To a good honest jet-black dog who lay in the road I delivered the following facetious address: “Does it not enter your mind, you apparently quite unschooled and uncultivated fellow, to stand up and offer me your coal-black paw, though you must see from my gait and entire conduct that I am a person who has lived a full seven years at least in the capital of this country and of the world, and who during this time has not one minute, let alone one hour, or one month, or one week, been out of touch or out of pleasant intercourse with exclusively cultured people? Where, ragamuffin, were you brought up? And you do not answer me a word? You lie where you are, look at me calmly, move not a finger, and remain as motionless as a monument? You should be ashamed of yourself!”
Yet actually I liked the dog, who in the loyal-hearted watchfulness and humorous repose and composure he displayed looked magnificent, uncommonly good, and because his eyes twinkled at me so merrily, I spoke with him, and because he really did not understand a word, I could venture to scold him, which however, as will have been observed from the comic manner of my address, cannot anyway have been meant unkindly.
Catching sight of an elegant, well-starched gentleman strutting and waddling and prancing toward me, I had the melancholy thought: “And poor little ill-dressed neglected children? Is it possible that such a well-dressed, elaborately groomed, splendidly tailored and upholstered, beringed and jewel-behung, spick-and-span beau of a gentleman does not give a moment’s thought to poor young creatures who go about often enough in rags, show a sad lack of care and attention, and are lamentably neglected? Is the peacock not a little uneasy? Does this Adult Gentleman who goes about so beautifully not feel in any way whatsoever concerned when he sees dirty speckled little children? It seems to me that no mature man ought to want to appear all elegance as long as there are children who have no finery to wear at all.”
But one might have just as much right to say that nobody ought to go to concerts, or visit the theatre, or enjoy any other kind of amusement as long as there are prisons in the world and places of punishment with unhappy prisoners in them. This is of course asking too much. And if anyone were to wait content and enjoying life until finally the world should contain no more poor miserable people, then he would be waiting until the gray impenetrable end of all time, and until the ice-cold empty end of the world, and by then all joy and life itself would in all probability be utterly gone from him.
A disheveled, discomfited, spent, and tremulous charwoman, extraordinarily weak and weary, and yet hurrying along because she evidently still had many more things to do, reminded me for an instant of spoiled, pampered little girls, or larger girls, who are often ignorant, or seem to know what sort of delicate elegant occupation or diversion to pass the day with, and who perhaps are never thoroughly tired, who consider all day and for weeks on end what they can wear to increase the polish of their appearance, and who have time and to spare for long meditations on the subject, whence continually more and more exaggerated refinements wrap round their persons and sweet confection-like little forms.
But I am myself usually a lover and admirer of such amiable, utterly pampered moonbeam maidens, beautiful, delicate, plantlike girls. A charming young thing could command of me whatever might occur to her, I would blindly obey her. Oh, how beautiful beauty is, and how charming is charm!
Once more I return to the topic of architecture and building, and here a bit, or spot, of art and literature will need consideration.
But first a note: the cleaning of ancient, noble, dignified, historic places and buildings, with their traceries of ornamental flowers, reveals considerable bad taste. Whoever does this, or causes it to be done, sins against the spirit of dignity and beauty, and injures the lovely remembrance of ancestors, who were as brave as they were noble. Second, never garland and conceal the architecture of fountains with flowers. Of course, flowers in themselves are beautiful; but they do not exist to declarify and erase the noble austerity and austere beauty of images in stone. At any time the predilection for flowers can deteriorate into a foolish mania. Personalities, magistrates, whom this concerns, may make inquiries in the authoritative circles as to whether I am right, and thereafter be kind enough to behave nicely.
