They walked. They did so in silence. But the silence felt slightly more companionable than it had. Napier had not exactly bonded with Blake, you did not bond with a man like Captain Bollocks, but their shared contempt for the Sea Sick Four elevated them to a level of shared professionalism and was at least one thing they could get through this particular job without arguing about.
He could not have said at what point he became aware of the music. It sort of insinuated itself into his mind to the extent where he was almost singing along with it before it consciously impinged upon his hearing, rather than just his thoughts.
He stopped. ‘Hear that?’
Blake stopped in front of him. Napier saw the Captain’s shoulders tense. He was missing his firearm. He was a man who, in civilian life, always would. ‘I don’t hear anything. What is it?’
Maybe it was drifting on the wind from a fishing boat out there, Napier thought. Sound could carry without distortion an improbably long way over the sea. It could travel for a dozen miles with uncanny clarity. But it wasn’t coming from that direction, was it? It was coming from a spot just over a ridge to his left, to landward. And with a feeling of something akin to dread, Napier knew that he recognised the song.
‘Answer me, Napier,’ Blake said, ‘what do you think you can hear?’ His voice was low and urgent.
Napier walked up close to him. ‘Song,’ he murmured, ‘the sound of a human voice. Listen.’
Blake did. Then he shook his head impatiently. Very quietly, he said, ‘It’s your imagination.’
But Napier knew that it wasn’t. ‘I’m a Kate Rusby fan,’ he said.
‘Never heard of her.’
‘She’s a folk singer, the Barnsley Nightingale. Don’t you like music?’
Blake shrugged. ‘Phil Collins,’ he said, ‘a bit of Whitney.’
But what Napier was hearing wasn’t Phil Collins or Whitney. It was a folk ballad. Kate Rusby sang a lot of old ballads and sea shanties. The one Napier recognised now was called The Recruited Collier. It had been written during the Napoleonic Wars. But it wasn’t Kate singing it. It was being sung unaccompanied by a male voice in a sly and insinuating croon from the other side of the ridge. The melody wavered. The voice had a confidential quality that made it unpleasant to listen to. There was a repellent insistence to it as it quietly repeated the chorus.
‘I’ll take a look,’ Napier said. He did not really want to. He had never believed in phantoms. But he dreaded what he might see over the lip of that rise. It was the accent the singer pronounced the phrases in. It was the dialect of a remote time, when the song was still fresh. Napier was sure of it. After the two centuries elapsed since then, he did not think the singer would look fresh at all.
He climbed the tussocks carefully and peered over the edge of the ground and down as the song was snatched away from his ears, at nothing. There was a smell, though. There was just the faintest hint of tobacco. He looked around. The ground seemed undisturbed. Blake came over the ridge and joined him.
‘Can you smell anything?’
Blake sniffed the air. ‘Salt,’ he said, ‘peat. If I didn’t know better, soldier, I’d say you’ve been at the bottle.’
‘It’s a long time since I was a soldier,’ Napier said. This was not strictly true, not in years. Chronologically, it was an exaggeration. But there was an emotional truth to it. He had sunk so far in his circumstances and self-esteem that it felt like a long time. He had not been at the bottle, though. And he still trusted his senses. ‘The island is totally uninhabited, right?’
‘Totally,’ Blake said. ‘Nobody has lived here since a crofter fled the place spooked eighty years ago. You know that. You were there for the briefing.’
Napier nodded. He had been there for the briefing. Phil Collins and Whitney, he thought. Christ. And almost certainly Lionel Ritchie and Maria Carey and Celine Dion as well.
The Recruited Collier was a song about a young man pressed into military service when drunk and subsequently brutalised by war, thriving on battle, ever more callous and bloodthirsty as his sweetheart laments his absence and the changes in him. It had been written in a cruel age, when a child could be hanged for stealing a sheep and the penalty for poaching was transportation in the hold of a ship to the other side of the world in chains.
