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Los, Sergio. Carlo Scarpa – An Architectural Guide, Arsenale Editrice, Verona, 1995.
Lyon, David. (ed.). Theorizing Surveillance: The Panopticon and Beyond, William Publishing, Devon, 2006.
Madec, Phillipe. Boullée (Spanish), Akal, Madrid, 1996.
Majer O’sickley, Ingeborg. “Whatever Lola Wants, Lola Gets (Or Does She?): Time and Desire in Tom Tykwer’s Run Lola Run”. Quarterly Review of Film & Video. Vol. 19, 2002.
Marder, Tod and Martin, Joseph. Bernini: And the Art of Architecture, Abbeville Press, New York, 1998.
Márquez Cecilia, Fernando and Levene, Richard (eds). “Omnilife Offices Complex”, El Croquis, 1994–2002, Jean Nouvel, El Croquis Editorial, Madrid, 2002.
Mazzariol, Giuseppe and Dal Co, Francesco. Carlo Scarpa: The Complete Works, Rizzoli, New York, 2002.
McCahill, Mike. The Surveillance Web: The Rise of Surveillance in an English City, Willian Publishing, Devon, 2002.
Ming, Sun. Technology Transfer, Architectural Design and Integrated Building Design Systems, University of Newcastle Press, Newcastle, 1993.
Mumford, Eric. The CIAM Discourse on Urbanism, 1928–1960, MIT Press, Cambridge, 2000.
Murphy, Richard. Carlo Scarpa and the Castelvehio, Architectural Press, London, 1991.
Murphy, Richard. Querini Stampalia Foundation. Carlo Scarpa: Architecture in Detail, Phaidon, London, 1993.
Neuman, Dietrich (ed.). Film Architecture: Set Designs from Metropolis to Blade Runner, Prestel, London, 1996.
Neupert, Richard. A History of the French New Wave Cinema (2nd edition), University of Wisconsin Press, Wisconsin, 2007.
Nicolin, Pierluigi (ed.). Jean Nouvel Film Director and Architect, Lotus 84, Milan, 1995.
Niogret, Hubert. “Entretien avec Sacha Vierny”. Positif. No. 302, 1986.
Nouvel, Jean. Jean Nouvel. Exhibition Catalogue, Museo Nacional Centro de Arte Reina Sofía, Ediciones Aldeasa, Madrid, 2002.
Nouvel, Jean. Jean Novel: His Recent Works 1987-1990, Quaderns Monografies, Barcelona, 1990.
Olsberg, Nicholas. Carlo Scarpa Architect: Intervening with History, The Monacelli Press, New York, 1999.
Ostwald, Michel. “Rising from the Ruins: Interpreting the Missing Formal Device Within the Belly of an Architect”. In: Paula Willoquet-Maricondi and Mary Alemany-Galway (eds), Peter Greenaway’s Postmodern/Poststructuralist Cinema, Scarecrow Press, Rowman and Littlefield, Maryland, 2008.
Pascoe, David. Peter Greenaway: Museums and Moving Images, Reaktion Books, London, 1997.
Pawley, Martin. Theory and Design in the Second Machine Age, Wiley-Blackwell, London, 1990.
Perry, Ted (ed.). Antonioni: The Poet of Images, Cambridge University Press, New York, 1998.
Resnais, Alain. Last Year at Marienbad: Text for the Film by Alain Resnais, Grove Press, New York, 1962.
Resnais, Alain. Sacha Vierny ou l’elegance. Positif-Paris. Issue 488, 2001.
Rivera, Gamez, David. “Los Angeles, Las Vegas, Zabriskie Point”. In: J. Manuel Roig (ed.), La ventana indiscreta, No. 2, Mairea Editores, Madrid, 2005.
Sartre, Jean Paul. Being and Nothingness, Routledge Classics, Edition. London. 2003.
Sesonske, Alexander. The French Films, 1924–1939, Harvard University Press, New York, 1980.
Shields, Rob. “Architecture as a God”. Architectural Design Profile: Consuming Architecture. No. 131, London, 1998.
Skonieczny, Jason Mark. “Los Angeles Documents the Virtual: Xan Cassavetes and Thom Andersen Between docutainment and machinima”. Post Script. Vol. XXVI, No. 3, 2007.
