Sue Grafton - R Is For Ricochet

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by R Is For Ricochet(Lit)


  I pulled into the sweeping semicircular drive, taking my place sixth in line behind two stretch limousines, a Rolls, a Mercedes, and a Bentley. This was clearly check-in time. A car-park valet and two to three uniformed bellhops hovered around each vehicle, assisting the guests as they emerged, unloading bag after bag from open trunks onto rolling brass luggage carts. A doorman in livery and white gloves whistled up a taxicab that cut around me on the left and pulled up in front. Two hotel guests dressed like tramps ducked into the cab and I watched it pull away.

  Reba said, "This is nuts. Why don't I just run in?"

  "Forget it. I don't want you out of my sight."

  "Oh, for heaven's sake," she said. "What do you think, I'm going to duck out the back and leave you here by yourself?"

  As that was exactly what I thought, I didn't bother to reply. When our turn came, I handed the keys to the parking valet while Reba dazzled him with a smile and pressed a folded bill against his palm. "Hey, how're you? We'll be back in two minutes."

  "We'll have it ready for you."

  "'Thanks." She moved on into the hotel, boobs jiggling, her slim legs flashing in her red shorts. The guy was so busy ogling her, he nearly dropped the car keys.

  The interior of the hotel was a pastiche of dark green marble and mirrors, wall sconces, torchŠres, and.potted palms. The carpet was done in shades of green and blue, stylized waves, which were part of the nautical motif. Not surprisingly, the Roman god Neptune was depicted in a series of massive gilt-and-stucco bas-relief panels, driving I his chariot across the waters, shaking his trident to bring down floods, saving a damsel from a satyr. Artificial light glowed from a five-tiered fountain of glass. The chairs were blond wood, the occasional tables lacquered in black. A wide marble staircase curved up to the mezzanine, where I could see black pedestals set in green fluted niches, each bearing an urn filled with fresh flowers.

  The lobby walls were curved, with banquettes covered in a fabric that mimicked undulating sea grasses. Swing tunes playing at almost subliminal levels. Two lines had formed in front of the marble-sheathed reception desk-guests checking in, picking up messages, conversing with the staff.

  Reba paused to get her bearings and then said, "Wait here."

  I took a seat in a curved-back chair, one of four arranged around an etched-glass coffee table. In the center was a crystal bowl in which gardenias floated. I watched as she crossed to the concierge, a middle-aged man in a tuxedo. His desk was a sinuous curve of inlaid woods, banded in chrome and topped with a green glass counter, subtly lighted from below. She removed a manila mailing pouch from her purse, wrote something on the front, and handed it to him. After a brief conversation, he placed the manila envelope on a credenza against the wall behind his desk. She asked him a question. He consulted his files and extracted a white envelope, which he handed to her. She put it in her purse and then crossed to the house phone and picked up the handset. She had a conversation with someone and then returned. "We're meeting in the cocktail lounge."

  "Oh, happy day. Can I join you?"

  "Don't be a smartass. Of course."

  The cocktail lounge was located on the far side of the lobby, across from the elevators. The bar itself was a streamlined curve, sheathed in glass panels that were etched with coral reefs, sea creatures, and goddesses in various states of undress. The space was large and dark, the indirect lighting augmented by a votive candle in the center of each table. The place was almost empty, but I was guessing that within the hour the bar would start filling up with hotel guests, starlets, hookers, and local business types.

  Reba snagged a table close to the door. It was only 3:10, but knowing Reba, she'd be ready for a drink. A cocktail waitress wearing a snug gold satin vest, matching shorts, and gold mesh hose, delivered an order of drinks to a nearby table and then approached ours. Reba said, "We're expecting someone else."

  "You want to order now or wait?"

  "Now is fine."

  The waitress looked to me.

  "I'll have coffee," I said, already focused on the drive ahead. This was Saturday so at least we wouldn't have to deal with rush-hour traffic, but it would still be a hard couple of hours, given the seven and a half we'd done.

  "And for you ?"

  "Vodka martini with three olives and a double whiskey for my friend."

  The waitress moved toward the bar.

  "I don't get it," I said. "You know drinking's a parole violation. If Holloway finds out, she'll come down on you like a ton of bricks."

  "Oh, please. It's not like I'm doing drugs."

  "But you're doing everything else. Don't you want to hang on to your freedom?"

  "Hey, you know what? I was free when I was in. I didn't drink or smoke or do drugs or screw around with any dumb-ass guys. You know what I did? I picked up computer skills. I learned to upholster a chair, which I'll bet you sure as shit can't do. I read books and made the kind of friends who'd give their lives for me. I didn't know how happy I was till I got out in this kiss-ass world. I don't give a shit about Holloway. She can do anything she wants."

  "Okay by me. It's your lookout," I said.

  Reba's sullen gaze was fixed on the bank of elevators directly across from us. Above each elevator there was an old-fashioned half moon of brass, with a moving brass arrow indicating the progress of the elevators going up or coming down. I watched as the last elevator in line paused at the eighth floor and then worked its way down. The doors slid open and Marty Blumberg emerged. Reba waved and he headed in our direction. When he reached our table, she tilted her head so he could kiss her cheek. "You're lookin' good," he said.

