's fortune and virginity. He generously failed to claim the second but reappeared later in Paris to become first her friend and then her lover, although not until he himself was unhappily married to another. He was determined to renounce Marianne, but his jealous wife, realizing the situation, contrived to enmesh him in a plot of Francis Cranmere's which brought him to prison and almost to death. Marianne followed him with the chain-gang to Brest and engineered his escape, only to find that Napoleon had contrived to part them at the last moment. Jason sailed away after making a tryst with her: six months later, in Venice.
Pilar Beaufort. The Daughter of a Spanish-American colonist, whom Jason married out of chivalry when her estates were sequestered and she herself was put in danger of imprisonment. With all the pride and passion of her race, coupled with a jealous and vindictive temper, she schemed for Jason's death and at one time kidnapped Marianne (who escaped) with the same objective.
Gauthier de Chazay, a French Abbé, later Cardinal San Lorenzo, Marianne's much-loved godfather, who rescued her as a baby and was responsible for arranging her marriage to Prince Sant'Anna.
Francis, Lord Cranmere. Marianne's dastardly first husband. She fought a duel with him and left him for dead in the blazing wreck of Selton Hall, but he reappeared in Paris as an English spy, tried to blackmail her, and later concocted the plot of which Jason was the victim. He failed, and Napoleon had Marianne brought to Vincennes in order that she might witness the preparations for his execution by the guillotine.
Matteo Damiani. Agent of the Sant'Anna estates, one of the few people in contact with the Prince, but with a sinister history connecting him with the dead witch-princess, Lucinda, Corrado's beautiful but evil grandmother. Marianne crossed swords with him at the Villa dei Cavalli, near Lucca.
Fortunée Hamelin. A Creole lady and a leading figure in Paris society. Devoted to the Emperor, she was entrusted by him with the task of introducing Marianne to the polite world, and the two women became firm friends.
Arcadius, Vicomte de Jolival. A French aristocrat and one of Marianne's staunchest friends. Formerly her theatrical manager, now her business agent.
Donna Lavinia. Housekeeper and devoted retainer of Prince Sant'Anna.
Gracchus-Hannibal Pioche. A former Paris errand-boy and now, at the time of the action, Marianne's faithful coachman, factotum and self-appointed guardian.
Prince Corrado Sant'Anna. Marianne's second husband. The heir to great Italian estates and scion of a powerful but strangely accursed family. Suffers from some unspecified condition which makes him live the life of a recluse. He married Marianne because she was carrying Napoleon's child, but has not set eyes on her since she returned to Paris and lost the baby as a result of a fire at a ball she was attending. He has been demanding her return, both directly and by application to Napoleon who, charac
teristically, has compromised by sending her as a special envoy to his sister, the Grand Duchess Elisa, in Florence, thus ensuring diplomatic protection for her.
Part I
VENICE
CHAPTER ONE
Florentine Spring
Gazing at Florence, spread out in the sun in its nest of soft grey-green hills, Marianne asked herself why it was that this city drew her and yet irritated her at the same time. From where she stood, she could see only a part of it, framed between the dark spire of a cypress and the rose-coloured bank of laurels, but this fragment of the city hoarded beauty as a miser hoards gold: provided only there was enough of it.
Beyond the long gold streak of the Arno, spanned by the bridges that seemed almost on the point of collapsing under their burden of medieval shops, was a huddle of old-rose tiles tossed at random on a background of warm ochre-coloured, pale grey or milky-white walls. Here and there a special jewel emerged: the Duomo, a coral bubble poised on a guttering, inlaid ground; a half-open lily, frozen for ever in silvery stone on the old Palazzo della Signoria, plain, square towers blossoming into crenellations like so many butterflies, and campaniles gay as Easter candles in many-coloured marbles. More often than not, this beauty soared in a random way out of some dark and twisted alley, between the blank wall of a palazzo, double-locked like a strong-box, and a peeling, malodorous slum. And sometimes the stonework was breached by a scented riot pouring from an overgrown garden which no one had had sufficient bad taste to prune.
Florence lay warming its old gold and tarnished embroideries in the sun, basking under a sky of indigo in which a single small white cloud floated aimlessly, as if the future had no meaning for it and it had forgotten the inexorable passage of time; content only to feed its dreams upon the past.
It may have been something of this aspect of Florence that caught an element of Marianne's own nature on the raw. To her the past was important only in so far as it affected the present, and in the ominous shadow it cast over her future, that vague, almost impenetrable future towards which she was straining with her whole being.
True, she could have wished to share this moment, lulled by the beauty of the garden all around her, to share this fleeting moment with the man she loved. What woman would not? But two long months were yet to pass before she could meet Jason Beaufort in Venice, where his ship was to cast anchor in the lagoon, according to the promise made between them on that strangest and most tragic of all Christmas nights. Always supposing that they would ever meet again, for between Marianne and that meeting of her life stood the dread shadow of her unseen husband, Prince Corrado Sant'Anna, and the unavoidable, possibly even dangerous explanation which she owed him, and which she would have to cope with before long.
In a few hours' time, she must leave Florence and the comparative safety it had offered her and continue her journey to the white palazzo whose gentle, singing fountains had no power to exorcise its evil ghosts.
What would happen then? What compensation would the masked prince exact from one who had failed in her part of the bargain, to bring him the child of the imperial blood, the hope of which had prompted the marriage? What compensation… or what punishment?
For it was true, wasn't it, that for several generations the Sant'Anna princesses had come to evil ends?
