"Oh?" said the large, youthful, obviously athletic steward, a touch of resentment in his wide, embarrassed brown eyes. "You are the mon with Boss Saint Jay's sister?"
"I'm her husband. Who the fuck are you?"
"I am first head steward of the second floor, sir! Soon I will be on the first floor because I am very good. I am also a very fine fighter-my father taught me, although he is old now, like you. Do you wish to fight more? I think I can beat you! You have gray in your hair-"
"Shut up! ... What's the beeper all about?" asked Jason, holding up the small brown plastic instrument as he crawled off the young waiter.
"I don't know, mon-sir! Bad things have happened. We are told that if we see men running on the staircases we should press the buttons."
"Why?"
"The lifts, sir. Our very fast elevators. Why would guests use the stairs?"
"What's your name?" asked Bourne, replacing his hat and, sunglasses.
"Ishmael, sir."
"Like in Moby Dick?"
"I do not know such a person, sir."
"Maybe you will."
"Why?"
"I'm not sure. You're a very good fighter."
"I see no connection, mon-sir."
"Neither do I." Jason got to his feet. "I want you to help me, Ishmael. Will you?"
"Only if your brother permits it."
"He will. He is my brother."
"I must hear it from him, sir."
"Very good. You doubt me."
"Yes, I do, sir," said Ishmael, getting to his knees and reassembling the tray, separating the broken dishes from the whole ones. "Would you take the word of a strong man with gray in his hair who runs down the stairs and attacks you and says things anyone could say? ... If you wish to fight, the loser must speak the truth. Do you wish to fight?"
"No, I do not wish to fight and don't you press it. I'm not that old and you're not that good, young man. Leave the tray and come with me. I'll explain to Mr. St. Jacques, who, I remind you, is my brother-my wife's brother. To hell with it, come on!"
"What do you want me to do, sir?" asked the steward, getting to his feet and following Jason.
"Listen to me," said Bourne, stopping and turning on the steps above the first-floor landing. "Go ahead of me into the lobby and walk to the front door. Empty ashtrays or something and look busy, but keep glancing around. I'll come out in a few moments and you'll see me go over and talk to Saint Jay and four priests, who'll be with him-"
"Priests?" interrupted the astonished Ishmael. "Men of the cloth, sir? Four of them? What they doing here, mon? More bad things happen? The obeah?"
"They came here to pray so the bad things will stop-no more obeah. But what's important to me is that I must speak to one of them alone. When they leave the lobby, this priest I have to see may break away from the others to be by himself ... or possibly to meet someone else. Do you think you could follow him without his seeing you?"
"Would Mr. Saint Jay tell me to do that?"
"Suppose I have him look over at you and nod his head."
"Then I can do it. I am faster than the mongoose and, like the mongoose, I know every foot trail on Tranquility. He goes one way, I know where he's going and will be there first. ... But how will I know which priest? More than one may go off by himself."
"I'll talk to all four separately. He'll be the last one."
"Then I will know."
"That's pretty fast thinking," said Bourne. "You're right; they could separate."
"I think good, mon. I am fifth in my class at 'Serrat's Technical Academy. The four ahead of me are all girls, so they don't have to work."
"That's an interesting observation-"
"In five or six years I'll have the money to attend the university in Barbados!"
"Maybe sooner. Go on now. Walk into the lobby and head for the door. Later, after the priests leave, I'll come out looking for you, but I won't be in this uniform, from any distance you won't know me. If I don't find you, meet me in an hour– Where? Where's a quiet place?"
"Tranquility Chapel, sir. The path in the woods above the east beach. No one ever goes there, even on the Sabbath."
"I remember it. Good idea."
"There is a remaining subject, sir-"
"Fifty dollars, American."
"Thank you, sir!"
Jason waited by the door for ninety seconds, then opened it barely an inch. Ishmael was in place by the entrance, and he could see John St. Jacques talking with the four priests several feet to the right of the front desk. Bourne tugged at his jacket, squared his shoulders in military fashion, and walked out into the lobby toward the priests and the owner of Tranquility Inn.
