WHAT I LEFT BEHIND
by
Jacqueline Ward
This is a work of fiction. Names, characters, businesses, places, events and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental.
Published by Novelesque
Copyright © Jacqueline Ward 2017
First Published, 2017
All rights reserved.
For Kristina
Chapter One
Manchester. January, 2000.
I storm into the nursery suite, past the parents of the child who has been snatched from her bed. Their grief leaks out and touches me, but there’s no time for that. Not right now.
Steve Ralston meets me. He’s dressed in casuals, jeans and a jumper, his greying hair untidy. He’s caught by surprise that shows in his eyes.
‘What have we got, Steve?’
He sighs heavily. Steve’s the DCI and always first on the scene. I’m usually second.
‘One year old little girl. Maisie Lewis. Taken from her bedroom about nine o’clock. Parents watching TV. I’ve called Petra and she’s on her way with forensics.’
Poor kid. And her family. But Petra Jordan’s one of the best forensics scientists in the country. ‘This must be a big one.’ Steve continues.
‘Father. Marc Lewis. Executive Director at Truestat Ltd. Aged 44. They’re the people who do the security for the nuclear plants. He’s the guy right at the top.’
‘Mother?’
‘Mother. 36. Amy Lewis. Teacher at a local primary school. The girl, Maisie, one year old two weeks ago, is their only child. Both moved into the area about five years ago to follow Marc Lewis’s job. Previously lived in Farnham, Surrey. I’ve opened a SMIT enquiry.’
He looks calm, but I know that he’ll be panicking inside. From Steve’s short description of the child’s father, I know that this is a high-level matter. Code red. Steve had fed me some intelligence about local company executives’ children receiving threats in recent days, but nothing had happened. Until now. But I’d been ready. I’m always ready. Poor Maisie. Poor Maisie and her mother and father.
Since I arrived back from London I’ve been involved in the Special Major Incident Team or SMIT as we call it, as an Investigative Advisor. They don’t know what to call me really. I’m an expert in surveillance, but more like a criminal profiler. These days people like me are more integrated into the investigation. More streamlined, less Cracker.
In my case I’m hiding. I’m a marked woman, hiding from my past. I’m only rolled out in cases like this where my expertise is needed. Even then, I’m working in the background with the SMIT team. Away from the media. Away from prying eyes. Away from the people hunting me down.
On the way in I saw Petra’s low slung sports car parked in the driveway already, another sign that the elite team of investigators are gathering in a hurry. It’s dark but from with the light of an almost full moon I can see the grey outline of the moorland behind the house. The rocks and the shapes where the sky hits the hills in the distance. I know this place. It’s familiar territory. I listen through the silence for the quiet boding of the not so faraway bog land, and I can almost smell the water of the reservoir I know is beyond.
Coming into the house I spotted a camera on the front gates pointing away downwards to capture the faces of anyone entering or leaving. Away from the road. The house is also fitted with cameras, static units facing toward the outer walls. I commit all this to memory as I’ll need to get inside the head of whoever entered this sprawling property to take a small child away from her parents.
I look into the crime scene. I can see that the immediate area comprises of a playroom, a bathroom and a bedroom, all pastel colour themes. Steve’s behind me and I turn to the door.
‘Alarmed?’
‘Yes. But not switched on. They’ve got a cat.’
He gives me one of his exasperated, eyebrow-raised looks. I continue into the bedroom, where Petra is already at work, along with two scene-of-crime forensics guys in white suits, gloves and masks. Steve and I pull on the protective shoe covers that are handed to us. To the naked eye this just looks like an empty child’s bedroom, but by the tight-lipped look of concentration on Petra’s face. She’s found something, as we walk towards her she snaps off her protective gloves.
‘We’ve got fingerprints. All over the cot and the window frame. We’ve got what could be a hair and some fibres.’
Steve explains what he already knows from speaking with Maisie’s parents.
‘They spent the day here, in the house, watching TV. Marc Lewis was working for part of the day and Amy Lewis was playing with Maisie in the garden. No visitors. Not today or anytime last week. Neither of them noticed anything strange until this happened. Got in through the window.’
We all turn to look at the window. It’s a standard size and lockable.
‘Wasn’t it locked?’
‘No. I’ve had a walk around before anyone arrived. Seven windows left open, mostly on the second floor, but two on the ground floor. Mrs Lewis says she shuts them before they go to bed. Their room is adjoining.’
He pulls on a pair of gloves and pushes a maple door. It opens onto a luxurious double suite with floor to ceiling glass panels, overlooking the Saddleworth countryside. It smells faintly of lilies and the low yellow lights give it a calming aura. Petra touches me on the shoulder.
‘Also, we found this.’
Her almond eyes are solemn, and she tilts her head to one side. She’s tiny and this accentuates her sense of sorrow somehow. She pulls her gloves back on and picks up a pair of oversized tweezers. Going over to the evidence tray, she picks up what appears to be a ripped piece of paper. Steve and I move closer. It was once part of a chain of paper dolls, but ripped so that only one of the dolls has pulled away from her friends. Petra takes a photo of it for evidence. Steve’s shaking his head, making a connection.