In the hope of making sure of the best possible counsel for her defence, the most understanding and also the best informed, she had written, immediately on arrival in Florence, to her godfather, Gauthier de Chazay, Cardinal San Lorenzo with an urgent appeal for help, and dispatched it by a messenger. Gauthier was the man who had married her to the Prince in such strange circumstances, thinking to ensure a more than enviable life for her and for her child, while at the same time obtaining for a wretched, self-condemned hermit the heirs he either could not or would not produce for himself. It seemed to Marianne that the little cardinal was the best person to unravel a situation which had become worse than tragic and to find some acceptable solution.
But after several days' wait, the messenger had returned empty-handed. He had not found it easy to make contact with the restricted entourage of the Pope, whom Napoleon's men hardly allowed out of their sight, and the news he brought back was disappointing: Cardinal San Lorenzo was not at Savona and no one knew where he could be found.
Marianne had been disappointed, naturally, but not otherwise surprised. Ever since she had been old enough to understand, she had known that her godfather spent most of his time travelling mysteriously in the service of the Church, one of whose most active secret agents he appeared to be, or else for the exiled King Louis XVIII. He might now be at the ends of the earth, with nothing further from his mind than the fresh troubles besetting his goddaughter. She must get used to the idea that this hope had failed her.
The days to come, then, were not without their promise of clouds, Marianne reflected with a sigh: far from it. Yet she had long known that the generous gifts which fate had bestowed on her birth – beauty, charm, intelligence, courage – were not given for nothing, but were weapons with whose aid she might yet succeed in winning happiness. It remained to be seen if the price would be too heavy to pay…
'What have you decided, my lady?' The well-bred, courteous voice held an impatience ill-concealed.
Roused from her wistful reverie, Marianne shifted the pink sunshade that was supposed to protect her delicate complexion from the heat of the sun and lifted to Lieutenant Benielli an abstracted gaze which yet held a disquieting green glint of anger.
God what a bore the man was! In the six weeks since she had left Paris with the military escort under his command, Angelo Benielli had dogged her footsteps unmercifully.
He was a Corsican: stubborn, vindictive, jealous of the least bit of his authority, and possessed, besides, of a most unamiable character. Lieutenant Benielli admired only three people in the world: the Emperor, of course (and all the more so because they were compatriots); General Horace Sebastiani, because he hailed from the same village; and a third soldier, also a native of the Beautiful Isle, the General the Duke of Padua, Jean-Thomas Arrighi de Canova, because they were cousins and also because he was a genuine hero. Apart from these three, Benielli had scant regard for any of the great names of the imperial armies, even for Ney, Murat, Davout, Berthier or Poniatowski. The basis of this indifference was the fact that none of these marshals had the honour to be Corsicans, an unfortunate but, in Benielli's view, disqualifying fault.
It went without saying, in the circumstances, that the duty of acting escort to a woman, even a princess ravishingly lovely and honoured with the especial regard of his Majesty the Emperor and King, was to Benielli nothing more than a tiresome chore.
With the fine frankness which constituted the most delightful side of his character, he had let her understand as much before they reached the Corbeil stage, and from that moment the Princess Sant'Anna had begun seriously to wonder if she were an ambassadress or a prisoner. Angelo Benielli watched her like a law officer pursuing a pickpocket, arranged everything, decided everything from the length of the stages to the room she occupied at the inns (there was a soldier on guard outside her door each night), and might almost have required to be consulted on her choice of dress.
This state of affairs had not failed to provoke the antagonism of Arcadius de Jolival, who was not remarkable for patience at the best of times. The evenings on the early part of the journey had been punctuated by a series of verbal duels between the Vicomte and the officer. But Jolival's best arguments only came up against the single principle on which Benielli took his stand: it was his duty to watch over the Princess Sant'Anna until a certain date fixed in advance by the Emperor himself, and to do so in such a way that not the slightest accident of any kind should befall her. To this end he meant to take all necessary precautions. Beyond that there was nothing to be got out of him.
From initial irritation Marianne became at last resigned to having the lieutenant as her shadow and she even soothed Jolival. It had occurred to
her that this surveillance, however irksome at present, might have its very real advantages when, flanked by her dragoons, she came to cross the threshold of the Villa Sant'Anna for the interview which lay ahead. If Prince Corrado Sant'Anna was contemplating any vengeance on Marianne, the obstinate bulldog Napoleon had fastened to his friend's heels might well guarantee her life. Nevertheless, it was extremely trying…
Half-annoyed and half-amused, she looked at him for a moment. It was a pity the lad should carry about with him that angry cat-like glare, because he had it in him to attract a woman, even one not easy to please. He was not tall but strongly built, with a stubborn face, tight-lipped and given an added arrogance by the jutting beak of a nose which projected from the shadow of his helmet. He blushed with a readiness surprising in one of his dark ivory complexion, but the eyes revealed beneath the bushy black brows and the lashes which rivalled Marianne's in length were, curiously, of an attractive light grey, flecked with gold in the sunshine.
Partly, perhaps, out of a very feminine desire for conquest, Marianne had amused herself on the journey by making occasional idle attempts to win him, but Benielli had remained as impervious to her charming smiles as to the flash of her green eyes.
One evening, when the inn they were dining at was less than usually grimy, she had offered him the bait of a white gown cut low enough to have done credit to Fortunée Hamelin, with the result that throughout the meal the lieutenant had performed a succession of astonishing ocular gymnastics. He had looked everywhere, from the strings of onions hanging from the beams, to the great black andirons in the hearth, or concentrated his attention on his plate or on endless pellets of bread rolled on the doth, but he never once regarded the golden curves revealed by her gown.
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