But, strange as it may seem, even after theologians had thus settled the manner of creation, the matter employed in it, the time required for it, and the exact date of it, there remained virtually unsettled the first and greatest question of all; and this was nothing less than the question, WHO actually created the universe?
Various theories more or less nebulous, but all centred in texts of Scripture, had swept through the mind of the Church. By some theologians it was held virtually that the actual creative agent was the third person of the Trinity, who, in the opening words of our sublime creation poem, "moved upon the face of the waters." By others it was held that the actual Creator was the second person of the Trinity, in behalf of whose agency many texts were cited from the New Testament. Others held that the actual Creator was the first person, and this view was embodied in the two great formulas known as the Apostles' and Nicene Creeds, which explicitly assigned the work to "God the Father Almighty, Maker of heaven and earth." Others, finding a deep meaning in the words "Let US make," ascribed in Genesis to the Creator, held that the entire Trinity directly created all things; and still others, by curious metaphysical processes, seemed to arrive at the idea that peculiar combinations of two persons of the Trinity achieved the creation.
In all this there would seem to be considerable courage in view of the fearful condemnations launched in the Athanasian Creed against all who should "confound the persons" or "divide the substance of the Trinity."
These various stages in the evolution of scholastic theology were also embodied in sacred art, and especially in cathedral sculpture, in glass-staining, in mosaic working, and in missal painting.
The creative Being is thus represented sometimes as the third person of the Trinity, in the form of a dove brooding over chaos; sometimes as the second person, and therefore a youth; sometimes as the first person, and therefore fatherly and venerable; sometimes as the first and second persons, one being venerable and the other youthful; and sometimes as three persons, one venerable and one youthful, both wearing papal crowns, and each holding in his lips a tip of the wing of the dove, which thus seems to proceed from both and to be suspended between them.
Nor was this the most complete development of the medieval idea. The Creator was sometimes represented with a single body, but with three faces, thus showing that Christian belief had in some pious minds gone through substantially the same cycle which an earlier form of belief had made ages before in India, when the Supreme Being was represented with one body but with the three faces of Brahma, Vishnu, and Siva.
But at the beginning of the modern period the older view in its primitive Jewish form was impressed upon Christians by the most mighty genius in art the world has known; for in 1512, after four years of Titanic labour, Michael Angelo uncovered his frescoes within the vault of the Sistine Chapel.
They had been executed by the command and under the sanction of the ruling Pope, Julius II, to represent the conception of Christian theology then dominant, and they remain to-day in all their majesty to show the highest point ever attained by the older thought upon the origin of the visible universe.
In the midst of the expanse of heaven the Almighty Father--the first person of the Trinity--in human form, august and venerable, attended by angels and upborne by mighty winds, sweeps over the abyss, and, moving through successive compartments of the great vault, accomplishes the work of the creative days. With a simple gesture he divides the light from the darkness, rears on high the solid firmament, gathers together beneath it the seas, or summons into existence the sun, moon, and planets, and sets them circling about the earth.
In this sublime work culminated the thought of thousands of years; the strongest minds accepted it or pretended to accept it, and nearly two centuries later this conception, in accordance with the first of the two accounts given in Genesis, was especially enforced by Bossuet, and received a new lease of life in the Church, both Catholic and Protestant.[7]
[7] For strange representations of the Creator and of the creation by one, two, or three persons of the Trinity, see Didron, Iconographie Chretienne, pp. 35, 178, 224, 483, 567-580, and elsewhere; also Detzel as already cited. The most naive of all survivals of the mediaeval idea of creation which the present writer has ever seen was exhibited in 1894 on the banner of one of the guilds at the celebration of the four-hundredth anniversary of the founding of the Munich Cathedral. Jesus of Nazareth, as a beautiful boy and with a nimbus encircling his head, was shown turning and shaping the globe on a lathe, which he keeps in motion with his foot. The emblems of the Passion are about him, God the Father looking approvingly upon him from a cloud, and the dove hovering between the two. The date upon the banner was 1727.
