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MYSTIC MAYHEM
by
SALLY J. SMITH & JEAN STEFFENS
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Copyright © 2015 by Sally J. Smith & Jean Steffens
Cover design by Janet Holmes
Gemma Halliday Publishing
http://www.gemmahallidaypublishing.com
All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the above publisher of this book.
This is a work of fiction. Names, characters, places, brands, media, and incidents are either the product of the author's imagination or are used fictitiously. The author acknowledges the trademarked status and trademark owners of various products referenced in this work of fiction, which have been used without permission. The publication/use of these trademarks is not authorized, associated with, or sponsored by the trademark owners.
ACKNOWLEDGEMENTS
We'd like to thank Ryan Durkee, tattoo artist extraordinaire, for consenting to be our go-to guy for the thousands of questions regarding any and all things tattoo-related for the entire Mystic Isle series. Thanks, Ryan, you rock!
http://www.eyeconicart.com
And we're sending off a special shout-out to Janet Holmes, cover artist extraordinaire, who's not only patient and thorough, but she also absolutely crushed our cover art. Loads of appreciation and admiration to you, Janet.
Such generous and talented people we're privileged to work with.
—Sally & Jean
"And I would have gotten away with it, too, if it wasn't for you meddling kids."
—Assorted villains, Scooby-Doo, Where Are You! (1969–1972)
CHAPTER ONE
I was making short work of an order of beignets and well into my coffee, the caffeine just kicking in, when my best friend and roomie, Catalina Gabor, finally showed up at the Café du Monde in New Orleans' French Quarter.
"Sorry I'm late, Mel."
I looked up at her and stifled a yawn. "No problem. You're still in time to catch the ferry." I handed her the last warm sugar-powdered beignet. I’d eaten the rest of the order. She was late, and the way I looked at it, she was lucky there was even one left. She tapped the pastry against the side of the plate and knocked off half the powder. It kept her from wearing the sugar on her chest like I sometimes did.
She took a couple of bites and laid the rest of the beignet aside. I made a mental note to myself: Chère, you should try that one too.
Myself replied: But, chère, they're too good to leave on the plate.
"You look tired, Mel," Cat said. "I bet you worked all weekend at the church."
"I did. Putting in some long hours over there, hoping to have it ready for services by Thanksgiving."
The Lower Ninth Ward and Holy Cross neighborhoods east of the city were hit so hard by Katrina, even a decade later they looked like war zones. Churches, schools, and even fire stations were still boarded up and crumbling away. Federal funds went to the more prosperous, commercial neighborhoods of the Crescent City area, so it was left up to the citizenry, all the king's horses and all the king's men, moi, and people like me to mobilize and put St. Antoine's Parish back together again.
My heart lies there. It's my old stomping grounds where Mama and I lived until Grandmama Ida took us in. It's where many of my childhood friends still live. It's where I put any extra money I'm lucky enough to come across and as many extra hours that happen to turn up in my day.
The chapel of St. Antoine's Parish, deconsecrated after Katrina due to brutal damage, was being revived due to the generosity of a celebrity musician who grew up in the area. His money, together with the money and efforts of some of us less celebrated New Orleans folk, was bringing back the simple beauty and sense of community to St. Antoine's. That week I'd spent my days off—eight hours on Thursday and ten hours on Friday—helping put up new siding. Now it was Saturday morning, time to go back to my paying job, and my arms, legs, and back testified to all my hard labor. But I loved every minute of it. And that lovely old church? Why, she was coming back around.
Cat laid her hand on mine. "Melanie Hamilton, girl, you're racking up points in Heaven. And that's the blessed truth." She reached slim fingers with purple-lacquered nails across the table, snagged my coffee cup, and took a swig of the dark, heavy chicory that was both our addictions. We like it regulah, lots of cream, tons of sugar.
I looked at my watch—10:50 a.m.—and stood. "We better get a move on."
She fell in step beside me as we double-timed it along the riverfront walkway to where the dedicated ferryboat for The Mansion at Mystic Isle bobbed against the old-fashioned wooden dock. We jumped onto the brightly painted flat-bottom boat with a few minutes to spare.
George, the ferry conductor, swept off his Mystic Isle cap, offered a toothy smile, and gave us an exaggerated bow. "Miss Hamilton," he drawled. "Miss Gabor. Glorious mornin', ladies. Dat f'sure."
Mid-July. It wasn't noon yet, and the temp had already climbed to the high eighties. There wasn't even the slightest breeze, and the humidity was no less than killer. You almost had to pull the air apart like a curtain just to walk through it. Yep, a glorious day, all right. My T-shirt clung to me like wet wallpaper. The light complexion that went along with my strawberry-blonde hair wasn't ideal for life in a place where the sun beat down like my own personal heat lamp. I was thankful for the ferry's canopy.
While I was sweating like a hooker in a front-row church pew, Catalina bestowed a smile on George that was cool as a spring mist over a clear lake. No wonder he was nuts about her.
The only other passengers were a few of the dinner kitchen staff and the hotel's voodoo priestess (her official title) who ran the Who-do Voodoo We-do Shop at The Mansion.
