The Best American Noir of the Century

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The Best American Noir of the Century Page 66

by James Ellroy


  Although I never managed to establish a definite pattern to her mother's schedule, I did my best to watch her as well. At odd unpredictable hours, she appeared in my viewfinder and I watched the elder niña pera bathe in a tub of bubbles, and even when her house was empty, I watched her chastely close the bathroom door whenever she performed her toilette. I watched her nap on the large brass bed. And three times that fall in the late afternoons, I watched her slide her hand inside her green silk robe and touch herself between the legs, hardly moving the hand at all, giving herself the subtlest of touches until she rocked her head back into the pillow and wept.

  I kept my eye to the wall during the hours when I should have been preparing for my classes and grading my students' papers and writing up their weekly exams. Instead, I stationed myself at the peephole, propping myself up with pillows, finding the best alignment for nose and cheek against the rough cool rock. I breathed in the sweet grit of mortar, trained my good right eye on the bathroom door and the bed, scanning the floor for shadows, primed for any flick of movement, always dread-fully alert for the sound of my wife's key in the front door.

  After careful study, I had memorized her homecoming ritual. Whenever she entered our apartment, it took her two steps to reach the foyer and put down her bag. She could then choose to turn right into the kitchen or take another step toward the stairway. If she chose the latter, almost instantly she would be able to witness me perched at the peephole, and my clandestine life would be exposed. In my leisure, I clocked a normal entry and found that on average I had almost a full twenty seconds from the moment her key turned the tumblers till she reached the bottom of the stairs, twenty seconds to toss the pillows back into the bedroom and absent myself from the hole.

  I briefly toyed with the idea of revealing the peephole to her. But I knew her sense of the perverse was far short of my own. She was constitutionally gloomy, probably a clinical depressive. Certainly a passive-aggressive, who reveled in bitter nonresponse, bland effect, withdrawing into maddening hours of silence whenever I blundered across another invisible foul line she had drawn.

  I watched the father too, the vice consul. On many occasions I saw him strip off his underwear and climb into the shower, and I saw him dry himself and urinate and brush his teeth. Once I saw him reach down and retrieve a pair of discarded briefs and bring the crotch to his nose before deciding they were indeed fresh enough to wear again. He had the slender and muscular build of a long-distance runner. Even in its slackened state his penis was formidable.

  On one particular Sunday morning, I watched with grim fascination as he worked his organ to an erection, all the while gazing at the reflection of his face. And a few moments later as the spasms of his pleasure shook him and he was bending forward to ejaculate into the sink, the niña pera appeared at the doorway of the bathroom. She paused briefly to watch the vice consul's last strokes, then passed behind him and stepped into the shower with a nonchalance that I found more shocking than anything I had witnessed to that point.

  Late in November, the chairman of my department called me into his office and asked me if I was happy in Spain, and I assured him that I most certainly was. He smiled uncomfortably and offered me a glass of scotch and as we sipped, he told me that the students had been complaining that I was not making myself sufficiently available to them. I feigned shock, but he simply shook his head and waved off my pretense. Not only had I taken to missing office hours, I had failed to return a single set of papers or tests. The students were directionless and confused and in a unified uproar. And because of their protests, much to his regret, the chairman was going to have to insist that I begin holding my regular office hours immediately. If I failed to comply, he would have no choice but to act in his students' best interest by calling the Fulbright offices in Madrid and having my visiting professorship withdrawn for the second semester. I would be shipped home in disgrace.

  I assured him that I would not disappoint him again.

  Two days later after my last class of the day as I walked back to my office, all I could think of was my niña pera stripping away her Catholic uniform and stepping into the shower, then stepping out again wet and naked and perfectly succulent. I turned from my office door and the five scowling students waiting there and hurried out of the building. I caught the train just in time and was home only seconds before she arrived.

  And this was the day it happened.