But to these discussions was added yet another, which, beginning in the early days of the Church, was handed down the ages until it had died out among the theologians of our own time.
In the first of the biblical accounts light is created and the distinction between day and night thereby made on the first day, while the sun and moon are not created until the fourth day. Masses of profound theological and pseudo-scientific reasoning have been developed to account for this--masses so great that for ages they have obscured the simple fact that the original text is a precious revelation to us of one of the most ancient of recorded beliefs--the belief that light and darkness are entities independent of the heavenly bodies, and that the sun, moon, and stars exist not merely to increase light but to "divide the day from the night, to be for signs and for seasons, and for days and for years," and "to rule the day and the night."
Of this belief we find survivals among the early fathers, and especially in St. Ambrose. In his work on creation he tells us: "We must remember that the light of day is one thing and the light of the sun, moon, and stars another--the sun by his rays appearing to add lustre to the daylight. For before sunrise the day dawns, but is not in full refulgence, for the sun adds still further to its splendour." This idea became one of the "treasures of sacred knowledge committed to the Church," and was faithfully received by the Middle Ages. The medieval mysteries and miracle plays give curious evidences of this: In a performance of the creation, when God separates light from darkness, the stage direction is, "Now a painted cloth is to be exhibited, one half black and the other half white." It was also given more permanent form. In the mosaics of San Marco at Venice, in the frescoes of the Baptistery at Florence and of the Church of St. Francis at Assisi, and in the altar carving at Salerno, we find a striking realization of it--the Creator placing in the heavens two disks or living figures of equal size, each suitably coloured or inscribed to show that one represents light and the other darkness. This conception was without doubt that of the person or persons who compiled from the Chaldean and other earlier statements the accounts of the creation in the first of our sacred books.[8]
[8] For scriptural indications of the independent existence of light and darkness, compare with the first verses of the chapter of Genesis such passages as Job xxxviii, 19,24; for the general prevalence of this early view, see Lukas, Kosmogonie, pp. 31, 33, 41, 74, and passim; for the view of St. Ambrose regarding the creation of light and of the sun, see his Hexameron, lib. 4, cap. iii; for an excellent general statement, see Huxley, Mr. Gladstone and Genesis, in the Nineteenth Century, 1886, reprinted in his Essays on Controverted Questions, London, 1892, note, pp. 126 et seq.; for the acceptance in the miracle plays of the scriptural idea of light and darkness as independent creations, see Wright, Essays on Archeological Subjects, vol. ii, p.178; for an account, with illustrations, of the mosaics, etc., representing this idea, see Tikkanen, Die Genesis-mosaiken von San Marco, Helsingfors, 1889, p. 14 and 16 of the text and Plates I and II. Very naively the Salerno carver, not wishing to colour the ivory which he wrought, has inscribed on one disk the word "LUX" and on the other "NOX." See also Didron, Iconographie, p. 482.
Thus, down to a period almost within living memory, it was held, virtually "always, everywhere, and by all," that the universe, as we now see
it, was created literally and directly by the voice or hands of the Almighty, or by both--out of nothing--in an instant or in six days, or in both--about four thousand years before the Christian era--and for the convenience of the dwellers upon the earth, which was at the base and foundation of the whole structure.
But there had been implanted along through the ages germs of another growth in human thinking, some of them even as early as the Babylonian period. In the Assyrian inscriptions we find recorded the Chaldeo-Babylonian idea of an evolution of the universe out of the primeval flood or "great deep," and of the animal creation out of the earth and sea. This idea, recast, partially at least, into monotheistic form, passed naturally into the sacred books of the neighbours and pupils of the Chaldeans--the Hebrews; but its growth in Christendom afterward was checked, as we shall hereafter find, by the more powerful influence of other inherited statements which appealed more intelligibly to the mind of the Church.