Sky, A., Sousa, E., Stone, M. and Wines, J. (SITE). SITE Architecture as Art, Academy Editions, London, 1980.
Stone, Rob. “Tight Shoes and the Jump-cut (Walter’s Embrace)”. Coil (1357-9207). No. 5, October 1997.
Sylvester, David (ed.). Moonraker, Strangelove and other Celluloid Dreams: The Visionary Work of Ken Adam, Serpetine Gallery Exhibition Catalogue, London, 1999.
Tafuri, Manfredo. Theories and Histories of Architecture, Granada, London, 1980.
Thacker, Christopher. The History of Gardens (3rd edition), University of California Press, California, 1992.
Truniger, Fred. “Thom Andersen’s Los Angeles Plays Itself”. Cinema. No. 54, 2009.
Turner, Tom. Garden History: Philosophy and Design 2000 BC – 2000 AD, Routledge, New York, 2005.
Venturi, Robert. Complexity and Contradiction in Architecture, The Museum of Modern Art Press, New York, 1966.
Venturi, R., Scott Brown, D. and Izenour S. Learning from Las Vegas, MIT Press, Cambridge, Massachusetts, 1972.
Vertov, Dziga. “The Essence of Kino Eye”. In: Kino-Eye; the Writings of Dziga Vertov, Pluto Press, London, 1984.
Virilio, Paul. Open Sky, Verso, London, 1997.
Virilio, Paul. The Aesthetic of Disappearance, Semiotext(e), New York, 1991.
Virilio, Paul. The Vision Machine, Indiana University Press, Indiana, 1994.
Wagstaff, Christopher. Italian Neorealist Cinema, University of Toronto Press, Toronto. 2007
Whalen, Tom. “Run Lola Run by Tom Tykwer”. Film Quarterly. Vol. 53, No. 3, 2000.
Whiting, Jim. Auguste & Louis Lumiere: Pioneers in Cinema Film (Unchartered, Unexplored, and Unexplained), Mitchell Lane Publications, London, 2005.
Willoquet-Maricondi, Paula and Alemany-Galway, Mary. Peter Greenaway’s Postmodern/Poststructuralist Cinema, Scarecrow Press, Plymouth, 2008.
Wilson, Emma. Alain Resnais (French Film Directors), Manchester University Press, Manchester, 2009.
Wines, James. “Narrative Architecture”. Architecture and Urbanism. E.8612, Tokyo, December, 1986.
Wines, James. SITE: Identity in Density, Images Publishing Dist Ac, New York, 2006.
Wölfflin, Heinrich. Renaissance and Baroque, Cornell University Press, New York, 1966.
Wrigley, Richard (ed.). Cinematic Rome, Troubador, Leicester, 2008.
Zimbardo, Philip and Musen, Ken. Quiet Rage: The Stanford Prison Experiment, Documentary film, Stanford University, California, 1992.
PART II
Andrew, Dudley, J. The Major Film Theories: An Introduction, Oxford University Press, Oxford, 1976.
Armstrong, Gary and Norris, Clive. The Maximum Surveillance Society: The Rise of CCTV, Berg Publishers, London, 1999.
Bazin, André. Jean Renoir, Da Capo Press, New York, 1973.
Bordwell, David and Thompson, Kristen. Film Art: An Introduction, McGraw Hill, New York, 2001.
Carringer, Robert, L. The Making of Citizen Kane, University of California Press, Los Angeles, 1996.
Corrin, Lisa, G. (ed.). Jane and Louise Wilson, Exhibition Catalogue, Serpentine Gallery, London, 1999.
Cousins, Mark. The Story of Film, Pavilion, London, 2011.
Damrau, Karin. “Fantastic Spatial Combinations in Film”. Architectural Design: Architecture and Film II. Vol. 70, No. 1, 2000.
Dieter Schaal, Hans. “Spaces of the Psyche in German Expressionist Film”. In: M. Toy (ed.), Architectural Design: Architecture and Film II, Vol. 70, No. 1, 2000.
Diller, Elizabeth and Scofidio, Ricardo. Flesh: Architectural Probes, Princeton Architectural Press, New York, 1996.
