Good. God helps those who help themselves.
God?
Uncle John grinned. Hatch caught the joke. They looked at each other and laughed.
Women like musicians.
Hatch said nothing.
You can play music, you can play a body.
Rougher road now. The tires hummed, vibrated into the roots of Hatch’s teeth.
Music is sweet and everything good to eat.
How much rent they charge you on this cab?
A hundred a week.
Damn. You might as well buy a house.
Could buy the cab. But it’d be worn down in five years.
Damn. Bet Jews own the company.
Probably. Got some regular white trash frontin for them. You know them Jews.
Yeah, I know them. Hey, you used to hunt. Ain’t Hanukkah a duck call?
Uncle John chuckled. You real serious on them Jews. But I’ll tell you one thing, on the Jewish holidays I don’t make no money. When Jews don’t do no business, nobody does.
Yeah? I can believe that. Hatch thought about it. Uncle John gon make his money. Always has. Always will. Now Lucifer is serious. Strictly business. The wee bird satisfied with the crumb. But Uncle John. Hatch tested the binoculars. The world came pressing in upon him.
They reached the high road outside the city limits. Uncle John pulled the cab to the side of the road. Hatch exited, walked around the rear of the cab—two POW stickers on the fender, soldiers in silhouette—got back in the car, sat in the passenger seat next to Uncle John. There beside his uncle, he truly felt like a copilot.
They let you fly those stickers?
Ain’t said nothing yet. Maybe they ain’t notice.
That’s good. Yall bring back any contraband?
Just them rugs I gave Gracie. And them robes. Gracie draped the robe over her shoulders. Blooming branches of embroidered silk and bright, soft dragons. Spokesman got all kinds of shit though. He woulda brought back the whole damn country if it weren’t strapped down.
How’d they choose you for the job? I mean, how’d they choose you for the Hairtrigger Boys?
I shot this sapper from a tree. Bull’s-eye. The center of the forehead from a distance of four hundred yards.
Wow.
And at Fort Campbell, I’d done pretty good on the range.
Hatch watched the high sun, the last of a brassy day. He sat and watched and thought. Copilot.
You heard him before? Uncle John said.
Who?
Who? The silk you gonna see, that’s who.
Yeah. Well, I gotta coupla his albums. And he’s done a lot of music for war films. Bombs. Machine guns. Helicopters. You know, sound effects.
Oh yeah. Well, how come I ain’t never heard of him?
He ain’t rich and famous like Spin.
You know Spin. He gon make his market.
Jus like you, Uncle John.
Jus like me.
Hatch and Uncle John tossed the laugh between them.
Don’t you be banging your head against no walls.
What?
Ain’t that what they do at these concerts?
Uncle John, you got it all wrong.
I wasn’t born yesterday. Uncle John put his foot on the gas. The engine roared into life.
Nawl, you’ll be born tomorrow.
There it is. His voice slid beneath the engine’s growl and resurfaced. He was not wasting words tonight. A raw deal. He had gotten a raw deal. Inez. Gracie. John’s Recovery Room. The Funky Four Corners Garage. He had had his share of downfall. A raw deal. Such is your luck. Such you are called to see. And let it come rough or smooth, you must surely bear it. Uncle John had taken it all and was ready for more. Cabdrivers need razor-thin instincts, given the con artists, thieves, and gangstas who’d shoot you in the back of the head for fun. Alert observers whose survival depends upon knowing people, knowing exactly how much to give and how little to take.
Never pick up a pregnant woman. They think they don’t have to pay. Like it’s some honor to bring another crumb snatcher into the world.
They drove down the highway drowning in steamy evening sunlight, the shut windows vibrating from the air conditioner’s hum. Beneath the cool noise, Hatch thought he heard rings of laughter from surrounding cars. Uncle John kept one eye on the road and one on the speedometer, trying to keep the cab within the legal limit. The cab went on, smooth and swift, powerful. Uncle John’s palm light on the steering wheel, almost hovering above it, bird on a limb. The cab seemed to bring out the tenderness, fast but smooth, unlike the big old bullying Uncle John cars that elbowed other vehicles out of the lanes. Uncle John would whip the car in and out of traffic, bearing down upon other cars until they slewed aside with brakes squealing. He would shoot across intersections, speed up at the sight of a slow pedestrian, speed out of the city onto the highway, the engine screaming, the lights of the other cars falling fast behind, spinning in the distance, flying saucers.