To mention two beautiful and interesting edifices, which powerfully arrested me and claimed my attention to an unusual degree, it may be said that as I followed my road farther I came to a delightful, curious chapel, which I immediately named Brentano’s Chapel, because I saw that it dated from the fantastical, golden-aureoled, half-bright and half-dark age of the Romantics. I recalled Brentano’s great wild, dark, tempestuous novel Godwi. Lofty, slender, arched windows gave this most original and peculiar building a delicate, delightful appearance, and laid upon it the spirit of enchantment, spirit of inwardness and the meditative life. There came to my mind fiery and profound landscape descriptions by the poet mentioned above, particularly the account of German oak forests. Soon after this I was standing in front of a villa called Terrasse, which reminded me of the painter Karl Stauffer-Bern, who lived and stayed here for a time, and, simultaneously, of certain very superb, noble edifices which lie on the Tiergartenstrasse in Berlin, and which, owing to the austere, majestical, and simple classical style to which they give expression, are congenial and worth seeing. To me, Stauffer’s House and Brentano’s Chapel were monuments to two worlds which are to be strictly distinguished from each other, each being in its curious way graceful, entertaining, and significant: here a measured, cool elegance; there the exuberant, deep-minded dream, here something subtle and beautiful, and there something subtle and beautiful, but in substance and structure completely different from the other, although each lies near to the other in point of time. Evening is now gradually beginning to fall upon my walk, and its quiet end, I think, cannot any more be very far away.
Perhaps this is just the place for a few everyday things and street events, each in its turn: a splendid piano factory and also other factories and company buildings; an avenue of poplars close beside a black river, men, women, children, electric trams croaking along, each with a responsible field marshal or general peering out, a troupe of charmingly chequered and spotted pale-coloured cows, peasant women on farm carts, and the rolling of wheels and cracking of whips thereto appertaining, several heavily laden, high-towering beer wagons and beer barrels, homeward-bound workers streaming and storming out of the factories, the overwhelming sight and actuality of all this mass, and the relevant curious thoughts; goods wagons with goods, coming from the goods station, an entire travelling and wandering circus with elephants, horses, dogs, zebras, giraffes, fierce lions locked in lion cages, with Singalese, Indians, tigers, monkeys, and creepy-crawly crocodiles, girl rope dancers and polar bears, and all the requisite opulence of camp followers, servants, packs of performers and staff; further: boys armed with wooden rifles, imitating the European War as they unleash all the furies of war, a small scoundrel singing the song “One Hundred Thousand Frogs,” of which he is mightily proud; further: foresters and woodsmen with trucks full of wood, two or three splendid pigs, whereat the lively imagination of the observer greedily paints him a picture of the deliciousness and acceptability of a marvellously redolent, already roast joint of pork, which is understandable; a farmhouse with a motto over the entrance, two Bohemian, Galician, Slav, Wend, or even gypsy girls in red boots and with jet-black eyes and ditto hair, at the sight of whom one thinks perhaps of the plummy novel The Gypsy Princess, which actually happens in Hungary, though it makes little difference, or of Preziosa, which is of course of Spanish origin, but there is no need to take it literally. Further, in the way of shops: paper, meat, clock, shoe, hat, iron, cloth, grocery, spice, fancy goods, millinery, bakery, and confectionery shops. And everywhere on all these things delicious evening sun. Further, much noise and uproar, schools and schoolteachers, the latter with weighty and dignified faces, landscapes and air and much else that is picturesque. Further, not to be overlooked or forgotten: signs and advertisements, as: “Persil,” or “Ma
ggi’s Unsurpassed Soups,” or “Continental Rubber Heels Enormously Durable,” or “Freehold Property for Sale,” or “The Best Milk Chocolate,” and I honestly know not what else. If one were to count until everything had been accurately enumerated, one would never reach the end. People with insight feel and observe this fact. A placard or board struck me especially; it read as follows:
“FULL BOARD AND LODGING