Eco, Umberto. A Theory of Semiotics, Indiana University Press, Indiana, 1973.
Eco, Umberto. The Role of the Reader, Indiana University Press, Indiana, 1979.
Eisenstein, Sergei. “Montage and Architecture”. Assemblage, No. 10 December 1989.
Eisenstein, Sergei. The Psychology of Composition, Methuen, London, 1988.
Freeland, Cynthia and Townsend, Chris. The Art of Bill Viola, Thames & Hudson, London, 2004.
Friedlberg, Anne. “The Virtual Window”. In: D. Thornburn and H. Jenckins (eds), Rethinking Media Change: The Aesthetics of Transition, MIT Press, Massachusetts, 2003.
Gibbs, John. Mise-en-scène: Film Style and Interpretation, Wallflower Press, New York, 2002.
&nbs
p; Hallam, Julia, Koeck, Richard, Kronenburg, Robert and Roberts, Les (eds). Cities in Film: Architecture, Urban Space and the Moving Image, University of Liverpool, Liverpool, 2008.
Hanson, Eric. “Digital Fiction: New Realism in Film Architecture”. Architectural Design: Architecture and Film II. Vol. 70, No. 1, 2000.
Helsing Almass, Ingerid. “Is It Reality There?”. In: P. Schöning, J. Löffler and R. Azevedo (eds), Cinematic Architecture, AA Publications, London 2004. p. 20.
Incerti, Guido, Ricchi, Daria and Simpson, Deane. Diller + Scofidio (+ Renfro). The Ciliary Function: Works and Projects 1979–2007, Skira, Boston, 2008.
Kaye, Nick. Multi-Media: Video-Installation-Performance, Routledge, London, 2007.
Kaye, Nick. Site-Specific Art: Performance, Place and Documentation, Routledge, London, 2000.
Kozloff, Sarah. Overhearing Film Dialogue, University of California Press, Los Angeles, 2000.
Lewallen, Constance, M. (ed.). A Rose Has No Teeth: Bruce Nauman in the 1960s, University of California Press, Los Angeles, 2007.
Mackintosh, Iain. Architecture, Actor and Audience, Routledge, London, 1993.
Marshall, Herbert (ed.). The Battleship Potemkin: The Greatest Film Ever Made, Avon Books, New York, 1978.
Meigh-Andrews, Chris. A History of Video Art: The Development of Form and Function, Berg, Oxford, 2006.
Morgan, Robert (ed.). Bruce Nauman, John Hopkins University Press, Balitmore, 2002.
Morgan, Stuart, Sparrow, Felicity and Viola, Bill. Bill Viola – The Messenger, Chaplaincy to the Arts & Recreation in North East England, Durham, 1996.
Moure, Gloria and Graham, Dan. Dan Graham: Works, and Collected Writings, Ediciones Poligrafa, Barcelona, 2009.
Murch, Walter. In the Bink of an Eye: A Perspective on Film Editing, Silman-James Press, Los Angeles, 2001.
Murdoch, Kate. Screens: Viewing Media Installation Art, University of Minnesota Press, Minnesota, 2010.
Neumann, Dietrich. “Introduction”. Film Architecture: Set Designs from Metropolis to Blade Runner, Prestel, London, 1996.
O’Herily, Lorcan. “Architecture and Film”. Architectural Design: Architecture and Film. Vol. 64, No. 1, 1994.
Pelech, Jim and Pieper, Gail. The Comprehensive Handbook of Constructivist Teaching: From Theory to Practice, Information Age Publishing, North Carolina, 2010.
Pelzer, Birgit. Dan Graham, Phaidon Press, London, 2001.
Penz, François. “Introduction: What Is Urban Cinematics?”. In: F. Penz and A. Lu (ed.), Urban Cinematics: Understanding Urban Phenomena Through the Moving Image, Intellect Publishing, Bristol, 2011.
Penz, François and Lu, Andong (eds). Urban Cinematics: Film, City and Narrative, University of Cambridge Press, Cambridge, 2009.
Penz, François and Lu, Andong (eds). Urban Cinematics: Understanding Urban Phenomena Through the Moving Image, Intellect Books, Bristol, 2012.