Striking, also, was the effect of this idea as rewrought by the early Ionian philosophers, to whom it was probably transmitted from the Chaldeans through the Phoenicians. In the minds of Ionians like Anaximander and Anaximenes it was most clearly developed: the first of these conceiving of the visible universe as the result of processes of evolution, and the latter pressing further the same mode of reasoning, and dwelling on agencies in cosmic development recognised in modern science.
This general idea of evolution in Nature thus took strong hold upon Greek thought and was developed in many ways, some ingenious, some perverse. Plato, indeed, withstood it; but Aristotle sometimes developed it in a manner which reminds us of modern views.
Among the Romans Lucretius caught much from it, extending the evolutionary process virtually to all things.
In the early Church, as we have seen, the idea of a creation direct, material, and by means like those used by man, was all-powerful for the exclusion of conceptions based on evolution. From the more simple and crude of the views of creation given in the Babylonian legends, and thence incorporated into Genesis, rose the stream of orthodox thought on the subject, which grew into a flood and swept on through the Middle Ages and into modern times. Yet here and there in the midst of this flood were high grounds of thought held by strong men. Scotus Erigena and Duns Scotus, among the schoolmen, bewildered though they were, had caught some rays of this ancient light, and passed on to their successors, in modified form, doctrines of an evolutionary process in the universe.
In the latter half of the sixteenth century these evolutionary theories seemed to take more definite form in the mind of Giordano Bruno, who evidently divined the fundamental idea of what is now known as the "nebular hypothesis"; but with his murder by the Inquisition at Rome this idea seemed utterly to disappear--dissipated by the flames which in 1600 consumed his body on the Campo dei Fiori.
Yet within the two centuries divided by Bruno's death the world was led into a new realm of thought in which an evolution theory of the visible universe was sure to be rapidly developed. For there came, one after the other, five of the greatest men our race has produced--Copernicus, Kepler, Galileo, Descartes, and Newton--and when their work was done the old theological conception of the universe was gone. "The spacious firmament on high"--"the crystalline spheres"--the Almighty enthroned upon "the circle of the heavens," and with his own lands, or with angels as his agents, keeping sun, moon, and planets in motion for the benefit of the earth, opening and closing the "windows of heaven," letting down upon the earth the "waters above the firmament," "setting his bow in the cloud," hanging out "signs and wonders," hurling comets, "casting forth lightnings" to scare the wicked, and "shaking the earth" in his wrath: all this had disappeared.
These five men had given a new divine revelation to the world; and through the last, Newton, had come a vast new conception, destined to be fatal to the old theory of creation, for he had shown throughout the universe, in place of almighty caprice, all-pervading law. The bitter opposition of theology to the first four of these men is well known; but the fact is not so widely known that Newton, in spite of his deeply religious spirit, was also strongly opposed. It was vigorously urged against him that by his statement of the law of gravitation he "took from God that direct action on his works so constantly ascribed to him in Scripture and transferred it to material mechanism," and that he "substituted gravitation for Providence."
But, more than this, these men gave a new basis for the theory of evolution as distinguished from the theory of creation.
Especially worthy of note is it that the great work of Descartes, erroneous as many of its deductions were, and, in view of the lack of physical knowledge in his time, must be, had done much to weaken the old conception. His theory of a universe brought out of all-pervading matter, wrought into orderly arrangement by movements in accordance with physical laws--though it was but a provisional hypothesis--had done much to draw men's minds from the old theological view of creation; it was an example of intellectual honesty arriving at errors, but thereby aiding the advent of truths. Crippled though Descartes was by his almost morbid fear of the Church, this part of his work was no small factor in bringing in that attitude of mind which led to a reception of the thoughts of more unfettered thinkers.
