This is a story about seeing the love of one’s life. Not about the first meeting, but about seeing one’s beloved. Afterwards I said to her: ‘Now I’ve really seen you. Seen you as you are.’ I did not know how true that was.
The Crystal Palace was not a place in England. It was a huge, rare and precious crystal chandelier which hung over the dining table in Granny’s sitting room, a room lofty enough to accommodate it. Once a year, usually on a day like this, a bright, sunny Saturday in August, Granny and I would lift the big mahogany table out of the way and set up the stepladder preparatory to cleaning the chandelier, removing dust and dirt and, not least, the film of nicotine from Granny’s cigars which had built up in the holes bored in the crystals. It was a big job, a combination of chemistry and physics lessons, of window-cleaning and jigsaw puzzle. I had the task of climbing the stepladder and ‘tearing down the castle in the air’ as Granny put it. The chandelier had been restored and altered slightly. So the spikes on the base, hundreds of them, were no longer fixed to the rings, but had to be unhooked, one by one. The festoons, the chains of prisms running from the top to the hoop were easier to remove.
I carefully detached each piece and handed it to Granny. They were then dipped in basins filled with warm water and soft soap and rinsed, dipped in soapy water again and rinsed, then laid on soft cotton cloths by Granny to dry. It was a job which called for patience. And precision. Just as I had reached the stage of building complicated Lego constructions without having to follow the accompanying, step-by-step instructions, so my grandmother knew the position of every piece by heart, even though there must have been over a thousand of them. Fortunately, many of them were joined together. She sorted through them, separated them into groups. I could spend ages just marvelling at the assurance with which she arranged crystals of different shapes and sizes on the cloths. When I saw all those prisms glittering and twinkling on the dining table I felt like Aladdin in the cave, surrounded by clusters of precious gems.
At a certain point we changed places. Granny mounted the stepladder – not unlike a young seaman on the Christian Radich – and cleaned the gilded bronze stem and light sockets while I dried all the crystals with a dishcloth, polishing them until they shone. It was a solemn undertaking. I remember every detail of it to this day. The feel of sharp edges against my fingers. The sunlight streaming through the windows. The smell of soft soap. The sound of tinkling glass, like sleigh bells. Old crystal is not white, there is a touch of grey in it, of pink and violet, and when I turned the prisms to check that they were clean, patterns of light danced across the walls. It was quite a spectacle: tiny, vibrant spectrums at every turn. That is how I remember Granny: encircled by rainbows.
On the day she came, the day on which I was to see my beloved, I was up the stepladder, taking the single prisms and the chains handed to me by Granny and hooking them back into place. It was all going very smoothly. Crystals hung thicker and thicker on the chandelier. Only once did Granny have to give me instructions: ‘No, no, that Empire spike should go further out!’ I was glad to see her in such good form. For over six months, according to my mother, she had done nothing but lie in the bath, smoking cigars and listening to the BBC World Service. She had been suffering from depression following the death in January of her idol Winston Churchill, in bed with his cat beside him.
Reassembling the chandelier took time, but the end result was commensurate with the work involved. The chandelier had a spiked base, an inverted pyramid consisting of three circles of long, slender prisms. I could get almost the whole of my head inside that cone of glass before hanging the nethermost pendants on their hooks. As far as I was concerned there was nothing quite as wonderful as being encircled by a close-knit network of crystals. To stand amid those glittering prisms and hear them chinking against one another. For many years, the lighting of those sixteen candles was, for me, the very definition of beauty. Not even Mr Iversen’s extravagant New Year’s Eve firework display could come close.
It had not always been so easy. I remembered the first time. I was seven. I was to be staying at Oscars gate for a couple of days. Without any warning, Granny had started carrying one cardboard box after another into the sitting room, finishing up with what, although I did not know it, were the stem, rings and arms of a chandelier. ‘The spoils of war,’ she remarked mysteriously.