Quasha, George and Stein, Charles. Tall Ships: Gary Hill’s Projective Installations, Station Hill of Barrytown, New York, 1997.
Rattenbury, Kester. “Echo and Narcissus”. Architectural Design: Architecture and Film. Vol. 64, No. 1, 1994.
Ray, William. Literary Meaning: From Phenomenology to Deconstruction, Basil Blackwell, London, 1984.
Richie, Donald. Ozu, University of California Press, Berkeley, 1974.
Rush, Michael. Video Art, Thames and Hudson, London, 2003.
Schon, Donald. The Reflective Practioner: How Professionals Think in Action, Ashgate Publishing Limited, London, 1991.
Schöning, Pascal. Manifesto for a Cinematic Architecture, Architectural Association, London, 2006.
Sesonske, Alexander. Jean Renoir, the French Films 1924–1939, Harvard University Press, New York, 1980.
Sjöberg, Patrick. “I Am Here, on the Art of Getting Lost: Patrick Keiller and the New City Symphony”. In: François Penz and Andong Lu (eds), Urban Cinematics: Film, City and Narrative, University of Cambridge Press, Cambridge, 2009.
Taylor, Richard. The Battleship Potemkin, I.B. Tauris, London, 2000.
Vilder, Anthony. “The Explosion of Space: Architecture and the Filmic Imaginary”. Assemblage. No. 21, MIT Press, 1993.
Virilio, Paul. Open Sky, Verso, London, 1997.
Virilio, Paul. Polar Inertia, SAGE Publications, New York, 2000.
Virilio, Paul. The Aesthetic of Disappearance, Semiotext(e), New York, 1991.
Virilio, Paul. The Vision Machine, Indiana University Press, Indiana, 1994.
Virilio, Paul. War and Cinema, Verso, London, 1989.
Wadsworth, Barry, J. Piaget’s Theory of Cognitive and Affective Development, Allyn and Bacon Classics Edition, Foundations of Constructivism, Pearson, London, 2003.
Welles, Orson, Mankiewicz, Herman J. and Kael, Pauline. The Citizen Kane Book, Methuen Publishing, London, 1985.
Willett, John. Brecht on Theatre: the Development of an Aesthetic, Methuen Drama, London, 1964.
Willett, John. The Theatre of Bertolt Brecht, Methuen Drama, London, 1977.
Willis, Holly. New Digital Cinema: Reinventing the Moving Image, Wallflower Press, New York, 2005.
Winter, Judith (ed.). Tony Sniden: Everything Must Go (Installation, Video and Film), University of Sunderland Reg Vardy Gallery, Sunderland, 2003.
PART III
Adelman, Melvin, L. “‘The Nazi Olympics’ by Richard D. Mandell” (Book Review). Journal of Social History. Vol. 6, Issue 1, Fall 1972.
Ames-Lewis, Francis. The Intellectual Life of the Early Renaissance Artist, Yale University Press, New Haven, 2000.
Anderson, J. and Richie, D. The Japanese Film; Art and Industry, Princeton University Press, New York, 1982.
Andrew, J. The Major Film Theories, Oxford University Press, Oxford, 1976.
Baker, Geoffrey, H. Le Corbusier: An Analysis of Form, Van Nostrand Reinhold, London, 1984.
Baker, Geoffrey, H. The Creative Search, E&FN Spon, London, 1996.
Ballantyne, Andrew. Deleuze and Guattari for Architects, Routledge, London, 2007.
Barbara, Gioacchino. Antonello Da Messina: Sicily’s Renaissance Master, Metropolitan Museum of Art Publications, New York, 2006.
Baudrillard, Jean. The Gulf War Did Not Take Place, Power Publications, Sydney, 1995.
Bazin, André. Jean Renoir, Da Capo Press, New York, 1973.
Bazin, André. What Is Cinema? University of California Press, Los Angeles, 2004.
Benton, Tim. The Villas of Le Corbusier, Yale University Press, New Haven, 1987.
Benton, Tim. “Villa Savoye and the Architect’s Practice”. In: H.A. Brooks (ed.), Le Corbusier, Princeton University Press, New Jersey, 1987.
Bertin, Célia. Jean Renoir – a Life in Pictures, The John Hopkins University Press, London, 1991.