"It's an honor and a privilege, Fathers," he said to the four black clerics as a surprised and curious St. Jacques watched him. "I'm new here in the islands and I must say I'm very impressed. The government is particularly pleased that you saw fit to help calm our troubled waters," continued Jason, his hands clasped firmly behind his back. "For your efforts, the Crown governor has authorized Mr. St. Jacques here to issue you a check in the amount of one hundred pounds for your church-to be reimbursed by the treasury, of course."
"It is such a magnificent gesture, I hardly know what to say," intoned the vicar, his high lilting voice sincere.
"You could tell me whose idea it was," said the Chameleon. "Most touching, most touching, indeed."
"Oh, I cannot take the credit, sir," replied the vicar, looking, as the two others did, at the fourth man. "It was Samuel's. Such a good and decent leader of our flock."
"Good show, Samuel." Bourne stared briefly, his eyes penetrating, at the fourth man. "But I should like to thank each of you personally. And know your names." Jason went down the line shaking the three hands and quietly exchanging pleasantries. He came to the last priest, whose eyes kept straying away from his. "Of course I know your name, Samuel," he said, his voice even lower, barely audible. "And I should like to know whose idea it was before you took the credit."
"I don't understand you," whispered Samuel.
"Certainly you do-such a good and decent man-you must have received another very generous contribution."
"You mistake me for someone else, sir," mumbled the fourth priest, his dark eyes for an instant betraying deep fear.
"I don't make mistakes, your friend knows that. I'll find you, Samuel. Maybe not today, but surely tomorrow or the day after that." Bourne raised his voice as he released the cleric's hand. "Again, the government's profound thanks, Fathers. The Crown is most grateful. And now I must be on my way; a dozen telephone calls should be answered. ... Your office, St. Jacques?"
"Yes, of course, General."
Inside the office, Jason took out his automatic and tore off the uniform as he separated the pile of clothing Marie's brother had brought for him. He slipped on a pair of knee-length gray Bermuda walking shorts, chose a red-and-white-striped guayabera jacket, and the widest-brimmed straw hat. He removed his socks and shoes, put on the sandals, stood up and swore. "Goddamn it!" He kicked off the sandals and shoved his bare feet back into his heavy rubber-soled shoes. He studied the various cameras and their accessories, choosing the lightest but most complicated, and crossed the straps over his chest. John St. Jacques walked into the room carrying a small hand-held radio.
"Where the hell did you come from? Miami Beach?"
"Actually, a little north-say, Pompano. I'm not that gaudy. I won't stand out."
"Actually, you're right. I've got people out there who'd swear you were old-time Key West conservative. Here's the radio."
"Thanks." Jason put the compact instrument into his breast pocket.
"Where to now?"
"After Ishmael, the kid I had you nod at."
"Ishmael? I didn't nod at Ishmael, you simply said I should nod my head at the entrance."
"Same thing." Bourne squeezed the automatic under his belt beneath the guayabera and looked at the equipment brought from the tackle shop. He picked up the reel of one-hundred-tes
t line and the scaling knife, placing both in his pockets, then opened an empty camera case and put the two distress flares inside. It was not everything he wanted, but it was enough. He was not who he was thirteen years ago and he was not so young even then. His mind had to work better and faster than his body, a fact he reluctantly accepted. Damn!
"That Ishmael's a good boy," said Marie's brother. "He's pretty smart and strong as a prize Saskatchewan steer. I'm thinking of making him a guard in a year or so. The pay's better."
"Try Harvard or Princeton if he does his job this afternoon."
"Wow, that's a wrinkle. Did you know his father was the champion wrestler of the islands? Of course, he's sort of getting on now-"
"Get the hell out of my way," ordered Jason, heading for the door. "You're not exactly eighteen, either!" he added, turning briefly before he let himself out.
"Never said I was. What's your problem?"
"Maybe it's the sandbar you never saw, Mr. Security." Bourne slammed the door as he ran out into the hallway.
"Touchy, touchy." St. Jacques slowly shook his head as he unclenched his thirty-four-year-old fist.