She proceeded to unpack the boxes. I thought at first they were full of bits of cloth and tissue paper, but concealed inside the cloth and the paper were diamonds, prisms of Bohemian crystal. It seemed to me as though Granny were unravelling an enormous crystal chandelier from paper, from a pile of small boxes. She spread the whole lot out on the dining table. It was years since she had packed it away; she tried to remember what bit went where. The whole scenario reminded me of a Christmas Eve when I was given a jigsaw puzzle with over a thousand pieces.
We spent the whole weekend figuring it out. And when, after much trial and error, the freshly washed chandelier was finally mounted and hanging from the ceiling over the mahogany table – sixteen tiny flames multiplied into a starry firmament – Granny put a record of Strauss waltzes on the gramophone, elbowed me in the ribs and announced proudly: ‘Welcome to the Queen’s Chambers!’ Which was not that far from the truth. Because there was a story attached to that chandelier.
I have been dogged all my life by my association with those hand-ground pieces of glass. Nothing could ever beat the sensations I experienced, the air of festivity with which I was filled, under that crinoline of crystals, bathed in a light which was both absorbed and emitted. The first time I heard of a network formed by computers I immediately thought of Granny’s chandelier. I had actually had a prism of my own since I was very young. I used to play with it a lot, regarded it as something lovely and perfect in itself. Not until my grandmother brought out her chandelier did I see that my prism was part of a greater whole. It would not surprise me if this realisation lay at the root of my Project X, the idea that all but broke me.
I had almost finished re-hanging all the droplets when it happened. I had my head stuck half inside the chandelier, was running my eyes over crystal after crystal, as if in a trance. It was not true what the grown-ups said: that they only reflected partial, splintered images. Here, inside the chandelier, I could see the whole picture, all the different sides of it at once.
I was standing inside a circle of light when it happened. Sometimes, in order to hang a crystal on another part of the chandelier I turned it round. All at once I found myself at the centre of a carousel of tinkling diamonds. I saw everything so clearly. Correlations, associations. The only right thing was, of course, to play, not Strauss, but Johann Sebastian Bach. Again, as always: Bach.
So there I was, with my head inside a shimmering wheel, when it happened. Suddenly, beyond the light, I discerned a figure in the doorway. It was Margrete. Or maybe I could tell from her voice: ‘Jonas?’ I did not see her, saw only the reflections, scintillating light. Often, since then, I have found myself wondering: was that why I fell so madly in love. Was it those prisms, that golden glow, which bound me to her for always?
How does a man meet his wife? I met mine several times. I met her for the first time – was quite literally bowled over by her in sixth grade, just before the summer holidays. We crashed into one another on our bikes right outside the school gate. I remember nothing from that collision except her eyes, her eyes staring at me. And not so much her eyes, as her pupils: it was the first time I had ever remarked on only the pupils of a pair of eyes; I had never seen anything so black, so – what’s the word – bottomless. That collision was like hearing that abrupt, resounding G7sus4th chord at the very beginning of ‘A Hard Day’s Night’: a false start, if you like, before things really got under way. Like a build-up of tension waiting for release.
It did not really come to anything, though, until later in the year, just after we started in seventh grade. One day after school I went swimming with Leo. A lot had happened over the summer holidays,
we were older and maybe that is why we did not bike out to Badedammen, where we had always frolicked in the past – beginning our swimming careers there under the careful eyes of anxious mothers – but to Svarttjern, the Black Tarn, a very different class of swimming hole, and more of a challenge in terms of location, lying as it did right out in the wilds, as it were. Badedammen was for little kids. Svarttjern was for strong, experienced swimmers. We had to park our bikes at the foot of Ravnkollen and walk quite a way into the forest to get to the bewitching little tarn ringed by fir trees. Strange to think that today this isolated lake, or what is left of it, is hemmed in by the tower blocks of Romsås, one of the biggest satellite towns in Norway. Although maybe this was simply bound to happen: this was a tarn which had to be civilised, tamed. Rumour had it that many people had drowned there, and that it was the perfect pool for suicides who did not wish to be found. Let me put it this way: Svartjern was not a lake you swam in alone at night. Sometimes, on the way there, I would find myself thinking that anything could happen at Svarttjern.