Boissière, Oliver. Jean Nouvel Studio, Patmos Verlag GmbH & Co KG, Ostfildern, 1992.
Boissière, Oliver. Jean Nouvel, Terrail, Paris, 1997.
Bordwell, David and Thompson, Kristen. Film Art: An Introduction, McGraw Hill, New York, 2001.
Brentano, Franz. Philosophical Investigations on Time, Space and the Continuum, Routledge, London. 2009.
Brentano, Franz. The True and the Evident, Routledge, London. 2009.
Brookes, Rod. “The Olympic Games”. In: G. Creeber (ed.), Fifty Key Television Programmes, Arnold Publishers, Bath, 2004.
Bruent, Ferran. “The Economy of the Barcelona Olympic Games”. In: G. Poytner (ed.), Olympic Cities: 2012 and the Remaking of London, Ashgate, London, 2009.
Bruno, Guilia. “Site-seeing: Architecture and the Moving Image”. In: Wide Angle. Vol. 19, No.4, Ohio University School of Film, 1997.
Bruno, Guiliana. Atlas of Emotion: Journeys in Art, Architecture and Film, Verso, London, 2002.
Cardullo, Bert. Bazin at Work: Major Essays and Reviews from the Forties and Fifties, Routledge, London, 1997.
Casebier, Allan. Film and Phenomenology, Cambridge University Press, Cambridge, 1992.
Close, Paul, Askew, David and Xin, Xu. The Beijing Olympiad: The Political
Economy of a Sporting Mega Event, Routledge, London, 2007.
Cohen, Jean-Luis. Le Corbusier and the Mystique of the USSR: Theories and Projects for Moscow, 1928–1936, Princeton University Press, New Jersey, 1992.
Colebrook, Claire. Gilles Deleuze, Routledge, London, 2002.
Colomina, Beatriz. Privacy and Publicity; Modern Architecture as Mass Media, MIT Press, Massachusetts, 1996.
Colomina, Beatriz. “Vers une architecture médiatique”. In: von Vegesack (ed.), Le Corbuiser; The Art of Architecture, Vitra Design Museum, Weil am Rhein. 2007.
Cooper-Chen, Anne (ed.). Global Entertainment media: Content, Audiences, Issues, Lawrence Erlbaum Associates, London, 2005.
Cousins, Mark. The Story of Film, Pavilion, London, 2001. p. 116–121.
Cuito, Aurora. Sports Facilities, Loft Publications, Barcelona, 2005.
Curtis, William. “Le Corbusier: Nature and Tradition”. In: M. Raeburn (ed.), Le Corbusier: Architect of the Century, Arts Council of Britain, London, 1987.
Damisch, Hubert. The Origin of Perspective, MIT Press, Massachusetts, 1994.
D’Andrea, Jeanne. The Avant-garde in Russia 1920–1930, Los Angeles County Museum of Art, Los Angeles, 1980.
Dargis, Manohla. “Portrait of the Artist as a Global Soccer Star”. New York Times: Culture. Film Review, October 23, 2008.
Díaz Morneo, Cristina and García Grinda, Efrén (eds). El Croquis, 1994–2002, Jean Nouvel, El Croquis Editorial, Madrid, 2002.
Debord, Guy. The Society of the Spectacle and Other Films, Rebel Press, London, 1992.
Deleuze, Gilles. Cinema 2: The Time-Image, The Athlone Press, London, 1989.
Deleuze, Gilles. “Montage – The American School of the Soviet School”. In: A. Vacche (ed.), The Visual Turn. Classic Film Theory and Art History, Rutgers, New York, 2003.
Deleuze, G. and Guattari, F. A Thousand Palteaus; Capitalism and Schizophrenia, Continuum, London, 1988.
Deriu, David. “Montage and Modern Architecture: Giedion’s Implicit Manifesto”. Architectural Theory Review. Vol. 12, Issue 1, 2007.
Derrida, Jacques. “Deconstruction and the Other” (Interview with Richard Kearney). In: Kearny, R. (ed.), Dialogues with Contemporary Continental Thinkers, Manchester University Press, Manchester, 1984.
Drew, Philip. Frei Otto: Form and Structure, Crosby, Lockwood, Staples, London, 1976.
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