Nearly two hours had passed and Ishmael was nowhere to be found! His leg locked in place as if crippled, Jason limped convincingly from one end of Tranquility Inn's property to the other, his eye focused through the mirrored lens of the camera, seeing everything, but no sign of young Ishmael. Twice he had gone up the path into the woods to the isolated square structure of logs, thatched roof and stained glass that was the multidenominational chapel of the resort, a sanctuary for meditation built more for its quaint appearance than for utility. As the young black steward had observed, it was rarely visited but had its place in vacation brochures.
The Caribbean sun was growing more orange, inching its way down toward the water's horizon. Soon the shadows of sundown would crawl across Montserrat and the out islands. Soon thereafter darkness would come, and the Jackal approved of darkness. But then, so did the Chameleon.
"Storage room, anything?" said Bourne into his radio.
"Rien, monsieur."
"Johnny?"
"I'm up on the roof with six scouts at all points. Nothing."
"What about the dinner, the party tonight?"
"Our meteorologist arrived ten minutes ago by boat from Plymouth. He's afraid to fly. ... And Angus tacked a check for ten thousand on the bulletin board, signature and payee to be entered. Scotty was right, all seven couples will be there. We're a society of who-gives-a-shit after an appropriate few minutes of silence."
"Tell me something I don't know, Bro. ... Out. I'm heading back to the chapel."
"Glad to hear somebody goes there. A travel bastard in New York said it'd be a nice touch, but I haven't heard from him since. Stay in touch, David."
"I will, Johnny," replied Jason Bourne.
The path to the chapel was growing dark, the tall palms and dense foliage above the beach hastening nature's process by blocking the rays of the setting sun. Jason was about to turn around and head for the tackle shop and a flashlight when suddenly, as if on photoelectric cue, blue and red floods came alive, shooting their wide circles of light up from the ground into the palms above. For a moment Bourne felt that he had abruptly, too abruptly, entered a lush Technicolor tunnel cut out of tropical forest. It was disorienting, then disturbing. He was a moving, illuminated target in a garishly colored gallery.
He quickly walked into the underbrush beyond the border of floodlights, the nettles of the wild shrubbery stinging his bare legs. He went deeper into the enveloping foliage and continued in the now semidarkness toward the chapel, his pace slow, difficult, the moist branches and vines tangling about his hands and feet. Instinct. Stay out of the light, the gaudy bombastic lights that belonged more properly to an island carnivale.
A blunt sound! A thud that was no part of the shoreline woods. Then the start of a moan growing into a convulsion-stopped, thwarted ... suppressed? Jason crouched and foot by foot broke through the inhibiting, succeeding walls of bush until he could see the thick cathedral door of the chapel. It was partially open, the soft, pulsating glow of the electric candles penetrating the wash of the red and blue floods on the outside path.
Think. Memory. Remember! He had been to the chapel only once before, humorously berating his brother-in-law for spending good money on a useless addition to Tranquility Inn.
At least it's quaint, St. Jacques had said.
It ain't, Bro, Marie had replied. It doesn't belong. This isn't a retreat.
Suppose someone gets bad news You know, really bad-
Get him a drink, David Webb had said.
Come on inside. I've got symbols of five different religions in stained glass, including Shinto.
Don't show your sister the bills on this one, Webb had whispered.
Inside. Was there a door inside? Another exit? ... No, there was not. Only five or six rows of pews, then a railing of some sort in front of a raised lectern, beneath primitive stained-glass windows done by native artisans.
Inside. Someone was inside. Ishmael? A distraught guest of Tranquility? A honeymooner who had sudden, deep reservations embarrassingly too late? He again reached into his breast pocket for the miniaturized radio. He brought it to his lips and spoke softly.
"Johnny?"
"Right here on the roof."
"I'm at the chapel. I'm going inside."
"Is Ishmael there?"
"I don't know. Someone is."
"What's wrong, Dave? You sound-"
"Nothing's wrong," interrupted Bourne. "I'm just checking in. ... What's behind the building? East of it."
"More woods."
"Any paths?"