That was the time of New Hope Island, wasn’t it? That was its period, when there had been people here and life and no doubt a bit of occasional singing and carousing. Napier had heard a ghost. He was certain of it. The grass trembled blackly in the breeze under his feet and he heard the night waves crash and tumble on the shore a hundred feet away and he knew he was in a haunted place. He thought of the last line of the song;
As I lie in my cold, cold bed, of the single life I’m weary
Napier shivered. Captain Bollocks treated him to a manly slap on the back.
Lassiter always tried to get to seven o’clock in the evening before indulging in his first drink of the day. The first drink did not deliver enjoyment. It was many years since he could honestly have claimed that. It brought relief. It answered a need in him. He had a drink problem and admitted it to himself but considered the problem more chronic than acute.
He thought that if he stopped drinking, he might stop functioning. He was sober in the day. Alcohol did not interfere with his intuition or deductive powers. He could not scrape by on his early pension, not without making lifestyle sacrifices. The practical solution was to continue to indulge. Less and less, though, was he making it to seven o’clock before seeking the relief of that first drink the Irish called the healer.
Everyone had a vice. Everyone concealed a weakness. His years in the Met had taught him nothing, if they had not taught him that. The exception to the rule seemed to be his current employer, Alexander McIntyre.
As far as Lassiter had been able to determine, McIntyre ran his companies in an honest and judicious way. He gave generously to charities. More, he was pro-active in fund raising for a variety of good causes. He was entirely self-made, but had not scrambled over the corpses of business rivals to get to the top. His past and present colleagues and rivals had nothing but good things to say about him.
Yet there was something else. There was something at the core of McIntyre’s life, some governing passion that gave him his energy and focus and was the real reason for this whole New Hope Island project. There was some secret agenda, wasn’t there? Something McIntyre was not coming clean about to the rest of the people involved.
The project made perfect commercial sense. It would deliver the paper new readers. It would stick it to their rival titles. It would generate sensational publicity for the man himself. But that wasn’t the whole of it. Lassiter had not got to the bottom of why McIntyre was really doing this and it was a point of pride with him that he did.
These thoughts occupied him on the drive from his flat in Waterloo to the house in West Hampstead where he planned to do something for which McIntyre would probably have sacked him on the spot. But he had been very troubled by the Shanks film. He had not slept well since viewing it a week before. His booze intake had risen substantially just to enable him to get a decent night’s rest which, because it was drink induced, was actually nothing of the sort.
And the flat itself had become sort of accident prone. Lassiter lived the pristine domestic existence of the life-long bachelor. He demanded cleanliness and neatness of his own home environment. His fridge and cooker were spotless. His polished floors shone. There was no dust to finger on the component lids of his expensively assembled audio system. His bathroom still possessed a showroom gleam. And things had started to go wrong.
Taps ran he could not remember having turned on. Twice this had happened at night, robbing him of precious rest. He discovered rogue rings burning away on his gas cooker. Things had gone missing; books, keys, his mobile and just yesterday, his wallet. He found them again, but not where he thought he might have misplaced them. He didn’t misplace things, he was too meticulous. When he found the
se objects, it was almost with the suspicion that they had been deliberately hidden.
Lassiter believed that there was more to life than what was concrete. He thought this belief probably contradicted much of the rest of his nature. But he could not ignore the compelling evidence he had seen in his own career. He had been involved in two murder investigations, child killings both, where they had drawn a despairing blank in seeking the evidence to nail the men they strongly suspected were the culprits.
On both occasions they had benefited from some unorthodox assistance. A psychic called Alice Lang had come forward claiming that she could help them in overcoming the obstacle blocking their investigation. She could lead them to evidence that would get them the conviction they were so desperate to achieve.
She was not some elderly crank, some lonely old loser hankering after the spotlight. She was good looking and glamorous, a successful practicing psychiatrist who had only gone to them because her conscience demanded she share information that had simply come to her, arriving uninvited in her mind. If anything, she helped reluctantly, scared of compromising her own professional credentials and reputation.