‘Similar to the others, except they were cut-outs from the same sheet. If you look at the last three, they didn’t have the tear mark at the end. The first two did. And the difference here is that all the others had messages.’
He’d briefed me a couple of days ago about this. The cut-outs had been posted through the letterboxes of senior executives in the same high profile jobs as Marc Lewis, addressed to their children. Mistaken for party invitations, some of the children had read them and given them to their parents. The messages all said the same thing. ‘Hold Mummy’s hand tight. Don’t run off with strangers. Because you never know what those strangers will do to you.’ It was hand-written on one side with the child’s name and address on the other side.
The sinister messages, the spidery handwriting and the anxiety these notes had caused their children had made their parents report them to the police, just to be on the safe side. When three were reported and a connection was made between the notes and the business celebrity of their parents, Steve was alerted. Just to keep an eye on it. There had been several more reported since then. Petra hands me photocopies from her case notes. I look at the previous notes carefully.
‘Petra, can you get your team onto these notes? Looks like they’re all written by the same person.’
Steve points to the cut-out that was found in Maisie’s bedroom.
‘Except this one.’
I pull on a pair of protective gloves from my pocket. I take the tweezers and hold the shape up in front of me. It�
�s a doll. The kind of cut out dolly you see in paper chains decorating children’s classrooms. But this one’s a little bit different. It’s a peculiar shape, not cutesy or doll-like. And its feet are blood red. It’s an outline of something. Almost misshapen, it looks chubby and slightly angry. I hold it up to the light to see if I can place it. It looks familiar, something I can’t quite place about it. Then I see something else.
‘Petra. There’s and impression on the back of the paper.’
She fetches a magnifying glass and places the paper doll in the evidence tray.
‘Yes. We need to get it to the lab. It looks like it’s part of a writing pad, it’s been written over several times. Each time more feint. We can get impressions from this fairly quickly.’
She puts it in an evidence bag and we turn back to the empty cot. Despite the open window the room smells of baby products and lavender. I watch as a revolving lampshade casts pale pink elephant shadows on the wall and over a picture of the little girl with her mum and dad.
I chill as I suddenly snap into a recap of what happened in the room. How someone climbed easily through an open window, holding onto the frame and leaving prints. No gloves. Creeping over to the cot, picking up the sleeping child. But what about the prints on the cot? Perhaps Maisie woke and struggled? Maybe that’s how the paper doll came to be in the room, grabbed by a frightened one year old without the abductor noticing?
Then out through the window again, snagging clothing on the catch, and back, backwards toward the thick hedge. Climbing through an evergreen hedge with a child wouldn’t be easy, then into a waiting vehicle. The vehicle had to be waiting on the dirt track in front of the house. So the perpetrator would have had to carry Maisie all the way around the perimeter wall. It had to be a nearby vehicle. And there would have to be two of them, or at least a child seat.
I try to picture who this person could be, but I can only see a shape. Someone who could fit through a window, through a hedge, even holding a child. Someone fairly light – no footprints on the tightly cut grass. Someone determined. Quiet. Desperate. Someone careless, unprepared.
I look at the picture again and hope that she was asleep when she was taken. That whoever has her is kind to her, with the intention of giving her back once they get what they want from her parents. She’s adorable, and I commit her face to memory. After all, I’ll need to recognise her if I’m going to find her. And I am.
All the cases I have worked on with Steve have involved organised crime. That’s the nature of it at this level. SMIT isn’t widely publicised as we don’t want to scare the public into thinking that national risks to their safety are happening on a daily basis. But there are enough people out there to constitute a threat.
If SMIT is manned by the top experts in the criminal investigation field, then the people they are after are equally experts. The only difference is the side they’re on. Just as we have Petra, they have scientists working on their projects, waiting to avenge chaos on the world. Just as we have Keith Johnson, an IT communications expert, they have their coms people listening in on private corporate conversations and spinning their own evil words.
They’re highly organised, just like us. It’s a constant battle. We’ve had kidnappings before. We’ve had drugs rackets, counterfeiting, even murders, all of them increasingly difficult to solve. This is because of the high level of care taken by the operatives to leave no trace. By the time we get to crime scenes they are practically sanitised.
But not this one. Hair, fingerprints and bits of paper. It doesn’t make sense. Granted, the pattern of threats to a common network is in the profile range, but this? Steve is busy looking out of the window, where two more forensics people have arrived.
‘Anything?’
The tallest figure in a white suit lifts his mask.
‘Not here, but farther, just by the edge of the planted area, there’s flattened grass. The border’s slightly damaged. Probably where the perpetrator stepped on it. We’re just assessing that area now. And this.’
He holds up a baby’s soother in his thick gloved hand. Petra hurries over with an evidence bag. I move closer to the window and see what the abductor would see as they climbed back through the window. Darkness. A lawn of tightly cut grass. In the distance a high stone wall. The owner of this house has made a huge effort to make is an oasis of lush calm on the middle of the bleak moors.