I spotted her right away. How could anyone not notice her? She was gold among silver. She was much browner than the other girls. I did not know whether this was because she already had a good base tan from Thailand where she had been living before, owing to her father’s work with the Ministry of Foreign Affairs, or whether she was just blessed with such fabulous skin. And yet it was possibly not her looks that impressed me so much as her bearing, her movements. The way she dried herself, the way she walked, almost danced over to the rock when she was going in for a swim. There are no words to describe the unique quality of Margrete’s beauty, but in my mind I called it ‘Persian’. She wore an orange bikini which accentuated the golden effect. And her figure, I might add, because she had the body of an eighth grader, a body which had just begun to reveal something of how it was going to look in four or five years’ time. I had to force myself not to stare, not to be caught with my eyes glued to that sexy bikini top.
Even when she was lying still, apparently deep in thought, Margrete was the centre of attraction. Everything revolved around her. I observed her out of the corner of my eye. I caught the flash of a bracelet. She took something from her rucksack and handed it round, it obviously was not a pack of Marie biscuits; judging by the exclamations from the others it had to be something fantastic – Chinese fortune cookies or suchlike.
Breakfasts with Margrete. Every one an occasion. Her face. The things she could come out with. Her body language. Her way of being quiet. Her expression when she was thinking. Her habits from an itinerant life abroad. Always linen napkins. Always fresh flowers on the table. Always toast. Always a particular brand of English marmalade. Always freshly ground coffee beans, her own blend. Always orange juice which she pressed herself.
We lay not far from one another. There was really only one spot where you could lie at Svarttjern, a couple of hillocks on the west side. It was also a good place to dive from, or rather: try to impress the girls with your latest, well-rehearsed dives. Margrete was not impressed by that sort of thing though, she never so much as glanced in the direction of the daredevil divers and their antics. I peeped at her on the sly. Peeped is the word. I felt like a Peeping Tom. It got to the point where I was staring quite blatantly. I couldn’t help it. I felt my heart swell with love. It had possibly been lying dormant during the summer holidays, but now it flared up. I thought of my grandfather lighting the primus stove in the outhouse, the moment when the flame turned blue. I knew it, I was a goner. This may sound a mite high-flown, but I lay there thinking of one of the words which Karen Mohr often used: fate. I am quite certain that the thought of marrying Margrete Boeck crossed my mind there, on the banks of Svarttjern, on an August day when we were in seventh grade. But how was I to catch her attention? Catch her? Or, more correctly: how was I to get her to discover me?
Why are salmon more given to biting at certain flies? Or is it only that we think they have a greater tendency to bite at certain patterns? It is a mystery. The salmon is not looking for food when it swims up river. As the spawning season approaches it reduces its food intake. In theory, it should not bite at a fly. And yet it does. Is it that it feels annoyed? Is it trying to defend its preserves? Might it simply be that the fly, this elaborately tied lure, is so irresistibly beautiful? Why do we fall in love? You are faced with three girls. Triplets. As good as identical. And yet you choose one of them. The one with the yellow scarf. You bump into a girl at the school gates and you lose your temper, you snap at her. Only afterwards do you realise that you are hooked. Why did I ‘bite’ at Margrete – like a salmon going for a Blue Charm?
There were many obstacles in the way. To begin with the most obvious one: she was lying next to Georg. It was so bloody predictable. You only had to say that there was a new girl starting at the school, from Bangkok, that she was like this and or like that and everybody would stick their hands in the air and say she was sure to end up going out with Georg. He was in the year above us and had always been the first at everything: the first to own a Phantom ring, the first with speedway handlebars and cross-country tyres, the first to wear a reefer jacket, the one whose voice broke first. He always had a match clenched between his lips, as if he were terrified that somebody might ruin his perfect teeth, his flawless looks.