How come you don’t drive the way you used to?
You get old, you slow down. I ain’t as quick. The reflexes. Uncle John flexed a wrist motion.
The sky turned, white light washing to the red of daybreak and sunset. The sun raced down the sky and the moon raced up. That suddenly. Fallen light lingered, the road lit as if by distant fires. Bright enough for Hatch to decipher silver letters:
OBJECTS IN MIRROR ARE CLOSER
THAN THEY APPEAR
Darkness dissolved the glare on Uncle John’s face. His eyes enlarged behind the spectacles. He clicked on the searching beams of the headlights. The streetlamps popped on one after another, a string of firecrackers. They rode in silence, wrist-deep in shadow, white lines caught in the headlights’ gleams.
Do niggas really be jumpin from the plane wit two cans of Schlitz beer? Tall boys?
Uncle John grinned. Lucifer tell you that?
Do they be screamin Geronimo?
I don’t know.
Why not?
I never jumped.
What?
I never jumped.
What you mean?
See, we weren’t airborne.
But—
We were air mobile. No paratroopin. Uncle John laughed at some memory.
Ah, Uncle John, why you holdin out on me?
Average army stuff.
Hatch said nothing.
Sorry.
Hatch let the silence seep in. Uncle John was in the reach of his life. He saw him in the same eyes that he saw Jimi. Nothing could hold him like his uncle’s words. Uncle John had returned from the war and settled like fine dust on his surroundings. The army ain’t no place for a black man, right, Uncle John?
Uncle John looked at Hatch across the wheel. Well, lot of guys I was over there with have sons that enlisted. I mean, these sons in the service now.
Man. The headlights lifted and bored ahead into the tunnel. They brainwashed or what?
Uncle John laughed. Not exactly.
What you mean?
Figure it out. You the thinker.
Jus like you lunatics, always speakin in code.
There it is.
There it is.
Uncle John said nothing for a while. Ain’t you never thought about it?
What?
Why the military took the both of us, why they took both of Inez’s sons?
I don’t understand.
You know that the military is only sposed to take one?
Hatch didn’t know.
That they sposed to leave one for the mother? You know that’s why they don’t draft the only son?
Yes.
Well, why did they take both of us, why did they take both me and Lucifer?
They drafted yall.
But how could they? Didn’t I jus say—
Look, Uncle John. Jus what are you tryin to say?
Think about it.
Hatch rocked in his seat. Rocked. Stopped. You jokin, Uncle John. You jokin, right?
It’s not
important.
You jokin, right?
Uncle John said nothing.
You gotta be jokin. I know you jokin. Huh. Why would you do something crazy like that?
Dark had set in solidly. Black. Smooth. Headlights like smoke. Ghost shadows of factories and steel mills.
Why you always jokin? I know you are.
CHIC RICKS: The night magnified the marquee’s yellow undertones. A structure congealed into shape. Uncle John swung the cab from the tarred pavement to a gravel road, cab and men lurching from side to side. Pickup trucks crowded the parking lot, fat rats.
Wait a minute, Uncle John said. Is that the club?
The marquee lights danced and winked in the black night. Uncle John kept the engine running.
I guess so.
You guess so? I thought you said a concert. Does that look like a concert hall to you? Uncle John’s silver-rimmed spectacles flashed. An auditorium? A theater?
Well—
That’s a club, not a concert hall.
The marquee was a converted beer sign. Two long and low brick walls showed in the distance, and a badly placed doorway. It’ll be okay.
What?
It’ll be okay. Man, they here to hear Jimi. Jimi!
After a few beers, Jimi, Johnny, Tommy—what the fuck do they care.
But it’s Jimi.
Jimi? Disbelief in Uncle John’s eyes, his words.
How could Hatch explain? Jimi was dead but Randy was the next-best thing. A disciple, following in Jimi’s footsteps, true to his sound and vision.
