by Edna Ferber
All this was past now. The Indians were herded on reservations in the Indian Territory. Mother Bridget and her helpers taught embroidery and music and kindred ladylike accomplishments to the bonneted and gloved young ladies of Wichita’s gentry. The osage hedge now shielded prim and docile misses where once it had tried to confine the wild things of the prairie. The wild things seemed tame enough now, herded together on their reservations, spirit broken, pride destroyed.
Sabra had her calico pony hitched to the phaëton (a matron now, it was no longer seemly to ride him as she used to, up and down the rutted prairie roads, her black hair in a long thick braid switching to the speed of the hard-bitten hoofs). Mother Bridget was in the Mission vegetable garden, superintending the cutting of great rosy stalks of late pie plant. The skirt of her habit was hitched up informally above her list shoes, muddied by the soft loam of the garden.
“Indian Territory! What does your ma say?”
“She’s wild.”
“Do you want to go?”
“Oh, yes, yes!” Then added hastily: “Of course, I hate to leave Mamma and Papa. But the Bible says, ‘Whither thou——’ ”
“I know what the Bible says,” interrupted the old nun shrewdly. “Why does he want to go—Cravat?”
Sabra glowed with pride. “Yancey says it’s a chance to build an empire out of the last frontier in America. He says its lawmakers can profit by the mistakes of the other states, so that when the Indian Territory becomes a state some day it will know wherein the other states have failed, and knowing—us—avoid the pitfalls——”
“Stuff!” interrupted Mother Bridget. “He’s going for the adventure of it. They always have, no matter what excuse they’ve given, from the Holy Grail to the California gold fields. The difference in America is that the women have always gone along. When you read the history of France you’re peeking through a bedroom keyhole. The history of England is a joust. The women-folks were always Elaineish and anemic, seems. When Ladye Guinevere had pinned a bow of ribbon to her knight’s sleeve, why, her job was done for the day. He could ride off to be killed while she stayed home and stitched at a tapestry. But here in this land, Sabra, my girl, the women, they’ve been the real hewers of wood and drawers of water. You’ll want to remember that.”
“But that’s what Yancey said. Exactly.”
“Did he now!” She stood up and released the full folds of her skirt from the waist cord that had served to loop it away from the moist earth. She lifted her voice in an order to the figure that stooped over the pie-plant bed. “Enough, Sister Norah, enough. Tell Sister Agnes plenty of sugar and not like the last pie, fit to pucker your mouth.” She turned back to Sabra. “When do you start? How do you go?”
“Next Monday. Two wagons. One with the printing outfit, the other with the household goods and bedding. Yancey will have it that we’ve got to take along bed-springs for me, right out of our bed here and laid flat in the wagon.”
Mother Bridget seemed not to hear. She looked out across the garden to where prairie met sky. Her eyes, behind the steel-rimmed spectacles, saw a pageant that Sabra had never known. “So. It’s come to that. They’ve opened it to the whites after all—the land that was to belong to the Indians forever. ‘As long as grass grows and the rivers flow.’ That’s what the treaty said. H’m. Well, what next!”
“Oh, Indians …” said Sabra. Her tone was that of one who speaks of prairie dogs, seven-year locusts, or any like Western nuisance.
“I know,” said Mother Bridget. “You can’t change them. Nobody knows better than I. I’ve had Indian girls here in the school for two years at a stretch. We’d teach them to wash themselves every day; they’d learn to sew, and embroider, and cook and read and write. They were taught worsted and coral work and drawing and even painting and vocal music. They learned the Gospel of the Son of God. They’d leave here as neat and pretty and well behaved as any girl you’d care to see. In two weeks I’d hear they’d gone back to the blanket. Say what you like, the full-blood Indian to-day is just about where he was before Joshua. Well——”
Sabra was a little bored by all this. She had not come out to the old Mission to hear about Indians. She had come to say farewell to Mother Bridget, and have a fuss made over her, and to be exclaimed over. Wasn’t she going to be a pioneer woman such as you read about in the books?
“I must be going, dear Mother Bridget. I just came out—there’s so much to do.” She was vaguely disappointed in the dramatics of this visit.