She had been plausible enough on the first occasion for them to act on the information. On the second occasion, they had needed no convincing. Alice Lang possessed the gift of second-sight. Lassiter knew and trusted her. He did not like the recent disruption afflicting his home. It was why he was on his way now to see her with the Shanks film transferred to DVD in a jewel case on his front passenger seat. He was a man who always wanted answers. This time, though, the need for them seemed to have become both urgent and personal.
Chapter Three
McIntyre never allowed guests to his house to enter his study. It was a room kept locked. He did not even allow his cleaner to dust it. He did that himself. His interest in matters extraterrestrial would have been obvious to anyone examining the room even cursorily. It wasn’t just the books, rows of shelves of them, each one speculating on the possibility of alien life. He subscribed to a number of magazines that discussed and debated the subject. He had framed photographs on the walls of some of the more celebrated UFO sightings. He had framed photos of some that weren’t so celebrated, too. For these, he had paid very handsomely.
The costliest items in the room were not the pictures, though. He had corresponded seriously with two former NASA scientists on the technology of rocketry and the logistics of interplanetary space travel. He had questioned what a craft capable of that magnitude of voyage would look like. They offered to build him a model, predicated on the aliens it carried being humanoid.
McIntyre always quietly assumed the aliens would be slightly altered versions of the human being. Humans were the pinnacle of the evolutionary process and he could not imagine the process being so radically different on life-friendly other worlds. The idea of little green men or intelligent creatures built like giant lobsters, the stuff of Dr Who episodes, did not repel him. He just thought the notion absurd.
He was not an Area 51 conspiracy theorist. He had seen the so-called autopsy pictures allegedly taken then and thought them clumsily laughable fakes. Suspicion and paranoia did not inform his belief in aliens. Rather it came from a profound and optimistic belief that mankind had allies in the cosmos as yet unknown to it. He thought that wherever Ballantyne’s pilgrims had been taken to, they had enjoyed a far more comfortable and interesting life than would have been the case on their hostile and isolated lump of Atlantic granite.
In the end, his ex-NASA correspondents had been unable to agree on the fundamentals of the design of an alien spacecraft. And so he had commissioned them both individually to build him a model of one.
He had them in pride of place on his desk in his secret room and he pondered often on their design, wondering which of their contrasting shapes the ship he was destined to see and perhaps even travel on would most closely, between the two, resemble.
The models had cost him a lot of money. They had been a rich man’s extravagance. But he was a rich man, wasn’t he? And no bauble acquired in his adult life had given him so much pleasure or stimulated his mind so much as those two intricate, beautifully realised, three-dimensional speculations had.
He sat in his study. He looked at the models on his desk. He thought again about the ghoulish apparition of the eyeless girl in the footage shot on New Hope by David Shanks, having just then come to a firm and resolute conclusion about the film.
It had nothing whatever to do with the earlier and greater mystery. It was not connected in any way to the vanishing. Aliens had taken Ballantyne’s pilgrims, he was as sure of that as he was determined to discover the proof.
Shanks had brought that apparition with him to the Island. It had followed him. Unless, that was, he had conjured it there afresh. He’d had an interest in magic, was an occult practitioner. He had been exiled from the Cornish artistic community later in his life for the very same transgression of dabbling in the dark arts. It was probably why he had ended up in County Clare, a western Irish county then so remote and meagrely populated that he could indulge his mischievous appetite for curses and corn dollies without a neighbour to notice or take exception.
The film was genuine. And it was quite a coup to have something genuinely other-worldly captured on celluloid. But it was nothing to do with the New Hope Island vanishing and McIntyre was glad about that. It meant he would have to endure the prospect of viewing that abomination no more. It meant he could forget about it.