  "Thanks. So are you."

  Marty pulled out a chair with a glance at me. "Nice seeing you again," he said. His attention shifted back to her. "Everything okay?"

  "We're cool. I left something for you at the desk. Thanks for this," she said, patting her bag.

  He reached into the pocket of his sport coat and took out a claim check that he slid across the table.

  "What's this for?"

  "Surprise. A little something extra," he said.

  Reba glanced at the claim check and slipped it in her purse. "I hope it's something good."

  "I think you'll like it," he said. "What's your timetable? Can you hang out long enough to have dinner with me?"

  I opened my mouth to protest, but Reba surprised me by wrinkling her nose, saying, "Nah, better not. Kinsey's anxious to get home. Maybe some other time."

  "God willing and the creek don't rise."

  Marty took out a cigarette pack and placed it on the table. Without asking, Reba helped herself to one, which she stuck between her teeth, giving it a waggle to request a light. Marty picked up a packet of hotel matches, struck one, held the flame to her cigarette, and then fired up one for himself.

  The waitress returned with our order, placing the bill at Marty's elbow. Reba took a sip of her martini and closed her eyes, savoring the vodka with such reverence that I could almost taste it myself. The two of them launched into an inconsequential conversation. I was peripherally included, but it was all low-key chat, a series of drifting subjects that didn't signify much of anything as far as I could tell. I drank two cups of coffee while they tossed down their drinks and ordered a second round. Neither showed the slightest sign of inebriation. Marty's face was more flushed than I'd seen it, but he was in control of himself. Eventually their cigarette smoke began to get on my nerves. I excused myself and retired to the ladies' room, where I wasted as much time as I dared before returning to the table. I sat down again and sneaked a look at my watch. We'd been in the hotel bar forty-five minutes and I was ready to hit the road.

  Reba leaned forward and put a hand on Marty's arm. "We probably ought to get going. I'll make a quick trip to the loo and meet the two of you out there." She tipped her glass and sucked down the rest of her drink, chomping on the olive as she moved toward the ladies' room.

  I watched Marty calculate a tip and sign the drinks off to Room 817. "How lo
ng have you been here?" I asked.

  "Couple of days."

  "I take it you won't be driving back with us."

  "Don't think so," he said, amused.

  I didn't see the humor myself, but whatever he and Reba'd cooked up between them had left him feeling smug.

  "What happened with your phone? Was the line tapped or not?"

  "Don't know. I decided not to hang around and find out."

  He pocketed his copy of the receipt and then got up, holding my chair politely. The two of us moved toward the elevators and stood together saying nothing while we waited for Reba. Across the lobby, I saw her emerge from the ladies' room. Marty's gaze followed mine. I saw his focus shift to the left. Two men in chinos and sport coats were crossing the lobby with purposeful strides. I thought they were heading for the cocktail lounge. I turned and looked behind me, half-expecting to see what was generating such urgency. Marty took a step to one side to get out of their path. One man caught the doors to the nearest elevator before they slid shut. He stepped in and extended his hand again as though to hold the door for his friend. The second man bumped up against Marty, who said, "Hey, watch it!"

  The man gripped Marty's arm, his forward motion forcing Marty to walk in lockstep into the waiting elevator. Marty flailed and struggled to free himself. He might have succeeded, but one of the two men knocked his feet out from under him. Marty went down on his back, flinging his arms across his face to ward off the savage kick he could see coming at him. The shoe made contact with a wet, thick sound that opened a split in his cheek. The other man pressed the button. In that moment before the doors slid shut, Marty's gaze caught mine.

  I said, "Marty?"

  The doors closed and the floor indicator moved up.

  Two other people in the lobby turned to see what was wrong, but by then everything appeared to be normal. The entire sequence took no more than fifteen seconds.

  Reba reached my side, her eyes enormous, the color draining out of her cheeks. "We gotta get out of here."

  I banged on the Up button, transfixed by the sight of the arrow as it inched toward the eighth floor and came to a halt. Fear was bathing my internal organs with sufficient acid to eat through my chest wall. Two elevators down, the doors slid open. I grabbed her arm and turned her toward the lobby. "Go get hotel security and tell 'em we need help."

  She pulled at my fingers and then lifted her elbow and swung upward to break my grip. "Bullshit. Get off me. Marty's on his own."

  I didn't have time to argue. I pushed her as though I could propel her all the way to the front desk, and then I got on the waiting elevator and pushed the button for 8. I had no faith whatever that she'd do as I said. My heart thumped as adrenaline pushed through my system like a drug rush. I needed a game plan, but I didn't know what I was facing. As the elevator climbed, I searched my shoulder bag, though I already knew there was nothing in it in the way of weapons. No gun, no penknife, no pepper spray.