“I’ve something for you. Come along.” She led the way through the garden, across the sandstone flagging of the porch, into the dim cool mustiness of the Mission hall. She left Sabra there and went swiftly down the corridor. Sabra waited, grateful for this shady haven after the heat of the Kansas sun. She had known this hall, and the bare bright rooms that opened off it, all through her girlhood. The fragrance of pie crust, baking crisply, came to her nostrils: the shell, of course, that was to hold the succulent rhubarb. There was the sound of a heavy door opening, shutting, click, thud, somewhere down a turn in the corridor. She had never seen Mother Bridget’s room. No one had. Sabra wondered about it. The Sisters of Loretto owned nothing. It was a rule of the Order. The possessive pronoun, first person, was never used by them. Sabra recalled how Sister Innocenta had come running in one morning in great distress. “Our rosary!” she had cried. “I have lost our rosary!” The string of devotional beads she always wore at her waist had somehow slipped or broken and was missing. They kept nothing for themselves. Strange and sometimes beautiful things came into their hands and were immediately disposed of. Sabra had seen Mother Bridget part with queer objects. Once it had been a scalping knife with brown stains on it that looked like rust and were not; another time an Osage papoose board with its gay and intricately beaded pocket in which some Indian woman had carried her babies strapped to her tireless back. There had been a crewelwork motto done in bright-colored wool threads by the fingers of some hopeful New England émigrée of years ago. Its curlycue letters announced: Music Hath Charms to Soothe the Savage Breast. It had been found hanging on the wall just above the prim little parlor organ in the cabin of a settler whose young wife and children had been killed during a sudden uprising of Indians in his absence.
Suddenly, as she waited there in the peace of the old building, there swept over Sabra a great wave of nostalgia for the very scenes she was leaving. It was as though she already had put behind her these familiar things of her girlhood: the calico pony and the little yellow phaëton; the oblong of Kansas sunshine and sky and garden seen through the Mission doorway; the scents and sounds and security of the solid stone building itself. She was shaken by terror. Indian Territory! Indian—why, she couldn’t go there to live. To live forever, the rest of her life. Yancey Cravat, her husband, became suddenly remote, a stranger, terrible. She was Sabra Venable, Sabra Venable, here, safe from harm, in the Mission school. She wouldn’t go. Her mother was right.
A door at the end of the corridor opened. The huge figure of Mother Bridget appeared, filling the oblong, blotting out the sunlight. In her arms was a thick roll of cloth. “Here,” she said, and turned to let the light fall on it. It was a blanket or coverlet woven in a block pattern of white and a deep, brilliant blue. “It’s to keep you and little Cim warm, in the wagon, on the way to the Indian Territory. I wove it myself, on a hand loom. There’s no wear-out to it. The blue is Indian dye, and nothing can fade it. It’s a wild country you’ll be going to. But there’s something in the blue of this makes any room fit to live in, no matter how bare and ugly. If they ask you out there what it is, tell ’em a Kansas tapestry.”
She walked with Sabra to the phaëton and produced from a capacious pocket hidden in the folds of her habit a little scarlet June apple for the pony. Sabra kissed her on both plump cheeks quickly and stepped into the buggy, placing the blue and white blanket on the seat beside her. Her face was screwed up comically—the face of a little girl who is pretending not to be crying. “Good-by
e,” she said, and was surprised to find that her voice was no more than a whisper. And at that, feeling very sorry for herself, she began to cry, openly, even as she matter-of-factly gathered up the reins in her strong young fingers.
Mother Bridget stepped close to the wheel. “It’ll be all right. There’s no such thing as a new country for the people who come to it. They bring along their own ways and their own bits of things and make it like the old as fast as they can.”
“I’m taking along my china dishes,” breathed Sabra through her tears, “and my lovely linen and the mantel set that Cousin Dabney gave me for a wedding present, and my own rocker to sit in, and my wine-color silk-warp henrietta, and some slips from the garden, because Yancey says there isn’t much growing.”
Behind her spectacles the eyes of the wise old nun were soft with pity. “That’ll be lovely.” She watched the calico pony and the phaëton drive off up the dusty Kansas road. She turned toward the Mission house. The beads clicked. Hail, Mary, full of grace …
4
The child Cim had got it into his head that this was to be a picnic. He had smelled pies and cakes baking; had seen hampers packed. Certainly, except for the bizarre load that both wagons contained, this might have been one of those informal excursions into a near-by wood which Cim so loved, where they lunched in the open, camped near a stream, and he was allowed to run barefoot in the shadow of his aristocratic grandmother’s cool disapproval. Felice Venable loathed all forms of bucolic diversion and could, with a glance, cause more discomfort at an al fresco luncheon than a whole battalion of red ants.
There was a lunatic week preceding their departure from Wichita. Felice fought their going to the last, and finally took to her bed with threats of impending dissolution which failed to achieve the desired effect owing to the preoccupation of the persons supposed to be stricken by her plight. From time to time, intrigued by the thumpings, scurryings, shouts, laughter, quarrels, and general upheaval attendant on the Cravats’ departure, Felice rose from her bed and trailed wanly about the house, looking, in her white dimity wrapper, like a bilious and distracted ghost. She issued orders. Take this. Don’t take that. It can’t be that you’re leaving those behind! Your own Aunt Sarah Moncrief du Tisne embroidered every inch of them with her own——
“But, Mamma, you don’t understand. Yancey says there’s very little society, and it’s all quite rough and unsettled—wild, almost.”
“That needn’t prevent you from remembering you’re a lady, I hope. Unless you are planning to be one of those hags in a sunbonnet and no teeth that Yancey seems to have taken such a fancy to.”