or elegant gentlemen’s pension recommends to elegant or at least better-off gentlemen its first-class cuisine, which is such that we can with a clear conscience say that it will gratify the most pampered palate and delight the liveliest appetite. Nevertheless, preferably we decline to consider all-too-hungry stomachs. The culinary art we offer is adjusted to higher education, by which we hope to indicate that we are pleased to see only really well-educated gentlemen banqueting at our tables. Rascals who drink their weekly or monthly wage, and who are thus unable to pay promptly, we have not the remotest desire to meet; rather, in respect of our honoured guests, we insist on delicate conduct and pleasing manners. Charming, polite young ladies are in our house in attendance at the deliciously laid, tasteful tables, which are decorated with all sorts of flowers. We make this clear, so that Prospective Gentlemen may understand that elegant behaviour and really jolly and correct conduct are required of the likely resident from the moment he sets foot in our estimable, respectable establishment. With libertines and rowdies, boasters and swaggerers we quite resolutely refuse all contact. Such persons who have cause to believe that they are of this type will be so good as to remain at a distance from our first-rate institute and spare us their objectionable presences. Every nice, delicate, polite, courteous, elegant, obliging, friendly, cheerful, not excessively gay and cheerful but rather quiet, above all solvent, steady, punctually paying gentleman guest, on the other hand, will really be in every respect welcome, and he will be attended to most elegantly and treated as courteously and nicely as is humanly possible; this we promise faithfully, and we intend to keep this promise continually, the pleasure is ours. Such a nice, charming gentleman will find at our tables delicacies whose like he would have great trouble to find elsewhere; for from our exquisite cuisine proceed veritable masterpieces of culinary art; this everyone will have the occasion to prove who wishes to sample our excellent Gentlemen’s Pension to which we heartily extend our invitation at all times. The food which we place on our tables surpasses in quality as in quantity all reasonably healthy belief, and no fantasy, however strong, can even approximately conceive the delectable, luscious tidbits which we are accustomed to bring forth and display before the joyfully astonished eyes of gentlemen diners here assembled. But, as has already been stressed several times, only gentlemen of the better type come into consideration, and we take the liberty, in order to avoid errors and to remove doubts, of publishing our conception of such persons: in our eyes, he alone is a gentleman of the better type who seethes with elegance and superiority, and who is just simply far better than the other ordinary people. People who are no more than ordinary do not suit us at all. A gentleman of the better type is, in our opinion, only he who entertains a fair number of vain and foolish ideas about himself, and who above all imagines that his nose is better than any other good and sensible human nose whatsoever. The conduct of a gentleman of the better type clearly exhibits this peculiar prerequisite, and it is upon this that we rely. Whoever is merely good, upright, and honourable, and shows no other important merits, should not trouble us; for to us he does not seem to be a gentleman of the more elegant, of the better type. For the selection of only the most elegant and superior gentlemen of the better type, we possess the most subtle intelligence. We can see at once from the gait, the tone of voice, from the way of making conversation, from the features of the face, from the movements of the body, and particularly from the clothes, the hat, the stick, the flower in the buttonhole, which either exists or does not, whether a gentleman belongs among the better gentlemen, or does not. The acumen we possess in this respect borders on magic, and we make so bold as to contend that we credit ourselves with a certain genius in these matters. Well, now it is clear what sort of gentlemen we indicate, and if a person comes to us and we can tell from afar that he is unsuitable for us and our establishment, then we tell him: ‘We very much regret, and we are really very sorry.’”
Two or three readers will perhaps raise a few doubts about the authenticity of this notice, insofar as they will tell themselves that it is hardly believable.
Perhaps there were a few repetitions here and there. But I would like to confess that I consider man and nature to be in lovely and charming flight from repetitions, and I would like further to confess that I regard this phenomenon as a beauty and a blessing. Of course, one finds in some places sensation-hungry novelty hunters and novelty worshippers, spoiled by overexcitement, people who almost every instant covet joys that have never been seen before. The writer does not write for such people, nor does the composer compose for them, nor does the painter paint for them. On the whole I consider the constant need for delight and diversion in completely new things to be a sign of pettiness, lack of inner life, of estrangement from nature, and of a mediocre or defective gift of understanding. It is little children for whom one must always be producing something new and different, only in order to stop their being dissatisfied. The serious writer does not feel called upon to supply accumulations of material, to act the agile servant of nervous greed; and consequently he is not afraid of a few natural repetitions, although of course he takes continual trouble to forfend too many similarities.