  The elevator doors slid open on 8. I stepped into the hall and trotted to the T intersection where the long and short corridors met. I spotted the sign indicating which grouping of room numbers were located on the left and which were on the right, but I could barely make sense of it. I was talking to myself, a litany of cuss words and instructions. I heard a muffled shout of pain, someone banging into a wall somewhere to my left. I race-walked in that direction, scanning room numbers as I went. The hall had a claustrophobic feel to it, Nile green paint, a low ceiling that consisted of four thick cutaway layers stair-stepped back from a central panel of dull artificial light. Every twenty feet there were fluted niches of the sort I'd seen when looking up from the lobby toward the mezzanine. In each niche, there were two black lacquered wooden chairs arranged on each side of a round, glass-topped table set with an urn of fresh flowers. I picked up a chair and held it in front of me, searching for 817 at a pace that reminded me of dreams I'd had: I couldn't make my body move. I walked but I didn't seem to get anywhere.

  The door to Marty's room was ajar. I kicked it inward, but the two guys were already on their way out, dragging Marty between them. I was saying Pick-one-pick-one-pick-one to myself, so I chose the guy on my right and thrust hard, hitting him bang-on in the face with the legs of the chair. I made contact, jamming hard. The sound he made was savage but the blow didn't seem to do any harm. He grabbed the chair, wrenching it out of my hands. I saw his fist coming at me, low and fast, smacking into my solar plexus with a paralyzing punch that put me down on my butt. The sour taste of regurgitated coffee rose in my throat in a blinding burst of nausea. I couldn't catch my breath and for a terrifying few minutes I thought I'd suffocate where I sat. I looked up in time to see the chair coming down at me. I felt the bang and registered the jolt, but no pain. I was gone.

  29

  I was lying on a bed, caught up in a confusion of conversations, which seemed to be about me. It reminded me of car trips as a kid, listening to the low, lazy buzz of adults talking in the front seat while I snoozed in the rear. I experienced the same sweet certainty that if I could just remain still, feigning sleep, others would take responsibility for the journey. Something flat and icy cold was pressed against the side of my head, causing a stinging sensation so sharp that I hissed. Someone put the towel-wrapped ice pack in my hand and encouraged me to hold it myself at a pressure I could tolerate.

  The hotel doctor arrived and spent an inordinate amount of time checking my vital signs, making sure I still knew my name, the date, and how many fingers he was holding up - a number he varied in an attempt to trick and deceive. There was talk of paramedics, whose services I declined. Next thing I knew, there were two more guys in the room. One I gathered was the head of hotel security, a hefty gentleman in a business suit with a gaping lapel. I caught a glimpse of leather that I hoped was a shoulder holster and not a back brace. The notion of a man with a gun was comforting. He was in his sixties, balding and beefy-faced with a thick gray mustache. The man with him, I was guessing, was part of the hotel-management team. I turned my head slightly. A third man appeared in the doorway with a walkie- talkie in his hand. He was slim, in his forties, sporting what was surely a toupee. He entered and conferred with the other two.

  The beefy-faced guy with the mustache introduced himself, saying, "I'm Mr. Fitzgerald, hotel security. This is my associate, Mr. Preston, and the manager, Mr. Shearson. How do you feel?"

  I said, "Fine," which was ridiculous, as I was flat on my back with a very tender lump on my head. Someone had removed my shoes and put a blanket over me that really wasn't warm enough.

  The manager leaned close to Fitzgerald and spoke to him as though I wasn't there. "I notified corporate. The attorney suggested we have her sign a waiver, releasing us from any liability..." He glanced at me and then lowered his voice.

  There was a squawk from the walkie-talkie. Mr. Preston retired to the corridor and conducted his conversation beyond my hearing. When he returned moments later, he chatted with Fitzgerald, but in a tone so subdued I couldn't pick up the content. The manager excused himself and after a brief conference Mr. Preston left as well.

  I struggled to get my bearings. They had apparently settled me in an empty guest room, though I didn't remember how I'd arrived. For all I knew, they'd dragged me through the halls by my heels. I could see a desk, sofa, two upholstered chairs, and the Art Deco armoire that housed the minibar and TV. I'd never stayed in such an upscale hotel so it was all a revelation to me. The management at the Paradise in Reno could take a lesson from the Neptune when it came to interior design. I adjusted my ice pack and said, "What happened to Marty?"

  Fitzgerald said, "We don't know. They managed to get him out of the building without being seen. I had the parking lot attendant check for his car, but someone had already claimed it and had driven it away. No one remembered the driver so we're not sure if Mr. Blumberg left on his own or in the company of the men who abducted him."

  "Poor guy."

  "The police are here talking to the woman with
you. They'd like to ask you a few questions when you're up to it."

  "I don't remember much, but sure," I said. In truth, I didn't feel like conversation. I was cold. The knot on the side of my head throbbed sharply with every beat of my pulse. My midsection was sore. I had no idea what Reba was telling them, but I suspected she'd be less than candid. The whole situation was too complicated to explain, especially since I didn't know how much the feds considered confidential. I was sick about Marty. My last glimpse of him - cheek split, blood running down the side of his face - he'd seemed resigned to his fate, like a man being hauled off to the gas chamber, priest at his side. It was the dread in his eyes I found haunting, as though he knew that something far worse was in store for him. I wanted to rewind the reel of film, let events unfold again so I could find a way to help him.

 

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