"There was one several years ago; it's overgrown by now. The construction crews used it to go down to the water. ... I'm sending over a couple of guards-"
"No! If I need you, I'll call. Out." Jason replaced the radio and, still crouching, stared at the chapel door.
Silence now. No sound at all from inside, no human movement, nothing but the flickering "candlelight." Bourne crept to the border of the path, removed the camera equipment and the straw hat and opened the case holding the flares. He removed one, inserted it under his belt, and took out the automatic beside it. He reached into the left pocket of his guayabera jacket for his lighter, gripping it in his hand as he got to his feet, and walked quietly, rapidly, to the corner of the small building-this unlikely sanctuary in the tropical woods above a tropical beach. Flares and the means to light them went back long before Manassas, Virginia, he considered, as he inched his way around the corner toward the chapel's entrance. They went back to Paris-thirteen years ago to Paris, and a cemetery in Rambouillet. And Carlos. ... He reached the frame of the partially opened door and slowly, cautiously moved his face to the edge and looked inside.
He gasped, his breath suspended, the horror filling him as disbelief and fury spread within him. On the raised platform in front of the rows of glistening wood was the young Ishmael, his body bent forward over the lectern, his arms hanging down, his dark face bruised and lacerated, blood trickling out of his mouth onto the floor. The guilt overwhelmed Jason; it was sudden and complete and devastating, the words of the old Frenchman screaming in his ears: Others may die, innocent people slaughtered.
Slaughtered! A child had been slaughtered! Promises were implied, but death had been delivered. Oh, Christ, what have I done? ... What can I do?
Sweat pouring down his face, his eyes barely focusing, Bourne ripped the distress flare out of his pocket, snapped the lighter and, trembling, held it to the red tip. Ignition was instant; the white fire spewed out in white heat, hissing like a hundred angry snakes. Jason threw it into the chapel toward the far end, leaped through the frame, pivoted, and slammed the heavy door shut behind him. He lunged to the floor below the last row, pulled the radio from his pocket and pushed the Send button.
"Johnny, the chapel. Surround it!" He did not wait for St. Jacques's reply; that there was a voice was enough. The
automatic in his hand, the hissing flare continuously erupting as shafts of color shot down from the stained-glass windows, Bourne crept to the far aisle, his eyes moving constantly, seeking out everything he no longer remembered about Tranquility Inn's chapel. The one place where he could not look again was the lectern that held the body of the child he had killed. ... On both sides of the raised platform were narrow draped archways, like scenic doors on a stage leading to minimum wing space, entrances both left and right. Despite the anguish he felt, there welled up in Jason Bourne a deep sense of satisfaction, even of morbid elation. The lethal game was his for the winning. Carlos had mounted an elaborate trap and the Chameleon had reversed it, Medusa's Delta had turned it around! Behind one of those two draped archways was the assassin from Paris.
Bourne got to his feet, his back pressed against the right wall, and raised his gun. He fired twice into the left archway, the drapes fluttering with each shot, as he sprang behind the last row, scrambling to the far side, getting to his knees and firing twice more into the archway on the right.
A figure lunged in panic through the drapes, clutching the cloth as it fell forward, the dark red fabric ripped from the hooks, bunched around the target's shoulders as he fell to the floor. Bourne rushed forward, screaming Carlos's name, firing again and again until the automatic's magazine was empty. Suddenly, from above there was an explosion, blowing out a whole section of stained glass high on the left wall. As the colored fragments shot through the air and down onto the floor, a man on a ledge outside moved into the center of the open space above the hissing, blinding flare.
"You're out of bullets," said Carlos to the stunned Jason Bourne below. "Thirteen years, Delta, thirteen loathsome years. But now they'll know who won."
The Jackal raised his gun and fired.
17
The searing ice-cold heat ripped through his neck as Bourne lunged over the pews, crashing down between the second and third rows, smashing his head and his hips on the glistening brown wood as he clawed at the floor. His vision spun out of control as a cloud of darkness enveloped him. In the distance, far, far away, he heard the sound of voices shouting hysterically. Then the darkness was complete.
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