Thirty years later came, in England, an effort of a different sort, but with a similar result. In 1678 Ralph Cudworth published his Intellectual System of the Universe. To this day he remains, in breadth of scholarship, in strength of thought, in tolerance, and in honesty, one of the greatest glories of the English Church, and his work was worthy of him. He purposed to build a fortress which should protect Christianity against all dangerous theories of the universe, ancient or modern. The foundations of the structure were laid with old thoughts thrown often into new and striking forms; but, as the superstructure arose more and more into view, while genius marked every part of it, features appeared which gave the rigidly orthodox serious misgivings. From the old theories of direct personal action on the universe by the Almighty he broke utterly. He dwelt on the action of law, rejected the continuous exercise of miraculous intervention, pointed out the fact that in the natural world there are "errors" and "bungles," and argued vigorously in favour of the origin and maintenance of the universe as a slow and gradual development of Nature in obedience to an inward principle. The Balaks of seventeenth-century orthodoxy might well condemn this honest Balaam.
Toward the end of the next century a still more profound genius, Immanuel Kant, presented the nebular theory, giving it, in the light of Newton's great utterances, a consistency which it never before had; and about the same time Laplace gave it yet greater strength by mathematical reasonings of wonderful power and extent, thus implanting firmly in modern thought the idea that our own solar system and others--suns, planets, satellites, and their various movements, distances, and magnitudes--necessarily result from the obedience of nebulous masses to natural laws.
Throughout the theological world there was an outcry at once against "atheism," and war raged fiercely. Herschel and others pointed out many nebulous patches apparently gaseous. They showed by physical and mathematical demonstrations that the hypothesis accounted for the great body of facts, and, despite clamour, were gaining ground, when the improved telescopes resolved some of the patches of nebulous matter into multitudes of stars. The opponents of the nebular hypothesis were overjoyed; they now sang paeans to astronomy, because, as they said, it had proved the truth of Scripture. They had jumped to the conclusion that all nebula must be alike; that, if some are made up of systems of stars, ALL must be so made up; that none can be masses of attenuated gaseous matter, because some are not.
Science halted for a time. The accepted doctrine became this: that the only reason why all the nebula are not resolved into distinct stars is that our telescopes are not sufficiently powerful. But in time came the discovery of the spectroscope and spectrum analysis, and thence Fraunhofer's discovery that the spectrum of an ignited gaseous body is non-continuous, with interrupting lines; and Draper's discov
ery that the spectrum of an ignited solid is continuous, with no interrupting lines. And now the spectroscope was turned upon the nebula, and many of them were found to be gaseous. Here, then, was ground for the inference that in these nebulous masses at different stages of condensation--some apparently mere pitches of mist, some with luminous centres--we have the process of development actually going on, and observations like those of Lord Rosse and Arrest gave yet further confirmation to this view. Then came the great contribution of the nineteenth century to physics, aiding to explain important parts of the vast process by the mechanical theory of heat.
Again the nebular hypothesis came forth stronger than ever, and about 1850 the beautiful experiment of Plateau on the rotation of a fluid globe came in apparently to illustrate if not to confirm it. Even so determined a defender of orthodoxy as Mr. Gladstone at last acknowledged some form of a nebular hypothesis as probably true.
Here, too, was exhibited that form of surrendering theological views to science under the claim that science concurs with theology, which we have seen in so many other fields; and, as typical, an example may be given, which, however restricted in its scope, throws light on the process by which such surrenders are obtained. A few years since one of the most noted professors of chemistry in the city of New York, under the auspices of one of its most fashionable churches, gave a lecture which, as was claimed in the public prints and in placards posted in the streets, was to show that science supports the theory of creation given in the sacred books ascribed to Moses. A large audience assembled, and a brilliant series of elementary experiments with oxygen, hydrogen, and carbonic acid was concluded by the Plateau demonstration. It was beautifully made. As the coloured globule of oil, representing the earth, was revolved in a transparent medium of equal density, as it became flattened at the poles, as rings then broke forth from it and revolved about it, and, finally, as some of these rings broke into satellites, which for a moment continued to circle about the central mass, the audience, as well they might, rose and burst into rapturous applause.
History Of The Warfare Of Science With Theology In Christendom Page 3