  Breathless from my jog from the train station, I clambered up the stairs and quickly assumed my position at the slit, but was startled to see that it was not my niña pera beyond the wall, but her father, the diplomat in his dark suit, home at that unaccustomed hour. He was pacing back and forth in front of the bathroom, where a much shorter and much less elegant man was holding the head of a teenage boy over the open toilet bowl. The young man had long stringy hair and was dressed in a black T-shirt and blue jeans. The thug who was gripping him by the ears above the bowl was also dressed in black, a bulky black sweatshirt with the sleeves torn away and dark jeans and a black Basque beret. His arms were as gnarled as oak limbs, and the boy he held was unable to manage even a squirm.

  The vice consul stopped his pacing and spat out a quick, indecent bit of Spanish. Even though the wall muffled most conversation, I heard and recognized the phrase. While my conversational skills were limited, I had mastered a dozen or so of the more useful and colorful Spanish curses. The vice consul had chosen to brand the boy as a pig's bastard child. Furthermore, a pig covered in its own excrement.

  Though my disappointment at missing my daily appointment with the niña pera deflated my spirits, witnessing such violence and drama was almost fair compensation. My assumption was that my neighbor was disciplining the young man for some botched assignment—the most natural guess being that he was a courier who transported certain highly valued pharmaceutical products that happened also to be the leading export of the vice consul's country. The other possibility, of course, and one that gave me a particularly nasty thrill, was that the boy was guilty of some impropriety with the diplomat's daughter, my own niña pera, and now was suffering the dire consequences of his effrontery.

  I watched as the vice consul came close to the boy and bent to whisper something to him, then tipped his head up by the chin and gave some command to the thug. The squat man let go of the boy's right ear, and with a gesture so quick I only caught the end of it, he produced a knife and slashed the boy's right ear away from his head.

  I reeled back from the slit in the wall and pressed my back against the banister and tried to force the air into my lungs.

  At that moment I should have rushed downstairs, gotten on the phone, and called the militia to report the outrage beyond my wall. And I honestly considered doing so. For surely it would have been the moral, virtuous path. But I could not move. And as I considered my paralysis, the utter selfishness of my inaction filled me with acid self-contempt. I reviled myself even as I kept my place. I could not call for help because I did not dare to upset the delicate equipoise of my neighbors' lives. The thought of losing my niña pera to the judicial process, or even worse to extradition, left me lifeless on the stairway. Almost as terrifying was the possibility that if I called for the militia, a further investigation would expose the slit in the wall and I would be hauled out into the streets for a public thrashing.

  For a very long while I did not move.

  Finally, when I found the courage to bring my eye back to the crack in the wall, I saw that the thug had lifted the boy to a standing position before the toilet, and the vice consul had unzipped him and was gripping the tip of his penis, holding it out above the bloody porcelain bowl, a long steak knife poised a few inches above the pale finger of flesh.

  The vice consul's arm quivered and began its downward slash.

  "No!" I cried out, then louder, "No!"

  My neighbor aborted his savage swipe and spun around. I watched him take a hesitant step my way, then another. His patent-leather shoes glowed in the eerie light bey
ond the wall. Then in an unerring path he marched directly to the wall where I was perched.

  I pulled away, scooted backward up the stairs, and held my breath.

  I waited.

  I heard nothing but the distant siren wail of another supertanker coming into port.

  I was just turning to tiptoe up to the bedroom when the blade appeared. It slid through the wall and glittered in the late-afternoon light, protruding a full five inches into my apartment. He slipped it back and forth as if he, too, were trying to widen the viewing hole, then drew it slowly out of sight. For a second I was in real danger of toppling forward down the flight of stairs, but I found a grip on the handrail and restrained myself on the precarious landing.

  Though it was no longer visible, the knife blade continued to vibrate in my inner sight. I realized it was not a steak knife at all, but a very long fillet knife with a venomous tapered blade that shone with the brilliance of a surgical tool. I had seen similar knives many times along the Algorta docks, for this was the sort of cutlery that saw service gutting the abundant local cod.