So Sabra Cravat took along to the frontier wilderness such oddments and elegancies as her training, lack of experience, and Southern family tradition dictated. A dozen silver knives, forks, and spoons in the DeGrasse pattern; actually, too, a dozen silver after-dinner coffee spoons; a silver cake dish, very handsome, upheld by three solid silver cupids in care-free attitudes; linen that had been spun by hand and that bore vine-wreathed monograms; many ruffled and embroidered and starched white muslin petticoats to be sullied in the red clay of the Western muck; her heavy black grosgrain silk with the three box pleats on each side, and trimmed with black passementerie; her black hat with the five black plumes; her beautiful green nun’s veiling; her tulle bonnet with the little pink flowers; forty jars of preserves; her own rocker, a lady’s chair whose seat and back were upholstered fashionably with bright colored Brussels carpeting. There were two wagons, canvas covered and lumbering. Dishes, trunks, bedding, boxes were snugly stowed away in the capacious belly of one; the printing outfit, securely roped and lashed, went in the other. This wagon held the little hand press; two six-column forms; the case rack containing the type (cardboard was tacked snugly over this to keep the type from escaping); the rollers; a stock of paper; a can of printer’s ink, tubes of job ink, a box of wooden quoins used in locking the forms.
There was, to the Wichita eye, nothing unusual in the sight of these huge covered freighters that would soon go lumbering off toward the horizon. Their like had worn many a track in the Kansas prairie. The wagon train had wound its perilous way westward since the day of the old Spanish trail, deeply rutted by the heavy wheels of Mexican carts. The very Indians who trafficked in pelts and furs and human beings had used the white man’s trails for their trading. Yet in this small expedition faring forth there was something that held the poignancy of the tragic and the ridiculous. The man, huge, bizarre, impractical; the woman, tight lipped, terribly determined, her eyes staring with the fixed, unseeing gaze of one who knows that to blink but once is to be awash with tears; the child, out of hand with excitement and impatience to be gone. From the day of Yancey’s recital of the Run, black Isaiah had begged to be taken along. Denied this, he had sulked for a week and now was nowhere to be found.
The wagons, packed, stood waiting before the Venable house. Perhaps never in the history of the settling of the West did a woman go a-pioneering in such a costume. Sabra had driven horses all her life; so now she stepped agilely from ground to hub, from hub to wheel top, perched herself on the high wagon seat and gathered up the reins with deftness and outward composure. Her eyes were enormous, her pale face paler. She wore last year’s second best gray cheviot, lined, boned, basqued, and (though plain for its day) braided all the way down the front with an elaborate pattern of curlycues. Her gray straw bonnet was trimmed only with a puff of velvet and a bird. Her feet, in high buttoned shoes, were found to touch the wagon floor with difficulty, so at the last minute a footstool was snatched from the house and placed so that she might brace herself properly during the long and racking drive. This article of furniture was no more at variance with its surroundings than the driver herself. A plump round mahogany foot rest it was, covered with a gay tapestry that had been stitched by Sabra’s grandmother on the distaff side. Its pattern of faded scarlet and yellow and blue represented what seemed to be a pair of cockatoos sparring in a rose bush. Yancey had swung Cim up to the calico-cushioned seat beside Sabra. His short legs, in their copper-toed boots, stuck straight out in front of him. His dark eyes were huge with excitement. “Why don’t we go?” he demanded, over and over, in something like a scream. He shouted to the horses as he had heard teamsters do. “Giddap in ’ere! Gee-op! G’larng!” His grandmother and grandfather, gazing up with sudden agony in their faces at sight of this little expedition actually faring forth so absurdly into the unknown, had ceased to exist for Cim. As Sabra drove one wagon and Yancey the other, the boy pivoted between them through the long drive, spending the morning in the seat beside his mother, the afternoon beside his father, with intervals of napping curled up on the bedding at the back of the wagon. All through the first day they could do nothing with him. He yelled, “Giddap! Whoa! Gee-op!” until he was hoarse, pausing only to shoot imaginary bears, panthers, wildcats, and Indians, and altogether working himself up into such a state of excitement and exhaustion that he became glittering eyed and feverish and subsequently had to be inconveniently dosed with castor oil.
Now, with a lurch and a rattle and a great clatter of hoofs the two wagons were off. Sabra had scarcely time for one final frantic look at her father and mother, at minor massed Venables, at the servants’ black faces that seemed all rolling eyeballs. She was so busy with the horses, with Cim, so filled with dizzy mixture of fright and exhilaration and a kind of terror-stricken happiness that she forgot to turn and look back, as she had meant to, like the heroine in a melodrama, at the big white house, at the hedge, at the lovely untidy garden, at the three great elms. Later she reproached herself for this. And she would say to the boy, in the bare treeless ugliness of the town that became their home, “Cim, do you remember the yellow and purple flags that used to come up first thing in the spring, in the yard?”
“What yard?”
“Granny’s yard, back home.”