A long metal caterpillar crawled out of the tunneled space of Uncle John’s fist. Uncle John broke the caterpillar open, pulled what was inside out. Then he made the inside part float butterfly-like in the yellow marquee light. Let them see this, he said. He moved his butterfly in a sharp line across an invisible throat. Okay, that’s good. They saw it. Now, let’s go on in.
The air inside the cab went heavy against Hatch’s legs and arms.
Come on. Let’s go in.
John’s butterfly glinted bright in the night. Hatch jammed all his fears to one side of his brain, and hoarded solutions on the other side. He started out the cab.
Wait. Uncle John touched Hatch’s arm with his nonbutterfly hand. Let them see this some more. He floated the butterfly in orbit around the steering wheel.
Sharp silver light penetrated Hatch’s arms and legs and pinned him to the leather seat.
Let’s go.
Hatch did not move.
Damn, can’t you hear? Let’s go on in.
Leave that here. Hatch blinked.
What? John trained his red-filled spectacles. What?
Leave that here. You ain’t got to do all that.
You want me to jus walk in? Jus walk in? For this Tambo and Bones stuff?
Tambo and Bones? Hatch had never heard of the band.
You expect us to get strung up so you can hear some silk shit?
The words freed Hatch. The blood of emotion swiftly flushed through him. He fought to get his own words out. Jimi ain’t—
Call it what you want.
Anger rushed to his face under Uncle John’s stare.
I tell you what, Uncle John said. Jus fuck the whole thing. Fuck the whole thing. He folded the bright butterfly back into its caterpillar. That’s fair.
What?
We going home. He dropped the caterpillar into his blazer pocket. Whirled the car back onto the road.
Wait a minute.
You wait.
Hatch took a deep breath to calm himself.
The cab rocked side to side with speed. Uncle John fired up a cigarette, his first for the night. Inhaled and breathed and disappeared inside the smoke.
Hatch rolled down the window as quickly as he could, traffic sounds and city sounds entering the cab, night air sharp on his face.
John singing.
I made a mistake gamblin
I spent my money wrong
I bet on my baby
And she wan’t even at home
Hatch began to sway lightly to the music.
8
WHENEVER GRACIE SWELLED into her first three months of pregnancy, like a poisoned roach ready to explode, she spent each morning in the rocking chair before the open window on May Street and watched the great circle of the sun pass from one corner of the room to the other. In the last three months, she would swell into sleep, become an extension of her white pillow. Drifting with searching hands or hands searching pockets. Blood swelling to rigid breasts. Breasts swollen with the approach of your period or with milk for shower praise of birth. Milk that would create praise in the baby’s skin and sad remembrance of boiling rivers crossed. John would tell her something, then she would realize that days and even weeks had passed, his words carrying her back. Twice it happened—
John saw the baby. Doctor, why he so red?
Give his color some time.
Redder than them leaves.
—and each time she tried to warn him. More told in the telling.
John breathed very close to her in the bed.
John?
Yes. He put his lips against the back of her neck.
Something’s wrong with the baby.
What? He raised up on his elbows.
Something’s wrong with the baby.
You in pain?
Not exactly.
What is it then?
Jus these strange feelings. It don’t feel right.
With her mind she had practiced manipulating the infant and her umbilical cord, string and puppet, trying to strangle the life.
John looked at her, engraving in her mind forever his look of fear. Tomorrow, we’ll go to the doctor. See if he can help.
John—
He watched her with rain in his eyes, but he wasn’t making any noise. We’ll go now. He cradled her in his arms, took her out in the rain, rocking in his arms. A boat, rocking, rocking, in the rain. He opened the door of the fire-red Eldorado without using his hands—to this day, she didn’t know how he’d done it—and set her gently on the seat. The car smelled new, the tight leather seemingly ripped with the least movement. So she kept very still. The engine roared, driving back the sound of the rainfall, wet constant footsteps. Rain rushed down the window, the twin wipers switching and flicking.
NEITHER HAD SUSPECTED her warm inner circle of life. Every detail of the night held vivid in her mind. Mockingbirds in the moonlight. Curtains blowing in the night air. John began as always, putting his lips on the back of her neck, then turning her around, a kiss on her forehead, placing a coin of light there, then putting his tongue in her mouth, heavy, diving through her body. Gracie could still feel his last hard thrusts—her womb full of raw menace—and his seed burning inside her, filling the vessel of her body with sticky heat. Afterward, she lay cradled in his arm, then drifted off to sleep. Something light and chill breathed upon her. A door slammed in her stomach. She awakened to a torn silver sky.