  And while I held my place on the stairs, the point of the knife shot through the wall again and remained there, very still, as eloquent and vile a threat as I had ever experienced. And a moment later in the vice consul's apartment I heard a wet piercing noise followed by a heavy thunk, as if a sack of cement had been broken open with the point of a shovel.

  A second later my wife's key turned in the front-door lock and she entered the apartment, shook her umbrella, and stripped off her rain gear and took her standard fifteen seconds to reach the bottom of the stairs. She gazed up and saw me frozen on the landing and the knife blade still shimmering through the wall of this house she had come to despise. For it was there in those four walls that I had fatally withdrawn from her as well as my students, where I had begun to match her obdurate silences with my own. In these last few months I had become so devoted to my niña pera that I had established a bond with this unknown juvenile beyond the wall that was more committed and passionate than any feelings I had ever shown my wife.

  And when she saw the knife blade protruding from the wall, she knew all this and more. More than I could have told her if I had fallen to my knees and wallowed in confession. Everything was explained to her, my vast guilt, my repellent preoccupation, the death of our life together. Our eyes interlocked, and whatever final molecules of adhesion still existed between us dissolved in those silent seconds.

  She turned and strode to the foyer. As I came quickly down the stairs, she picked up her raincoat and umbrella and opened the heavy door of our apartment and stepped out into the narrow alley-street of the Old Port. I hurried after her, calling out her name, pleading with her, but she shut the door behind her with brutal finality.

  As I rushed to catch her, pushing open the door, I nearly collided with my succulent young neighbor coming home late from school. She graced me with a two-second smile and entered her door, and I stood on the stoop for a moment looking down the winding, rain-slicked street after my wife. Wretched and elated, I swung around and shut myself in once more with my utter depravity.

  I mounted the stairs.

  There was nothing in my heart, nothing in my head. Simply the raging current of blood that powered my flesh. I knelt at the wall and felt the magnetic throb of an act committed a thousand times and rewarded almost as often, the Pavlovian allure, a need beyond need, a death-hungering wish to see, to know, to live among that nefarious family who resided only a knife blade away.

  I pressed my eye to the hole and she was there, framed in the bathroom doorway wearing her white blouse, her green plaid skirt. Behind her I could see that the toilet bowl had been wiped clean of blood. My niña pera's hands hung uneasily at her sides and she was staring across the room at the wall we shared, her head canted to the side, her eyes focused on the exact spot where I pressed my face into the stone and drank her in. My pear girl, my succulent child, daughter of the devil.

  And though I was certain that the glimmer of my eye was plainly visible to her and anyone else who stood on that side of the wall, I could not pull myself from the crack, for my niña pera had begun to lift her skirt, inch by excruciating inch, exposing those immaculate white thighs. And though there was no doubt she was performing under duress and on instructions from her father, I pressed my face still harder against the wall and drank deep of the vision before me.

  Even when my succulent one cringed and averted her face, giving me a second or two of ample warning of what her father was about to do, I could not draw my eye away from the lush expanse of her thighs.

  A half second later her body disappeared and a wondrous flash of darkness swelled inside me and exploded. I was launched into utter blankness, riding swiftly out beyond the edges of the visible world, flying headlong into a bright galaxy of pain.

  And yet, if I had not passed out on the stairway, bleeding profusely from my ruined eye, if somehow I had managed to stay conscious for only a few seconds more, I am absolutely certain that after I suffered the loss of sight in my right eye, I would have used the last strength I had to reposition myself on the stairway and resume my vigil with my left.

  In the following months of recuperation and repair, I came to discover that a man can subsist with one eye as readily as with one hand or leg. For apparently nature anticipated that some of us would commit acts of such extreme folly and self-destructiveness that we would require such anatomical redundancy if we were to survive. And in her wisdom, she created us to be two halves cojoined. So that even with one eye, a man can still see, just as with only a single hand he may still reach out and beckon for his needs. And yes, even halfheartedly, he may once again know love.