The Mansion at Mystic Isle was where Cat and I worked. Located in Jefferson Parish across the Mississippi from New Orleans at the edge of a bayou, the main building was an old plantation house set among cypress trees and expansive green lawns. It had been handed down through the Villars family for centuries. Not all that long ago, Harry Villars, the down-on-his-luck, but no less genteel and stylish owner, had the brilliant idea to turn his liability into an asset by repurposing the place into a resort where folks dedicated to the supernatural and all kinds of magic could come and get their creep on.
The Mansion was decorated like the haunted house we've all seen at that theme park—you know the one. Ours was similar—creepy organ music when you crossed the threshold, drafty hallways, creaky doors, secret passages, even fake cobwebs. The whole shebang, chère. Harry Villars sank every cent he had into it and crossed his fingers that the place would raise him to the ranks of the solvent—then he hired all of us, a complete cast of soothsayers and charlatans, to convince hotel guests the supernatural stuff that went on at The Mansion was the real deal. But just between you, me, and the gators, it's not.
Cat was the gypsy fortune-teller, and did she ever look the part. Flashing dark eyes, long, flowing locks the color of cappuccino. Her lips always looked as if they were stained persimmon without any lip-gloss, and her size Ds were nothing short of a masterpiece. When she left our apartment in the French Quarter to head to work, she dressed like any regular twenty-eight-year-old knockout, but once her shift began at the resort, she was decked out in layers of gauzy jewel tones and bling, lots and lots of bling.
&
nbsp; Me? I was the designated artist at The Mansion's Dragons and Deities Tattoo Parlor. My work costume was a slinky black gown with a V-neck, empire waist, and a big stand-up collar that fanned all the way around the back of my neck from one collar bone to the other. I think the effect was intended to be darkly glamorous, but most days I felt more like the Count von Count Muppet than Elvira, Mistress of the Dark. I would have preferred that free and easy Stevie Nicks look Cat pulled off, but it wasn't in the cards—not when I was forced to wear a full bib apron on top of that gorgeous creation to avoid spraying ink all over it.
When I walked out of college with my degree in fine arts, I never would have suspected tattoos would be my groceries, and I still don't consider myself to be your typical tattoo girl. No leather bustier or nose ring, and the only tattoo on this girl's milky skin is a tiny Tinker Bell on my right shoulder.
The boat motor revved. The signal horn blew, and the ferry pulled out into the strong draft of the mighty Mississippi River, brown as liquid chocolate and churning like a whirlpool. Cat and I leaned against the railing, shoulder to shoulder, and I turned my face into the wind created by the movement of the boat. It cooled me off a little.
"You look nice today," Cat said.
Oh. My makeup must not have been running down my face like melting Häagen-Dazs yet. "Thanks, Cat. So do you."
"Well," she said without the slightest bit of arrogance, "I look nice every day."
I nodded. When you're right, you're right.
"You hoping to run into Cap'n Jack, girl?" Her voice was sly.
I bumped her shoulder with mine. "You pokin' fun at me?" It was true. I had taken extra care with my makeup and hair that morning. Some VIPs were checking in at Mystic Isle today, and I knew the manager, Jack Stockton, would be up front and present to take care of them.
"Poking fun at you? No, girl, no way. Settin' your cap for a man like that is some serious stuff."
A man like that.
Jack Stockton—Cat and I had taken to calling him Cap'n Jack—was the recently hired general manager at The Mansion on Mystic Isle. The story was he had been the golden boy moving up the corporate ladder at an international chain's premier property in the Big Apple when disaster struck. The hotel chain's CEO had arrived in New York from Frankfurt for a look-see at his crown jewel. The grapevine rumored that Jack Stockton met a stunning blonde with a provocative Marlene Dietrich accent at the hotel lounge. The two hit off and wound up back at his place. The next morning Jack discovered the blonde was the boss's twenty-five-year-old bride of only six weeks. They didn't even let him clean out his desk, and once the story got around, poor Jack couldn't even walk into a hotel without turning every head in the place. At least in the Big Apple.
But New York was a far cry from the Big Easy.
The Mansion at Mystic Isle was just getting a foothold, and the idea of having a man as capable yet desperate for work as Jack Stockton sat just right with Harry Villars, who needed someone with monster talent to manage his supernatural resort project. The weird goings-on, unusual clientele, bizarre employees, and rumors of hauntings at our beloved place of employment had already driven off three general managers. I had high hopes for Jack.
He was smart, experienced, and would probably do whatever it took to make the place a success. And besides, Harry Villars was gay. It wasn't likely Jack would get caught in bed with Harry's significant other, my good friend the Great Fabrizio. Still, Jack would need every bit of skill and cunning he could muster to get this albatross on solid ground. I think I fell in love with him the first time he lifted that chiseled chin and showed me that smile.
Saying Cap'n Jack was easy on the eyes was an understatement of Biblical proportion. Dark eyes, slightly almond-shaped. Smooth, swarthy skin. Full lips that slid easily into a lopsided sexy smile and short, dark hair my fingers itched to lace themselves into. The Fifth Avenue suits he wore to work every day appeared tailor-made to fit his athletic body but still somehow looked out of place on him. My mind's eye insisted on imagining him in boots, jeans, and muscle shirts. And when he came to me in my dreams, he wore a lot less.