He would direct Lassiter to concentrate on Seamus Ballantyne himself. He did not know anything like enough about Ballantyne’s formal education or cultural inclinations. He wanted to know what the probability was of the reformed slave vessel master having kept a diary or journal. If he had, it might be stashed under the ground on New Hope, as he had earlier suspected and half-hoped. Equally, though, could it be under dust on a neglected shelf somewhere at the archive in the Maritime Museum in Liverpool?
He knew that the logical thing to have done at this point would be to charge a historian with the mission of finding it. But it was essentially detective work, wasn’t it? And Lassiter had been a bloody good copper. And Lassiter, handsomely paid, did not have a historian’s fastidious scruples when it came to appropriating sources. If he found something of interest and value to the man paying his wages he would lift it, without quibble.
McIntyre did have one urgent dilemma to confront. It concerned exclusivity. The stature of newspapers as breakers of news had been undermined by the internet perhaps, in the long run, fatally.
Logic suggested two possibilities. One was to set up live webcam newsfeeds and dedicate a substantial section of the paper’s website to the moment by moment progress of the expedition. His marketing experts had said the increase in traffic was likely to be exponential. The other tactic would be to launch a dedicated website concentrating wholly on the expedition and its findings. The marketing people were very enthusiastic about that option because it dispensed with any confusion, always a good thing faced with the limited attention spans and intellect of the average web surfer.
McIntyre planned to implement neither internet option. The paper would get this story as a genuine, old fashioned rolling exclusive. He had been advised by his own web people that no one was prepared in the modern age to wait for 24 hours for a news update. The download culture demanded it now, at the click of a mouse or use of an app on an internet friendly phone. But he planned to give them no choice in the matter. If they wanted answers about the New Hope Island mystery, and he planned to ensure they would, people would have to buy and read the paper. Maybe it was a foolhardy approach. His instinct told him it wasn’t.
The website could cover the run-up. He wanted maximum exposure and as much cross-media hype as could be generated for that. But once the expedition members touched down on New Hope, anyone wanting to follow their progress would be obliged to buy a copy of the Chronicle to do so.
He should call Karl Cooper. He had mentioned the Shanks appari
tion to Cooper and Cooper had been non-committal about it. He should tell him about the conclusion he had reached on its lack of real relevance. Karl was his expert on alien abduction, an astro-physicist by training, a cosmologist who argued that benevolent alien civilizations had been watching us and watching over us, for millennia.
He shared McIntyre’s own conviction about what had occurred on New Hope. He said that the relative integrity of the site meant that the evidence would still be there for them to find. He was genuinely confident of that.
He would call Cooper and then he would call Lassiter and get him moving on Ballantyne. He looked at the models on his desk. He picked them up, raising one in either hand, examining their clever engineering, their bright and seductive intricacies, in the light of his halogen desk lamp. His ex-wife, in whom he regretted having confided his theories, had dismissed them as toys. They would see about that. The clock was ticking down, wasn’t it? He could not remember having felt so excited since his childhood.
Alice Lang was elegant in a grey flannel suit, her lower half encased in its pencil skirt, her long legs tucked sideways beneath the armchair in which she sat. She was smoking. She was perfectly entitled to do so, Lassiter thought. It was her house they were in.
‘I’m concerned about you.’
He shrugged.
‘You don’t have the self-esteem you did in the job. I could see it in your posture the moment I opened the door to you.’
‘Well, I didn’t have a warrant card to flash.’ He smiled. ‘They give you a bit of authority.’
‘Yes, as does the rank of Detective Inspector.’
He shrugged again. He did not reply.
‘You’re struggling in civilian life, aren’t you, Patrick?’
‘We should discuss the film,’ Lassiter said.
‘I suspect you’re drinking too much.’
‘Guilty as charged,’ he said. ‘But I’m not on the couch, Alice. I’m not your patient, or subject or whatever. I want to know what you thought of the film.’
The Colony Trilogy Page 3