John, my stomach hurts.
John looked at her stomach. Normal enough. Flat and hard with the same navel, round and bright as an eye. He put his palm over it. Waves of heat washed across his fingers. Does that hurt?
Well …
It’s that time of the month.
No. More than cramps. But I can take it.
John took her into the circle of his arm. They lay like this for a while. Then John gathered her in his arms like firewood and carried her down the stairs. Same way he carried her up the stairs later after it was done. Walking with ease, from the white globe and up the white railing and the white staircase that climbed toward the blue-and-white flowered wallpaper of the second floor.
But I’m not dressed.
He didn’t answer. He placed this most delicate bundle inside his red Eldorado.
The car hummed through wind-torn streets. A gleaming empty sky rushed past the window. Yes, the car—the red Eldorado, the smooth-cruising red Eldorado, not the black Cadillac with power windows and lo
cks (custom items in those days), and Jesus’s erratic baby boots kicking on loose puppet legs—shot down Church Street. Rough black faces pushed into the traffic, not heeding the red lights. And the red Eldorado fled faster than cycle or streetcar, boat and steamcar, train and jet plane. Gracie’s mind reeled full flash, rumbled down an unknown street. Her head stuck to the cutting thorns of her body. She thought she heard a shadow of song on the radio. The song spit and spattered.
The doctor’s white smock took her by surprise. I think you have a tumor, but we need more X-rays to be sure.
Just hurry, John said. Can’t you see she hurtin?
I can take it, Gracie said. It ain’t too bad. I can take it. Red and black ants crawled inside her, working, moving things around. Pain was the one thing that never escaped her, life moving through days raw and wide. Shark-gray clouds in throbbing blue sky, and bird wings curving and cutting. Where did pain begin? Long ago. Certainly that was why the first two hurt so—those aliens lodged in her body, aliens that told her what and when to eat, when to piss (and how hard and how fast), shit; that made her scratch her vagina in public; that made her milk leak from her breasts (two white eyes peering out through her black blouse)—that was why they clawed away with thirsty fingers at her dry womb walls for nearly three days—
Doctor, cut that thing out of her.
Ain’t nobody cuttin me. I’ll die first.
—then shriveled like prunes.
But an hour after John brought her to the hospital, the invisible baby dropped easily from her womb, unraveled as if from a light ball of twine. A living baby in the raw, red-smeared with blood, black-smeared with grease, buoyant in the doctor’s rubber hands, astronaut, the umbilical cord trailing behind, trailing in dark, quiet, sanitized space.
A small room in a small apartment made smaller by the city’s crowded sounds and Beulah’s listening ears. Made louder by the train that thundered by, yes, thundered, the train one long stream of torrential weather, shaking you in your bed at night—ah, the El trains were in touching distance, just reach your hands out the back window—shaking the ancient bones and aching muscles, flaking plaster from wall and ceiling. There was the single white sheet before the sink and clawfoot tub, and it was here that Sheila first revealed the burns spotting her arms and legs, light-colored scars, sand on dark skin. Gracie never learned why Sheila came out the bathroom nude, neither arrogant nor innocent, perhaps unaware that Gracie was in the room, perhaps knowing but not caring since they were sisters, perhaps carrying both feeling-seeds. Gracie had heard different versions of the story—it happened before she was born—but all agreed that Lula Mae had left her baby girl unattended before her fireplace. Mr. Albert Post—so he had named himself, this orphan, stuffed in a white man’s mailbox in Tupelo, umbilical cord wrapped like a turban around his stone-small head—passed Daddy Larry’s farm and heard the baby’s screams. He rushed through the door and saw a bundle of fire on the stones of the fireplace. Lifted the burning baby into his arms, juggled flame and heat, and ran quickly, motivated by both heroism and pain, for the pump. The fire had already been smothered in his arms by the time he reached the pump seconds later. He dunked the blistered baby like an Easter egg into a rusty pail of water beside the well.
Rails Under My Back Page 16