  RUNNING OUT OF DOG

  1999: Dennis Lehane

  DENNIS LEHANE (1965–) was born and raised, and still lives much of the year, in the Boston area, where most of his work is set. He is a graduate of Eckerd College in Florida and the graduate writing program at Florida International University. His first book, A Drink before the War (1994), introduced a pair of private eyes, Patrick Kenzie and Angela Gennaro, who appeared in the author's next four books: Darkness, Take My Hand (1996), Sacred (1997), Gone, Baby, Gone (1998), and Prayers for Rain (1999). His next book, Mystic River (2001), attained bestseller status and firmly established Lehane as one of the country's foremost crime writers. It was bought for Hollywood by Clint Eastwood, who directed it and made it into an Academy Award–winning film in 2003, starring Sean Penn, Tim Robbins, and Kevin Bacon. Gone, Baby, Gone was also a successful film in 2007, directed by Ben Affleck and starring Casey Affleck and Michelle Monaghan as Kenzie and Gennaro. Lehane's seventh novel, Shutter Island (2003), was also adapted for film, with Martin Scorsese directing and Leonardo DiCaprio as the star. The Given Day (2008), Lehane's most recent novel, is a huge history of post–World War I Boston, focusing on the police riots that had such enormous influence on the American labor movement. It is the first volume of what may eventually turn out to be a trilogy.

  "Running Out of Dog" was first published in the anthology Murder and Obsession (New York: Delacorte, 1999). It was selected for The Best American Mystery Stories 2000 and The Best American Mystery Stories of the Century.

  ***

  THIS THING WITH Blue and the dogs and Elgin Bern happened a while back, a few years after some of our boys—like Elgin Bern and Cal Sears—came back from Vietnam, and a lot of others—like Eddie Vorey and Carl Joe Carol, the Stewart cousins—didn't. We don't know how it worked in other towns, but that war put something secret in our boys who returned. Something quiet and untouchable. You sensed they knew things they'd never say, did things on the sly you'd never discover. Great card players, those boys, able to bluff with the best, let no joy show in their face no matter what they were holding.

  A small town is a hard place to keep a secret, and a small Southern town with all that heat and all those open windows is an even harder place than most. But those boys who came back from overseas, they seemed to
have mastered the trick of privacy. And the way it's always been in this town, you get a sizable crop of young, hard men coming up at the same time, they sort of set the tone.

  So, not long after the war, we were a quieter town, a less trusting one (or so some of us seemed to think), and that's right when tobacco money and textile money reached a sort of critical mass and created construction money and pretty soon there was talk that our small town should maybe get a little bigger, maybe build something that would bring in more tourist dollars than we'd been getting from fireworks and pecans.

  That's when some folks came up with this Eden Falls idea—a big carnival-type park with roller coasters and water slides and such. Why should all those Yankees spend all their money in Florida? South Carolina had sun too. Had golf courses and grapefruit and no end of KOA campgrounds.

  So now a little town called Eden was going to have Eden Falls. We were going to be on the map, people said. We were going to be in all the brochures. We were small now, people said, but just you wait. Just you wait.

  And that's how things stood back then, the year Perkin and Jewel Lut's marriage hit a few bumps and Elgin Bern took up with Shelley Briggs and no one seemed able to hold on to their dogs.

  The problem with dogs in Eden, South Carolina, was that the owners who bred them bred a lot of them. Or they allowed them to run free where they met up with other dogs of opposite gender and achieved the same result. This wouldn't have been so bad if Eden weren't so close to I-95, and if the dogs weren't in the habit of bolting into traffic and fucking up the bumpers of potential tourists.

  The mayor, Big Bobby Vargas, went to a mayoral conference up in Beaufort, where the governor made a surprise appearance to tell everyone how pissed off he was about this dog thing. Lot of money being poured into Eden these days, the governor said, lot of steps being taken to change her image, and he for one would be goddamned if a bunch of misbehaving canines was going to mess all that up.

 

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