He was a really nice guy whose New York ways made him a duck in the desert among the laid-back, slow-talking New Orleanians, Cajuns, and swamp rats at Mystic Isle.
On his first day at The Mansion Jack stood in front of the entire staff and told his tale about the consequences of looking for love in all the wrong places. He made sure we laughed at what had to be a difficult and embarrassing incident in his life and made us all as comfortable with him as he was with himself. Honesty and good humor were just about the two sexiest traits a man could have. And Jack had both—in spades.
Don't get me wrong. I liked his sophisticated style, so much that whenever he even walked into the room, I came apart like a house of cards in a wind tunnel. At least that was how I felt. He made me warm and cold, excited and nervous, happy and scared all at the same time.
I think he might have been interested in me, too, but I couldn't be sure he didn't think I was the village idiot, not the way my tongue tangled itself up whenever I tried to speak to him.
Cat, God love her, was still trying her best to hook us up.
Despite her efforts, it wasn't likely to happen. He was kind and fair and had a great laugh, but he was also my boss. I didn't figure either of us was ready to risk the livelihood of the other, so I went home every night and carried on a steamy love affair with him in my dreams.
"I'm just sayin', chère," Cat closed her eyes and lifted her face to the breeze coming off the river, "dat man is delish, fo' true."
I glanced sideways at her, slid my hand along the railing, and laid it on top of hers. "And I'm just sayin', chère, you're spending too much time with that Cajun cop of yours. And dat f'shore too."
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Once we docked, the ride to the resort on Mystic Isle took thirty minutes if there weren't any gators sunbathing in the road or big mud holes that had to be skirted. The shuttle ran back and forth all day every day from seven a.m. until midnight. It was a sight to behold, basically a smallish airport shuttle only N'awlins style. The front end was a purple Mardi Gras mask with headlights serving as eyes. On either side, The Mansion at Mystic Isle was scrolled in gold letters over dark but beautifully screened images glimpsing into the paranormal world of spirits and spells. Its route went via Jefferson Parish into the swamplands near the Barataria Preserve then over the bridge to the privately owned four square miles of swampland that was now the country's first, and possibly only, resort catering to those who believed in all things mystical and occult.
I stepped down from the shuttle just as Jack Stockton jogged up, out of breath, and spicier than Louisiana hot sauce.
"You need to turn around," he told the driver. "The Elway woman and her people are on their way from the airport to the ferry. If you're not there to pick them up, it won't be good."
As the shuttle circled back out, Jack turned and seemed to see me for the first time.
"Good morning, Miss Hamilton," he said quickly. That was just one of the things that set him apart from the locals. You never heard "Where y'at, baaay-beee?" or "Aw right, dawlin'" from his gorgeous lips. No sir, always polite and cultured, my Jack. My Jack? My fervent wish.
He wasn't in such a big hurry that he didn't take the time to notice. "Miss Hamilton, I believe that shirt just exactly matches your green eyes." Interest flared in his gorgeous peepers.
I smiled but didn't answer. As flummoxed as I was, it would have sounded like a foreign language.
After the shuttle turned back around, so did Jack. He stopped at the front entrance, and while the organ music groaned the welcome dirge, he asked Lurch, our obsessed-by-selfies doorman, how his day was going, and then he said to the morose giant of a man, "There are some VIP guests arriving later today. I'm going to request, as a personal favor to me, you not ask them to join you for a selfie. Please."
The fact that Lurch asked anyone and everyone to pose for a selfie with him seemed to
bother Jack—the uptight New Yorker in him, I supposed. None of the rest of us cared a whit about it. In fact, it was a lot of fun to sit down with Lurch on a coffee break and have a slide show of all the pictures on his phone.
It didn't hurt anybody, and if someone didn't want to stand beside a seven-foot-tall, pasty-skinned man with hands the size of cast-iron skillets, they could always say, "No thanks."
Lurch groaned but nodded. "Yes, sir."
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The Dragons and Deities Tattoo Parlor was located on the first floor of the auxiliary wing next to the hotel spa. The hotel owner, Harry Villars, a genteel Southern man with grand gestures and the soft-spoken mannerisms of Ashley Wilkes, had pretty much given me carte blanche in decorating, and I went with the Medieval Times look. Since the name of the place had to do with dungeons, it was just about my only reference material. The flickering wall sconces, stone masonry wallpaper, and red and gold drapery swags were nothing if not dramatic.
I was not ashamed to admit I kind of got off on wearing that girly garb the mystical theme required, and the skin paintings I created are ethereal and otherworldly. They went hand-in-hand with the theme of the hotel and more often than not challenged my artistic nature.
My first love was oil on canvas. The streets and people of New Orleans, my favorite subjects. When I didn't spend my weekend working at St. Antoine's trying to bring the beautiful old church back, I hauled myself out to Jackson Square and displayed my wares with other struggling artists. A gallery over on Julia Street took the odd painting every now and then. When I sold one, what I got for it went straight to the neighborhood restoration fund.
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