I hated it. Looking at Georg was like staring at a poster that said ‘Forget it!’ I tried to tell myself that I was not in love. It was one thing to wrest Margrete out of another boy’s embrace. It was quite another to try to compete with Georg – Georg, who could blow three smoke-rings and get them to hang in the air while he stuck a finger through them, Georg who documented every new conquest with pictures of him French kissing the girl in question in the photo booth at Eastern station. They might not be going out together yet, but there were depressing rumours to the effect that Margrete ‘fancied’ him. I watched them out of the corner of my eye, in agony, noticing the way they were giggling together, suffering even greater agonies when Georg – all solicitude, so it seemed – straightened one of her straps at the back.
Something had to give. I lay there with a blue flame burning inside me, my hopes rising when the girls went in for a swim. I believe I prayed to God that something would happen, that I would be given a chance. Now. This minute. And not the way it happens in the movies, where the hero usually has to wait until the wedding, until only seconds before the bride says ‘I do’, before he can steal her out of the other man’s arms.
I have been thinking: there was something about Margrete’s glossy black hair, which was cut quite short, that reminded me of Bo Wang Lee. Was that why I fell for her the way I did?
My chance presented itself. Leo and I were sharing a bag of monkey nuts, absent-mindedly snapping shell after shell. The girls were in the water. Suddenly Margrete screamed so loudly that everybody turned to look. I thought she must have got her foot caught in one of the tree trunks which could be seen floating, like water nixies, just under the surface and which, if you were unlucky, you could get caught on, or even be dragged under by. Then I heard it: ‘I’ve lost my bracelet,’ Margrete cried. She was so upset that she switched to English, as if she was still at the International School in Bangkok. I managed to grasp, nonetheless, that it was her mother’s bracelet, that she had borrowed it, that it was of gold and a bit big for her, which is why it must have slipped off without her being aware of it. Who but a girl from Thailand would wear a gold bracelet when she went swimming? She was broken-hearted, sobbing loudly. Some of the girls tried to comfort her.
Georg and the others leapt into the tarn. Shouts and yells filled the air as the water was transformed into a churning mass of flailing bodies. It occurred to me that this was how it must look when natives dived for coins thrown by tourists. Eventually they gave up, one by one.
Margrete glanced up at the hillock on which I was lying, snapping peanut shells in two. I thought I saw a question in that look. Or was it an entreaty? With her streaming wet hair, her forlorn expression, she se
emed more bedraggled. More attainable. Georg looked almost sheepish, the match between his teeth was gone.
‘Let me have a go,’ I said, getting to my feet amid the sort of dramatic hush that falls when someone steps forward and volunteers for an impossible mission. Aunt Laura had told me the story of how van Gogh cut off a piece of his ear to impress a woman. This might not have been quite so original, but still – it was something. I would happily have dived until I cramped up.
‘You?’ Georg said. ‘Can you swim?’ I saw the confusion in his eyes, a desire not to lose face, a suppressed fury. I faced up to him. A sergeant taking command from a colonel. He was blocking the way to the water. He could have punched me. Or, he could have tried to punch me. But he must have guessed that just at that moment nothing could touch me. That inside me there dwelt a miracle. He took a step to the side, like a crab. I walked, no: I strode down to the edge of the rock and with all eyes upon me I dived in; it was in all probability the best dive of my life, with little or no splash. I came up to the surface and flicked my hair back with a practised toss of the head. ‘Whereabouts?’ I shouted, heard it echoing in the silence around the tarn. Margrete had come down to the water’s edge. She pointed. She seemed to be pointing at me. ‘There,’ she said.
I dived. To begin with the others stood and watched. I heard the odd gasp of admiration at the length of time I stayed under. I dived. Surfaced, filled my lungs with air and dived again. The comments petered out. There was a deathly hush every time I surfaced. People began to leave. The shadows were also lengthening over the lake. Georg had his match stuck between his teeth again. ‘Good luck,’ he said when he walked off, as if he could afford to show a degree of magnanimity. He shot a glance at Margrete. She did not meet his gaze, sat where she was. Sat there in all her Persian beauty, looking at me. She looked at me as though she were asking: Who are you?
The Discoverer Page 17