The green lawns couldn’t be more different from the land which I know stretches out beyond the house. Someone crossing that would be easy to track, amongst the broken bracken and dust disturbed by hurried footsteps. Here, though, the springy grass would hide footprints.
‘How far does that wall go all the way around the house, Steve?’
‘Runs around to the back garden, then it joins a dense evergreen hedge. About six feet high, same height of the wall. There’s a gate in the hedge but it’s locked. That hedge looks pretty thick. It wouldn’t be easy to get a sleeping child through.’
‘That’s what I thought. And I’m right in thinking that there are cameras on the house?’
He shrugs. His mannerisms and his general demeanour make him look unconcerned, but I’ve worked with Steve for a long time. I know that his laid-back dress code is born out of exhaustion, pulling on whatever comes to hand in the morning. Usually a Mac with jeans and a sweatshirt. I know he is right on the ball.
‘Not on the house. Facing outwards. Onto the gardens. Static cameras. Sequence photographs rather than video footage. And the camera at the gate. Same again. Placed to capture specifics, like faces. Good for close ups at the gate, people in cars, that sort of thing. Not much else.’
‘What about the outside?’
I already know, but I want Steve to understand it too. This place is right in the middle of nowhere. About fifteen miles from central Manchester and in the middle of the Pennines. Similar distance from Huddersfield. Highest point in Greater Manchester around here is about 500 meters above sea level. No CCTV unless there’s a road junction to a major highway, or a roundabout. Steve thinks for a while then gives me his opinion.
‘As good as disconnected from the grid. Whoever did this chose their target carefully.’
It did seem that way at the outset. Remote location, easy escape once out of the grounds. I have my doubts. But, at this point, it can go either way and I need to know more. I can see the front gate from this window, just the edge of it. Several more cars arrive and I recognise one of the drivers, as Lorraine Pasco, our Family Liaison officer. Almost time to go to see Maisie’s parents.
I feel my body jolt as I try to imagine how they must have felt to find their daughter’s bed empty. How they must have panicked and wondered how they could have left the window open. How they must have run out into the grounds, frantic, to search for her, hoping she’d merely climbed out. How they realised with the ultimate horror for a parent that someone must have taken her from her own bed. I remind myself to tell them that it didn’t matter about the open window. If the abductor wanted Maisie, they would get her any way they could. If the window was shut, they would have tried another window. Got in any way they could. I feel a shiver up my spine, my body telling me that every fibre of my being is engaging with this case. That I won’t rest until this is over. That I’ll use everything I’ve got to find the evil people who have taken Maisie. Everything.
I cross the room and approach Steve, who’s filling in the late arrivals. I can see the scene of crime team preparing to seal the suite, unravelling sheets of polythene and yellow crime scene tape.
‘Steve. Sorry to interrupt. The other notes? When were they delivered?’
‘No exact times. We’re going to get CCTV from the areas. Luckily they’re not as remote as this is. It would be around mid-afternoon. When the kids came home from school they found them behind the door.’
‘Sounds like rehearsals to me. Rehearsals for this.’
They carry on talking and I zone out into the place where I know I can find something common with t
he person who has done this. That’s why I’m here, because I can look deep, very deep, into the background of life. Into the soul of the world. That’s where the less visible clues lie. Ironically they‘re usually the things all around us that we are so used to seeing that we hardly notice.
Not many people look around, outside their own personal space; they focus straight ahead. The thing is, when you're looking around more widely, outside your own bubble, you see a whole new world. One where words aren't necessary, a world of signals and barriers and boundaries that ordinary people cross without thinking. Same with people’s inner worlds. Things from childhood flowing through today, and into the future. And, in some people, all the goodness churning into bad and bursting out in unexpected ways. Unless you know what to look for, this will all mean nothing. And I know. I can see them. I can do this, because I’ve been there, to that dark place where your only focus is revenge.
Luckily for me I dragged myself free, but the imprint remains. It allows me to recognise the feeling in my gut that tells me the personal reasons for why someone would take a child, take someone’s mother, sister, brother, father. Take a life. Why they would make another human being suffer. I know that reason well, and it simmers just underneath the surface, allowing me to channel into my work. I’ve been there. That’s why I’m always ready, because it’s always personal.
Chapter Two.
Steve Ralston doesn’t agree with me. He doesn’t think it’s personal at all. He believes that there is a certain kind of criminal for whom the suffering of others is irrelevant. It’s not that I disagree with him entirely. They’re usually the people giving the orders rather than carrying them out. Those who commit the crime, the hands-on criminals need a reason, a motivation. Anger, greed, revenge, hate or just pure badness, all of these emotions directed against someone as an outlet. Against a person.
It’s twelve twenty now and technically we’re officially into the second day of the investigation. More importantly, Maisie’s been missing for almost four hours. When we reach the lounge Steve stops and pulls me to one side.
What I Left Behind (The gripping prequel to the DS Jan Pearce Crime Fiction Series) Page 1