It was now evening and I came to a quiet, pretty path or side road which ran under trees, toward the lake, and here the walk ended. In a forest of alders, at the water’s edge, a school for boys and girls had assembled and the parson or teacher was giving instruction in botany and the observation of nature, here in the midst of nature, at nightfall. As I walked slowly onward, two human figures arose in my mind. Perhaps because of a certain general weariness, I thought of a beautiful girl, and of how alone I was in the wide world, and that this could not be quite right. Self-reproof touched me from behind my back and stood before me in my way, and I had to struggle hard. Certain evil memories took control of me. Self-accusations made my heart deeply and suddenly a burden to me. Flowers meanwhile I searched for and picked all around me, partly in the little forest, partly in the fields. Gently and softly it began to rain, whereupon the delicate countryside became even more delicate and still. It seemed to me that tears fell, and while I was gathering flowers I listened to the soft weeping which rustled down upon the leaves. Warm, gentle summer rain, how sweet you are! “Why am I picking flowers here?” I asked myself, and looked down pensively to the ground, and the delicate rain increased my pensiveness till it became sorrow. Old, long-past failures occurred to me, disloyalty, hatred, scorn, falsity, cunning, anger, and many violent unbeautiful actions. Uncontrolled passion, wild desire, and how I had hurt people sometimes, and done wrong. Like a packed stage of scenes from a drama my past life opened to me, and I was seized with astonishment at my countless frailties, at all unfriendliness and lovelessness which I had caused people to feel. Then there came before my eyes the second figure, and suddenly I saw again the poor, weary old forsaken man whom I had seen a few days before, lying on the ground in the forest, and he looked up, so pitiful, deathly and pale, lamentable, so sorrowful and weary to death, that the sad sight of him had terrified me and choked my soul. This weary man I now saw in my mind’s eye, and a feeling of weakness took hold of me. I felt the need to lie down somewhere, and since a friendly, cosy little place by the lakeside was nearby, I made myself comfortable, somewhat tired as I was, on the soft ground under the artless branches of a tree. As I looked at earth and air and sky the melancholy unquestioning thought came to me that I was a poor prisoner between heaven and earth, that all men were miserably imprisoned in this way, that for all men there was only the one dark path into the other world, the path down into the pit, into the ea
rth, that there was no other way into the other world than that which led through the grave. “So then everything, everything, all this rich life, the friendly, thoughtful colours, this delight, this joy and pleasure in life, all these human meanings, family, friend, and beloved, this bright, tender air full of divinely beautiful images, houses of fathers, houses of mothers, and dear gentle roads, must one day pass away and die, the high sun, the moon, and the hearts and eyes of men.” For a long time I thought of this, and asked those people whom perhaps I might have injured to forgive me. For a long time I lay there in unclear thought, until I remembered the girl again, who was so beautiful and fresh with youth, and had such soft, good, pure eyes. I vividly imagined how charming was her childish, pretty mouth, how pretty her cheeks, and how with its melodious sweetness her bodily form had enchanted me, how I had asked her a question a while ago, how in her doubt and disbelief her lovely eyes had looked away, and how she had said no when I asked her if she believed in my sincere love, affection, surrender, and tenderness. The situation had obliged her to travel, and she had gone away. Perhaps I would still have had time to convince her that I meant well with her, that her dear person was important to me, and that I had many beautiful reasons for wanting to make her happy, and thus myself happy also; but I had thought no more of it, and she went away. Why then the flowers? “Did I pick flowers to lay them upon my sorrow?” I asked myself, and the flowers fell out of my hand. I had risen up, to go home; for it was late now, and everything was dark.
1917
So! I’ve Got You
One who could not trust his eyes looked at the door of a room to see if it was closed. Indeed it was closed, and properly to be sure, there was no reason to doubt it. The door was definitely closed, but he who did not trust his eyes did not believe it, sniffed about the door with his nose, so that he could smell if it was closed or not. It was really and truly closed. Without question it was closed. It was by no means open. By all means it was closed. Undoubtedly the door was closed. Doubt was in no way to be feared; he who did not trust his eyes, however, doubted strongly that the door was actually closed, although he clearly saw how tightly it was shut. It was as tightly shut as those doors which cannot on the whole be shut any tighter, but he who did not trust his eyes was still a long way from being convinced of that. He stared hard at the door and asked it if it was closed. “Door, tell me, are you closed?” he asked, but the door gave no answer. It was, anyway, not at all necessary that it answered, since it was closed. The door was perfectly in order, but he who did not trust his eyes did not trust the door, did not believe that it was in order, continued to doubt that it was in order. “Are you really shut or are you not shut?” he asked again, but of course the door anew gave no answer. Can one demand of a door that it give an answer? Again the door was looked at suspiciously to find out if it was truly closed. At last he comprehended that it was closed, at last he was convinced of it. Thereupon he laughed loudly, was very happy that he could laugh, and said to the door: “So! I’ve got you,” and with this fine expression he was satisfied and went to his daily work. Is not such a person a fool? Certainly! but he was just one who doubted everything.
The Walk Page 11